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Color name
RGB 216 244 67

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 244 67 it is the complementary color RGB 39 11 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 244 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 244 67 shade: RGB 221 244 62, RGB 238 255 81, RGB 255 255 100, RGB 255 255 119 and RGB 255 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 244 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 244 67 shade: RGB 216 244 67, RGB 199 226 48, RGB 182 208 29, RGB 165 190 10 and RGB 148 172 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 244 67 shade: RGB 216 244 67, RGB 244 224 67, RGB 244 176 67, RGB 244 128 67 and RGB 244 81 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 244 67 shade: RGB 216 244 67, RGB 168 244 67, RGB 120 244 67, RGB 72 244 67 and RGB 67 244 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 244 67 shade matches the following richer shades: RGB 216 244 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 244 67 shade: RGB 216 244 67, RGB 205 227 83, RGB 194 211 99, RGB 183 195 115 and RGB 172 179 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 244 67 shade: RGB 244 176 67, RGB 244 223 67, RGB 217 244 67, RGB 170 244 67 and RGB 123 244 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 244 67 shade: RGB 183 216 12, RGB 207 241 28, RGB 216 244 67, RGB 224 246 106 and RGB 232 248 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 244 67 shade: RGB 216 244 67, RGB 67 244 128 and RGB 199 67 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 244 67 shade: RGB 216 244 67, RGB 67 217 244 and RGB 244 67 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 244 67 shade: RGB 216 244 67, RGB 67 244 128, RGB 93 67 244 and RGB 244 67 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 244 67 shade: RGB 216 244 67, RGB 67 244 182, RGB 93 67 244 and RGB 244 67 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

Complementary color

CMYK 79 / 94 / 0 / 26

HEX #270BBC

RGB 39 11 188

HSL 249.49, 0.89%, 0.39%

LAB 24.64, 61.12, -82.01

 

CMYK 9 / 0 / 75 / 4

HEX #DDF43E

RGB 221 244 62

HSL 67.58, 0.89%, 0.6%

LAB 91.87, -28.93, 78.81

 

CMYK 7 / 0 / 68 / 0

HEX #EEFF51

RGB 238 255 81

HSL 65.86, 1%, 0.66%

LAB 96.12, -26.41, 77.04

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 12 / 0 / 79 / 11

HEX #C7E230

RGB 199 226 48

HSL 69.1, 0.75%, 0.54%

LAB 85.38, -29.92, 76.36

 

CMYK 13 / 0 / 86 / 18

HEX #B6D01D

RGB 182 208 29

HSL 68.72, 0.76%, 0.46%

LAB 79.13, -28.98, 75.03

 

CMYK 13 / 0 / 95 / 25

HEX #A5BE0A

RGB 165 190 10

HSL 68.33, 0.9%, 0.39%

LAB 72.79, -27.84, 72.39

 

CMYK 14 / 0 / 100 / 33

HEX #94AC00

RGB 148 172 0

HSL 68.37, 1%, 0.34%

LAB 66.37, -26.49, 68.13

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 0 / 8 / 73 / 4

HEX #F4E043

RGB 244 224 67

HSL 53.22, 0.89%, 0.61%

LAB 88.42, -9.64, 74.58

 

CMYK 0 / 28 / 73 / 4

HEX #F4B043

RGB 244 176 67

HSL 36.95, 0.89%, 0.61%

LAB 76.49, 15.06, 62.9

 

CMYK 0 / 48 / 73 / 4

HEX #F48043

RGB 244 128 67

HSL 20.68, 0.89%, 0.61%

LAB 65.81, 40.06, 51.87

 

CMYK 0 / 67 / 73 / 4

HEX #F45143

RGB 244 81 67

HSL 4.75, 0.89%, 0.61%

LAB 57.58, 61.44, 42.88

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 31 / 0 / 73 / 4

HEX #A8F443

RGB 168 244 67

HSL 85.76, 0.89%, 0.61%

LAB 88.65, -48.78, 73.01

 

CMYK 51 / 0 / 73 / 4

HEX #78F443

RGB 120 244 67

HSL 102.03, 0.89%, 0.61%

LAB 86.55, -63.91, 70.23

 

CMYK 70 / 0 / 73 / 4

HEX #48F443

RGB 72 244 67

HSL 118.31, 0.89%, 0.61%

LAB 85.24, -74.51, 68.48

 

CMYK 73 / 0 / 56 / 4

HEX #43F46C

RGB 67 244 108

HSL 133.9, 0.89%, 0.61%

LAB 85.49, -71.17, 52.28

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 10 / 0 / 63 / 11

HEX #CDE353

RGB 205 227 83

HSL 69.17, 0.72%, 0.61%

LAB 86.28, -26.2, 65.45

 

