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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 155 37 it is the complementary color RGB 38 100 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 155 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 155 37 shade: RGB 222 155 32, RGB 239 173 51, RGB 255 191 70, RGB 255 209 89 and RGB 255 227 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 155 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 155 37 shade: RGB 217 155 37, RGB 200 137 18, RGB 183 119 0, RGB 166 101 0 and RGB 149 83 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 155 37 shade: RGB 218 155 36, RGB 218 106 36, RGB 218 58 36 and RGB 218 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 155 37 shade: RGB 218 155 36, RGB 218 204 36, RGB 182 218 36, RGB 133 218 36 and RGB 85 218 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 155 37 shade matches the following richer shades: RGB 218 155 36 and RGB 238 162 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 155 37 shade: RGB 218 155 36, RGB 197 149 57, RGB 176 142 78, RGB 156 136 98 and RGB 135 129 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 155 37 shade: RGB 218 58 36, RGB 218 106 36, RGB 218 154 36, RGB 218 202 36 and RGB 184 218 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 155 37 shade: RGB 147 105 25, RGB 182 130 30, RGB 218 155 36, RGB 224 171 72 and RGB 229 187 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 155 37 shade: RGB 217 155 37, RGB 64 218 36 and RGB 82 36 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 155 37 shade: RGB 217 155 37, RGB 36 218 154 and RGB 154 36 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 155 37 shade: RGB 217 155 37, RGB 64 218 36, RGB 36 100 218 and RGB 190 36 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 155 37 shade: RGB 217 155 37, RGB 36 218 64, RGB 36 100 218 and RGB 218 36 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 83 / 15

HEX #D99B25

RGB 217 155 37

HSL 39.33, 0.71%, 0.5%

LAB 68.26, 13.58, 65.14

 

Complementary color

CMYK 83 / 54 / 0 / 15

HEX #2664DA

RGB 38 100 218

HSL 219.33, 0.71%, 0.5%

LAB 45.07, 23.98, -65.83

 

CMYK 0 / 30 / 86 / 13

HEX #DE9B20

RGB 222 155 32

HSL 38.84, 0.75%, 0.5%

LAB 68.81, 15.61, 67.3

 

CMYK 0 / 28 / 79 / 6

HEX #EFAD33

RGB 239 173 51

HSL 38.94, 0.85%, 0.57%

LAB 75.12, 13.89, 67.5

 

CMYK 0 / 25 / 73 / 0

HEX #FFBF46

RGB 255 191 70

HSL 39.24, 1%, 0.64%

LAB 81.27, 11.96, 66.86

 

CMYK 0 / 18 / 65 / 0

HEX #FFD159

RGB 255 209 89

HSL 43.37, 1%, 0.67%

LAB 85.8, 3.63, 63.7

 

CMYK 0 / 11 / 58 / 0

HEX #FFE36C

RGB 255 227 108

HSL 48.57, 1%, 0.71%

LAB 90.45, -4.28, 60.51

 

CMYK 0 / 29 / 83 / 15

HEX #D99B25

RGB 217 155 37

HSL 39.33, 0.71%, 0.5%

LAB 68.26, 13.58, 65.14

 

CMYK 0 / 32 / 91 / 22

HEX #C88912

RGB 200 137 18

HSL 39.23, 0.83%, 0.43%

LAB 61.84, 15.46, 64.19

 

CMYK 0 / 35 / 100 / 28

HEX #B77700

RGB 183 119 0

HSL 39.02, 1%, 0.36%

LAB 55.34, 17.59, 61.85

 

CMYK 0 / 39 / 100 / 35

HEX #A66500

RGB 166 101 0

HSL 36.51, 1%, 0.33%

LAB 48.78, 20.05, 56.5

 

CMYK 0 / 44 / 100 / 42

HEX #955300

RGB 149 83 0

HSL 33.42, 1%, 0.29%

LAB 42.12, 22.59, 51.1

 

