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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 48 198 it is the complementary color RGB 39 207 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 48 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 48 198 shade: RGB 221 48 193, RGB 238 66 212, RGB 255 84 231, RGB 255 102 250 and RGB 255 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 48 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 48 198 shade: RGB 216 48 198, RGB 199 30 179, RGB 182 12 160, RGB 165 0 141 and RGB 148 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 48 198 shade: RGB 215 49 197, RGB 215 49 153, RGB 215 49 108, RGB 215 49 63 and RGB 215 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 48 198 shade: RGB 215 49 197, RGB 188 49 215, RGB 143 49 215, RGB 99 49 215 and RGB 54 49 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 48 198 shade matches the following richer shades: RGB 215 49 197 and RGB 235 29 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 48 198 shade: RGB 215 49 197, RGB 196 69 182, RGB 176 88 166, RGB 156 108 151 and RGB 136 128 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 48 198 shade: RGB 143 49 215, RGB 188 49 215, RGB 215 49 199, RGB 215 49 154 and RGB 215 49 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 48 198 shade: RGB 153 29 140, RGB 188 35 171, RGB 215 49 197, RGB 222 84 207 and RGB 229 118 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 48 198 shade: RGB 216 48 198, RGB 215 99 49 and RGB 49 215 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 48 198 shade: RGB 216 48 198, RGB 199 215 49 and RGB 49 199 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 48 198 shade: RGB 216 48 198, RGB 215 99 49, RGB 49 215 66 and RGB 49 165 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 48 198 shade: RGB 216 48 198, RGB 215 149 49, RGB 49 215 66 and RGB 49 115 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 8 / 15

HEX #D830C6

RGB 216 48 198

HSL 306.43, 0.68%, 0.52%

LAB 52.72, 77.14, -41.14

 

Complementary color

CMYK 81 / 0 / 72 / 19

HEX #27CF39

RGB 39 207 57

HSL 126.43, 0.68%, 0.48%

LAB 73.12, -68.61, 59.49

 

CMYK 0 / 78 / 13 / 13

HEX #DD30C1

RGB 221 48 193

HSL 309.71, 0.72%, 0.53%

LAB 53.32, 77.48, -37.26

 

CMYK 0 / 72 / 11 / 7

HEX #EE42D4

RGB 238 66 212

HSL 309.07, 0.83%, 0.6%

LAB 58.81, 78.69, -39.31

 

CMYK 0 / 67 / 9 / 0

HEX #FF54E7

RGB 255 84 231

HSL 308.42, 1%, 0.66%

LAB 64.46, 79.31, -40.95

 

CMYK 0 / 60 / 2 / 0

HEX #FF66FA

RGB 255 102 250

HSL 301.96, 1%, 0.7%

LAB 67.77, 75.43, -46.26

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 78 / 8 / 15

HEX #D830C6

RGB 216 48 198

HSL 306.43, 0.68%, 0.52%

LAB 52.72, 77.14, -41.14

 

CMYK 0 / 85 / 10 / 22

HEX #C71EB3

RGB 199 30 179

HSL 307.1, 0.74%, 0.45%

LAB 47.4, 75.12, -38.67

 

CMYK 0 / 93 / 12 / 29

HEX #B60CA0

RGB 182 12 160

HSL 307.76, 0.88%, 0.38%

LAB 42.38, 71.98, -35.51

 

CMYK 0 / 100 / 15 / 35

HEX #A5008D

RGB 165 0 141

HSL 308.73, 1%, 0.32%

LAB 37.7, 67.52, -31.56

 

CMYK 0 / 100 / 18 / 42

HEX #94007A

RGB 148 0 122

HSL 310.54, 1%, 0.29%

LAB 33.35, 61.76, -26.81

 

CMYK 0 / 77 / 8 / 16

HEX #D731C5

RGB 215 49 197

HSL 306.51, 0.67%, 0.52%

LAB 52.59, 76.53, -40.78

 

