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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 128 192 it is the complementary color RGB 38 127 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 128 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 128 192 shade: RGB 222 128 187, RGB 239 146 206, RGB 255 164 225, RGB 255 182 244 and RGB 255 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 128 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 128 192 shade: RGB 217 128 192, RGB 200 110 173, RGB 183 92 154, RGB 166 74 135 and RGB 149 56 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 128 192 shade: RGB 217 129 192, RGB 217 129 168, RGB 217 129 145 and RGB 217 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 128 192 shade: RGB 217 129 192, RGB 217 129 216, RGB 194 129 217, RGB 170 129 217 and RGB 147 129 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 128 192 shade matches the following richer shades: RGB 217 129 192, RGB 230 116 198 and RGB 243 102 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 128 192 shade: RGB 217 129 192, RGB 204 142 186, RGB 191 155 181, RGB 177 168 175 and RGB 164 182 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 128 192 shade: RGB 193 129 217, RGB 217 129 217, RGB 217 129 193, RGB 217 129 170 and RGB 217 129 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 128 192 shade: RGB 198 65 161, RGB 207 97 176, RGB 217 129 192, RGB 226 161 208 and RGB 236 192 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 128 192 shade: RGB 217 128 192, RGB 217 170 129 and RGB 129 217 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 128 192 shade: RGB 217 128 192, RGB 193 217 129 and RGB 129 193 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 128 192 shade: RGB 217 128 192, RGB 217 170 129, RGB 129 217 152 and RGB 129 176 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 128 192 shade: RGB 217 128 192, RGB 217 196 129, RGB 129 217 152 and RGB 129 149 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 12 / 15

HEX #D980C0

RGB 217 128 192

HSL 316.85, 0.54%, 0.68%

LAB 64.96, 43.17, -18.74

 

Complementary color

CMYK 70 / 0 / 50 / 50

HEX #267F3F

RGB 38 127 63

HSL 136.85, 0.54%, 0.32%

LAB 46.91, -40.87, 27.24

 

CMYK 0 / 42 / 16 / 13

HEX #DE80BB

RGB 222 128 187

HSL 322.34, 0.59%, 0.69%

LAB 65.4, 43.99, -15.19

 

CMYK 0 / 39 / 14 / 6

HEX #EF92CE

RGB 239 146 206

HSL 321.29, 0.74%, 0.75%

LAB 71.8, 43.23, -15.94

 

CMYK 0 / 36 / 12 / 0

HEX #FFA4E1

RGB 255 164 225

HSL 319.78, 1%, 0.82%

LAB 78.02, 42.16, -16.79

 

CMYK 0 / 29 / 4 / 0

HEX #FFB6F4

RGB 255 182 244

HSL 309.04, 1%, 0.86%

LAB 82.51, 35.97, -20.25

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 0 / 41 / 12 / 15

HEX #D980C0

RGB 217 128 192

HSL 316.85, 0.54%, 0.68%

LAB 64.96, 43.17, -18.74

 

CMYK 0 / 45 / 14 / 22

HEX #C86EAD

RGB 200 110 173

HSL 318, 0.45%, 0.61%

LAB 58.46, 43.93, -18.01

 

CMYK 0 / 50 / 16 / 28

HEX #B75C9A

RGB 183 92 154

HSL 319.12, 0.39%, 0.54%

LAB 51.9, 44.67, -17.15

 

CMYK 0 / 55 / 19 / 35

HEX #A64A87

RGB 166 74 135

HSL 320.22, 0.38%, 0.47%

LAB 45.3, 45.32, -16.1

 

CMYK 0 / 62 / 22 / 42

HEX #953874

RGB 149 56 116

HSL 321.29, 0.45%, 0.4%

LAB 38.69, 45.77, -14.76

 

CMYK 0 / 41 / 12 / 15

HEX #D981C0

RGB 217 129 192

HSL 317.05, 0.54%, 0.68%

LAB 65.17, 42.65, -18.42

 

