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Color name
RGB 216 22 164

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 22 164 it is the complementary color RGB 39 233 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 22 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 22 164 shade: RGB 221 22 159, RGB 238 40 178, RGB 255 58 197, RGB 255 76 216 and RGB 255 94 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 22 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 22 164 shade: RGB 216 22 164, RGB 199 4 145, RGB 182 0 126, RGB 165 0 107 and RGB 148 0 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 22 164 shade: RGB 218 21 165, RGB 218 21 112, RGB 218 21 59 and RGB 218 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 22 164 shade: RGB 218 21 165, RGB 217 21 218, RGB 164 21 218, RGB 111 21 218 and RGB 58 21 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 22 164 shade matches the following richer shades: RGB 218 21 165 and RGB 237 2 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 22 164 shade: RGB 218 21 165, RGB 198 40 156, RGB 179 60 147, RGB 159 79 138 and RGB 140 99 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 22 164 shade: RGB 165 21 218, RGB 218 21 218, RGB 218 21 165, RGB 218 21 113 and RGB 218 21 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 22 164 shade: RGB 143 14 108, RGB 180 17 136, RGB 218 21 165, RGB 234 46 184 and RGB 238 84 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 22 164 shade: RGB 216 22 164, RGB 218 113 21 and RGB 21 218 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 22 164 shade: RGB 216 22 164, RGB 165 218 21 and RGB 21 165 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 22 164 shade: RGB 216 22 164, RGB 218 113 21, RGB 21 218 73 and RGB 21 126 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 22 164 shade: RGB 216 22 164, RGB 218 172 21, RGB 21 218 73 and RGB 21 67 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 24 / 15

HEX #D816A4

RGB 216 22 164

HSL 316.08, 0.82%, 0.47%

LAB 49.32, 77.89, -26.58

 

Complementary color

CMYK 83 / 0 / 61 / 9

HEX #27E95B

RGB 39 233 91

HSL 136.08, 0.82%, 0.53%

LAB 81.55, -73.12, 55.07

 

CMYK 0 / 90 / 28 / 13

HEX #DD169F

RGB 221 22 159

HSL 318.69, 0.82%, 0.48%

LAB 50.04, 78.34, -22.42

 

CMYK 0 / 83 / 25 / 7

HEX #EE28B2

RGB 238 40 178

HSL 318.18, 0.85%, 0.55%

LAB 54.98, 81.01, -25.73

 

CMYK 0 / 77 / 23 / 0

HEX #FF3AC5

RGB 255 58 197

HSL 317.66, 1%, 0.61%

LAB 60.17, 82.77, -28.43

 

CMYK 0 / 70 / 15 / 0

HEX #FF4CD8

RGB 255 76 216

HSL 313.07, 1%, 0.65%

LAB 62.83, 79.92, -35.09

 

CMYK 0 / 63 / 8 / 0

HEX #FF5EEB

RGB 255 94 235

HSL 307.45, 1%, 0.68%

LAB 65.95, 76.24, -40.83

 

CMYK 0 / 90 / 24 / 15

HEX #D816A4

RGB 216 22 164

HSL 316.08, 0.82%, 0.47%

LAB 49.32, 77.89, -26.58

 

CMYK 0 / 98 / 27 / 22

HEX #C70491

RGB 199 4 145

HSL 316.62, 0.96%, 0.4%

LAB 44.62, 74.17, -22.71

 

CMYK 0 / 100 / 31 / 29

HEX #B6007E

RGB 182 0 126

HSL 318.46, 1%, 0.36%

LAB 40.33, 69.03, -17.94

 

CMYK 0 / 100 / 35 / 35

HEX #A5006B

RGB 165 0 107

HSL 321.09, 1%, 0.32%

LAB 36.1, 63.46, -12.77

 

CMYK 0 / 100 / 41 / 42

HEX #940058

RGB 148 0 88

HSL 324.32, 1%, 0.29%

LAB 31.81, 57.83, -7.35

 

CMYK 0 / 90 / 24 / 15

HEX #DA15A5

RGB 218 21 165

HSL 316.14, 0.82%, 0.47%

LAB 49.69, 78.54, -26.57

 

CMYK 0 / 90 / 49 / 15

HEX #DA1570

RGB 218 21 112

HSL 332.28, 0.82%, 0.47%

LAB 47.77, 73.36, 2.58

 

CMYK 0 / 90 / 73 / 15

HEX #DA153B

RGB 218 21 59

HSL 348.43, 0.82%, 0.47%

LAB 46.65, 70.26, 33.65

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 90 / 24 / 15

HEX #DA15A5

RGB 218 21 165

HSL 316.14, 0.82%, 0.47%

LAB 49.69, 78.54, -26.57

 

CMYK 0 / 90 / 0 / 15

HEX #D915DA

RGB 217 21 218

HSL 299.7, 0.82%, 0.47%

LAB 52.23, 85.34, -53.37

 

CMYK 25 / 90 / 0 / 15

HEX #A415DA

RGB 164 21 218

HSL 283.55, 0.82%, 0.47%

LAB 43.49, 77.17, -67.91

 

CMYK 49 / 90 / 0 / 15

HEX #6F15DA

RGB 111 21 218

HSL 267.41, 0.82%, 0.47%

LAB 35.94, 70.9, -80.59

 

CMYK 73 / 90 / 0 / 15

HEX #3A15DA

RGB 58 21 218

HSL 251.27, 0.82%, 0.47%

LAB 30.64, 67.18, -89.55

 

CMYK 0 / 90 / 24 / 15

HEX #DA15A5

RGB 218 21 165

HSL 316.14, 0.82%, 0.47%

LAB 49.69, 78.54, -26.57

 

