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Color name
RGB 216 22 181

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 22 181 it is the complementary color RGB 39 233 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 22 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 22 181 shade: RGB 221 22 176, RGB 238 40 195, RGB 255 58 214, RGB 255 76 233 and RGB 255 94 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 22 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 22 181 shade: RGB 216 22 181, RGB 199 4 162, RGB 182 0 143, RGB 165 0 124 and RGB 148 0 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 22 181 shade: RGB 218 21 182, RGB 218 21 129, RGB 218 21 76, RGB 218 21 23 and RGB 218 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 22 181 shade: RGB 218 21 182, RGB 200 21 218, RGB 147 21 218, RGB 94 21 218 and RGB 41 21 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 22 181 shade matches the following richer shades: RGB 218 21 182 and RGB 237 2 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 22 181 shade: RGB 218 21 182, RGB 198 40 170, RGB 179 60 157, RGB 159 79 145 and RGB 140 99 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 22 181 shade: RGB 146 21 218, RGB 198 21 218, RGB 218 21 185, RGB 218 21 132 and RGB 218 21 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 22 181 shade: RGB 143 14 119, RGB 180 17 151, RGB 218 21 182, RGB 234 46 200 and RGB 238 84 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 22 181 shade: RGB 216 22 181, RGB 218 93 21 and RGB 21 218 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 22 181 shade: RGB 216 22 181, RGB 185 218 21 and RGB 21 185 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 22 181 shade: RGB 216 22 181, RGB 218 93 21, RGB 21 218 54 and RGB 21 146 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 22 181 shade: RGB 216 22 181, RGB 218 152 21, RGB 21 218 54 and RGB 21 87 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 16 / 15

HEX #D816B5

RGB 216 22 181

HSL 310.82, 0.82%, 0.47%

LAB 50.11, 79.96, -35.37

 

Complementary color

CMYK 83 / 0 / 68 / 9

HEX #27E94A

RGB 39 233 74

HSL 130.82, 0.82%, 0.53%

LAB 81.4, -74.89, 61.83

 

CMYK 0 / 90 / 20 / 13

HEX #DD16B0

RGB 221 22 176

HSL 313.57, 0.82%, 0.48%

LAB 50.78, 80.3, -31.32

 

CMYK 0 / 83 / 18 / 7

HEX #EE28C3

RGB 238 40 195

HSL 313.03, 0.85%, 0.55%

LAB 55.72, 83.05, -34.43

 

CMYK 0 / 77 / 16 / 0

HEX #FF3AD6

RGB 255 58 214

HSL 312.49, 1%, 0.61%

LAB 60.91, 84.89, -36.96

 

CMYK 0 / 70 / 9 / 0

HEX #FF4CE9

RGB 255 76 233

HSL 307.37, 1%, 0.65%

LAB 63.6, 82.29, -43.41

 

CMYK 0 / 63 / 1 / 0

HEX #FF5EFC

RGB 255 94 252

HSL 301.12, 1%, 0.68%

LAB 66.74, 78.87, -48.98

 

CMYK 0 / 90 / 16 / 15

HEX #D816B5

RGB 216 22 181

HSL 310.82, 0.82%, 0.47%

LAB 50.11, 79.96, -35.37

 

CMYK 0 / 98 / 19 / 22

HEX #C704A2

RGB 199 4 162

HSL 311.38, 0.96%, 0.4%

LAB 45.41, 76.18, -31.72

 

CMYK 0 / 100 / 21 / 29

HEX #B6008F

RGB 182 0 143

HSL 312.86, 1%, 0.36%

LAB 41.1, 70.99, -27.22

 

CMYK 0 / 100 / 25 / 35

HEX #A5007C

RGB 165 0 124

HSL 314.91, 1%, 0.32%

LAB 36.85, 65.37, -22.36

 

CMYK 0 / 100 / 29 / 42

HEX #940069

RGB 148 0 105

HSL 317.43, 1%, 0.29%

LAB 32.52, 59.65, -17.29

 

