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Color name
RGB 217 209 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 209 94 it is the complementary color RGB 38 46 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 209 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 209 94 shade: RGB 222 209 89, RGB 239 227 108, RGB 255 245 127, RGB 255 255 146 and RGB 255 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 209 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 209 94 shade: RGB 217 209 94, RGB 200 191 75, RGB 183 173 56, RGB 166 155 37 and RGB 149 137 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 209 94 shade: RGB 217 209 93, RGB 217 175 93, RGB 217 142 93, RGB 217 109 93 and RGB 217 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 209 94 shade: RGB 217 209 93, RGB 191 217 93, RGB 158 217 93, RGB 125 217 93 and RGB 93 217 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 209 94 shade matches the following richer shades: RGB 217 209 93, RGB 233 223 77 and RGB 249 237 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 209 94 shade: RGB 217 209 93, RGB 201 195 109, RGB 185 181 126, RGB 168 167 142 and RGB 152 153 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 209 94 shade: RGB 217 143 93, RGB 217 176 93, RGB 217 208 93, RGB 192 217 93 and RGB 159 217 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 209 94 shade: RGB 185 175 43, RGB 209 199 60, RGB 217 209 93, RGB 225 218 127 and RGB 232 228 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 209 94 shade: RGB 217 209 94, RGB 93 217 110 and RGB 159 93 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 209 94 shade: RGB 217 209 94, RGB 93 217 208 and RGB 208 93 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 209 94 shade: RGB 217 209 94, RGB 93 217 110, RGB 93 102 217 and RGB 217 93 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 209 94 shade: RGB 217 209 94, RGB 93 217 147, RGB 93 102 217 and RGB 217 93 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 57 / 15

HEX #D9D15E

RGB 217 209 94

HSL 56.1, 0.62%, 0.61%

LAB 82.47, -11.75, 56.88

 

Complementary color

CMYK 76 / 71 / 0 / 37

HEX #262EA1

RGB 38 46 161

HSL 236.1, 0.62%, 0.39%

LAB 26.56, 37.56, -62.62

 

CMYK 0 / 6 / 60 / 13

HEX #DED159

RGB 222 209 89

HSL 54.14, 0.67%, 0.61%

LAB 82.83, -10.04, 59.62

 

CMYK 0 / 5 / 55 / 6

HEX #EFE36C

RGB 239 227 108

HSL 54.5, 0.8%, 0.68%

LAB 89.1, -10.75, 58.61

 

CMYK 0 / 4 / 50 / 0

HEX #FFF57F

RGB 255 245 127

HSL 55.31, 1%, 0.75%

LAB 95.2, -11.75, 57.4

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15E

RGB 217 209 94

HSL 56.1, 0.62%, 0.61%

LAB 82.47, -11.75, 56.88

 

CMYK 0 / 5 / 63 / 22

HEX #C8BF4B

RGB 200 191 75

HSL 55.68, 0.53%, 0.54%

LAB 76.1, -11.01, 57.82

 

CMYK 0 / 5 / 69 / 28

HEX #B7AD38

RGB 183 173 56

HSL 55.28, 0.53%, 0.47%

LAB 69.64, -10.12, 58.47

 

CMYK 0 / 7 / 78 / 35

HEX #A69B25

RGB 166 155 37

HSL 54.88, 0.64%, 0.4%

LAB 63.08, -9.04, 58.58

 

CMYK 0 / 8 / 88 / 42

HEX #958912

RGB 149 137 18

HSL 54.5, 0.78%, 0.33%

LAB 56.41, -7.71, 57.61

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15D

RGB 217 209 93

HSL 56.13, 0.62%, 0.61%

LAB 82.46, -11.82, 57.32

 

CMYK 0 / 19 / 57 / 15

HEX #D9AF5D

RGB 217 175 93

HSL 39.68, 0.62%, 0.61%

LAB 73.68, 5.8, 47.23

 

CMYK 0 / 35 / 57 / 15

HEX #D98E5D

RGB 217 142 93

HSL 23.71, 0.62%, 0.61%

LAB 65.66, 23.53, 37.58

 

CMYK 0 / 50 / 57 / 15

HEX #D96D5D

RGB 217 109 93

HSL 7.74, 0.62%, 0.61%

LAB 58.49, 40.89, 28.54

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15D

RGB 217 209 93

HSL 56.13, 0.62%, 0.61%

LAB 82.46, -11.82, 57.32

 

CMYK 12 / 0 / 57 / 15

HEX #BFD95D

RGB 191 217 93

HSL 72.58, 0.62%, 0.61%

LAB 82.64, -26.25, 56.99

 

CMYK 27 / 0 / 57 / 15

HEX #9ED95D

RGB 158 217 93

HSL 88.55, 0.62%, 0.61%

LAB 80.56, -38.77, 54.07

 

CMYK 42 / 0 / 57 / 15

HEX #7DD95D

RGB 125 217 93

HSL 104.52, 0.62%, 0.61%

LAB 78.91, -49.88, 51.74

 

CMYK 57 / 0 / 56 / 15

HEX #5DD95F

RGB 93 217 95

HSL 120.97, 0.62%, 0.61%

LAB 77.74, -58.45, 49.17

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15D

RGB 217 209 93

HSL 56.13, 0.62%, 0.61%

LAB 82.46, -11.82, 57.32

 

CMYK 0 / 4 / 67 / 9

HEX #E9DF4D

RGB 233 223 77

HSL 56.15, 0.78%, 0.61%

LAB 87.31, -13.22, 69.54

 

