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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 175 209 it is the complementary color RGB 38 80 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 175 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 175 209 shade: RGB 222 175 204, RGB 239 193 223, RGB 255 211 242, RGB 255 229 255 and RGB 255 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 175 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 175 209 shade: RGB 217 175 209, RGB 200 157 190, RGB 183 139 171, RGB 166 121 152 and RGB 149 103 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 175 209 shade: RGB 217 175 209, RGB 217 175 198, RGB 217 175 186, RGB 217 175 175 and RGB 217 175 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 175 209 shade: RGB 217 175 209, RGB 214 175 217, RGB 202 175 217, RGB 191 175 217 and RGB 179 175 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 175 209 shade matches the following richer shades: RGB 217 175 209, RGB 226 165 215, RGB 236 156 221 and RGB 245 146 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 175 209 shade: RGB 217 175 209, RGB 207 184 203, RGB 198 194 197, RGB 188 203 191 and RGB 179 213 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 175 209 shade: RGB 202 175 217, RGB 213 175 217, RGB 217 175 209, RGB 217 175 198 and RGB 217 175 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 175 209 shade: RGB 191 119 177, RGB 204 147 193, RGB 217 175 209, RGB 230 203 225 and RGB 243 231 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 175 209 shade: RGB 217 175 209, RGB 217 191 175 and RGB 175 217 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 175 209 shade: RGB 217 175 209, RGB 209 217 175 and RGB 175 209 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 175 209 shade: RGB 217 175 209, RGB 217 191 175, RGB 175 217 182 and RGB 175 201 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 175 209 shade: RGB 217 175 209, RGB 217 204 175, RGB 175 217 182 and RGB 175 188 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

Complementary color

CMYK 53 / 0 / 43 / 69

HEX #26502E

RGB 38 80 46

HSL 131.43, 0.36%, 0.23%

LAB 30.27, -23.22, 15.64

 

CMYK 0 / 21 / 8 / 13

HEX #DEAFCC

RGB 222 175 204

HSL 322.98, 0.42%, 0.78%

LAB 76.41, 21.75, -8.14

 

CMYK 0 / 19 / 7 / 6

HEX #EFC1DF

RGB 239 193 223

HSL 320.87, 0.59%, 0.85%

LAB 82.82, 21.23, -8.7

 

CMYK 0 / 17 / 5 / 0

HEX #FFD3F2

RGB 255 211 242

HSL 317.73, 1%, 0.91%

LAB 89.04, 20.41, -9.39

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 0 / 22 / 5 / 22

HEX #C89DBE

RGB 200 157 190

HSL 313.95, 0.28%, 0.7%

LAB 69.55, 21.45, -10.89

 

CMYK 0 / 24 / 7 / 28

HEX #B78BAB

RGB 183 139 171

HSL 316.36, 0.23%, 0.63%

LAB 62.9, 22.03, -10.35

 

CMYK 0 / 27 / 8 / 35

HEX #A67998

RGB 166 121 152

HSL 318.67, 0.2%, 0.56%

LAB 56.14, 22.67, -9.78

 

CMYK 0 / 31 / 11 / 42

HEX #956785

RGB 149 103 133

HSL 320.87, 0.18%, 0.49%

LAB 49.23, 23.37, -9.16

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 0 / 19 / 9 / 15

HEX #D9AFC6

RGB 217 175 198

HSL 327.14, 0.36%, 0.77%

LAB 75.75, 18.98, -5.88

 

CMYK 0 / 19 / 14 / 15

HEX #D9AFBA

RGB 217 175 186

HSL 344.29, 0.36%, 0.77%

LAB 75.42, 16.98, 0.18

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFAF

RGB 217 175 175

HSL 0, 0.36%, 0.77%

LAB 75.14, 15.25, 5.78

 

CMYK 0 / 19 / 19 / 15

HEX #D9AFAF

RGB 217 175 175

HSL 0, 0.36%, 0.77%

LAB 75.14, 15.25, 5.78

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 1 / 19 / 0 / 15

HEX #D6AFD9

RGB 214 175 217

HSL 295.71, 0.36%, 0.77%

LAB 76.05, 21.37, -15.83

 

CMYK 7 / 19 / 0 / 15

HEX #CAAFD9

RGB 202 175 217

HSL 278.57, 0.36%, 0.77%

LAB 74.97, 17.39, -17.57

 

CMYK 12 / 19 / 0 / 15

HEX #BFAFD9

RGB 191 175 217

HSL 262.86, 0.36%, 0.77%

LAB 74.03, 13.8, -19.08

 

CMYK 18 / 19 / 0 / 15

HEX #B3AFD9

RGB 179 175 217

HSL 245.71, 0.36%, 0.77%

LAB 73.06, 9.95, -20.64

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 0 / 27 / 5 / 11

HEX #E2A5D7

RGB 226 165 215

HSL 310.82, 0.51%, 0.77%

LAB 74.82, 30.41, -16.48

 

