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Color name
RGB 216 43 167

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 43 167 it is the complementary color RGB 39 212 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 43 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 43 167 shade: RGB 221 43 162, RGB 238 61 181, RGB 255 79 200, RGB 255 97 219 and RGB 255 115 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 43 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 43 167 shade: RGB 216 43 167, RGB 199 25 148, RGB 182 7 129, RGB 165 0 110 and RGB 148 0 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 43 167 shade: RGB 216 43 167, RGB 216 43 120, RGB 216 43 74 and RGB 216 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 43 167 shade: RGB 216 43 167, RGB 216 43 213, RGB 172 43 216, RGB 125 43 216 and RGB 79 43 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 43 167 shade matches the following richer shades: RGB 216 43 167 and RGB 236 23 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 43 167 shade: RGB 216 43 167, RGB 196 64 158, RGB 175 84 149, RGB 155 104 141 and RGB 135 124 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 43 167 shade: RGB 170 43 216, RGB 216 43 216, RGB 216 43 170, RGB 216 43 124 and RGB 216 43 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 43 167 shade: RGB 150 27 115, RGB 184 33 142, RGB 216 43 167, RGB 222 78 181 and RGB 229 113 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 43 167 shade: RGB 216 43 167, RGB 216 124 43 and RGB 43 216 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 43 167 shade: RGB 216 43 167, RGB 170 216 43 and RGB 43 170 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 43 167 shade: RGB 216 43 167, RGB 216 124 43, RGB 43 216 89 and RGB 43 135 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 43 167 shade: RGB 216 43 167, RGB 216 176 43, RGB 43 216 89 and RGB 43 84 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

Complementary color

CMYK 82 / 0 / 58 / 17

HEX #27D458

RGB 39 212 88

HSL 136.99, 0.69%, 0.49%

LAB 74.97, -66.93, 48.8

 

CMYK 0 / 81 / 27 / 13

HEX #DD2BA2

RGB 221 43 162

HSL 319.89, 0.72%, 0.52%

LAB 51.51, 74.78, -21.94

 

CMYK 0 / 74 / 24 / 7

HEX #EE3DB5

RGB 238 61 181

HSL 319.32, 0.84%, 0.59%

LAB 56.93, 76.12, -24.47

 

CMYK 0 / 69 / 22 / 0

HEX #FF4FC8

RGB 255 79 200

HSL 318.75, 1%, 0.65%

LAB 62.53, 76.82, -26.51

 

CMYK 0 / 62 / 14 / 0

HEX #FF61DB

RGB 255 97 219

HSL 313.67, 1%, 0.69%

LAB 65.69, 72.72, -32.33

 

CMYK 0 / 55 / 7 / 0

HEX #FF73EE

RGB 255 115 238

HSL 307.29, 1%, 0.73%

LAB 69.25, 68.03, -37.34

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 0 / 87 / 26 / 22

HEX #C71994

RGB 199 25 148

HSL 317.59, 0.78%, 0.44%

LAB 45.6, 72.04, -23.01

 

CMYK 0 / 96 / 29 / 29

HEX #B60781

RGB 182 7 129

HSL 318.17, 0.93%, 0.37%

LAB 40.71, 68.64, -19.22

 

CMYK 0 / 100 / 33 / 35

HEX #A5006E

RGB 165 0 110

HSL 320, 1%, 0.32%

LAB 36.22, 63.78, -14.49

 

CMYK 0 / 100 / 39 / 42

HEX #94005B

RGB 148 0 91

HSL 323.11, 1%, 0.29%

LAB 31.92, 58.13, -9.13

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 0 / 80 / 44 / 15

HEX #D82B78

RGB 216 43 120

HSL 333.29, 0.69%, 0.51%

LAB 49.11, 69.26, -0.41

 

CMYK 0 / 80 / 66 / 15

HEX #D82B4A

RGB 216 43 74

HSL 349.25, 0.69%, 0.51%

LAB 48.03, 66, 26.21

 

CMYK 0 / 80 / 80 / 15

HEX #D82B2B

RGB 216 43 43

HSL 0, 0.69%, 0.51%

LAB 47.63, 64.74, 43.72

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 0 / 80 / 1 / 15

HEX #D82BD5

RGB 216 43 213

HSL 301.04, 0.69%, 0.51%

LAB 53.09, 80.57, -49.16

 

CMYK 20 / 80 / 0 / 15

HEX #AC2BD8

RGB 172 43 216

HSL 284.74, 0.69%, 0.51%

LAB 46.25, 73.13, -62.23

 

CMYK 42 / 80 / 0 / 15

HEX #7D2BD8

RGB 125 43 216

HSL 268.44, 0.69%, 0.51%

LAB 39.66, 65.77, -73.26

 

