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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 126 39 it is the complementary color RGB 38 129 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 126 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 126 39 shade: RGB 222 126 34, RGB 239 144 53, RGB 255 162 72, RGB 255 180 91 and RGB 255 198 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 126 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 126 39 shade: RGB 217 126 39, RGB 200 108 20, RGB 183 90 1, RGB 166 72 0 and RGB 149 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 126 39 shade: RGB 216 125 38, RGB 216 77 38 and RGB 216 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 126 39 shade: RGB 216 125 38, RGB 216 173 38, RGB 211 216 38, RGB 163 216 38 and RGB 115 216 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 126 39 shade matches the following richer shades: RGB 216 125 38 and RGB 237 125 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 126 39 shade: RGB 216 125 38, RGB 196 125 58, RGB 175 126 79, RGB 154 126 100 and RGB 134 127 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 126 39 shade: RGB 216 38 47, RGB 216 76 38, RGB 216 124 38, RGB 216 172 38 and RGB 213 216 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 126 39 shade: RGB 146 84 25, RGB 181 105 32, RGB 216 125 38, RGB 222 146 73 and RGB 229 167 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 126 39 shade: RGB 217 126 39, RGB 94 216 38 and RGB 53 38 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 126 39 shade: RGB 217 126 39, RGB 38 216 124 and RGB 124 38 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 126 39 shade: RGB 217 126 39, RGB 94 216 38, RGB 38 130 216 and RGB 160 38 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 126 39 shade: RGB 217 126 39, RGB 41 216 38, RGB 38 130 216 and RGB 213 38 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 82 / 15

HEX #D97E27

RGB 217 126 39

HSL 29.33, 0.7%, 0.5%

LAB 61.5, 29.19, 58.56

 

Complementary color

CMYK 82 / 40 / 0 / 15

HEX #2681D8

RGB 38 129 216

HSL 209.33, 0.7%, 0.5%

LAB 53.03, 4.96, -51.88

 

CMYK 0 / 43 / 85 / 13

HEX #DE7E22

RGB 222 126 34

HSL 29.36, 0.74%, 0.5%

LAB 62.14, 31.12, 61.17

 

CMYK 0 / 40 / 78 / 6

HEX #EF9035

RGB 239 144 53

HSL 29.35, 0.85%, 0.57%

LAB 68.43, 29.26, 60.51

 

CMYK 0 / 36 / 72 / 0

HEX #FFA248

RGB 255 162 72

HSL 29.51, 1%, 0.64%

LAB 74.55, 27.18, 59.19

 

CMYK 0 / 29 / 64 / 0

HEX #FFB45B

RGB 255 180 91

HSL 32.56, 1%, 0.68%

LAB 78.84, 18.79, 55.17

 

CMYK 0 / 22 / 57 / 0

HEX #FFC66E

RGB 255 198 110

HSL 36.41, 1%, 0.72%

LAB 83.32, 10.69, 51.31

 

CMYK 0 / 42 / 82 / 15

HEX #D97E27

RGB 217 126 39

HSL 29.33, 0.7%, 0.5%

LAB 61.5, 29.19, 58.56

 

CMYK 0 / 46 / 90 / 22

HEX #C86C14

RGB 200 108 20

HSL 29.33, 0.82%, 0.43%

LAB 55.13, 31.21, 58.64

 

CMYK 0 / 51 / 99 / 28

HEX #B75A01

RGB 183 90 1

HSL 29.34, 0.99%, 0.36%

LAB 48.74, 33.39, 57.46

 

CMYK 0 / 57 / 100 / 35

HEX #A64800

RGB 166 72 0

HSL 26.02, 1%, 0.33%

LAB 42.37, 35.76, 52.61

 

CMYK 0 / 64 / 100 / 42

HEX #953600

RGB 149 54 0

HSL 21.74, 1%, 0.29%

LAB 36.04, 37.94, 47.56

 

CMYK 0 / 42 / 82 / 15

HEX #D87D26

RGB 216 125 38

HSL 29.33, 0.7%, 0.5%

LAB 61.14, 29.28, 58.57

 

CMYK 0 / 64 / 82 / 15

HEX #D84D26

RGB 216 77 38

HSL 13.15, 0.7%, 0.5%

LAB 51.89, 52.73, 50.28

 

CMYK 0 / 82 / 82 / 15

HEX #D82626

RGB 216 38 38

HSL 0, 0.7%, 0.5%

LAB 47.14, 65.85, 45.89

 

CMYK 0 / 42 / 82 / 15

HEX #D87D26

RGB 216 125 38

HSL 29.33, 0.7%, 0.5%

LAB 61.14, 29.28, 58.57

 

CMYK 0 / 20 / 82 / 15

HEX #D8AD26

RGB 216 173 38

HSL 45.51, 0.7%, 0.5%

LAB 72.64, 3.56, 68.55

 

CMYK 2 / 0 / 82 / 15

HEX #D3D826

RGB 211 216 38

HSL 61.69, 0.7%, 0.5%

LAB 83.5, -20.52, 77.6

 

CMYK 25 / 0 / 82 / 15

HEX #A3D826

RGB 163 216 38

HSL 77.87, 0.7%, 0.5%

LAB 80.2, -39.93, 73.47

 

CMYK 47 / 0 / 82 / 15

HEX #73D826

RGB 115 216 38

HSL 94.04, 0.7%, 0.5%

LAB 77.81, -56.62, 70.45

 

CMYK 0 / 42 / 82 / 15

HEX #D87D26

RGB 216 125 38

HSL 29.33, 0.7%, 0.5%

LAB 61.14, 29.28, 58.57

 

CMYK 0 / 47 / 93 / 7

HEX #ED7D11

RGB 237 125 17

HSL 29.45, 0.87%, 0.5%

LAB 63.93, 37.41, 68.09

 