CMYK 0 / 41 / 23 / 15

HEX #D981A8

RGB 217 129 168

HSL 333.41, 0.54%, 0.68%

LAB 64.39, 38.92, -6.03

 

CMYK 0 / 41 / 33 / 15

HEX #D98191

RGB 217 129 145

HSL 349.09, 0.54%, 0.68%

LAB 63.75, 35.8, 6.12

 

CMYK 0 / 41 / 41 / 15

HEX #D98181

RGB 217 129 129

HSL 0, 0.54%, 0.68%

LAB 63.37, 33.9, 14.67

 

CMYK 0 / 41 / 12 / 15

HEX #D981C0

RGB 217 129 192

HSL 317.05, 0.54%, 0.68%

LAB 65.17, 42.65, -18.42

 

CMYK 0 / 41 / 0 / 15

HEX #D981D8

RGB 217 129 216

HSL 300.68, 0.54%, 0.68%

LAB 66.07, 46.8, -30.48

 

CMYK 11 / 41 / 0 / 15

HEX #C281D9

RGB 194 129 217

HSL 284.32, 0.54%, 0.68%

LAB 63.49, 40.08, -35.24

 

CMYK 22 / 41 / 0 / 15

HEX #AA81D9

RGB 170 129 217

HSL 267.95, 0.54%, 0.68%

LAB 61.01, 33, -39.3

 

CMYK 32 / 41 / 0 / 15

HEX #9381D9

RGB 147 129 217

HSL 252.27, 0.54%, 0.68%

LAB 58.89, 26.49, -42.77

 

CMYK 0 / 41 / 12 / 15

HEX #D981C0

RGB 217 129 192

HSL 317.05, 0.54%, 0.68%

LAB 65.17, 42.65, -18.42

 

CMYK 0 / 50 / 14 / 10

HEX #E674C6

RGB 230 116 198

HSL 316.84, 0.7%, 0.68%

LAB 64.48, 54.23, -22.7

 

CMYK 0 / 58 / 16 / 5

HEX #F366CC

RGB 243 102 204

HSL 316.6, 0.85%, 0.68%

LAB 64.09, 65.31, -26.52

 

CMYK 0 / 41 / 12 / 15

HEX #D981C0

RGB 217 129 192

HSL 317.05, 0.54%, 0.68%

LAB 65.17, 42.65, -18.42

 

CMYK 0 / 30 / 9 / 20

HEX #CC8EBA

RGB 204 142 186

HSL 317.42, 0.38%, 0.68%

LAB 66.31, 30.34, -13.47

 

CMYK 0 / 19 / 5 / 25

HEX #BF9BB5

RGB 191 155 181

HSL 316.67, 0.22%, 0.68%

LAB 67.91, 17.77, -8.41

 

CMYK 0 / 5 / 1 / 31

HEX #B1A8AF

RGB 177 168 175

HSL 313.33, 0.05%, 0.68%

LAB 69.79, 4.52, -2.45

 

CMYK 10 / 0 / 7 / 29

HEX #A4B6A9

RGB 164 182 169

HSL 136.67, 0.11%, 0.68%

LAB 72.37, -8.73, 4.5

 

CMYK 11 / 41 / 0 / 15

HEX #C181D9

RGB 193 129 217

HSL 283.64, 0.54%, 0.68%

LAB 63.38, 39.78, -35.42

 

CMYK 0 / 41 / 0 / 15

HEX #D981D9

RGB 217 129 217

HSL 300, 0.54%, 0.68%

LAB 66.11, 46.98, -30.98

 

CMYK 0 / 41 / 11 / 15

HEX #D981C1

RGB 217 129 193

HSL 316.36, 0.54%, 0.68%

LAB 65.2, 42.81, -18.93

 

CMYK 0 / 41 / 22 / 15

HEX #D981AA

RGB 217 129 170

HSL 332.05, 0.54%, 0.68%

LAB 64.45, 39.22, -7.08

 