CMYK 0 / 29 / 83 / 15

HEX #DA9B24

RGB 218 155 36

HSL 39.23, 0.72%, 0.5%

LAB 68.37, 13.99, 65.59

 

CMYK 0 / 51 / 83 / 15

HEX #DA6A24

RGB 218 106 36

HSL 23.08, 0.72%, 0.5%

LAB 57.41, 39.87, 56.17

 

CMYK 0 / 73 / 83 / 15

HEX #DA3A24

RGB 218 58 36

HSL 7.25, 0.72%, 0.5%

LAB 49.57, 60.61, 49.25

 

CMYK 0 / 83 / 83 / 15

HEX #DA2424

RGB 218 36 36

HSL 0, 0.72%, 0.5%

LAB 47.36, 66.82, 47.26

 

CMYK 0 / 29 / 83 / 15

HEX #DA9B24

RGB 218 155 36

HSL 39.23, 0.72%, 0.5%

LAB 68.37, 13.99, 65.59

 

CMYK 0 / 6 / 83 / 15

HEX #DACC24

RGB 218 204 36

HSL 55.38, 0.72%, 0.5%

LAB 80.86, -11.67, 76.09

 

CMYK 17 / 0 / 83 / 15

HEX #B6DA24

RGB 182 218 36

HSL 71.87, 0.72%, 0.5%

LAB 81.96, -33.44, 75.92

 

CMYK 39 / 0 / 83 / 15

HEX #85DA24

RGB 133 218 36

HSL 88.02, 0.72%, 0.5%

LAB 79.19, -51.7, 72.44

 

CMYK 61 / 0 / 83 / 15

HEX #55DA24

RGB 85 218 36

HSL 103.85, 0.72%, 0.5%

LAB 77.4, -65.46, 70.18

 

CMYK 0 / 29 / 83 / 15

HEX #DA9B24

RGB 218 155 36

HSL 39.23, 0.72%, 0.5%

LAB 68.37, 13.99, 65.59

 

CMYK 0 / 32 / 93 / 7

HEX #EEA210

RGB 238 162 16

HSL 39.46, 0.87%, 0.5%

LAB 72.27, 18.47, 74.22

 

CMYK 0 / 29 / 83 / 15

HEX #DA9B24

RGB 218 155 36

HSL 39.23, 0.72%, 0.5%

LAB 68.37, 13.99, 65.59

 

CMYK 0 / 24 / 71 / 23

HEX #C59539

RGB 197 149 57

HSL 39.43, 0.55%, 0.5%

LAB 64.69, 8.9, 53.48

 

CMYK 0 / 19 / 56 / 31

HEX #B08E4E

RGB 176 142 78

HSL 39.18, 0.39%, 0.5%

LAB 60.89, 4.99, 38.58

 

CMYK 0 / 13 / 37 / 39

HEX #9C8862

RGB 156 136 98

HSL 39.31, 0.23%, 0.5%

LAB 57.62, 1.85, 23.2

 

CMYK 0 / 4 / 12 / 47

HEX #878177

RGB 135 129 119

HSL 37.5, 0.06%, 0.5%

LAB 54.22, 0.42, 6.22

 

CMYK 0 / 73 / 83 / 15

HEX #DA3A24

RGB 218 58 36

HSL 7.25, 0.72%, 0.5%

LAB 49.57, 60.61, 49.25

 

CMYK 0 / 51 / 83 / 15

HEX #DA6A24

RGB 218 106 36

HSL 23.08, 0.72%, 0.5%

LAB 57.41, 39.87, 56.17

 

CMYK 0 / 29 / 83 / 15

HEX #DA9A24

RGB 218 154 36

HSL 38.9, 0.72%, 0.5%

LAB 68.13, 14.52, 65.38

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 16 / 0 / 83 / 15

HEX #B8DA24

RGB 184 218 36

HSL 71.21, 0.72%, 0.5%

LAB 82.09, -32.64, 76.08

 

