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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 22 55 it is the complementary color RGB 39 233 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 22 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 22 55 shade: RGB 221 22 50, RGB 238 40 69, RGB 255 58 88, RGB 255 76 107 and RGB 255 94 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 22 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 22 55 shade: RGB 216 22 55, RGB 199 4 36, RGB 182 0 17, RGB 165 0 0 and RGB 148 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 22 55 shade: RGB 218 21 55 and RGB 218 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 22 55 shade: RGB 218 21 55, RGB 218 21 108, RGB 218 21 161, RGB 218 21 214 and RGB 169 21 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 22 55 shade matches the following richer shades: RGB 218 21 55 and RGB 237 2 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 22 55 shade: RGB 218 21 55, RGB 198 40 67, RGB 179 60 80, RGB 159 79 93 and RGB 140 99 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 22 55 shade: RGB 218 21 162, RGB 218 21 110, RGB 218 21 57, RGB 218 37 21 and RGB 218 90 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 22 55 shade: RGB 143 14 36, RGB 180 17 45, RGB 218 21 55, RGB 234 46 78 and RGB 238 84 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 22 55 shade: RGB 216 22 55, RGB 214 218 21 and RGB 21 136 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 22 55 shade: RGB 216 22 55, RGB 57 218 21 and RGB 21 57 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 22 55 shade: RGB 216 22 55, RGB 214 218 21, RGB 21 218 182 and RGB 24 21 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 22 55 shade: RGB 216 22 55, RGB 155 218 21, RGB 21 218 182 and RGB 83 21 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 75 / 15

HEX #D81637

RGB 216 22 55

HSL 349.79, 0.82%, 0.47%

LAB 46.24, 69.46, 35.45

 

Complementary color

CMYK 83 / 0 / 14 / 9

HEX #27E9C8

RGB 39 233 200

HSL 169.79, 0.82%, 0.53%

LAB 83.38, -52.41, 3.24

 

CMYK 0 / 90 / 77 / 13

HEX #DD1632

RGB 221 22 50

HSL 351.56, 0.82%, 0.48%

LAB 47.2, 70.56, 39.71

 

CMYK 0 / 83 / 71 / 7

HEX #EE2845

RGB 238 40 69

HSL 351.21, 0.85%, 0.55%

LAB 51.98, 72.38, 35

 

CMYK 0 / 77 / 65 / 0

HEX #FF3A58

RGB 255 58 88

HSL 350.86, 1%, 0.61%

LAB 57.07, 73.35, 30.87

 

CMYK 0 / 70 / 58 / 0

HEX #FF4C6B

RGB 255 76 107

HSL 349.61, 1%, 0.65%

LAB 59.43, 68.81, 22.85

 

CMYK 0 / 63 / 51 / 0

HEX #FF5E7E

RGB 255 94 126

HSL 348.07, 1%, 0.68%

LAB 62.31, 63.38, 15.75

 

CMYK 0 / 90 / 75 / 15

HEX #D81637

RGB 216 22 55

HSL 349.79, 0.82%, 0.47%

LAB 46.24, 69.46, 35.45

 

CMYK 0 / 98 / 82 / 22

HEX #C70424

RGB 199 4 36

HSL 350.15, 0.96%, 0.4%

LAB 41.78, 66.62, 40.63

 

CMYK 0 / 100 / 91 / 29

HEX #B60011

RGB 182 0 17

HSL 354.4, 1%, 0.36%

LAB 37.82, 62.39, 45.54

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 90 / 75 / 15

HEX #DA1537

RGB 218 21 55

HSL 349.64, 0.82%, 0.47%

LAB 46.6, 70.11, 35.96

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 90 / 75 / 15

HEX #DA1537

RGB 218 21 55

HSL 349.64, 0.82%, 0.47%

LAB 46.6, 70.11, 35.96

 

CMYK 0 / 90 / 50 / 15

HEX #DA156C

RGB 218 21 108

HSL 333.5, 0.82%, 0.47%

LAB 47.66, 73.05, 4.88

 

CMYK 0 / 90 / 26 / 15

HEX #DA15A1

RGB 218 21 161

HSL 317.36, 0.82%, 0.47%

LAB 49.51, 78.08, -24.46

 

CMYK 0 / 90 / 2 / 15

HEX #DA15D6

RGB 218 21 214

HSL 301.22, 0.82%, 0.47%

LAB 52.17, 84.93, -51.17

 

CMYK 22 / 90 / 0 / 15

HEX #A915DA

RGB 169 21 218

HSL 285.08, 0.82%, 0.47%

LAB 44.28, 77.88, -66.6

 

CMYK 0 / 90 / 75 / 15

HEX #DA1537

RGB 218 21 55

HSL 349.64, 0.82%, 0.47%

LAB 46.6, 70.11, 35.96

 

CMYK 0 / 99 / 82 / 7

HEX #ED022A

RGB 237 2 42

HSL 349.79, 0.98%, 0.47%

LAB 49.76, 76.19, 47.77

 

CMYK 0 / 90 / 75 / 15

HEX #DA1537

RGB 218 21 55

HSL 349.64, 0.82%, 0.47%

LAB 46.6, 70.11, 35.96

 

CMYK 0 / 80 / 66 / 22

HEX #C62843

RGB 198 40 67

HSL 349.75, 0.66%, 0.47%

LAB 44.13, 61.44, 24.8

 

