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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 217 6 it is the complementary color RGB 39 38 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 217 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 217 6 shade: RGB 221 217 1, RGB 238 235 20, RGB 255 253 39, RGB 255 255 58 and RGB 255 255 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 217 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 217 6 shade: RGB 216 217 6, RGB 199 199 0, RGB 182 181 0, RGB 165 163 0 and RGB 148 145 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 217 6 shade: RGB 217 218 5, RGB 218 162 5, RGB 218 104 5, RGB 218 47 5 and RGB 218 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 217 6 shade: RGB 217 218 5, RGB 160 218 5, RGB 102 218 5, RGB 45 218 5 and RGB 5 218 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 217 6 shade matches the following richer shades: RGB 217 218 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 217 6 shade: RGB 217 218 5, RGB 199 200 23, RGB 181 182 41, RGB 163 164 60 and RGB 145 146 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 217 6 shade: RGB 218 105 5, RGB 218 161 5, RGB 218 218 5, RGB 161 218 5 and RGB 105 218 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 217 6 shade: RGB 137 138 3, RGB 177 178 4, RGB 217 218 5, RGB 247 248 16 and RGB 249 249 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 217 6 shade: RGB 216 217 6, RGB 5 218 48 and RGB 133 5 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 217 6 shade: RGB 216 217 6, RGB 5 218 218 and RGB 218 5 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 217 6 shade: RGB 216 217 6, RGB 5 218 48, RGB 5 5 218 and RGB 218 5 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 217 6 shade: RGB 216 217 6, RGB 5 218 112, RGB 5 5 218 and RGB 218 5 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 97 / 15

HEX #D8D906

RGB 216 217 6

HSL 60.28, 0.95%, 0.44%

LAB 84.09, -19.45, 83.03

 

Complementary color

CMYK 84 / 85 / 0 / 2

HEX #2726F9

RGB 39 38 249

HSL 240.28, 0.95%, 0.56%

LAB 35.32, 69.25, -99.44

 

CMYK 0 / 2 / 100 / 13

HEX #DDD901

RGB 221 217 1

HSL 58.91, 0.99%, 0.44%

LAB 84.48, -17.38, 83.94

 

CMYK 0 / 1 / 92 / 7

HEX #EEEB14

RGB 238 235 20

HSL 59.17, 0.87%, 0.51%

LAB 90.62, -18.83, 87.36

 

CMYK 0 / 1 / 85 / 0

HEX #FFFD27

RGB 255 253 39

HSL 59.44, 1%, 0.58%

LAB 96.68, -20.12, 89.7

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3A

RGB 255 255 58

HSL 60, 1%, 0.61%

LAB 97.26, -20.55, 85.78

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 97 / 15

HEX #D8D906

RGB 216 217 6

HSL 60.28, 0.95%, 0.44%

LAB 84.09, -19.45, 83.03

 

CMYK 0 / 0 / 100 / 22

HEX #C7C700

RGB 199 199 0

HSL 60, 1%, 0.39%

LAB 77.87, -17.88, 78.39

 

CMYK 0 / 1 / 100 / 29

HEX #B6B500

RGB 182 181 0

HSL 59.67, 1%, 0.36%

LAB 71.55, -16.23, 73.14

 

CMYK 0 / 1 / 100 / 35

HEX #A5A300

RGB 165 163 0

HSL 59.27, 1%, 0.32%

LAB 65.12, -14.53, 67.8

 

CMYK 0 / 2 / 100 / 42

HEX #949100

RGB 148 145 0

HSL 58.78, 1%, 0.29%

LAB 58.55, -12.79, 62.35

 

CMYK 0 / 0 / 98 / 15

HEX #D9DA05

RGB 217 218 5

HSL 60.28, 0.96%, 0.44%

LAB 84.44, -19.53, 83.41

 

CMYK 0 / 26 / 98 / 15

HEX #DAA205

RGB 218 162 5

HSL 44.23, 0.96%, 0.44%

LAB 70.01, 9.71, 73.01

 

