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Color name
RGB 217 135 22

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 135 22 it is the complementary color RGB 38 120 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 135 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 135 22 shade: RGB 222 135 17, RGB 239 153 36, RGB 255 171 55, RGB 255 189 74 and RGB 255 207 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 135 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 135 22 shade: RGB 217 135 22, RGB 200 117 3, RGB 183 99 0, RGB 166 81 0 and RGB 149 63 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 135 22 shade: RGB 218 135 21, RGB 218 82 21, RGB 218 29 21 and RGB 218 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 135 22 shade: RGB 218 135 21, RGB 218 188 21, RGB 194 218 21, RGB 141 218 21 and RGB 88 218 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 135 22 shade matches the following richer shades: RGB 218 135 21 and RGB 237 138 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 135 22 shade: RGB 218 135 21, RGB 198 132 40, RGB 179 129 60, RGB 159 126 79 and RGB 140 123 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 135 22 shade: RGB 218 28 21, RGB 218 80 21, RGB 218 132 21, RGB 218 185 21 and RGB 198 218 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 135 22 shade: RGB 143 88 14, RGB 180 112 17, RGB 218 135 21, RGB 234 155 46 and RGB 238 173 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 135 22 shade: RGB 217 135 22, RGB 67 218 21 and RGB 54 21 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 135 22 shade: RGB 217 135 22, RGB 21 218 132 and RGB 132 21 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 135 22 shade: RGB 217 135 22, RGB 67 218 21, RGB 21 106 218 and RGB 172 21 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 135 22 shade: RGB 217 135 22, RGB 21 218 34, RGB 21 106 218 and RGB 218 21 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 90 / 15

HEX #D98716

RGB 217 135 22

HSL 34.77, 0.82%, 0.47%

LAB 63.46, 23.99, 65.42

 

Complementary color

CMYK 84 / 48 / 0 / 9

HEX #2678E9

RGB 38 120 233

HSL 214.77, 0.82%, 0.53%

LAB 51.53, 16.96, -63.84

 

CMYK 0 / 39 / 92 / 13

HEX #DE8711

RGB 222 135 17

HSL 34.54, 0.86%, 0.47%

LAB 64.08, 26.03, 67.26

 

CMYK 0 / 36 / 85 / 6

HEX #EF9924

RGB 239 153 36

HSL 34.58, 0.86%, 0.54%

LAB 70.36, 24.01, 68.24

 

CMYK 0 / 33 / 78 / 0

HEX #FFAB37

RGB 255 171 55

HSL 34.8, 1%, 0.61%

LAB 76.47, 21.8, 67.97

 

CMYK 0 / 26 / 71 / 0

HEX #FFBD4A

RGB 255 189 74

HSL 38.12, 1%, 0.65%

LAB 80.82, 13.18, 64.79

 

CMYK 0 / 19 / 64 / 0

HEX #FFCF5D

RGB 255 207 93

HSL 42.22, 1%, 0.68%

LAB 85.34, 4.9, 61.47

 

CMYK 0 / 38 / 90 / 15

HEX #D98716

RGB 217 135 22

HSL 34.77, 0.82%, 0.47%

LAB 63.46, 23.99, 65.42

 

CMYK 0 / 42 / 99 / 22

HEX #C87503

RGB 200 117 3

HSL 34.72, 0.97%, 0.4%

LAB 57.08, 26.16, 63.51

 

CMYK 0 / 46 / 100 / 28

HEX #B76300

RGB 183 99 0

HSL 32.46, 1%, 0.36%

LAB 50.68, 28.59, 58.87

 

CMYK 0 / 51 / 100 / 35

HEX #A65100

RGB 166 81 0

HSL 29.28, 1%, 0.33%

LAB 44.22, 31.07, 53.68

 

CMYK 0 / 58 / 100 / 42

HEX #953F00

RGB 149 63 0

HSL 25.37, 1%, 0.29%

LAB 37.74, 33.49, 48.49

 

