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Color name
RGB 217 172 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 172 27 it is the complementary color RGB 38 83 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 172 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 172 27 shade: RGB 222 172 22, RGB 239 190 41, RGB 255 208 60, RGB 255 226 79 and RGB 255 244 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 172 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 172 27 shade: RGB 217 172 27, RGB 200 154 8, RGB 183 136 0, RGB 166 118 0 and RGB 149 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 172 27 shade: RGB 217 172 26, RGB 217 121 26, RGB 217 69 26 and RGB 217 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 172 27 shade: RGB 217 172 26, RGB 211 217 26, RGB 160 217 26, RGB 108 217 26 and RGB 57 217 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 172 27 shade matches the following richer shades: RGB 217 172 26 and RGB 237 183 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 172 27 shade: RGB 217 172 26, RGB 198 162 46, RGB 178 151 66, RGB 158 141 86 and RGB 138 130 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 172 27 shade: RGB 217 68 26, RGB 217 119 26, RGB 217 170 26, RGB 214 217 26 and RGB 163 217 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 172 27 shade: RGB 144 114 17, RGB 181 143 22, RGB 217 172 26, RGB 230 188 55 and RGB 234 201 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 172 27 shade: RGB 217 172 27, RGB 36 217 26 and RGB 93 26 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 172 27 shade: RGB 217 172 27, RGB 26 217 170 and RGB 170 26 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 172 27 shade: RGB 217 172 27, RGB 36 217 26, RGB 26 74 217 and RGB 208 26 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 172 27 shade: RGB 217 172 27, RGB 26 217 74, RGB 26 74 217 and RGB 217 26 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 88 / 15

HEX #D9AC1B

RGB 217 172 27

HSL 45.79, 0.78%, 0.48%

LAB 72.45, 4.25, 71.26

 

Complementary color

CMYK 83 / 64 / 0 / 11

HEX #2653E4

RGB 38 83 228

HSL 225.79, 0.78%, 0.52%

LAB 41.53, 38.59, -77.29

 

CMYK 0 / 23 / 90 / 13

HEX #DEAC16

RGB 222 172 22

HSL 45, 0.82%, 0.48%

LAB 72.95, 6.34, 72.91

 

CMYK 0 / 21 / 83 / 6

HEX #EFBE29

RGB 239 190 41

HSL 45.15, 0.86%, 0.55%

LAB 79.24, 4.66, 74.23

 

CMYK 0 / 18 / 76 / 0

HEX #FFD03C

RGB 255 208 60

HSL 45.54, 1%, 0.62%

LAB 85.35, 2.78, 74.42

 

CMYK 0 / 11 / 69 / 0

HEX #FFE24F

RGB 255 226 79

HSL 50.11, 1%, 0.65%

LAB 89.96, -5.52, 72.06

 

CMYK 0 / 4 / 62 / 0

HEX #FFF462

RGB 255 244 98

HSL 55.8, 1%, 0.69%

LAB 94.67, -13.37, 69.46

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1B

RGB 217 172 27

HSL 45.79, 0.78%, 0.48%

LAB 72.45, 4.25, 71.26

 

CMYK 0 / 23 / 96 / 22

HEX #C89A08

RGB 200 154 8

HSL 45.63, 0.92%, 0.41%

LAB 66.07, 6.08, 68.94

 

CMYK 0 / 26 / 100 / 28

HEX #B78800

RGB 183 136 0

HSL 44.59, 1%, 0.36%

LAB 59.59, 8.17, 64.7

 

CMYK 0 / 29 / 100 / 35

HEX #A67600

RGB 166 118 0

HSL 42.65, 1%, 0.33%

LAB 53.02, 10.45, 59.3

 

CMYK 0 / 33 / 100 / 42

HEX #956400

RGB 149 100 0

HSL 40.27, 1%, 0.29%

LAB 46.32, 12.84, 53.82

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1A

RGB 217 172 26

HSL 45.86, 0.79%, 0.48%

LAB 72.45, 4.23, 71.48

 

CMYK 0 / 44 / 88 / 15

HEX #D9791A

RGB 217 121 26

HSL 29.84, 0.79%, 0.48%

LAB 60.34, 31.5, 61.96

 

CMYK 0 / 68 / 88 / 15

HEX #D9451A

RGB 217 69 26

HSL 13.51, 0.79%, 0.48%

LAB 50.78, 56.05, 54.53

 

CMYK 0 / 88 / 88 / 15

HEX #D91A1A

RGB 217 26 26

HSL 0, 0.79%, 0.48%

LAB 46.4, 68.31, 51.17

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1A

RGB 217 172 26

HSL 45.86, 0.79%, 0.48%

LAB 72.45, 4.23, 71.48

 

CMYK 3 / 0 / 88 / 15

HEX #D3D91A

RGB 211 217 26

HSL 61.88, 0.79%, 0.48%

LAB 83.73, -21.29, 80.21

 

CMYK 26 / 0 / 88 / 15

HEX #A0D91A

RGB 160 217 26

HSL 77.91, 0.79%, 0.48%

LAB 80.28, -41.87, 75.97

 

CMYK 50 / 0 / 88 / 15

HEX #6CD91A

RGB 108 217 26

HSL 94.24, 0.79%, 0.48%

LAB 77.81, -59.5, 72.9

 

CMYK 74 / 0 / 88 / 15

HEX #39D91A

RGB 57 217 26

HSL 110.26, 0.79%, 0.48%

LAB 76.42, -70.95, 71.16

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1A

RGB 217 172 26

HSL 45.86, 0.79%, 0.48%

LAB 72.45, 4.23, 71.48

 

