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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 156 21 it is the complementary color RGB 38 99 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 156 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 156 21 shade: RGB 222 156 16, RGB 239 174 35, RGB 255 192 54, RGB 255 210 73 and RGB 255 228 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 156 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 156 21 shade: RGB 217 156 21, RGB 200 138 2, RGB 183 120 0, RGB 166 102 0 and RGB 149 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 156 21 shade: RGB 218 156 21, RGB 218 103 21, RGB 218 50 21 and RGB 218 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 156 21 shade: RGB 218 156 21, RGB 218 209 21, RGB 173 218 21, RGB 120 218 21 and RGB 67 218 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 156 21 shade matches the following richer shades: RGB 218 156 21 and RGB 237 164 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 156 21 shade: RGB 218 156 21, RGB 198 149 40, RGB 179 142 60, RGB 159 134 79 and RGB 140 127 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 156 21 shade: RGB 218 51 21, RGB 218 103 21, RGB 218 155 21, RGB 218 208 21 and RGB 175 218 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 156 21 shade: RGB 143 102 14, RGB 180 129 17, RGB 218 156 21, RGB 234 175 46 and RGB 238 190 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 156 21 shade: RGB 217 156 21, RGB 44 218 21 and RGB 77 21 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 156 21 shade: RGB 217 156 21, RGB 21 218 155 and RGB 155 21 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 156 21 shade: RGB 217 156 21, RGB 44 218 21, RGB 21 83 218 and RGB 195 21 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 156 21 shade: RGB 217 156 21, RGB 21 218 57, RGB 21 83 218 and RGB 218 21 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 90 / 15

HEX #D99C15

RGB 217 156 21

HSL 41.33, 0.82%, 0.47%

LAB 68.45, 12.68, 69.43

 

Complementary color

CMYK 84 / 58 / 0 / 8

HEX #2663EA

RGB 38 99 234

HSL 221.33, 0.82%, 0.53%

LAB 46.01, 30.67, -73.35

 

CMYK 0 / 30 / 93 / 13

HEX #DE9C10

RGB 222 156 16

HSL 40.78, 0.87%, 0.47%

LAB 69, 14.78, 71.02

 

CMYK 0 / 27 / 85 / 6

HEX #EFAE23

RGB 239 174 35

HSL 40.88, 0.86%, 0.54%

LAB 75.29, 12.9, 72.57

 

CMYK 0 / 25 / 79 / 0

HEX #FFC036

RGB 255 192 54

HSL 41.19, 1%, 0.61%

LAB 81.42, 10.82, 72.82

 

CMYK 0 / 18 / 71 / 0

HEX #FFD249

RGB 255 210 73

HSL 45.16, 1%, 0.64%

LAB 85.92, 2.29, 70.31

 

CMYK 0 / 11 / 64 / 0

HEX #FFE45C

RGB 255 228 92

HSL 50.06, 1%, 0.68%

LAB 90.56, -5.82, 67.53

 

CMYK 0 / 28 / 90 / 15

HEX #D99C15

RGB 217 156 21

HSL 41.33, 0.82%, 0.47%

LAB 68.45, 12.68, 69.43

 

CMYK 0 / 31 / 99 / 22

HEX #C88A02

RGB 200 138 2

HSL 41.21, 0.98%, 0.4%

LAB 62.05, 14.71, 66.98

 

CMYK 0 / 34 / 100 / 28

HEX #B77800

RGB 183 120 0

HSL 39.34, 1%, 0.36%

LAB 55.58, 17.04, 62.01

 

CMYK 0 / 39 / 100 / 35

HEX #A66600

RGB 166 102 0

HSL 36.87, 1%, 0.33%

LAB 49.02, 19.49, 56.66

 

CMYK 0 / 44 / 100 / 42

HEX #955400

RGB 149 84 0

HSL 33.83, 1%, 0.29%

LAB 42.35, 22.03, 51.25

 