CMYK 0 / 77 / 29 / 16

HEX #D73199

RGB 215 49 153

HSL 322.41, 0.67%, 0.52%

LAB 50.62, 70.79, -18.05

 

CMYK 0 / 77 / 50 / 16

HEX #D7316C

RGB 215 49 108

HSL 338.67, 0.67%, 0.52%

LAB 49.16, 66.34, 6.96

 

CMYK 0 / 77 / 71 / 16

HEX #D7313F

RGB 215 49 63

HSL 354.94, 0.67%, 0.52%

LAB 48.26, 63.51, 33.03

 

CMYK 0 / 77 / 77 / 16

HEX #D73131

RGB 215 49 49

HSL 0, 0.67%, 0.52%

LAB 48.09, 62.96, 40.86

 

CMYK 0 / 77 / 8 / 16

HEX #D731C5

RGB 215 49 197

HSL 306.51, 0.67%, 0.52%

LAB 52.59, 76.53, -40.78

 

CMYK 13 / 77 / 0 / 16

HEX #BC31D7

RGB 188 49 215

HSL 290.24, 0.67%, 0.52%

LAB 49.25, 74.06, -56.71

 

CMYK 33 / 77 / 0 / 16

HEX #8F31D7

RGB 143 49 215

HSL 273.98, 0.67%, 0.52%

LAB 42.68, 66.12, -67.66

 

CMYK 54 / 77 / 0 / 16

HEX #6331D7

RGB 99 49 215

HSL 258.07, 0.67%, 0.52%

LAB 37.4, 59.64, -76.5

 

CMYK 75 / 77 / 0 / 16

HEX #3631D7

RGB 54 49 215

HSL 241.81, 0.67%, 0.52%

LAB 33.75, 55.09, -82.66

 

CMYK 0 / 77 / 8 / 16

HEX #D731C5

RGB 215 49 197

HSL 306.51, 0.67%, 0.52%

LAB 52.59, 76.53, -40.78

 

CMYK 0 / 88 / 9 / 8

HEX #EB1DD5

RGB 235 29 213

HSL 306.41, 0.84%, 0.52%

LAB 55.43, 86.7, -45.25

 

CMYK 0 / 77 / 8 / 16

HEX #D731C5

RGB 215 49 197

HSL 306.51, 0.67%, 0.52%

LAB 52.59, 76.53, -40.78

 

CMYK 0 / 65 / 7 / 23

HEX #C445B6

RGB 196 69 182

HSL 306.61, 0.52%, 0.52%

LAB 51.12, 63.32, -34.61

 

CMYK 0 / 50 / 6 / 31

HEX #B058A6

RGB 176 88 166

HSL 306.82, 0.36%, 0.52%

LAB 50.64, 46.53, -26.21

 

CMYK 0 / 31 / 3 / 39

HEX #9C6C97

RGB 156 108 151

HSL 306.25, 0.2%, 0.52%

LAB 51.87, 26.36, -15.74

 

CMYK 0 / 6 / 1 / 47

HEX #888087

RGB 136 128 135

HSL 307.5, 0.03%, 0.52%

LAB 54.47, 4.38, -2.7

 

CMYK 33 / 77 / 0 / 16

HEX #8F31D7

RGB 143 49 215

HSL 273.98, 0.67%, 0.52%

LAB 42.68, 66.12, -67.66

 

CMYK 13 / 77 / 0 / 16

HEX #BC31D7

RGB 188 49 215

HSL 290.24, 0.67%, 0.52%

LAB 49.25, 74.06, -56.71

 

CMYK 0 / 77 / 7 / 16

HEX #D731C7

RGB 215 49 199

HSL 305.78, 0.67%, 0.52%

LAB 52.69, 76.82, -41.77

 

CMYK 0 / 77 / 28 / 16

HEX #D7319A

RGB 215 49 154

HSL 322.05, 0.67%, 0.52%

LAB 50.66, 70.9, -18.58

 