CMYK 0 / 90 / 17 / 15

HEX #DA15B6

RGB 218 21 182

HSL 310.96, 0.82%, 0.47%

LAB 50.47, 80.6, -35.36

 

CMYK 0 / 90 / 41 / 15

HEX #DA1581

RGB 218 21 129

HSL 327.11, 0.82%, 0.47%

LAB 48.29, 74.8, -7.05

 

CMYK 0 / 90 / 65 / 15

HEX #DA154C

RGB 218 21 76

HSL 343.25, 0.82%, 0.47%

LAB 46.93, 71.03, 23.65

 

CMYK 0 / 90 / 89 / 15

HEX #DA1517

RGB 218 21 23

HSL 359.39, 0.82%, 0.47%

LAB 46.32, 69.3, 52.5

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 90 / 17 / 15

HEX #DA15B6

RGB 218 21 182

HSL 310.96, 0.82%, 0.47%

LAB 50.47, 80.6, -35.36

 

CMYK 8 / 90 / 0 / 15

HEX #C815DA

RGB 200 21 218

HSL 294.52, 0.82%, 0.47%

LAB 49.35, 82.56, -58.16

 

CMYK 33 / 90 / 0 / 15

HEX #9315DA

RGB 147 21 218

HSL 278.38, 0.82%, 0.47%

LAB 40.9, 74.92, -72.26

 

CMYK 57 / 90 / 0 / 15

HEX #5E15DA

RGB 94 21 218

HSL 262.23, 0.82%, 0.47%

LAB 33.94, 69.41, -83.97

 

CMYK 81 / 90 / 0 / 15

HEX #2915DA

RGB 41 21 218

HSL 246.09, 0.82%, 0.47%

LAB 29.59, 66.53, -91.32

 

CMYK 0 / 90 / 17 / 15

HEX #DA15B6

RGB 218 21 182

HSL 310.96, 0.82%, 0.47%

LAB 50.47, 80.6, -35.36

 

CMYK 0 / 99 / 18 / 7

HEX #ED02C3

RGB 237 2 195

HSL 310.72, 0.98%, 0.47%

LAB 54.01, 87.33, -37.12

 

CMYK 0 / 90 / 17 / 15

HEX #DA15B6

RGB 218 21 182

HSL 310.96, 0.82%, 0.47%

LAB 50.47, 80.6, -35.36

 

CMYK 0 / 80 / 14 / 22

HEX #C628AA

RGB 198 40 170

HSL 310.63, 0.66%, 0.47%

LAB 47.53, 71.46, -33.17

 

CMYK 0 / 66 / 12 / 30

HEX #B33C9D

RGB 179 60 157

HSL 311.09, 0.5%, 0.47%

LAB 45.97, 58.65, -28.11

 

CMYK 0 / 50 / 9 / 38

HEX #9F4F91

RGB 159 79 145

HSL 310.5, 0.34%, 0.47%

LAB 45.64, 42.24, -21.67

 

CMYK 0 / 29 / 5 / 45

HEX #8C6385

RGB 140 99 133

HSL 310.24, 0.17%, 0.47%

LAB 47.23, 22.42, -12.28

 

CMYK 33 / 90 / 0 / 15

HEX #9215DA

RGB 146 21 218

HSL 278.07, 0.82%, 0.47%

LAB 40.75, 74.79, -72.51

 

CMYK 9 / 90 / 0 / 15

HEX #C615DA

RGB 198 21 218

HSL 293.91, 0.82%, 0.47%

LAB 49.01, 82.25, -58.71

 

CMYK 0 / 90 / 15 / 15

HEX #DA15B9

RGB 218 21 185

HSL 310.05, 0.82%, 0.47%

LAB 50.62, 80.98, -36.88

 

CMYK 0 / 90 / 39 / 15

HEX #DA1584

RGB 218 21 132

HSL 326.19, 0.82%, 0.47%

LAB 48.4, 75.08, -8.73

 