CMYK 0 / 28 / 90 / 15

HEX #DA9C15

RGB 218 156 21

HSL 41.12, 0.82%, 0.47%

LAB 68.56, 13.12, 69.56

 

CMYK 0 / 53 / 90 / 15

HEX #DA6715

RGB 218 103 21

HSL 24.97, 0.82%, 0.47%

LAB 56.74, 41.04, 60.74

 

CMYK 0 / 77 / 90 / 15

HEX #DA3215

RGB 218 50 21

HSL 8.83, 0.82%, 0.47%

LAB 48.56, 62.86, 54.88

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 28 / 90 / 15

HEX #DA9C15

RGB 218 156 21

HSL 41.12, 0.82%, 0.47%

LAB 68.56, 13.12, 69.56

 

CMYK 0 / 4 / 90 / 15

HEX #DAD115

RGB 218 209 21

HSL 57.26, 0.82%, 0.47%

LAB 82.14, -14.48, 79.99

 

CMYK 21 / 0 / 90 / 15

HEX #ADDA15

RGB 173 218 21

HSL 73.71, 0.82%, 0.47%

LAB 81.34, -37.39, 77.96

 

CMYK 45 / 0 / 90 / 15

HEX #78DA15

RGB 120 218 21

HSL 89.85, 0.82%, 0.47%

LAB 78.57, -56.39, 74.56

 

CMYK 69 / 0 / 90 / 15

HEX #43DA15

RGB 67 218 21

HSL 105.99, 0.82%, 0.47%

LAB 76.91, -69.71, 72.51

 

CMYK 0 / 28 / 90 / 15

HEX #DA9C15

RGB 218 156 21

HSL 41.12, 0.82%, 0.47%

LAB 68.56, 13.12, 69.56

 

CMYK 0 / 31 / 99 / 7

HEX #EDA402

RGB 237 164 2

HSL 41.36, 0.98%, 0.47%

LAB 72.6, 16.85, 76.16

 

CMYK 0 / 28 / 90 / 15

HEX #DA9C15

RGB 218 156 21

HSL 41.12, 0.82%, 0.47%

LAB 68.56, 13.12, 69.56

 

CMYK 0 / 25 / 80 / 22

HEX #C69528

RGB 198 149 40

HSL 41.39, 0.66%, 0.47%

LAB 64.69, 8.6, 60.2

 

CMYK 0 / 21 / 66 / 30

HEX #B38E3C

RGB 179 142 60

HSL 41.34, 0.5%, 0.47%

LAB 61.01, 4.99, 47.67

 

CMYK 0 / 16 / 50 / 38

HEX #9F864F

RGB 159 134 79

HSL 41.25, 0.34%, 0.47%

LAB 57.06, 2.14, 32.98

 

CMYK 0 / 9 / 29 / 45

HEX #8C7F63

RGB 140 127 99

HSL 40.98, 0.17%, 0.47%

LAB 53.66, 0.36, 17.05

 

CMYK 0 / 77 / 90 / 15

HEX #DA3315

RGB 218 51 21

HSL 9.14, 0.82%, 0.47%

LAB 48.67, 62.56, 54.96

 

CMYK 0 / 53 / 90 / 15

HEX #DA6715

RGB 218 103 21

HSL 24.97, 0.82%, 0.47%

LAB 56.74, 41.04, 60.74

 

CMYK 0 / 29 / 90 / 15

HEX #DA9B15

RGB 218 155 21

HSL 40.81, 0.82%, 0.47%

LAB 68.32, 13.65, 69.38

 

CMYK 0 / 5 / 90 / 15

HEX #DAD015

RGB 218 208 21

HSL 56.95, 0.82%, 0.47%

LAB 81.88, -13.98, 79.79

 

CMYK 20 / 0 / 90 / 15

HEX #AFDA15

RGB 175 218 21

HSL 73.1, 0.82%, 0.47%

LAB 81.46, -36.6, 78.11

 

