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Color name
RGB 217 104 83

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 104 83 it is the complementary color RGB 38 151 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 104 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 104 83 shade: RGB 222 104 78, RGB 239 122 97, RGB 255 140 116, RGB 255 158 135 and RGB 255 176 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 104 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 104 83 shade: RGB 217 104 83, RGB 200 86 64, RGB 183 68 45, RGB 166 50 26 and RGB 149 32 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 104 83 shade: RGB 217 104 83 and RGB 217 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 104 83 shade: RGB 217 104 83, RGB 217 140 83, RGB 217 176 83, RGB 217 212 83 and RGB 185 217 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 104 83 shade matches the following richer shades: RGB 217 104 83, RGB 234 92 66 and RGB 251 81 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 104 83 shade: RGB 217 104 83, RGB 200 116 100, RGB 183 127 117, RGB 166 139 134 and RGB 149 150 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 104 83 shade: RGB 217 83 134, RGB 217 83 99, RGB 217 103 83, RGB 217 139 83 and RGB 217 174 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 104 83 shade: RGB 179 61 39, RGB 209 74 49, RGB 217 104 83, RGB 224 134 117 and RGB 232 163 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 104 83 shade: RGB 217 104 83, RGB 170 217 83 and RGB 83 116 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 104 83 shade: RGB 217 104 83, RGB 83 217 103 and RGB 103 83 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 104 83 shade: RGB 217 104 83, RGB 170 217 83, RGB 83 197 217 and RGB 130 83 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 104 83 shade: RGB 217 104 83, RGB 130 217 83, RGB 83 197 217 and RGB 170 83 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

Complementary color

CMYK 78 / 12 / 0 / 33

HEX #2697AC

RGB 38 151 172

HSL 189.4, 0.64%, 0.41%

LAB 57.58, -23.22, -19.8

 

CMYK 0 / 53 / 65 / 13

HEX #DE684E

RGB 222 104 78

HSL 10.83, 0.69%, 0.59%

LAB 58.02, 44.22, 36.49

 

CMYK 0 / 49 / 59 / 6

HEX #EF7A61

RGB 239 122 97

HSL 10.56, 0.82%, 0.66%

LAB 64.27, 42.89, 34.31

 

CMYK 0 / 45 / 55 / 0

HEX #FF8C74

RGB 255 140 116

HSL 10.36, 1%, 0.73%

LAB 70.37, 41.25, 32.17

 

CMYK 0 / 38 / 47 / 0

HEX #FF9E87

RGB 255 158 135

HSL 11.5, 1%, 0.76%

LAB 74.48, 33.69, 27.28

 

CMYK 0 / 31 / 40 / 0

HEX #FFB09A

RGB 255 176 154

HSL 13.07, 1%, 0.8%

LAB 78.84, 26.25, 22.92

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 0 / 57 / 68 / 22

HEX #C85640

RGB 200 86 64

HSL 9.71, 0.55%, 0.52%

LAB 51.04, 44, 35.1

 

CMYK 0 / 63 / 75 / 28

HEX #B7442D

RGB 183 68 45

HSL 10, 0.61%, 0.45%

LAB 44.79, 45.3, 37.79

 

CMYK 0 / 70 / 84 / 35

HEX #A6321A

RGB 166 50 26

HSL 10.29, 0.73%, 0.38%

LAB 38.66, 46.4, 40.62

 

CMYK 0 / 79 / 95 / 42

HEX #952007

RGB 149 32 7

HSL 10.56, 0.91%, 0.31%

LAB 32.78, 47.01, 42.88

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 0 / 62 / 62 / 15

HEX #D95353

RGB 217 83 83

HSL 0, 0.64%, 0.59%

LAB 53.56, 52.55, 27.95

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 0 / 35 / 62 / 15

HEX #D98C53

RGB 217 140 83

HSL 25.52, 0.64%, 0.59%

LAB 65.07, 23.87, 42.09

 

CMYK 0 / 19 / 62 / 15

HEX #D9B053

RGB 217 176 83

HSL 41.64, 0.64%, 0.59%

LAB 73.82, 4.55, 52.18

 

CMYK 0 / 2 / 62 / 15

HEX #D9D453

RGB 217 212 83

HSL 57.76, 0.64%, 0.59%

LAB 83.16, -14.01, 62.41

 

CMYK 15 / 0 / 62 / 15

HEX #B9D953

RGB 185 217 83

HSL 74.33, 0.64%, 0.59%

LAB 82.14, -29.39, 60.62

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 0 / 61 / 72 / 8

HEX #EA5C42

RGB 234 92 66

HSL 9.29, 0.8%, 0.59%

LAB 57.6, 53.49, 42.98

 

