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Color name
RGB 217 235 225

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 235 225 it is the complementary color RGB 38 20 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 235 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 235 225 shade: RGB 222 235 220 and RGB 239 253 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 235 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 235 225 shade: RGB 217 235 225, RGB 200 217 206, RGB 183 199 187, RGB 166 181 168 and RGB 149 163 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 235 225 shade: RGB 218 235 225, RGB 218 235 221, RGB 219 235 218, RGB 224 235 218 and RGB 229 235 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 235 225 shade: RGB 218 235 225, RGB 218 235 230, RGB 218 235 235, RGB 218 231 235 and RGB 218 226 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 235 225 shade matches the following richer shades: RGB 218 235 225, RGB 213 240 225, RGB 209 244 224, RGB 204 249 224 and RGB 200 253 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 235 225 shade: RGB 218 235 225, RGB 222 231 226, RGB 227 226 226, RGB 231 222 227 and RGB 236 217 227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 235 225 shade: RGB 219 235 218, RGB 218 235 221, RGB 218 235 225, RGB 218 235 230 and RGB 218 235 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 235 225 shade: RGB 164 207 183, RGB 191 221 204, RGB 218 235 225 and RGB 245 249 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 235 225 shade: RGB 217 235 225, RGB 218 224 235 and RGB 235 218 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 235 225 shade: RGB 217 235 225, RGB 225 218 235 and RGB 235 225 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 235 225 shade: RGB 217 235 225, RGB 218 224 235, RGB 235 218 228 and RGB 235 229 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 235 225 shade: RGB 217 235 225, RGB 218 219 235, RGB 235 218 228 and RGB 235 234 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 4 / 8

HEX #D9EBE1

RGB 217 235 225

HSL 146.67, 0.31%, 0.89%

LAB 91.51, -7.78, 2.8

 

Complementary color

CMYK 0 / 47 / 21 / 85

HEX #26141E

RGB 38 20 30

HSL 326.67, 0.31%, 0.11%

LAB 9.04, 11.14, -3.17

 

CMYK 6 / 0 / 6 / 8

HEX #DEEBDC

RGB 222 235 220

HSL 112, 0.27%, 0.89%

LAB 91.74, -7.01, 5.78

 

CMYK 6 / 0 / 6 / 1

HEX #EFFDEF

RGB 239 253 239

HSL 120, 0.78%, 0.96%

LAB 97.97, -7.07, 5.1

 

CMYK 8 / 0 / 4 / 8

HEX #D9EBE1

RGB 217 235 225

HSL 146.67, 0.31%, 0.89%

LAB 91.51, -7.78, 2.8

 

CMYK 8 / 0 / 5 / 15

HEX #C8D9CE

RGB 200 217 206

HSL 141.18, 0.18%, 0.82%

LAB 85.18, -7.75, 3.45

 

CMYK 8 / 0 / 6 / 22

HEX #B7C7BB

RGB 183 199 187

HSL 135, 0.13%, 0.75%

LAB 78.75, -7.72, 4.13

 

CMYK 8 / 0 / 7 / 29

HEX #A6B5A8

RGB 166 181 168

HSL 128, 0.09%, 0.68%

LAB 72.22, -7.69, 4.84

 

CMYK 9 / 0 / 9 / 36

HEX #95A395

RGB 149 163 149

HSL 120, 0.07%, 0.61%

LAB 65.56, -7.67, 5.58

 

CMYK 7 / 0 / 4 / 8

HEX #DAEBE1

RGB 218 235 225

HSL 144.71, 0.3%, 0.89%

LAB 91.58, -7.45, 2.91

 

CMYK 7 / 0 / 6 / 8

HEX #DAEBDD

RGB 218 235 221

HSL 130.59, 0.3%, 0.89%

LAB 91.48, -8.17, 4.85

 

CMYK 7 / 0 / 7 / 8

HEX #DBEBDA

RGB 219 235 218

HSL 116.47, 0.3%, 0.89%

LAB 91.48, -8.37, 6.42

 