CMYK 0 / 5 / 76 / 2

HEX #F9ED3D

RGB 249 237 61

HSL 56.17, 0.94%, 0.61%

LAB 92.15, -14.22, 80.15

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15D

RGB 217 209 93

HSL 56.13, 0.62%, 0.61%

LAB 82.46, -11.82, 57.32

 

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

CMYK 0 / 2 / 32 / 27

HEX #B9B57E

RGB 185 181 126

HSL 55.93, 0.3%, 0.61%

LAB 72.81, -7.16, 28.6

 

CMYK 0 / 1 / 15 / 34

HEX #A8A78E

RGB 168 167 142

HSL 57.69, 0.13%, 0.61%

LAB 67.96, -4.02, 13.08

 

CMYK 4 / 3 / 0 / 38

HEX #98999E

RGB 152 153 158

HSL 230, 0.03%, 0.61%

LAB 63.28, 0.62, -2.75

 

CMYK 0 / 34 / 57 / 15

HEX #D98F5D

RGB 217 143 93

HSL 24.19, 0.62%, 0.61%

LAB 65.89, 22.99, 37.86

 

CMYK 0 / 19 / 57 / 15

HEX #D9B05D

RGB 217 176 93

HSL 40.16, 0.62%, 0.61%

LAB 73.93, 5.27, 47.53

 

CMYK 0 / 4 / 57 / 15

HEX #D9D05D

RGB 217 208 93

HSL 55.65, 0.62%, 0.61%

LAB 82.19, -11.32, 57.02

 

CMYK 12 / 0 / 57 / 15

HEX #C0D95D

RGB 192 217 93

HSL 72.1, 0.62%, 0.61%

LAB 82.71, -25.86, 57.09

 

CMYK 27 / 0 / 57 / 15

HEX #9FD95D

RGB 159 217 93

HSL 88.06, 0.62%, 0.61%

LAB 80.62, -38.41, 54.15

 

CMYK 0 / 5 / 77 / 27

HEX #B9AF2B

RGB 185 175 43

HSL 55.77, 0.62%, 0.45%

LAB 70.28, -10.89, 63.81

 

CMYK 0 / 5 / 71 / 18

HEX #D1C73C

RGB 209 199 60

HSL 55.97, 0.62%, 0.53%

LAB 78.88, -12.11, 66.82

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15D

RGB 217 209 93

HSL 56.13, 0.62%, 0.61%

LAB 82.46, -11.82, 57.32

 

CMYK 0 / 3 / 44 / 12

HEX #E1DA7F

RGB 225 218 127

HSL 55.71, 0.62%, 0.69%

LAB 85.85, -10.19, 45.48

 

CMYK 0 / 2 / 31 / 9

HEX #E8E4A0

RGB 232 228 160

HSL 56.67, 0.61%, 0.77%

LAB 89.48, -8.84, 33.75

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15E

RGB 217 209 94

HSL 56.1, 0.62%, 0.61%

LAB 82.47, -11.75, 56.88

 

CMYK 57 / 0 / 49 / 15

HEX #5DD96E

RGB 93 217 110

HSL 128.23, 0.62%, 0.61%

LAB 77.92, -56.49, 42.3

 

CMYK 27 / 57 / 0 / 15

HEX #9F5DD9

RGB 159 93 217

HSL 271.94, 0.62%, 0.61%

LAB 52.07, 49.78, -53.53

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15E

RGB 217 209 94

HSL 56.1, 0.62%, 0.61%

LAB 82.47, -11.75, 56.88

 

CMYK 57 / 0 / 4 / 15

HEX #5DD9D0

RGB 93 217 208

HSL 175.65, 0.62%, 0.61%

LAB 79.9, -36.46, -5.97

 

CMYK 4 / 57 / 0 / 15

HEX #D05DD9

RGB 208 93 217

HSL 295.65, 0.62%, 0.61%

LAB 58.27, 62.06, -43.3

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15E

RGB 217 209 94

HSL 56.1, 0.62%, 0.61%

LAB 82.47, -11.75, 56.88

 

CMYK 57 / 0 / 49 / 15

HEX #5DD96E

RGB 93 217 110

HSL 128.23, 0.62%, 0.61%

LAB 77.92, -56.49, 42.3

 

CMYK 57 / 53 / 0 / 15

HEX #5D66D9

RGB 93 102 217

HSL 235.65, 0.62%, 0.61%

LAB 48.06, 29.91, -60.3

 

CMYK 0 / 57 / 8 / 15

HEX #D95DC8

RGB 217 93 200

HSL 308.23, 0.62%, 0.61%

LAB 58.74, 61.54, -32.83

 

CMYK 0 / 4 / 57 / 15

HEX #D9D15E

RGB 217 209 94

HSL 56.1, 0.62%, 0.61%

LAB 82.47, -11.75, 56.88

 

CMYK 57 / 0 / 32 / 15

HEX #5DD993

RGB 93 217 147

HSL 146.13, 0.62%, 0.61%

LAB 78.5, -50.32, 24.35

 

CMYK 57 / 53 / 0 / 15

HEX #5D66D9

RGB 93 102 217

HSL 235.65, 0.62%, 0.61%

LAB 48.06, 29.91, -60.3

 

CMYK 0 / 57 / 25 / 15

HEX #D95DA3

RGB 217 93 163

HSL 326.13, 0.62%, 0.61%

LAB 57.29, 56.07, -13.77

 

Description

Color code: RGB 217 209 94 | qconv.com Color code: RGB 217 209 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 209 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 209 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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