CMYK 63 / 80 / 0 / 15

HEX #4F2BD8

RGB 79 43 216

HSL 252.49, 0.69%, 0.51%

LAB 34.7, 60.31, -81.6

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 0 / 90 / 25 / 7

HEX #EC17B0

RGB 236 23 176

HSL 316.9, 0.85%, 0.51%

LAB 53.58, 83.14, -26.76

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 0 / 67 / 19 / 23

HEX #C4409E

RGB 196 64 158

HSL 317.27, 0.53%, 0.51%

LAB 49.34, 61.68, -23.27

 

CMYK 0 / 52 / 15 / 31

HEX #AF5495

RGB 175 84 149

HSL 317.14, 0.36%, 0.51%

LAB 49.04, 45.38, -18.66

 

CMYK 0 / 33 / 9 / 39

HEX #9B688D

RGB 155 104 141

HSL 316.47, 0.2%, 0.51%

LAB 50.44, 26.42, -12.02

 

CMYK 0 / 8 / 2 / 47

HEX #877C84

RGB 135 124 132

HSL 316.36, 0.04%, 0.51%

LAB 53.2, 5.72, -2.83

 

CMYK 21 / 80 / 0 / 15

HEX #AA2BD8

RGB 170 43 216

HSL 284.05, 0.69%, 0.51%

LAB 45.95, 72.79, -62.74

 

CMYK 0 / 80 / 0 / 15

HEX #D82BD8

RGB 216 43 216

HSL 300, 0.69%, 0.51%

LAB 53.26, 81.02, -50.6

 

CMYK 0 / 80 / 21 / 15

HEX #D82BAA

RGB 216 43 170

HSL 315.95, 0.69%, 0.51%

LAB 50.95, 74.63, -27.59

 

CMYK 0 / 80 / 43 / 15

HEX #D82B7C

RGB 216 43 124

HSL 331.91, 0.69%, 0.51%

LAB 49.23, 69.62, -2.67

 

CMYK 0 / 80 / 64 / 15

HEX #D82B4E

RGB 216 43 78

HSL 347.86, 0.69%, 0.51%

LAB 48.1, 66.22, 23.87

 

CMYK 0 / 82 / 23 / 41

HEX #961B73

RGB 150 27 115

HSL 317.07, 0.69%, 0.35%

LAB 35.01, 56.55, -19.77

 

CMYK 0 / 82 / 23 / 28

HEX #B8218E

RGB 184 33 142

HSL 316.69, 0.7%, 0.43%

LAB 43.11, 66.4, -23.45

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 0 / 65 / 18 / 13

HEX #DE4EB5

RGB 222 78 181

HSL 317.08, 0.69%, 0.59%

LAB 56.4, 66.3, -25.5

 

CMYK 0 / 51 / 14 / 10

HEX #E571C4

RGB 229 113 196

HSL 317.07, 0.69%, 0.67%

LAB 63.72, 55.07, -22.75

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 0 / 43 / 80 / 15

HEX #D87C2B

RGB 216 124 43

HSL 28.09, 0.69%, 0.51%

LAB 60.95, 29.97, 56.46

 

CMYK 80 / 0 / 11 / 15

HEX #2BD8C1

RGB 43 216 193

HSL 172.02, 0.69%, 0.51%

LAB 78.15, -46.85, -0.64

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 21 / 0 / 80 / 15

HEX #AAD82B

RGB 170 216 43

HSL 75.95, 0.69%, 0.51%

LAB 80.65, -37.04, 72.76

 

CMYK 80 / 21 / 0 / 15

HEX #2BAAD8

RGB 43 170 216

HSL 195.95, 0.69%, 0.51%

LAB 65.14, -17.97, -32.81

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 0 / 43 / 80 / 15

HEX #D87C2B

RGB 216 124 43

HSL 28.09, 0.69%, 0.51%

LAB 60.95, 29.97, 56.46

 

CMYK 80 / 0 / 59 / 15

HEX #2BD859

RGB 43 216 89

HSL 135.95, 0.69%, 0.51%

LAB 76.28, -67.65, 49.9

 

CMYK 80 / 38 / 0 / 15

HEX #2B87D8

RGB 43 135 216

HSL 208.09, 0.69%, 0.51%

LAB 54.87, 1.8, -48.94

 

CMYK 0 / 80 / 23 / 15

HEX #D82BA7

RGB 216 43 167

HSL 316.99, 0.69%, 0.51%

LAB 50.82, 74.26, -26.02

 

CMYK 0 / 19 / 80 / 15

HEX #D8B02B

RGB 216 176 43

HSL 46.13, 0.69%, 0.51%

LAB 73.43, 2.13, 67.73

 

CMYK 80 / 0 / 59 / 15

HEX #2BD859

RGB 43 216 89

HSL 135.95, 0.69%, 0.51%

LAB 76.28, -67.65, 49.9

 

CMYK 80 / 61 / 0 / 15

HEX #2B54D8

RGB 43 84 216

HSL 225.78, 0.69%, 0.51%

LAB 40.92, 33.94, -71.45

 

Description

Color code: RGB 216 43 167 | qconv.com Color code: RGB 216 43 167 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 43 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 43 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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