CMYK 0 / 41 / 33 / 15

HEX #D98192

RGB 217 129 146

HSL 348.41, 0.54%, 0.68%

LAB 63.78, 35.92, 5.58

 

CMYK 0 / 67 / 19 / 22

HEX #C641A1

RGB 198 65 161

HSL 316.69, 0.54%, 0.52%

LAB 49.93, 62.25, -24.11

 

CMYK 0 / 53 / 15 / 19

HEX #CF61B0

RGB 207 97 176

HSL 316.91, 0.53%, 0.6%

LAB 57.03, 53.07, -21.84

 

CMYK 0 / 41 / 12 / 15

HEX #D981C0

RGB 217 129 192

HSL 317.05, 0.54%, 0.68%

LAB 65.17, 42.65, -18.42

 

CMYK 0 / 29 / 8 / 11

HEX #E2A1D0

RGB 226 161 208

HSL 316.62, 0.53%, 0.76%

LAB 73.68, 31.33, -14.35

 

CMYK 0 / 19 / 5 / 7

HEX #ECC0E0

RGB 236 192 224

HSL 316.36, 0.54%, 0.84%

LAB 82.33, 20.91, -9.99

 

CMYK 0 / 41 / 12 / 15

HEX #D980C0

RGB 217 128 192

HSL 316.85, 0.54%, 0.68%

LAB 64.96, 43.17, -18.74

 

CMYK 0 / 22 / 41 / 15

HEX #D9AA81

RGB 217 170 129

HSL 27.95, 0.54%, 0.68%

LAB 72.95, 11.86, 27.71

 

CMYK 41 / 0 / 6 / 15

HEX #81D9CD

RGB 129 217 205

HSL 171.82, 0.54%, 0.68%

LAB 81.13, -29.28, -2.42

 

CMYK 0 / 41 / 12 / 15

HEX #D980C0

RGB 217 128 192

HSL 316.85, 0.54%, 0.68%

LAB 64.96, 43.17, -18.74

 

CMYK 11 / 0 / 41 / 15

HEX #C1D981

RGB 193 217 129

HSL 76.36, 0.54%, 0.68%

LAB 83.2, -21.92, 40.66

 

CMYK 41 / 11 / 0 / 15

HEX #81C1D9

RGB 129 193 217

HSL 196.36, 0.54%, 0.68%

LAB 74.71, -14.28, -18.44

 

CMYK 0 / 41 / 12 / 15

HEX #D980C0

RGB 217 128 192

HSL 316.85, 0.54%, 0.68%

LAB 64.96, 43.17, -18.74

 

CMYK 0 / 22 / 41 / 15

HEX #D9AA81

RGB 217 170 129

HSL 27.95, 0.54%, 0.68%

LAB 72.95, 11.86, 27.71

 

CMYK 41 / 0 / 30 / 15

HEX #81D998

RGB 129 217 152

HSL 135.68, 0.54%, 0.68%

LAB 79.93, -40.26, 23.92

 

CMYK 41 / 19 / 0 / 15

HEX #81B0D9

RGB 129 176 217

HSL 207.95, 0.54%, 0.68%

LAB 69.98, -5.2, -25.63

 

CMYK 0 / 41 / 12 / 15

HEX #D980C0

RGB 217 128 192

HSL 316.85, 0.54%, 0.68%

LAB 64.96, 43.17, -18.74

 

CMYK 0 / 10 / 41 / 15

HEX #D9C481

RGB 217 196 129

HSL 45.68, 0.54%, 0.68%

LAB 79.51, -1.91, 36.31

 

CMYK 41 / 0 / 30 / 15

HEX #81D998

RGB 129 217 152

HSL 135.68, 0.54%, 0.68%

LAB 79.93, -40.26, 23.92

 

CMYK 41 / 31 / 0 / 15

HEX #8195D9

RGB 129 149 217

HSL 226.36, 0.54%, 0.68%

LAB 62.65, 9.99, -36.97

 

Description

Color code: RGB 217 128 192 | qconv.com Color code: RGB 217 128 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 128 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 128 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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