CMYK 0 / 29 / 90 / 44

HEX #8F660E

RGB 143 102 14

HSL 40.93, 0.82%, 0.31%

LAB 46.14, 9.13, 50.06

 

CMYK 0 / 28 / 91 / 29

HEX #B48111

RGB 180 129 17

HSL 41.23, 0.83%, 0.39%

LAB 57.51, 10.93, 60.08

 

CMYK 0 / 28 / 90 / 15

HEX #DA9C15

RGB 218 156 21

HSL 41.12, 0.82%, 0.47%

LAB 68.56, 13.12, 69.56

 

CMYK 0 / 25 / 80 / 8

HEX #EAAF2E

RGB 234 175 46

HSL 41.17, 0.82%, 0.55%

LAB 75.04, 10.53, 68.91

 

CMYK 0 / 20 / 65 / 7

HEX #EEBE54

RGB 238 190 84

HSL 41.3, 0.82%, 0.63%

LAB 79.41, 6.09, 58.49

 

CMYK 0 / 28 / 90 / 15

HEX #D99C15

RGB 217 156 21

HSL 41.33, 0.82%, 0.47%

LAB 68.45, 12.68, 69.43

 

CMYK 80 / 0 / 90 / 15

HEX #2CDA15

RGB 44 218 21

HSL 112.99, 0.82%, 0.47%

LAB 76.52, -73.19, 72.01

 

CMYK 65 / 90 / 0 / 15

HEX #4D15DA

RGB 77 21 218

HSL 257.06, 0.82%, 0.47%

LAB 32.2, 68.21, -86.89

 

CMYK 0 / 28 / 90 / 15

HEX #D99C15

RGB 217 156 21

HSL 41.33, 0.82%, 0.47%

LAB 68.45, 12.68, 69.43

 

CMYK 90 / 0 / 29 / 15

HEX #15DA9B

RGB 21 218 155

HSL 160.81, 0.82%, 0.47%

LAB 77.68, -58.52, 18.84

 

CMYK 29 / 90 / 0 / 15

HEX #9B15DA

RGB 155 21 218

HSL 280.81, 0.82%, 0.47%

LAB 42.1, 75.95, -70.24

 

CMYK 0 / 28 / 90 / 15

HEX #D99C15

RGB 217 156 21

HSL 41.33, 0.82%, 0.47%

LAB 68.45, 12.68, 69.43

 

CMYK 80 / 0 / 90 / 15

HEX #2CDA15

RGB 44 218 21

HSL 112.99, 0.82%, 0.47%

LAB 76.52, -73.19, 72.01

 

CMYK 90 / 62 / 0 / 15

HEX #1553DA

RGB 21 83 218

HSL 221.12, 0.82%, 0.47%

LAB 40.26, 33.91, -73.69

 

CMYK 11 / 90 / 0 / 15

HEX #C315DA

RGB 195 21 218

HSL 292.99, 0.82%, 0.47%

LAB 48.51, 81.77, -59.54

 

CMYK 0 / 28 / 90 / 15

HEX #D99C15

RGB 217 156 21

HSL 41.33, 0.82%, 0.47%

LAB 68.45, 12.68, 69.43

 

CMYK 90 / 0 / 74 / 15

HEX #15DA39

RGB 21 218 57

HSL 130.96, 0.82%, 0.47%

LAB 76.43, -73.36, 62.79

 

CMYK 90 / 62 / 0 / 15

HEX #1553DA

RGB 21 83 218

HSL 221.12, 0.82%, 0.47%

LAB 40.26, 33.91, -73.69

 

CMYK 0 / 90 / 17 / 15

HEX #DA15B6

RGB 218 21 182

HSL 310.96, 0.82%, 0.47%

LAB 50.47, 80.6, -35.36

 

Description

Color code: RGB 217 156 21 | qconv.com Color code: RGB 217 156 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 156 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 156 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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