CMYK 0 / 38 / 90 / 15

HEX #DA8715

RGB 218 135 21

HSL 34.72, 0.82%, 0.47%

LAB 63.58, 24.4, 65.81

 

CMYK 0 / 62 / 90 / 15

HEX #DA5215

RGB 218 82 21

HSL 18.58, 0.82%, 0.47%

LAB 52.94, 50.91, 57.98

 

CMYK 0 / 87 / 90 / 15

HEX #DA1D15

RGB 218 29 21

HSL 2.44, 0.82%, 0.47%

LAB 46.76, 67.96, 53.63

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 38 / 90 / 15

HEX #DA8715

RGB 218 135 21

HSL 34.72, 0.82%, 0.47%

LAB 63.58, 24.4, 65.81

 

CMYK 0 / 14 / 90 / 15

HEX #DABC15

RGB 218 188 21

HSL 50.86, 0.82%, 0.47%

LAB 76.63, -3.81, 75.74

 

CMYK 11 / 0 / 90 / 15

HEX #C2DA15

RGB 194 218 21

HSL 67.31, 0.82%, 0.47%

LAB 82.74, -28.93, 79.67

 

CMYK 35 / 0 / 90 / 15

HEX #8DDA15

RGB 141 218 21

HSL 83.45, 0.82%, 0.47%

LAB 79.53, -49.38, 75.75

 

CMYK 60 / 0 / 90 / 15

HEX #58DA15

RGB 88 218 21

HSL 99.59, 0.82%, 0.47%

LAB 77.44, -65.27, 73.16

 

CMYK 0 / 38 / 90 / 15

HEX #DA8715

RGB 218 135 21

HSL 34.72, 0.82%, 0.47%

LAB 63.58, 24.4, 65.81

 

CMYK 0 / 42 / 99 / 7

HEX #ED8A02

RGB 237 138 2

HSL 34.72, 0.98%, 0.47%

LAB 66.66, 30.56, 72.25

 

CMYK 0 / 38 / 90 / 15

HEX #DA8715

RGB 218 135 21

HSL 34.72, 0.82%, 0.47%

LAB 63.58, 24.4, 65.81

 

CMYK 0 / 33 / 80 / 22

HEX #C68428

RGB 198 132 40

HSL 34.94, 0.66%, 0.47%

LAB 60.48, 17.89, 56.37

 

CMYK 0 / 28 / 66 / 30

HEX #B3813C

RGB 179 129 60

HSL 34.79, 0.5%, 0.47%

LAB 57.67, 12.2, 44.01

 

CMYK 0 / 21 / 50 / 38

HEX #9F7E4F

RGB 159 126 79

HSL 35.25, 0.34%, 0.47%

LAB 54.92, 6.63, 30.31

 

CMYK 0 / 12 / 29 / 45

HEX #8C7B63

RGB 140 123 99

HSL 35.12, 0.17%, 0.47%

LAB 52.56, 2.64, 15.54

 

CMYK 0 / 87 / 90 / 15

HEX #DA1C15

RGB 218 28 21

HSL 2.13, 0.82%, 0.47%

LAB 46.7, 68.14, 53.59

 

CMYK 0 / 63 / 90 / 15

HEX #DA5015

RGB 218 80 21

HSL 17.97, 0.82%, 0.47%

LAB 52.62, 51.78, 57.75

 

CMYK 0 / 39 / 90 / 15

HEX #DA8415

RGB 218 132 21

HSL 33.81, 0.82%, 0.47%

LAB 62.9, 26, 65.3

 

CMYK 0 / 15 / 90 / 15

HEX #DAB915

RGB 218 185 21

HSL 49.95, 0.82%, 0.47%

LAB 75.86, -2.25, 75.14

 

CMYK 9 / 0 / 90 / 15

HEX #C6DA15

RGB 198 218 21

HSL 66.09, 0.82%, 0.47%

LAB 83.02, -27.28, 80.01

 

