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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 212 6 it is the complementary color RGB 39 43 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 212 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 212 6 shade: RGB 221 212 1, RGB 238 230 20, RGB 255 248 39, RGB 255 255 58 and RGB 255 255 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 212 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 212 6 shade: RGB 216 212 6, RGB 199 194 0, RGB 182 176 0, RGB 165 158 0 and RGB 148 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 212 6 shade: RGB 218 214 5, RGB 218 157 5, RGB 218 99 5, RGB 218 42 5 and RGB 218 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 212 6 shade: RGB 218 214 5, RGB 165 218 5, RGB 107 218 5, RGB 50 218 5 and RGB 5 218 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 212 6 shade matches the following richer shades: RGB 218 214 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 212 6 shade: RGB 218 214 5, RGB 200 197 23, RGB 182 179 41, RGB 164 162 60 and RGB 146 144 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 212 6 shade: RGB 218 97 5, RGB 218 154 5, RGB 218 211 5, RGB 169 218 5 and RGB 112 218 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 212 6 shade: RGB 138 135 3, RGB 178 175 4, RGB 218 214 5, RGB 248 244 16 and RGB 249 246 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 212 6 shade: RGB 216 212 6, RGB 5 218 41 and RGB 126 5 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 212 6 shade: RGB 216 212 6, RGB 5 218 211 and RGB 211 5 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 212 6 shade: RGB 216 212 6, RGB 5 218 41, RGB 5 12 218 and RGB 218 5 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 212 6 shade: RGB 216 212 6, RGB 5 218 105, RGB 5 12 218 and RGB 218 5 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 97 / 15

HEX #D8D406

RGB 216 212 6

HSL 58.86, 0.95%, 0.44%

LAB 82.75, -17, 82.04

 

Complementary color

CMYK 84 / 83 / 0 / 2

HEX #272BF9

RGB 39 43 249

HSL 238.86, 0.95%, 0.56%

LAB 35.98, 67.26, -98.33

 

CMYK 0 / 4 / 100 / 13

HEX #DDD401

RGB 221 212 1

HSL 57.55, 0.99%, 0.44%

LAB 83.16, -14.91, 82.97

 

CMYK 0 / 3 / 92 / 7

HEX #EEE614

RGB 238 230 20

HSL 57.8, 0.87%, 0.51%

LAB 89.31, -16.4, 86.36

 

CMYK 0 / 3 / 85 / 0

HEX #FFF827

RGB 255 248 39

HSL 58.06, 1%, 0.58%

LAB 95.39, -17.73, 88.65

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3A

RGB 255 255 58

HSL 60, 1%, 0.61%

LAB 97.26, -20.55, 85.78

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 2 / 97 / 15

HEX #D8D406

RGB 216 212 6

HSL 58.86, 0.95%, 0.44%

LAB 82.75, -17, 82.04

 

CMYK 0 / 3 / 100 / 22

HEX #C7C200

RGB 199 194 0

HSL 58.49, 1%, 0.39%

LAB 76.51, -15.39, 77.4

 

CMYK 0 / 3 / 100 / 29

HEX #B6B000

RGB 182 176 0

HSL 58.02, 1%, 0.36%

LAB 70.17, -13.68, 72.14

 

CMYK 0 / 4 / 100 / 35

HEX #A59E00

RGB 165 158 0

HSL 57.45, 1%, 0.32%

LAB 63.72, -11.93, 66.78

 

CMYK 0 / 5 / 100 / 42

HEX #948C00

RGB 148 140 0

HSL 56.76, 1%, 0.29%

LAB 57.13, -10.12, 61.31

 

CMYK 0 / 2 / 98 / 15

HEX #DAD605

RGB 218 214 5

HSL 58.87, 0.96%, 0.44%

LAB 83.45, -17.14, 82.72

 

CMYK 0 / 28 / 98 / 15

HEX #DA9D05

RGB 218 157 5

HSL 42.82, 0.96%, 0.44%

LAB 68.77, 12.38, 72.16

 

CMYK 0 / 55 / 98 / 15

HEX #DA6305

RGB 218 99 5

HSL 26.48, 0.96%, 0.44%

LAB 55.93, 42.81, 63.71

 

CMYK 0 / 81 / 98 / 15

HEX #DA2A05

RGB 218 42 5

HSL 10.42, 0.96%, 0.44%

LAB 47.72, 64.92, 59.16

 

CMYK 0 / 98 / 98 / 15

HEX #DA0505

RGB 218 5 5

HSL 0, 0.96%, 0.44%

LAB 45.67, 70.78, 58.22

 

CMYK 0 / 2 / 98 / 15

HEX #DAD605

RGB 218 214 5

HSL 58.87, 0.96%, 0.44%

LAB 83.45, -17.14, 82.72

 

CMYK 24 / 0 / 98 / 15

HEX #A5DA05

RGB 165 218 5

HSL 74.93, 0.96%, 0.44%

LAB 80.82, -40.74, 79.09

 

CMYK 51 / 0 / 98 / 15

HEX #6BDA05

RGB 107 218 5

HSL 91.27, 0.96%, 0.44%

LAB 78.04, -60.57, 75.72

 

CMYK 77 / 0 / 98 / 15

HEX #32DA05

RGB 50 218 5

HSL 107.32, 0.96%, 0.44%

LAB 76.58, -72.75, 73.93

 

CMYK 98 / 0 / 92 / 15

HEX #05DA12

RGB 5 218 18

HSL 123.66, 0.96%, 0.44%

LAB 76.2, -76.03, 72.06

 

CMYK 0 / 2 / 98 / 15

HEX #DAD605

RGB 218 214 5

HSL 58.87, 0.96%, 0.44%

LAB 83.45, -17.14, 82.72

 