CMYK 0 / 90 / 63 / 15

HEX #DA1550

RGB 218 21 80

HSL 342.03, 0.82%, 0.47%

LAB 47, 71.24, 21.29

 

CMYK 0 / 90 / 17 / 44

HEX #8F0E77

RGB 143 14 119

HSL 311.16, 0.82%, 0.31%

LAB 32.89, 58.36, -25.71

 

CMYK 0 / 91 / 16 / 29

HEX #B41197

RGB 180 17 151

HSL 310.67, 0.83%, 0.39%

LAB 41.75, 69.76, -31.1

 

CMYK 0 / 90 / 17 / 15

HEX #DA15B6

RGB 218 21 182

HSL 310.96, 0.82%, 0.47%

LAB 50.47, 80.6, -35.36

 

CMYK 0 / 80 / 15 / 8

HEX #EA2EC8

RGB 234 46 200

HSL 310.85, 0.82%, 0.55%

LAB 55.7, 81.6, -37.39

 

CMYK 0 / 65 / 12 / 7

HEX #EE54D2

RGB 238 84 210

HSL 310.91, 0.82%, 0.63%

LAB 60.93, 72.19, -34.86

 

CMYK 0 / 90 / 16 / 15

HEX #D816B5

RGB 216 22 181

HSL 310.82, 0.82%, 0.47%

LAB 50.11, 79.96, -35.37

 

CMYK 0 / 57 / 90 / 15

HEX #DA5D15

RGB 218 93 21

HSL 21.93, 0.82%, 0.47%

LAB 54.85, 45.89, 59.36

 

CMYK 90 / 0 / 21 / 15

HEX #15DAAC

RGB 21 218 172

HSL 165.99, 0.82%, 0.47%

LAB 78.04, -54.54, 10.37

 

CMYK 0 / 90 / 16 / 15

HEX #D816B5

RGB 216 22 181

HSL 310.82, 0.82%, 0.47%

LAB 50.11, 79.96, -35.37

 

CMYK 15 / 0 / 90 / 15

HEX #B9DA15

RGB 185 218 21

HSL 70.05, 0.82%, 0.47%

LAB 82.12, -32.6, 78.91

 

CMYK 90 / 15 / 0 / 15

HEX #15B9DA

RGB 21 185 218

HSL 190.05, 0.82%, 0.47%

LAB 69.41, -26.54, -27.33

 

CMYK 0 / 90 / 16 / 15

HEX #D816B5

RGB 216 22 181

HSL 310.82, 0.82%, 0.47%

LAB 50.11, 79.96, -35.37

 

CMYK 0 / 57 / 90 / 15

HEX #DA5D15

RGB 218 93 21

HSL 21.93, 0.82%, 0.47%

LAB 54.85, 45.89, 59.36

 

CMYK 90 / 0 / 75 / 15

HEX #15DA36

RGB 21 218 54

HSL 130.05, 0.82%, 0.47%

LAB 76.42, -73.58, 63.78

 

CMYK 90 / 33 / 0 / 15

HEX #1592DA

RGB 21 146 218

HSL 201.93, 0.82%, 0.47%

LAB 57.83, -5.55, -45.39

 

CMYK 0 / 90 / 16 / 15

HEX #D816B5

RGB 216 22 181

HSL 310.82, 0.82%, 0.47%

LAB 50.11, 79.96, -35.37

 

CMYK 0 / 30 / 90 / 15

HEX #DA9815

RGB 218 152 21

HSL 39.9, 0.82%, 0.47%

LAB 67.59, 15.26, 68.83

 

CMYK 90 / 0 / 75 / 15

HEX #15DA36

RGB 21 218 54

HSL 130.05, 0.82%, 0.47%

LAB 76.42, -73.58, 63.78

 

CMYK 90 / 60 / 0 / 15

HEX #1557DA

RGB 21 87 218

HSL 219.9, 0.82%, 0.47%

LAB 41.28, 31.32, -72.03

 

Description

Color code: RGB 216 22 181 | qconv.com Color code: RGB 216 22 181 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 22 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 22 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 16 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 16% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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