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Color name
RGB 216 77 43

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 77 43 it is the complementary color RGB 39 178 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 77 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 77 43 shade: RGB 221 77 38, RGB 238 95 57, RGB 255 113 76, RGB 255 131 95 and RGB 255 149 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 77 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 77 43 shade: RGB 216 77 43, RGB 199 59 24, RGB 182 41 5, RGB 165 23 0 and RGB 148 5 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 77 43 shade: RGB 216 77 43 and RGB 216 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 77 43 shade: RGB 216 77 43, RGB 216 124 43, RGB 216 170 43, RGB 215 216 43 and RGB 168 216 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 77 43 shade matches the following richer shades: RGB 216 77 43 and RGB 236 65 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 77 43 shade: RGB 216 77 43, RGB 196 89 64, RGB 175 102 84, RGB 155 114 104 and RGB 135 126 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 77 43 shade: RGB 216 43 104, RGB 216 43 58, RGB 216 75 43, RGB 216 121 43 and RGB 216 167 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 77 43 shade: RGB 150 51 27, RGB 184 63 33, RGB 216 77 43, RGB 222 106 78 and RGB 229 136 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 77 43 shade: RGB 216 77 43, RGB 150 216 43 and RGB 43 81 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 77 43 shade: RGB 216 77 43, RGB 43 216 75 and RGB 75 43 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 77 43 shade: RGB 216 77 43, RGB 150 216 43, RGB 43 184 216 and RGB 109 43 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 77 43 shade: RGB 216 77 43, RGB 98 216 43, RGB 43 184 216 and RGB 161 43 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

Complementary color

CMYK 82 / 16 / 0 / 17

HEX #27B2D4

RGB 39 178 212

HSL 191.79, 0.69%, 0.49%

LAB 67.3, -23.82, -27.28

 

CMYK 0 / 65 / 83 / 13

HEX #DD4D26

RGB 221 77 38

HSL 12.79, 0.73%, 0.51%

LAB 52.75, 54.45, 51.38

 

CMYK 0 / 60 / 76 / 7

HEX #EE5F39

RGB 238 95 57

HSL 12.6, 0.84%, 0.58%

LAB 58.66, 53.19, 48.97

 

CMYK 0 / 56 / 70 / 0

HEX #FF714C

RGB 255 113 76

HSL 12.4, 1%, 0.65%

LAB 64.64, 51.84, 46.54

 

CMYK 0 / 49 / 63 / 0

HEX #FF835F

RGB 255 131 95

HSL 13.5, 1%, 0.69%

LAB 68.25, 44.25, 40.81

 

CMYK 0 / 42 / 55 / 0

HEX #FF9572

RGB 255 149 114

HSL 14.89, 1%, 0.72%

LAB 72.21, 36.51, 35.61

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 0 / 70 / 88 / 22

HEX #C73B18

RGB 199 59 24

HSL 12, 0.78%, 0.44%

LAB 46.09, 53.93, 50.27

 

CMYK 0 / 77 / 97 / 29

HEX #B62905

RGB 182 41 5

HSL 12.2, 0.95%, 0.37%

LAB 40.48, 54.51, 51.53

 

CMYK 0 / 86 / 100 / 35

HEX #A51700

RGB 165 23 0

HSL 8.36, 1%, 0.32%

LAB 35.23, 54.25, 48.89

 

CMYK 0 / 97 / 100 / 42

HEX #940500

RGB 148 5 0

HSL 2.03, 1%, 0.29%

LAB 30.41, 52.63, 44

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 0 / 80 / 80 / 15

HEX #D82B2B

RGB 216 43 43

HSL 0, 0.69%, 0.51%

LAB 47.63, 64.74, 43.72

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 0 / 43 / 80 / 15

HEX #D87C2B

RGB 216 124 43

HSL 28.09, 0.69%, 0.51%

LAB 60.95, 29.97, 56.46

 

CMYK 0 / 21 / 80 / 15

HEX #D8AA2B

RGB 216 170 43

HSL 44.05, 0.69%, 0.51%

LAB 71.91, 5.31, 66.38

 

CMYK 0 / 0 / 80 / 15

HEX #D7D82B

RGB 215 216 43

HSL 60.35, 0.69%, 0.51%

LAB 83.83, -18.7, 76.78

 

CMYK 22 / 0 / 80 / 15

HEX #A8D82B

RGB 168 216 43

HSL 76.65, 0.69%, 0.51%

LAB 80.52, -37.82, 72.6

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 0 / 72 / 90 / 7

HEX #EC4117

RGB 236 65 23

HSL 11.83, 0.85%, 0.51%

LAB 53.68, 63.54, 59.31

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 0 / 55 / 67 / 23

HEX #C45940

RGB 196 89 64

HSL 11.36, 0.53%, 0.51%

LAB 50.98, 41.04, 34.87

 