CMYK 0 / 2 / 98 / 15

HEX #DAD605

RGB 218 214 5

HSL 58.87, 0.96%, 0.44%

LAB 83.45, -17.14, 82.72

 

CMYK 0 / 1 / 89 / 22

HEX #C8C517

RGB 200 197 23

HSL 58.98, 0.79%, 0.44%

LAB 77.44, -16.16, 75.35

 

CMYK 0 / 2 / 77 / 29

HEX #B6B329

RGB 182 179 41

HSL 58.72, 0.63%, 0.44%

LAB 71.11, -14.34, 65.1

 

CMYK 0 / 1 / 63 / 36

HEX #A4A23C

RGB 164 162 60

HSL 58.85, 0.46%, 0.44%

LAB 65.01, -12.4, 51.54

 

CMYK 0 / 1 / 47 / 43

HEX #92904E

RGB 146 144 78

HSL 58.24, 0.3%, 0.44%

LAB 58.61, -9.1, 35.15

 

CMYK 0 / 56 / 98 / 15

HEX #DA6105

RGB 218 97 5

HSL 25.92, 0.96%, 0.44%

LAB 55.55, 43.78, 63.48

 

CMYK 0 / 29 / 98 / 15

HEX #DA9A05

RGB 218 154 5

HSL 41.97, 0.96%, 0.44%

LAB 68.04, 13.99, 71.65

 

CMYK 0 / 3 / 98 / 15

HEX #DAD305

RGB 218 211 5

HSL 58.03, 0.96%, 0.44%

LAB 82.65, -15.66, 82.13

 

CMYK 22 / 0 / 98 / 15

HEX #A9DA05

RGB 169 218 5

HSL 73.8, 0.96%, 0.44%

LAB 81.07, -39.18, 79.38

 

CMYK 49 / 0 / 98 / 15

HEX #70DA05

RGB 112 218 5

HSL 89.86, 0.96%, 0.44%

LAB 78.23, -59.11, 75.94

 

CMYK 0 / 2 / 98 / 46

HEX #8A8703

RGB 138 135 3

HSL 58.67, 0.96%, 0.28%

LAB 54.8, -12, 58.69

 

CMYK 0 / 2 / 98 / 30

HEX #B2AF04

RGB 178 175 4

HSL 58.97, 0.96%, 0.36%

LAB 69.56, -14.88, 71.06

 

CMYK 0 / 2 / 98 / 15

HEX #DAD605

RGB 218 214 5

HSL 58.87, 0.96%, 0.44%

LAB 83.45, -17.14, 82.72

 

CMYK 0 / 2 / 94 / 3

HEX #F8F410

RGB 248 244 16

HSL 58.97, 0.94%, 0.52%

LAB 93.75, -19.06, 90.52

 

CMYK 0 / 1 / 78 / 2

HEX #F9F638

RGB 249 246 56

HSL 59.07, 0.94%, 0.6%

LAB 94.46, -18.76, 83.66

 

CMYK 0 / 2 / 97 / 15

HEX #D8D406

RGB 216 212 6

HSL 58.86, 0.95%, 0.44%

LAB 82.75, -17, 82.04

 

CMYK 98 / 0 / 81 / 15

HEX #05DA29

RGB 5 218 41

HSL 130.14, 0.96%, 0.44%

LAB 76.27, -75.11, 67.47

 

CMYK 42 / 98 / 0 / 15

HEX #7E05DA

RGB 126 5 218

HSL 274.08, 0.96%, 0.44%

LAB 37.13, 74.78, -78.57

 

CMYK 0 / 2 / 97 / 15

HEX #D8D406

RGB 216 212 6

HSL 58.86, 0.95%, 0.44%

LAB 82.75, -17, 82.04

 

CMYK 98 / 0 / 3 / 15

HEX #05DAD3

RGB 5 218 211

HSL 178.03, 0.96%, 0.44%

LAB 78.97, -44.63, -9.1

 

CMYK 3 / 98 / 0 / 15

HEX #D305DA

RGB 211 5 218

HSL 298.03, 0.96%, 0.44%

LAB 50.71, 85.81, -55.87

 

CMYK 0 / 2 / 97 / 15

HEX #D8D406

RGB 216 212 6

HSL 58.86, 0.95%, 0.44%

LAB 82.75, -17, 82.04

 

CMYK 98 / 0 / 81 / 15

HEX #05DA29

RGB 5 218 41

HSL 130.14, 0.96%, 0.44%

LAB 76.27, -75.11, 67.47

 

CMYK 98 / 94 / 0 / 15

HEX #050CDA

RGB 5 12 218

HSL 238.03, 0.96%, 0.44%

LAB 27.73, 68.13, -94.45

 

CMYK 0 / 98 / 16 / 15

HEX #DA05B7

RGB 218 5 183

HSL 309.86, 0.96%, 0.44%

LAB 50.02, 82.21, -36.66

 

CMYK 0 / 2 / 97 / 15

HEX #D8D406

RGB 216 212 6

HSL 58.86, 0.95%, 0.44%

LAB 82.75, -17, 82.04

 

CMYK 98 / 0 / 52 / 15

HEX #05DA69

RGB 5 218 105

HSL 148.17, 0.96%, 0.44%

LAB 76.8, -68.55, 43.02

 

CMYK 98 / 94 / 0 / 15

HEX #050CDA

RGB 5 12 218

HSL 238.03, 0.96%, 0.44%

LAB 27.73, 68.13, -94.45

 

CMYK 0 / 98 / 45 / 15

HEX #DA0577

RGB 218 5 119

HSL 327.89, 0.96%, 0.44%

LAB 47.43, 75.53, -2.22

 

Description

Color code: RGB 216 212 6 | qconv.com Color code: RGB 216 212 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 212 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 212 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 97 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 97% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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