CMYK 0 / 99 / 27 / 7

HEX #ED02AE

RGB 237 2 174

HSL 316.09, 0.98%, 0.47%

LAB 53.06, 84.92, -26.37

 

CMYK 0 / 90 / 24 / 15

HEX #DA15A5

RGB 218 21 165

HSL 316.14, 0.82%, 0.47%

LAB 49.69, 78.54, -26.57

 

CMYK 0 / 80 / 21 / 22

HEX #C6289C

RGB 198 40 156

HSL 315.95, 0.66%, 0.47%

LAB 46.87, 69.61, -25.86

 

CMYK 0 / 66 / 18 / 30

HEX #B33C93

RGB 179 60 147

HSL 316.13, 0.5%, 0.47%

LAB 45.53, 57.16, -22.81

 

CMYK 0 / 50 / 13 / 38

HEX #9F4F8A

RGB 159 79 138

HSL 315.75, 0.34%, 0.47%

LAB 45.36, 41.04, -17.91

 

CMYK 0 / 29 / 8 / 45

HEX #8C6381

RGB 140 99 129

HSL 316.1, 0.17%, 0.47%

LAB 47.08, 21.66, -10.1

 

CMYK 24 / 90 / 0 / 15

HEX #A515DA

RGB 165 21 218

HSL 283.86, 0.82%, 0.47%

LAB 43.65, 77.31, -67.65

 

CMYK 0 / 90 / 0 / 15

HEX #DA15DA

RGB 218 21 218

HSL 300, 0.82%, 0.47%

LAB 52.4, 85.51, -53.09

 

CMYK 0 / 90 / 24 / 15

HEX #DA15A5

RGB 218 21 165

HSL 316.14, 0.82%, 0.47%

LAB 49.69, 78.54, -26.57

 

CMYK 0 / 90 / 48 / 15

HEX #DA1571

RGB 218 21 113

HSL 331.98, 0.82%, 0.47%

LAB 47.8, 73.44, 2.01

 

CMYK 0 / 90 / 72 / 15

HEX #DA153C

RGB 218 21 60

HSL 348.12, 0.82%, 0.47%

LAB 46.67, 70.3, 33.07

 

CMYK 0 / 90 / 24 / 44

HEX #8F0E6C

RGB 143 14 108

HSL 316.28, 0.82%, 0.31%

LAB 32.34, 56.9, -19.57

 

CMYK 0 / 91 / 24 / 29

HEX #B41188

RGB 180 17 136

HSL 316.2, 0.83%, 0.39%

LAB 41.03, 67.86, -23.07

 

CMYK 0 / 90 / 24 / 15

HEX #DA15A5

RGB 218 21 165

HSL 316.14, 0.82%, 0.47%

LAB 49.69, 78.54, -26.57

 

CMYK 0 / 80 / 21 / 8

HEX #EA2EB8

RGB 234 46 184

HSL 315.96, 0.82%, 0.55%

LAB 54.98, 79.56, -29.28

 

CMYK 0 / 65 / 18 / 7

HEX #EE54C4

RGB 238 84 196

HSL 316.36, 0.82%, 0.63%

LAB 60.34, 70.2, -27.83

 

CMYK 0 / 90 / 24 / 15

HEX #D816A4

RGB 216 22 164

HSL 316.08, 0.82%, 0.47%

LAB 49.32, 77.89, -26.58

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 90 / 0 / 12 / 15

HEX #15DABF

RGB 21 218 191

HSL 171.78, 0.82%, 0.47%

LAB 78.5, -49.68, 0.9

 

CMYK 0 / 90 / 24 / 15

HEX #D816A4

RGB 216 22 164

HSL 316.08, 0.82%, 0.47%

LAB 49.32, 77.89, -26.58

 

CMYK 24 / 0 / 90 / 15

HEX #A5DA15

RGB 165 218 21

HSL 76.14, 0.82%, 0.47%

LAB 80.85, -40.51, 77.36

 

CMYK 90 / 24 / 0 / 15

HEX #15A5DA

RGB 21 165 218

HSL 196.14, 0.82%, 0.47%

LAB 63.45, -16.15, -36.56

 

CMYK 0 / 90 / 24 / 15

HEX #D816A4

RGB 216 22 164

HSL 316.08, 0.82%, 0.47%

LAB 49.32, 77.89, -26.58

 

CMYK 0 / 48 / 90 / 15

HEX #DA7115

RGB 218 113 21

HSL 28.02, 0.82%, 0.47%

LAB 58.76, 35.98, 62.22

 

CMYK 90 / 0 / 67 / 15

HEX #15DA49

RGB 21 218 73

HSL 135.84, 0.82%, 0.47%

LAB 76.55, -71.93, 56.95

 

CMYK 90 / 42 / 0 / 15

HEX #157EDA

RGB 21 126 218

HSL 208.02, 0.82%, 0.47%

LAB 52, 6.39, -54.67

 

CMYK 0 / 90 / 24 / 15

HEX #D816A4

RGB 216 22 164

HSL 316.08, 0.82%, 0.47%

LAB 49.32, 77.89, -26.58

 

CMYK 0 / 21 / 90 / 15

HEX #DAAC15

RGB 218 172 21

HSL 45.99, 0.82%, 0.47%

LAB 72.54, 4.58, 72.59

 

CMYK 90 / 0 / 67 / 15

HEX #15DA49

RGB 21 218 73

HSL 135.84, 0.82%, 0.47%

LAB 76.55, -71.93, 56.95

 

CMYK 90 / 69 / 0 / 15

HEX #1543DA

RGB 21 67 218

HSL 225.99, 0.82%, 0.47%

LAB 36.43, 44.02, -79.98

 

Description

Color code: RGB 216 22 164 | qconv.com Color code: RGB 216 22 164 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 22 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 22 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 24 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 24% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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