CMYK 5 / 0 / 7 / 8

HEX #E0EBDA

RGB 224 235 218

HSL 98.82, 0.3%, 0.89%

LAB 91.83, -6.68, 6.98

 

CMYK 3 / 0 / 7 / 8

HEX #E5EBDA

RGB 229 235 218

HSL 81.18, 0.3%, 0.89%

LAB 92.19, -4.97, 7.54

 

CMYK 7 / 0 / 4 / 8

HEX #DAEBE1

RGB 218 235 225

HSL 144.71, 0.3%, 0.89%

LAB 91.58, -7.45, 2.91

 

CMYK 7 / 0 / 2 / 8

HEX #DAEBE6

RGB 218 235 230

HSL 162.35, 0.3%, 0.89%

LAB 91.7, -6.53, 0.48

 

CMYK 7 / 0 / 0 / 8

HEX #DAEBEB

RGB 218 235 235

HSL 180, 0.3%, 0.89%

LAB 91.83, -5.6, -1.94

 

CMYK 7 / 2 / 0 / 8

HEX #DAE7EB

RGB 218 231 235

HSL 194.12, 0.3%, 0.89%

LAB 90.81, -3.55, -3.44

 

CMYK 7 / 4 / 0 / 8

HEX #DAE2EB

RGB 218 226 235

HSL 211.76, 0.3%, 0.89%

LAB 89.53, -0.98, -5.32

 

CMYK 7 / 0 / 4 / 8

HEX #DAEBE1

RGB 218 235 225

HSL 144.71, 0.3%, 0.89%

LAB 91.58, -7.45, 2.91

 

CMYK 11 / 0 / 6 / 6

HEX #D5F0E1

RGB 213 240 225

HSL 146.67, 0.47%, 0.89%

LAB 92.53, -11.61, 4.25

 

CMYK 14 / 0 / 8 / 4

HEX #D1F4E0

RGB 209 244 224

HSL 145.71, 0.61%, 0.89%

LAB 93.29, -15.09, 5.84

 

CMYK 18 / 0 / 10 / 2

HEX #CCF9E0

RGB 204 249 224

HSL 146.67, 0.79%, 0.89%

LAB 94.3, -19.15, 7.25

 

CMYK 21 / 0 / 12 / 1

HEX #C8FDDF

RGB 200 253 223

HSL 146.04, 0.93%, 0.89%

LAB 95.1, -22.53, 8.88

 

CMYK 7 / 0 / 4 / 8

HEX #DAEBE1

RGB 218 235 225

HSL 144.71, 0.3%, 0.89%

LAB 91.58, -7.45, 2.91

 

CMYK 4 / 0 / 2 / 9

HEX #DEE7E2

RGB 222 231 226

HSL 146.67, 0.16%, 0.89%

LAB 90.86, -3.9, 1.38

 

CMYK 0 / 0 / 0 / 11

HEX #E3E2E2

RGB 227 226 226

HSL 0, 0.02%, 0.89%

LAB 89.96, 0.34, 0.11

 

CMYK 0 / 4 / 2 / 9

HEX #E7DEE3

RGB 231 222 227

HSL 326.67, 0.16%, 0.89%

LAB 89.29, 3.94, -1.36

 

CMYK 0 / 8 / 4 / 7

HEX #ECD9E3

RGB 236 217 227

HSL 328.42, 0.33%, 0.89%

LAB 88.45, 8.24, -2.54

 

CMYK 7 / 0 / 7 / 8

HEX #DBEBDA

RGB 219 235 218

HSL 116.47, 0.3%, 0.89%

LAB 91.48, -8.37, 6.42

 

CMYK 7 / 0 / 6 / 8

HEX #DAEBDD

RGB 218 235 221

HSL 130.59, 0.3%, 0.89%

LAB 91.48, -8.17, 4.85

 

CMYK 7 / 0 / 4 / 8

HEX #DAEBE1

RGB 218 235 225

HSL 144.71, 0.3%, 0.89%

LAB 91.58, -7.45, 2.91

 