CMYK 0 / 23 / 97 / 7

HEX #EDB707

RGB 237 183 7

HSL 45.91, 0.94%, 0.48%

LAB 77.21, 6.89, 78.8

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1A

RGB 217 172 26

HSL 45.86, 0.79%, 0.48%

LAB 72.45, 4.23, 71.48

 

CMYK 0 / 18 / 77 / 22

HEX #C6A22E

RGB 198 162 46

HSL 45.79, 0.62%, 0.48%

LAB 68.05, 1.8, 61.17

 

CMYK 0 / 15 / 63 / 30

HEX #B29742

RGB 178 151 66

HSL 45.54, 0.46%, 0.48%

LAB 63.34, 0.01, 47.38

 

CMYK 0 / 11 / 46 / 38

HEX #9E8D56

RGB 158 141 86

HSL 45.83, 0.3%, 0.48%

LAB 58.97, -1.47, 31.58

 

CMYK 0 / 6 / 23 / 46

HEX #8A826A

RGB 138 130 106

HSL 45, 0.13%, 0.48%

LAB 54.46, -1.12, 14.1

 

CMYK 0 / 69 / 88 / 15

HEX #D9441A

RGB 217 68 26

HSL 13.19, 0.79%, 0.48%

LAB 50.64, 56.44, 54.42

 

CMYK 0 / 45 / 88 / 15

HEX #D9771A

RGB 217 119 26

HSL 29.21, 0.79%, 0.48%

LAB 59.91, 32.55, 61.62

 

CMYK 0 / 22 / 88 / 15

HEX #D9AA1A

RGB 217 170 26

HSL 45.24, 0.79%, 0.48%

LAB 71.94, 5.29, 71.08

 

CMYK 1 / 0 / 88 / 15

HEX #D6D91A

RGB 214 217 26

HSL 60.94, 0.79%, 0.48%

LAB 83.96, -20.03, 80.49

 

CMYK 25 / 0 / 88 / 15

HEX #A3D91A

RGB 163 217 26

HSL 76.96, 0.79%, 0.48%

LAB 80.45, -40.73, 76.18

 

CMYK 0 / 21 / 88 / 44

HEX #907211

RGB 144 114 17

HSL 45.83, 0.79%, 0.32%

LAB 49.5, 2.76, 52.02

 

CMYK 0 / 21 / 88 / 29

HEX #B58F16

RGB 181 143 22

HSL 45.66, 0.78%, 0.4%

LAB 61.24, 3.75, 61.9

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1A

RGB 217 172 26

HSL 45.86, 0.79%, 0.48%

LAB 72.45, 4.23, 71.48

 

CMYK 0 / 18 / 76 / 10

HEX #E6BC37

RGB 230 188 55

HSL 45.6, 0.78%, 0.56%

LAB 77.91, 2.31, 68.34

 

CMYK 0 / 14 / 61 / 8

HEX #EAC95C

RGB 234 201 92

HSL 46.06, 0.77%, 0.64%

LAB 81.86, -0.78, 57.51

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1B

RGB 217 172 27

HSL 45.79, 0.78%, 0.48%

LAB 72.45, 4.25, 71.26

 

CMYK 83 / 0 / 88 / 15

HEX #24D91A

RGB 36 217 26

HSL 116.86, 0.79%, 0.48%

LAB 76.12, -73.62, 70.78

 

CMYK 57 / 88 / 0 / 15

HEX #5D1AD9

RGB 93 26 217

HSL 261.05, 0.79%, 0.48%

LAB 34.14, 67.83, -83.06

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1B

RGB 217 172 27

HSL 45.79, 0.78%, 0.48%

LAB 72.45, 4.25, 71.26

 

CMYK 88 / 0 / 22 / 15

HEX #1AD9AA

RGB 26 217 170

HSL 165.24, 0.79%, 0.48%

LAB 77.73, -54.37, 10.98

 

CMYK 22 / 88 / 0 / 15

HEX #AA1AD9

RGB 170 26 217

HSL 285.24, 0.79%, 0.48%

LAB 44.65, 76.99, -65.41

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1B

RGB 217 172 27

HSL 45.79, 0.78%, 0.48%

LAB 72.45, 4.25, 71.26

 

CMYK 83 / 0 / 88 / 15

HEX #24D91A

RGB 36 217 26

HSL 116.86, 0.79%, 0.48%

LAB 76.12, -73.62, 70.78

 

CMYK 88 / 66 / 0 / 15

HEX #1A4AD9

RGB 26 74 217

HSL 224.92, 0.79%, 0.48%

LAB 38.07, 39.52, -76.71

 

CMYK 4 / 88 / 0 / 15

HEX #D01AD9

RGB 208 26 217

HSL 297.17, 0.79%, 0.48%

LAB 50.87, 83.01, -55.06

 

CMYK 0 / 21 / 88 / 15

HEX #D9AC1B

RGB 217 172 27

HSL 45.79, 0.78%, 0.48%

LAB 72.45, 4.25, 71.26

 

CMYK 88 / 0 / 66 / 15

HEX #1AD94A

RGB 26 217 74

HSL 135.08, 0.79%, 0.48%

LAB 76.28, -71.21, 56.27

 

CMYK 88 / 66 / 0 / 15

HEX #1A4AD9

RGB 26 74 217

HSL 224.92, 0.79%, 0.48%

LAB 38.07, 39.52, -76.71

 

CMYK 0 / 88 / 22 / 15

HEX #D91AAA

RGB 217 26 170

HSL 314.76, 0.79%, 0.48%

LAB 49.97, 78.22, -29.11

 

Description

Color code: RGB 217 172 27 | qconv.com Color code: RGB 217 172 27 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 172 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 172 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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