CMYK 0 / 42 / 52 / 31

HEX #AF6654

RGB 175 102 84

HSL 11.87, 0.36%, 0.51%

LAB 50.99, 27.43, 22.81

 

CMYK 0 / 26 / 33 / 39

HEX #9B7268

RGB 155 114 104

HSL 11.76, 0.2%, 0.51%

LAB 51.84, 14.74, 11.88

 

CMYK 0 / 7 / 8 / 47

HEX #877E7C

RGB 135 126 124

HSL 10.91, 0.04%, 0.51%

LAB 53.52, 3.04, 2.31

 

CMYK 0 / 80 / 52 / 15

HEX #D82B68

RGB 216 43 104

HSL 338.84, 0.69%, 0.51%

LAB 48.67, 67.93, 8.73

 

CMYK 0 / 80 / 73 / 15

HEX #D82B3A

RGB 216 43 58

HSL 354.8, 0.69%, 0.51%

LAB 47.79, 65.26, 35.46

 

CMYK 0 / 65 / 80 / 15

HEX #D84B2B

RGB 216 75 43

HSL 11.1, 0.69%, 0.51%

LAB 51.62, 53.72, 47.64

 

CMYK 0 / 44 / 80 / 15

HEX #D8792B

RGB 216 121 43

HSL 27.05, 0.69%, 0.51%

LAB 60.29, 31.55, 55.85

 

CMYK 0 / 23 / 80 / 15

HEX #D8A72B

RGB 216 167 43

HSL 43.01, 0.69%, 0.51%

LAB 71.15, 6.9, 65.71

 

CMYK 0 / 66 / 82 / 41

HEX #96331B

RGB 150 51 27

HSL 11.71, 0.69%, 0.35%

LAB 35.85, 40.31, 36.41

 

CMYK 0 / 66 / 82 / 28

HEX #B83F21

RGB 184 63 33

HSL 11.92, 0.7%, 0.43%

LAB 44.02, 47.43, 43.33

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 0 / 52 / 65 / 13

HEX #DE6A4E

RGB 222 106 78

HSL 11.67, 0.69%, 0.59%

LAB 58.4, 43.24, 36.95

 

CMYK 0 / 41 / 51 / 10

HEX #E58871

RGB 229 136 113

HSL 11.9, 0.69%, 0.67%

LAB 66.1, 33.18, 27.6

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 31 / 0 / 80 / 15

HEX #96D82B

RGB 150 216 43

HSL 82.89, 0.69%, 0.51%

LAB 79.48, -44.62, 71.28

 

CMYK 80 / 63 / 0 / 15

HEX #2B51D8

RGB 43 81 216

HSL 226.82, 0.69%, 0.51%

LAB 40.17, 35.85, -72.66

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 80 / 0 / 65 / 15

HEX #2BD84B

RGB 43 216 75

HSL 131.1, 0.69%, 0.51%

LAB 76.15, -69.24, 55.77

 

CMYK 65 / 80 / 0 / 15

HEX #4B2BD8

RGB 75 43 216

HSL 251.1, 0.69%, 0.51%

LAB 34.36, 59.94, -82.17

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 31 / 0 / 80 / 15

HEX #96D82B

RGB 150 216 43

HSL 82.89, 0.69%, 0.51%

LAB 79.48, -44.62, 71.28

 

CMYK 80 / 15 / 0 / 15

HEX #2BB8D8

RGB 43 184 216

HSL 191.1, 0.69%, 0.51%

LAB 69.29, -25.21, -26.4

 

CMYK 50 / 80 / 0 / 15

HEX #6D2BD8

RGB 109 43 216

HSL 262.89, 0.69%, 0.51%

LAB 37.73, 63.63, -76.5

 

CMYK 0 / 64 / 80 / 15

HEX #D84D2B

RGB 216 77 43

HSL 11.79, 0.69%, 0.51%

LAB 51.93, 52.88, 47.94

 

CMYK 55 / 0 / 80 / 15

HEX #62D82B

RGB 98 216 43

HSL 100.92, 0.69%, 0.51%

LAB 77.21, -61.23, 68.37

 

CMYK 80 / 15 / 0 / 15

HEX #2BB8D8

RGB 43 184 216

HSL 191.1, 0.69%, 0.51%

LAB 69.29, -25.21, -26.4

 

CMYK 25 / 80 / 0 / 15

HEX #A12BD8

RGB 161 43 216

HSL 280.92, 0.69%, 0.51%

LAB 44.61, 71.28, -64.98

 

Description

Color code: RGB 216 77 43 | qconv.com Color code: RGB 216 77 43 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 77 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 77 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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