CMYK 7 / 0 / 2 / 8

HEX #DAEBE6

RGB 218 235 230

HSL 162.35, 0.3%, 0.89%

LAB 91.7, -6.53, 0.48

 

CMYK 7 / 0 / 0 / 8

HEX #DAEBEB

RGB 218 235 235

HSL 180, 0.3%, 0.89%

LAB 91.83, -5.6, -1.94

 

CMYK 21 / 0 / 12 / 19

HEX #A4CFB7

RGB 164 207 183

HSL 146.51, 0.31%, 0.73%

LAB 79.58, -18.93, 7.3

 

CMYK 14 / 0 / 8 / 13

HEX #BFDDCC

RGB 191 221 204

HSL 146, 0.31%, 0.81%

LAB 85.58, -13.16, 5.01

 

CMYK 7 / 0 / 4 / 8

HEX #DAEBE1

RGB 218 235 225

HSL 144.71, 0.3%, 0.89%

LAB 91.58, -7.45, 2.91

 

CMYK 2 / 0 / 1 / 2

HEX #F5F9F7

RGB 245 249 247

HSL 150, 0.25%, 0.97%

LAB 97.58, -1.67, 0.48

 

CMYK 8 / 0 / 4 / 8

HEX #D9EBE1

RGB 217 235 225

HSL 146.67, 0.31%, 0.89%

LAB 91.51, -7.78, 2.8

 

CMYK 7 / 5 / 0 / 8

HEX #DAE0EB

RGB 218 224 235

HSL 218.82, 0.3%, 0.89%

LAB 89.02, 0.05, -6.07

 

CMYK 0 / 7 / 7 / 8

HEX #EBDADA

RGB 235 218 218

HSL 0, 0.3%, 0.89%

LAB 88.38, 5.83, 2.1

 

CMYK 8 / 0 / 4 / 8

HEX #D9EBE1

RGB 217 235 225

HSL 146.67, 0.31%, 0.89%

LAB 91.51, -7.78, 2.8

 

CMYK 4 / 7 / 0 / 8

HEX #E1DAEB

RGB 225 218 235

HSL 264.71, 0.3%, 0.89%

LAB 88.04, 5.48, -7.46

 

CMYK 0 / 4 / 7 / 8

HEX #EBE1DA

RGB 235 225 218

HSL 24.71, 0.3%, 0.89%

LAB 90.13, 2.21, 4.62

 

CMYK 8 / 0 / 4 / 8

HEX #D9EBE1

RGB 217 235 225

HSL 146.67, 0.31%, 0.89%

LAB 91.51, -7.78, 2.8

 

CMYK 7 / 5 / 0 / 8

HEX #DAE0EB

RGB 218 224 235

HSL 218.82, 0.3%, 0.89%

LAB 89.02, 0.05, -6.07

 

CMYK 0 / 7 / 3 / 8

HEX #EBDAE4

RGB 235 218 228

HSL 324.71, 0.3%, 0.89%

LAB 88.64, 7.56, -2.8

 

CMYK 0 / 3 / 7 / 8

HEX #EBE5DA

RGB 235 229 218

HSL 38.82, 0.3%, 0.89%

LAB 91.13, 0.15, 6.07

 

CMYK 8 / 0 / 4 / 8

HEX #D9EBE1

RGB 217 235 225

HSL 146.67, 0.31%, 0.89%

LAB 91.51, -7.78, 2.8

 

CMYK 7 / 7 / 0 / 8

HEX #DADBEB

RGB 218 219 235

HSL 236.47, 0.3%, 0.89%

LAB 87.76, 2.65, -7.94

 

CMYK 0 / 7 / 3 / 8

HEX #EBDAE4

RGB 235 218 228

HSL 324.71, 0.3%, 0.89%

LAB 88.64, 7.56, -2.8

 

CMYK 0 / 0 / 7 / 8

HEX #EBEADA

RGB 235 234 218

HSL 56.47, 0.3%, 0.89%

LAB 92.38, -2.4, 7.88

 

Description

Color code: RGB 217 235 225 | qconv.com Color code: RGB 217 235 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 235 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 235 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 4 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 4% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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