CMYK 0 / 77 / 49 / 16

HEX #D7316E

RGB 215 49 110

HSL 337.95, 0.67%, 0.52%

LAB 49.22, 66.51, 5.82

 

CMYK 0 / 81 / 8 / 40

HEX #991D8C

RGB 153 29 140

HSL 306.29, 0.68%, 0.36%

LAB 37.01, 60.27, -32.18

 

CMYK 0 / 81 / 9 / 26

HEX #BC23AB

RGB 188 35 171

HSL 306.67, 0.69%, 0.44%

LAB 45.41, 70.73, -37.22

 

CMYK 0 / 77 / 8 / 16

HEX #D731C5

RGB 215 49 197

HSL 306.51, 0.67%, 0.52%

LAB 52.59, 76.53, -40.78

 

CMYK 0 / 62 / 7 / 13

HEX #DE54CF

RGB 222 84 207

HSL 306.52, 0.68%, 0.6%

LAB 58.39, 67.76, -37.31

 

CMYK 0 / 48 / 5 / 10

HEX #E576D9

RGB 229 118 217

HSL 306.49, 0.68%, 0.68%

LAB 65.46, 56.04, -31.86

 

CMYK 0 / 78 / 8 / 15

HEX #D830C6

RGB 216 48 198

HSL 306.43, 0.68%, 0.52%

LAB 52.72, 77.14, -41.14

 

CMYK 0 / 54 / 77 / 16

HEX #D76331

RGB 215 99 49

HSL 18.07, 0.67%, 0.52%

LAB 55.68, 42.61, 48.69

 

CMYK 77 / 0 / 23 / 16

HEX #31D7A5

RGB 49 215 165

HSL 161.93, 0.67%, 0.52%

LAB 77.26, -52.87, 13.02

 

CMYK 0 / 78 / 8 / 15

HEX #D830C6

RGB 216 48 198

HSL 306.43, 0.68%, 0.52%

LAB 52.72, 77.14, -41.14

 

CMYK 7 / 0 / 77 / 16

HEX #C7D731

RGB 199 215 49

HSL 65.78, 0.67%, 0.52%

LAB 82.36, -24.67, 73.37

 

CMYK 77 / 7 / 0 / 16

HEX #31C7D7

RGB 49 199 215

HSL 185.78, 0.67%, 0.52%

LAB 73.81, -32.32, -18.96

 

CMYK 0 / 78 / 8 / 15

HEX #D830C6

RGB 216 48 198

HSL 306.43, 0.68%, 0.52%

LAB 52.72, 77.14, -41.14

 

CMYK 0 / 54 / 77 / 16

HEX #D76331

RGB 215 99 49

HSL 18.07, 0.67%, 0.52%

LAB 55.68, 42.61, 48.69

 

CMYK 77 / 0 / 69 / 16

HEX #31D742

RGB 49 215 66

HSL 126.14, 0.67%, 0.52%

LAB 75.85, -69.07, 59.04

 

CMYK 77 / 23 / 0 / 16

HEX #31A5D7

RGB 49 165 215

HSL 198.07, 0.67%, 0.52%

LAB 63.73, -15.03, -34.44

 

CMYK 0 / 78 / 8 / 15

HEX #D830C6

RGB 216 48 198

HSL 306.43, 0.68%, 0.52%

LAB 52.72, 77.14, -41.14

 

CMYK 0 / 31 / 77 / 16

HEX #D79531

RGB 215 149 49

HSL 36.14, 0.67%, 0.52%

LAB 66.64, 16.35, 59.38

 

CMYK 77 / 0 / 69 / 16

HEX #31D742

RGB 49 215 66

HSL 126.14, 0.67%, 0.52%

LAB 75.85, -69.07, 59.04

 

CMYK 77 / 47 / 0 / 16

HEX #3173D7

RGB 49 115 215

HSL 216.14, 0.67%, 0.52%

LAB 49.28, 14.35, -57.3

 

Description

Color code: RGB 216 48 198 | qconv.com Color code: RGB 216 48 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 48 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 48 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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