CMYK 0 / 38 / 90 / 44

HEX #8F580E

RGB 143 88 14

HSL 34.42, 0.82%, 0.31%

LAB 42.54, 17.26, 47.2

 

CMYK 0 / 38 / 91 / 29

HEX #B47011

RGB 180 112 17

HSL 34.97, 0.83%, 0.39%

LAB 53.31, 20.39, 56.86

 

CMYK 0 / 38 / 90 / 15

HEX #DA8715

RGB 218 135 21

HSL 34.72, 0.82%, 0.47%

LAB 63.58, 24.4, 65.81

 

CMYK 0 / 34 / 80 / 8

HEX #EA9B2E

RGB 234 155 46

HSL 34.79, 0.82%, 0.55%

LAB 70.27, 21.13, 64.65

 

CMYK 0 / 27 / 65 / 7

HEX #EEAD54

RGB 238 173 84

HSL 34.68, 0.82%, 0.63%

LAB 75.27, 15.03, 53.93

 

CMYK 0 / 38 / 90 / 15

HEX #D98716

RGB 217 135 22

HSL 34.77, 0.82%, 0.47%

LAB 63.46, 23.99, 65.42

 

CMYK 69 / 0 / 90 / 15

HEX #43DA15

RGB 67 218 21

HSL 105.99, 0.82%, 0.47%

LAB 76.91, -69.71, 72.51

 

CMYK 75 / 90 / 0 / 15

HEX #3615DA

RGB 54 21 218

HSL 250.05, 0.82%, 0.47%

LAB 30.36, 67, -90.02

 

CMYK 0 / 38 / 90 / 15

HEX #D98716

RGB 217 135 22

HSL 34.77, 0.82%, 0.47%

LAB 63.46, 23.99, 65.42

 

CMYK 90 / 0 / 39 / 15

HEX #15DA84

RGB 21 218 132

HSL 153.81, 0.82%, 0.47%

LAB 77.26, -63.29, 30.22

 

CMYK 39 / 90 / 0 / 15

HEX #8415DA

RGB 132 21 218

HSL 273.81, 0.82%, 0.47%

LAB 38.73, 73.11, -75.89

 

CMYK 0 / 38 / 90 / 15

HEX #D98716

RGB 217 135 22

HSL 34.77, 0.82%, 0.47%

LAB 63.46, 23.99, 65.42

 

CMYK 69 / 0 / 90 / 15

HEX #43DA15

RGB 67 218 21

HSL 105.99, 0.82%, 0.47%

LAB 76.91, -69.71, 72.51

 

CMYK 90 / 51 / 0 / 15

HEX #156ADA

RGB 21 106 218

HSL 214.11, 0.82%, 0.47%

LAB 46.35, 19, -63.76

 

CMYK 21 / 90 / 0 / 15

HEX #AC15DA

RGB 172 21 218

HSL 285.99, 0.82%, 0.47%

LAB 44.76, 78.31, -65.8

 

CMYK 0 / 38 / 90 / 15

HEX #D98716

RGB 217 135 22

HSL 34.77, 0.82%, 0.47%

LAB 63.46, 23.99, 65.42

 

CMYK 90 / 0 / 84 / 15

HEX #15DA22

RGB 21 218 34

HSL 123.96, 0.82%, 0.47%

LAB 76.32, -74.76, 69.27

 

CMYK 90 / 51 / 0 / 15

HEX #156ADA

RGB 21 106 218

HSL 214.11, 0.82%, 0.47%

LAB 46.35, 19, -63.76

 

CMYK 0 / 90 / 6 / 15

HEX #DA15CD

RGB 218 21 205

HSL 303.96, 0.82%, 0.47%

LAB 51.67, 83.65, -46.82

 

Description

Color code: RGB 217 135 22 | qconv.com Color code: RGB 217 135 22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 135 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 135 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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