CMYK 0 / 29 / 83 / 42

HEX #936919

RGB 147 105 25

HSL 39.34, 0.71%, 0.34%

LAB 47.46, 9.59, 47.89

 

CMYK 0 / 29 / 84 / 29

HEX #B6821E

RGB 182 130 30

HSL 39.47, 0.72%, 0.42%

LAB 58.04, 11.59, 57.02

 

CMYK 0 / 29 / 83 / 15

HEX #DA9B24

RGB 218 155 36

HSL 39.23, 0.72%, 0.5%

LAB 68.37, 13.99, 65.59

 

CMYK 0 / 24 / 68 / 12

HEX #E0AB48

RGB 224 171 72

HSL 39.08, 0.71%, 0.58%

LAB 73.18, 9.5, 56.68

 

CMYK 0 / 18 / 53 / 10

HEX #E5BB6B

RGB 229 187 107

HSL 39.34, 0.7%, 0.66%

LAB 78.03, 5.57, 45.82

 

CMYK 0 / 29 / 83 / 15

HEX #D99B25

RGB 217 155 37

HSL 39.33, 0.71%, 0.5%

LAB 68.26, 13.58, 65.14

 

CMYK 71 / 0 / 83 / 15

HEX #40DA24

RGB 64 218 36

HSL 110.77, 0.72%, 0.5%

LAB 76.9, -69.7, 69.53

 

CMYK 62 / 83 / 0 / 15

HEX #5224DA

RGB 82 36 218

HSL 255.16, 0.72%, 0.5%

LAB 34.23, 63.92, -83.53

 

CMYK 0 / 29 / 83 / 15

HEX #D99B25

RGB 217 155 37

HSL 39.33, 0.71%, 0.5%

LAB 68.26, 13.58, 65.14

 

CMYK 83 / 0 / 29 / 15

HEX #24DA9A

RGB 36 218 154

HSL 158.9, 0.72%, 0.5%

LAB 77.79, -57.76, 19.54

 

CMYK 29 / 83 / 0 / 15

HEX #9A24DA

RGB 154 36 218

HSL 278.9, 0.72%, 0.5%

LAB 43.05, 72.56, -68.7

 

CMYK 0 / 29 / 83 / 15

HEX #D99B25

RGB 217 155 37

HSL 39.33, 0.71%, 0.5%

LAB 68.26, 13.58, 65.14

 

CMYK 71 / 0 / 83 / 15

HEX #40DA24

RGB 64 218 36

HSL 110.77, 0.72%, 0.5%

LAB 76.9, -69.7, 69.53

 

CMYK 83 / 54 / 0 / 15

HEX #2464DA

RGB 36 100 218

HSL 218.9, 0.72%, 0.5%

LAB 45.01, 23.82, -65.92

 

CMYK 13 / 83 / 0 / 15

HEX #BE24DA

RGB 190 36 218

HSL 290.77, 0.72%, 0.5%

LAB 48.6, 78.29, -59.44

 

CMYK 0 / 29 / 83 / 15

HEX #D99B25

RGB 217 155 37

HSL 39.33, 0.71%, 0.5%

LAB 68.26, 13.58, 65.14

 

CMYK 83 / 0 / 71 / 15

HEX #24DA40

RGB 36 218 64

HSL 129.23, 0.72%, 0.5%

LAB 76.61, -71.62, 60.53

 

CMYK 83 / 54 / 0 / 15

HEX #2464DA

RGB 36 100 218

HSL 218.9, 0.72%, 0.5%

LAB 45.01, 23.82, -65.92

 

CMYK 0 / 83 / 13 / 15

HEX #DA24BE

RGB 218 36 190

HSL 309.23, 0.72%, 0.5%

LAB 51.71, 79.19, -38.08

 

Description

Color code: RGB 217 155 37 | qconv.com Color code: RGB 217 155 37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 155 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 155 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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