CMYK 0 / 42 / 82 / 15

HEX #D87D26

RGB 216 125 38

HSL 29.33, 0.7%, 0.5%

LAB 61.14, 29.28, 58.57

 

CMYK 0 / 36 / 70 / 23

HEX #C47D3A

RGB 196 125 58

HSL 29.13, 0.54%, 0.5%

LAB 58.7, 21.67, 46.7

 

CMYK 0 / 28 / 55 / 31

HEX #AF7E4F

RGB 175 126 79

HSL 29.38, 0.38%, 0.5%

LAB 56.68, 13.56, 32.89

RGB 175 126 79

CMYK 0 / 18 / 35 / 40

HEX #9A7E64

RGB 154 126 100

HSL 28.89, 0.21%, 0.5%

LAB 54.77, 6.91, 18.22

RGB 154 126 100

CMYK 0 / 82 / 78 / 15

HEX #D8262F

RGB 216 38 47

HSL 356.97, 0.7%, 0.5%

LAB 47.22, 66.11, 41.12

 

CMYK 0 / 65 / 82 / 15

HEX #D84C26

RGB 216 76 38

HSL 12.81, 0.7%, 0.5%

LAB 51.73, 53.16, 50.13

 

CMYK 0 / 43 / 82 / 15

HEX #D87C26

RGB 216 124 38

HSL 28.99, 0.7%, 0.5%

LAB 60.92, 29.81, 58.37

 

CMYK 0 / 20 / 82 / 15

HEX #D8AC26

RGB 216 172 38

HSL 45.17, 0.7%, 0.5%

LAB 72.39, 4.09, 68.34

 

CMYK 1 / 0 / 82 / 15

HEX #D5D826

RGB 213 216 38

HSL 61.01, 0.7%, 0.5%

LAB 83.65, -19.69, 77.79

 

CMYK 0 / 42 / 83 / 43

HEX #925419

RGB 146 84 25

HSL 29.26, 0.71%, 0.34%

LAB 42.03, 21.25, 42.95

 

CMYK 0 / 42 / 82 / 29

HEX #B56920

RGB 181 105 32

HSL 29.4, 0.7%, 0.42%

LAB 51.87, 25.08, 50.82

 

CMYK 0 / 42 / 82 / 15

HEX #D87D26

RGB 216 125 38

HSL 29.33, 0.7%, 0.5%

LAB 61.14, 29.28, 58.57

 

CMYK 0 / 34 / 67 / 13

HEX #DE9249

RGB 222 146 73

HSL 29.4, 0.69%, 0.58%

LAB 66.95, 22.09, 49.4

 

CMYK 0 / 27 / 53 / 10

HEX #E5A76C

RGB 229 167 108

HSL 29.26, 0.7%, 0.66%

LAB 73.14, 16.25, 39.3

 

CMYK 0 / 42 / 82 / 15

HEX #D97E27

RGB 217 126 39

HSL 29.33, 0.7%, 0.5%

LAB 61.5, 29.19, 58.56

 

CMYK 56 / 0 / 82 / 15

HEX #5ED826

RGB 94 216 38

HSL 101.12, 0.7%, 0.5%

LAB 77.06, -62.51, 69.49

 

CMYK 75 / 82 / 0 / 15

HEX #3526D8

RGB 53 38 216

HSL 245.06, 0.7%, 0.5%

LAB 32.04, 60.46, -86.07

 

CMYK 0 / 42 / 82 / 15

HEX #D97E27

RGB 217 126 39

HSL 29.33, 0.7%, 0.5%

LAB 61.5, 29.19, 58.56

 

CMYK 82 / 0 / 43 / 15

HEX #26D87C

RGB 38 216 124

HSL 148.99, 0.7%, 0.5%

LAB 76.67, -62.84, 33.53

 

CMYK 43 / 82 / 0 / 15

HEX #7C26D8

RGB 124 38 216

HSL 268.99, 0.7%, 0.5%

LAB 38.95, 67.33, -74.43

 

CMYK 0 / 42 / 82 / 15

HEX #D97E27

RGB 217 126 39

HSL 29.33, 0.7%, 0.5%

LAB 61.5, 29.19, 58.56

 

CMYK 56 / 0 / 82 / 15

HEX #5ED826

RGB 94 216 38

HSL 101.12, 0.7%, 0.5%

LAB 77.06, -62.51, 69.49

 

CMYK 82 / 40 / 0 / 15

HEX #2682D8

RGB 38 130 216

HSL 208.99, 0.7%, 0.5%

LAB 53.31, 4.35, -51.42

 

CMYK 26 / 82 / 0 / 15

HEX #A026D8

RGB 160 38 216

HSL 281.12, 0.7%, 0.5%

LAB 43.97, 72.55, -66.02

 

CMYK 0 / 42 / 82 / 15

HEX #D97E27

RGB 217 126 39

HSL 29.33, 0.7%, 0.5%

LAB 61.5, 29.19, 58.56

 

CMYK 81 / 0 / 82 / 15

HEX #29D826

RGB 41 216 38

HSL 118.99, 0.7%, 0.5%

LAB 75.9, -72.29, 68

 

CMYK 82 / 40 / 0 / 15

HEX #2682D8

RGB 38 130 216

HSL 208.99, 0.7%, 0.5%

LAB 53.31, 4.35, -51.42

 

CMYK 1 / 82 / 0 / 15

HEX #D526D8

RGB 213 38 216

HSL 298.99, 0.7%, 0.5%

LAB 52.39, 81.57, -52.02

 

Description

Color code: RGB 217 126 39 | qconv.com Color code: RGB 217 126 39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 126 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 126 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 82% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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