CMYK 0 / 34 / 6 / 7

HEX #EC9CDD

RGB 236 156 221

HSL 311.25, 0.68%, 0.77%

LAB 74.08, 39.52, -20.77

 

CMYK 0 / 40 / 7 / 4

HEX #F592E3

RGB 245 146 227

HSL 310.91, 0.83%, 0.77%

LAB 73.23, 48.55, -25.26

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 0 / 11 / 2 / 19

HEX #CFB8CB

RGB 207 184 203

HSL 310.43, 0.19%, 0.77%

LAB 77.2, 11.52, -6.57

 

CMYK 0 / 2 / 1 / 22

HEX #C6C2C5

RGB 198 194 197

HSL 315, 0.03%, 0.77%

LAB 78.82, 1.94, -1.02

 

CMYK 7 / 0 / 6 / 20

HEX #BCCBBF

RGB 188 203 191

HSL 132, 0.13%, 0.77%

LAB 80.27, -7.35, 4.22

 

CMYK 16 / 0 / 13 / 16

HEX #B3D5B9

RGB 179 213 185

HSL 130.59, 0.29%, 0.77%

LAB 82.2, -16.62, 10.12

 

CMYK 7 / 19 / 0 / 15

HEX #CAAFD9

RGB 202 175 217

HSL 278.57, 0.36%, 0.77%

LAB 74.97, 17.39, -17.57

 

CMYK 2 / 19 / 0 / 15

HEX #D5AFD9

RGB 213 175 217

HSL 294.29, 0.36%, 0.77%

LAB 75.96, 21.04, -15.98

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 0 / 19 / 9 / 15

HEX #D9AFC6

RGB 217 175 198

HSL 327.14, 0.36%, 0.77%

LAB 75.75, 18.98, -5.88

 

CMYK 0 / 19 / 14 / 15

HEX #D9AFBB

RGB 217 175 187

HSL 342.86, 0.36%, 0.77%

LAB 75.45, 17.14, -0.32

 

CMYK 0 / 38 / 7 / 25

HEX #BF77B1

RGB 191 119 177

HSL 311.67, 0.36%, 0.61%

LAB 59.38, 36.9, -19

 

CMYK 0 / 28 / 5 / 20

HEX #CC93C1

RGB 204 147 193

HSL 311.58, 0.36%, 0.69%

LAB 67.69, 28.85, -15.3

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 0 / 12 / 2 / 10

HEX #E6CBE1

RGB 230 203 225

HSL 311.11, 0.35%, 0.85%

LAB 84.47, 13.21, -7.41

 

CMYK 0 / 5 / 1 / 5

HEX #F3E7F1

RGB 243 231 241

HSL 310, 0.33%, 0.93%

LAB 92.82, 5.8, -3.4

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 0 / 12 / 19 / 15

HEX #D9BFAF

RGB 217 191 175

HSL 22.86, 0.36%, 0.77%

LAB 79.1, 6.69, 11.44

 

CMYK 19 / 0 / 4 / 15

HEX #AFD9D0

RGB 175 217 208

HSL 167.14, 0.36%, 0.77%

LAB 83.6, -15.49, -0.11

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 4 / 0 / 19 / 15

HEX #D1D9AF

RGB 209 217 175

HSL 71.43, 0.36%, 0.77%

LAB 85.14, -9.79, 19.82

 

CMYK 19 / 4 / 0 / 15

HEX #AFD1D9

RGB 175 209 217

HSL 191.43, 0.36%, 0.77%

LAB 81.69, -9.52, -7.71

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 0 / 12 / 19 / 15

HEX #D9BFAF

RGB 217 191 175

HSL 22.86, 0.36%, 0.77%

LAB 79.1, 6.69, 11.44

 

CMYK 19 / 0 / 16 / 15

HEX #AFD9B6

RGB 175 217 182

HSL 130, 0.36%, 0.77%

LAB 82.98, -20.49, 12.77

 

CMYK 19 / 7 / 0 / 15

HEX #AFC9D9

RGB 175 201 217

HSL 202.86, 0.36%, 0.77%

LAB 79.56, -5.34, -10.89

 

CMYK 0 / 19 / 4 / 15

HEX #D9AFD1

RGB 217 175 209

HSL 311.43, 0.36%, 0.77%

LAB 76.08, 20.91, -11.4

 

CMYK 0 / 6 / 19 / 15

HEX #D9CCAF

RGB 217 204 175

HSL 41.43, 0.36%, 0.77%

LAB 82.4, -0.16, 16.09

 

CMYK 19 / 0 / 16 / 15

HEX #AFD9B6

RGB 175 217 182

HSL 130, 0.36%, 0.77%

LAB 82.98, -20.49, 12.77

 

CMYK 19 / 13 / 0 / 15

HEX #AFBCD9

RGB 175 188 217

HSL 221.43, 0.36%, 0.77%

LAB 76.12, 1.6, -16.03

 

Description

Color code: RGB 217 175 209 | qconv.com Color code: RGB 217 175 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 175 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 175 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 4 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 4% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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