CMYK 8 / 0 / 53 / 17

HEX #C2D363

RGB 194 211 99

HSL 69.11, 0.56%, 0.61%

LAB 81.27, -21.66, 52.77

 

CMYK 6 / 0 / 41 / 24

HEX #B7C373

RGB 183 195 115

HSL 69, 0.4%, 0.61%

LAB 76.27, -16.48, 38.76

 

CMYK 4 / 0 / 27 / 30

HEX #ACB383

RGB 172 179 131

HSL 68.75, 0.24%, 0.61%

LAB 71.32, -10.53, 23.75

 

CMYK 0 / 28 / 73 / 4

HEX #F4B043

RGB 244 176 67

HSL 36.95, 0.89%, 0.61%

LAB 76.49, 15.06, 62.9

 

CMYK 0 / 9 / 73 / 4

HEX #F4DF43

RGB 244 223 67

HSL 52.88, 0.89%, 0.61%

LAB 88.17, -9.14, 74.33

 

CMYK 11 / 0 / 73 / 4

HEX #D9F443

RGB 217 244 67

HSL 69.15, 0.89%, 0.61%

LAB 91.62, -30.3, 76.9

 

CMYK 30 / 0 / 73 / 4

HEX #AAF443

RGB 170 244 67

HSL 85.08, 0.89%, 0.61%

LAB 88.76, -48.07, 73.15

 

CMYK 50 / 0 / 73 / 4

HEX #7BF443

RGB 123 244 67

HSL 101.02, 0.89%, 0.61%

LAB 86.66, -63.09, 70.37

 

CMYK 15 / 0 / 94 / 15

HEX #B7D80C

RGB 183 216 12

HSL 69.71, 0.89%, 0.45%

LAB 81.4, -32.62, 79.39

 

CMYK 14 / 0 / 88 / 5

HEX #CFF11C

RGB 207 241 28

HSL 69.58, 0.88%, 0.53%

LAB 89.98, -34.19, 84.77

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 9 / 0 / 57 / 4

HEX #E0F66A

RGB 224 246 106

HSL 69.43, 0.89%, 0.69%

LAB 92.93, -26.08, 63.53

 

CMYK 6 / 0 / 42 / 3

HEX #E8F891

RGB 232 248 145

HSL 69.32, 0.88%, 0.77%

LAB 94.46, -20.4, 47.61

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 73 / 0 / 48 / 4

HEX #43F480

RGB 67 244 128

HSL 140.68, 0.89%, 0.61%

LAB 85.73, -68.35, 43.25

 

CMYK 18 / 73 / 0 / 4

HEX #C743F4

RGB 199 67 244

HSL 284.75, 0.89%, 0.61%

LAB 54.75, 75.55, -64.14

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 73 / 11 / 0 / 4

HEX #43D9F4

RGB 67 217 244

HSL 189.15, 0.89%, 0.61%

LAB 80.38, -30.22, -24.52

 

CMYK 0 / 73 / 11 / 4

HEX #F443D9

RGB 244 67 217

HSL 309.15, 0.89%, 0.61%

LAB 60.12, 80.41, -40.02

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 73 / 0 / 48 / 4

HEX #43F480

RGB 67 244 128

HSL 140.68, 0.89%, 0.61%

LAB 85.73, -68.35, 43.25

 

CMYK 62 / 73 / 0 / 4

HEX #5D43F4

RGB 93 67 244

HSL 248.81, 0.89%, 0.61%

LAB 42.57, 58.44, -84.51

 

CMYK 0 / 73 / 25 / 4

HEX #F443B6

RGB 244 67 182

HSL 321.02, 0.89%, 0.61%

LAB 58.63, 75.84, -22.35

 

CMYK 11 / 0 / 73 / 4

HEX #D8F443

RGB 216 244 67

HSL 69.49, 0.89%, 0.61%

LAB 91.55, -30.7, 76.81

 

CMYK 73 / 0 / 25 / 4

HEX #43F4B6

RGB 67 244 182

HSL 158.98, 0.89%, 0.61%

LAB 86.64, -58.25, 17.34

 

CMYK 62 / 73 / 0 / 4

HEX #5D43F4

RGB 93 67 244

HSL 248.81, 0.89%, 0.61%

LAB 42.57, 58.44, -84.51

 

CMYK 0 / 73 / 48 / 4

HEX #F44380

RGB 244 67 128

HSL 339.32, 0.89%, 0.61%

LAB 56.89, 70.3, 6.67

 

Description

Color code: RGB 216 244 67 | qconv.com Color code: RGB 216 244 67 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 244 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 244 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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