CMYK 0 / 66 / 55 / 30

HEX #B33C50

RGB 179 60 80

HSL 349.92, 0.5%, 0.47%

LAB 43.35, 49.55, 15.1

 

CMYK 0 / 50 / 42 / 38

HEX #9F4F5D

RGB 159 79 93

HSL 349.5, 0.34%, 0.47%

LAB 43.88, 34.62, 7.33

 

CMYK 0 / 29 / 24 / 45

HEX #8C636A

RGB 140 99 106

HSL 349.76, 0.17%, 0.47%

LAB 46.36, 17.67, 2.67

 

CMYK 0 / 90 / 26 / 15

HEX #DA15A2

RGB 218 21 162

HSL 317.06, 0.82%, 0.47%

LAB 49.56, 78.19, -24.99

 

CMYK 0 / 90 / 50 / 15

HEX #DA156E

RGB 218 21 110

HSL 332.89, 0.82%, 0.47%

LAB 47.71, 73.21, 3.73

 

CMYK 0 / 90 / 74 / 15

HEX #DA1539

RGB 218 21 57

HSL 349.04, 0.82%, 0.47%

LAB 46.63, 70.18, 34.81

 

CMYK 0 / 83 / 90 / 15

HEX #DA2515

RGB 218 37 21

HSL 4.87, 0.82%, 0.47%

LAB 47.34, 66.3, 54.03

 

CMYK 0 / 59 / 90 / 15

HEX #DA5A15

RGB 218 90 21

HSL 21.02, 0.82%, 0.47%

LAB 54.31, 47.29, 58.97

 

CMYK 0 / 90 / 75 / 44

HEX #8F0E24

RGB 143 14 36

HSL 349.77, 0.82%, 0.31%

LAB 30.11, 50.7, 24.54

 

CMYK 0 / 91 / 75 / 29

HEX #B4112D

RGB 180 17 45

HSL 349.69, 0.83%, 0.39%

LAB 38.36, 60.55, 30.49

 

CMYK 0 / 90 / 75 / 15

HEX #DA1537

RGB 218 21 55

HSL 349.64, 0.82%, 0.47%

LAB 46.6, 70.11, 35.96

 

CMYK 0 / 80 / 67 / 8

HEX #EA2E4E

RGB 234 46 78

HSL 349.79, 0.82%, 0.55%

LAB 51.83, 70.33, 29.34

 

CMYK 0 / 65 / 54 / 7

HEX #EE546E

RGB 238 84 110

HSL 349.87, 0.82%, 0.63%

LAB 57.7, 60.88, 18.27

 

CMYK 0 / 90 / 75 / 15

HEX #D81637

RGB 216 22 55

HSL 349.79, 0.82%, 0.47%

LAB 46.24, 69.46, 35.45

 

CMYK 2 / 0 / 90 / 15

HEX #D6DA15

RGB 214 218 21

HSL 61.22, 0.82%, 0.47%

LAB 84.22, -20.61, 81.47

 

CMYK 90 / 38 / 0 / 15

HEX #1588DA

RGB 21 136 218

HSL 204.97, 0.82%, 0.47%

LAB 54.9, 0.33, -50.04

 

CMYK 0 / 90 / 75 / 15

HEX #D81637

RGB 216 22 55

HSL 349.79, 0.82%, 0.47%

LAB 46.24, 69.46, 35.45

 

CMYK 74 / 0 / 90 / 15

HEX #39DA15

RGB 57 218 21

HSL 109.04, 0.82%, 0.47%

LAB 76.72, -71.4, 72.26

 

CMYK 90 / 74 / 0 / 15

HEX #1539DA

RGB 21 57 218

HSL 229.04, 0.82%, 0.47%

LAB 34.29, 49.96, -83.53

 

CMYK 0 / 90 / 75 / 15

HEX #D81637

RGB 216 22 55

HSL 349.79, 0.82%, 0.47%

LAB 46.24, 69.46, 35.45

 

CMYK 2 / 0 / 90 / 15

HEX #D6DA15

RGB 214 218 21

HSL 61.22, 0.82%, 0.47%

LAB 84.22, -20.61, 81.47

 

CMYK 90 / 0 / 17 / 15

HEX #15DAB6

RGB 21 218 182

HSL 169.04, 0.82%, 0.47%

LAB 78.27, -52.03, 5.38

 

CMYK 89 / 90 / 0 / 15

HEX #1815DA

RGB 24 21 218

HSL 240.91, 0.82%, 0.47%

LAB 28.88, 66.12, -92.51

 

CMYK 0 / 90 / 75 / 15

HEX #D81637

RGB 216 22 55

HSL 349.79, 0.82%, 0.47%

LAB 46.24, 69.46, 35.45

 

CMYK 29 / 0 / 90 / 15

HEX #9BDA15

RGB 155 218 21

HSL 79.19, 0.82%, 0.47%

LAB 80.27, -44.3, 76.66

 

CMYK 90 / 0 / 17 / 15

HEX #15DAB6

RGB 21 218 182

HSL 169.04, 0.82%, 0.47%

LAB 78.27, -52.03, 5.38

 

CMYK 62 / 90 / 0 / 15

HEX #5315DA

RGB 83 21 218

HSL 258.88, 0.82%, 0.47%

LAB 32.78, 68.6, -85.92

 

Description

Color code: RGB 216 22 55 | qconv.com Color code: RGB 216 22 55 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 22 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 22 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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