CMYK 0 / 68 / 80 / 2

HEX #FB5131

RGB 251 81 49

HSL 9.5, 0.96%, 0.59%

LAB 58.62, 63.04, 53.56

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 0 / 42 / 50 / 22

HEX #C87464

RGB 200 116 100

HSL 9.6, 0.48%, 0.59%

LAB 57.74, 31.3, 23.14

 

CMYK 0 / 31 / 36 / 28

HEX #B77F75

RGB 183 127 117

HSL 9.09, 0.31%, 0.59%

LAB 58.54, 20.39, 14.16

 

CMYK 0 / 16 / 19 / 35

HEX #A68B86

RGB 166 139 134

HSL 9.37, 0.15%, 0.59%

LAB 60.15, 9.37, 6.47

 

CMYK 1 / 1 / 0 / 41

HEX #959697

RGB 149 150 151

HSL 210, 0.01%, 0.59%

LAB 62.03, -0.16, -0.66

 

CMYK 0 / 62 / 38 / 15

HEX #D95386

RGB 217 83 134

HSL 337.16, 0.64%, 0.59%

LAB 54.72, 56.98, -0.59

 

CMYK 0 / 62 / 54 / 15

HEX #D95363

RGB 217 83 99

HSL 352.84, 0.64%, 0.59%

LAB 53.86, 53.7, 18.95

 

CMYK 0 / 53 / 62 / 15

HEX #D96753

RGB 217 103 83

HSL 8.96, 0.64%, 0.59%

LAB 57.15, 43.17, 32.47

 

CMYK 0 / 36 / 62 / 15

HEX #D98B53

RGB 217 139 83

HSL 25.07, 0.64%, 0.59%

LAB 64.84, 24.41, 41.81

 

CMYK 0 / 20 / 62 / 15

HEX #D9AE53

RGB 217 174 83

HSL 40.75, 0.64%, 0.59%

LAB 73.32, 5.61, 51.61

 

CMYK 0 / 66 / 78 / 30

HEX #B33D27

RGB 179 61 39

HSL 9.43, 0.64%, 0.43%

LAB 42.87, 46.73, 38.79

 

CMYK 0 / 65 / 77 / 18

HEX #D14A31

RGB 209 74 49

HSL 9.38, 0.63%, 0.51%

LAB 50.3, 51.96, 42.86

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 0 / 40 / 48 / 12

HEX #E08675

RGB 224 134 117

HSL 9.53, 0.63%, 0.67%

LAB 65.11, 32.68, 23.94

 

CMYK 0 / 30 / 35 / 9

HEX #E8A397

RGB 232 163 151

HSL 8.89, 0.64%, 0.75%

LAB 73.28, 24.03, 16.48

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 22 / 0 / 62 / 15

HEX #AAD953

RGB 170 217 83

HSL 81.04, 0.64%, 0.59%

LAB 81.18, -35.18, 59.29

 

CMYK 62 / 47 / 0 / 15

HEX #5374D9

RGB 83 116 217

HSL 225.22, 0.64%, 0.59%

LAB 51.08, 19.41, -55.46

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 62 / 0 / 53 / 15

HEX #53D967

RGB 83 217 103

HSL 128.96, 0.64%, 0.59%

LAB 77.55, -59.68, 45.13

 

CMYK 53 / 62 / 0 / 15

HEX #6753D9

RGB 103 83 217

HSL 248.96, 0.64%, 0.59%

LAB 44.35, 43.16, -66.27

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 22 / 0 / 62 / 15

HEX #AAD953

RGB 170 217 83

HSL 81.04, 0.64%, 0.59%

LAB 81.18, -35.18, 59.29

 

CMYK 62 / 9 / 0 / 15

HEX #53C5D9

RGB 83 197 217

HSL 188.96, 0.64%, 0.59%

LAB 74.05, -26.19, -19.61

 

CMYK 40 / 62 / 0 / 15

HEX #8253D9

RGB 130 83 217

HSL 261.04, 0.64%, 0.59%

LAB 46.9, 48.49, -62.02

 

CMYK 0 / 52 / 62 / 15

HEX #D96853

RGB 217 104 83

HSL 9.4, 0.64%, 0.59%

LAB 57.34, 42.68, 32.72

 

CMYK 40 / 0 / 62 / 15

HEX #82D953

RGB 130 217 83

HSL 98.96, 0.64%, 0.59%

LAB 79.04, -49.3, 56.33

 

CMYK 62 / 9 / 0 / 15

HEX #53C5D9

RGB 83 197 217

HSL 188.96, 0.64%, 0.59%

LAB 74.05, -26.19, -19.61

 

CMYK 22 / 62 / 0 / 15

HEX #AA53D9

RGB 170 83 217

HSL 278.96, 0.64%, 0.59%

LAB 51.54, 57.4, -54.3

 

Description

Color code: RGB 217 104 83 | qconv.com Color code: RGB 217 104 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 104 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 104 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 62 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 62% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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