CMYK 0 / 52 / 98 / 15

HEX #DA6805

RGB 218 104 5

HSL 27.89, 0.96%, 0.44%

LAB 56.9, 40.35, 64.3

 

CMYK 0 / 78 / 98 / 15

HEX #DA2F05

RGB 218 47 5

HSL 11.83, 0.96%, 0.44%

LAB 48.2, 63.56, 59.39

 

CMYK 0 / 98 / 98 / 15

HEX #DA0505

RGB 218 5 5

HSL 0, 0.96%, 0.44%

LAB 45.67, 70.78, 58.22

 

CMYK 0 / 0 / 98 / 15

HEX #D9DA05

RGB 217 218 5

HSL 60.28, 0.96%, 0.44%

LAB 84.44, -19.53, 83.41

 

CMYK 27 / 0 / 98 / 15

HEX #A0DA05

RGB 160 218 5

HSL 76.34, 0.96%, 0.44%

LAB 80.53, -42.65, 78.74

 

CMYK 53 / 0 / 98 / 15

HEX #66DA05

RGB 102 218 5

HSL 92.68, 0.96%, 0.44%

LAB 77.86, -61.97, 75.5

 

CMYK 79 / 0 / 98 / 15

HEX #2DDA05

RGB 45 218 5

HSL 108.73, 0.96%, 0.44%

LAB 76.5, -73.4, 73.84

 

CMYK 98 / 0 / 89 / 15

HEX #05DA17

RGB 5 218 23

HSL 125.07, 0.96%, 0.44%

LAB 76.21, -75.89, 71.31

 

CMYK 0 / 0 / 98 / 15

HEX #D9DA05

RGB 217 218 5

HSL 60.28, 0.96%, 0.44%

LAB 84.44, -19.53, 83.41

 

CMYK 0 / 0 / 98 / 15

HEX #D9DA05

RGB 217 218 5

HSL 60.28, 0.96%, 0.44%

LAB 84.44, -19.53, 83.41

 

CMYK 0 / 0 / 89 / 22

HEX #C7C817

RGB 199 200 23

HSL 60.34, 0.79%, 0.44%

LAB 78.18, -18.09, 75.9

 

CMYK 1 / 0 / 77 / 29

HEX #B5B629

RGB 181 182 41

HSL 60.43, 0.63%, 0.44%

LAB 71.85, -16.29, 65.74

 

CMYK 1 / 0 / 63 / 36

HEX #A3A43C

RGB 163 164 60

HSL 60.58, 0.46%, 0.44%

LAB 65.49, -13.87, 52.02

 

CMYK 1 / 0 / 47 / 43

HEX #91924E

RGB 145 146 78

HSL 60.88, 0.3%, 0.44%

LAB 59.09, -10.61, 35.72

 

CMYK 0 / 52 / 98 / 15

HEX #DA6905

RGB 218 105 5

HSL 28.17, 0.96%, 0.44%

LAB 57.09, 39.85, 64.43

 

CMYK 0 / 26 / 98 / 15

HEX #DAA105

RGB 218 161 5

HSL 43.94, 0.96%, 0.44%

LAB 69.76, 10.24, 72.84

 

CMYK 0 / 0 / 98 / 15

HEX #DADA05

RGB 218 218 5

HSL 60, 0.96%, 0.44%

LAB 84.51, -19.1, 83.5

 

CMYK 26 / 0 / 98 / 15

HEX #A1DA05

RGB 161 218 5

HSL 76.06, 0.96%, 0.44%

LAB 80.59, -42.27, 78.8

 

CMYK 52 / 0 / 98 / 15

HEX #69DA05

RGB 105 218 5

HSL 91.83, 0.96%, 0.44%

LAB 77.97, -61.14, 75.63

 

CMYK 1 / 0 / 98 / 46

HEX #898A03

RGB 137 138 3

HSL 60.44, 0.96%, 0.28%

LAB 55.59, -14.06, 59.24

 

CMYK 1 / 0 / 98 / 30

HEX #B1B204

RGB 177 178 4

HSL 60.34, 0.96%, 0.36%

LAB 70.31, -16.85, 71.58

 

CMYK 0 / 0 / 98 / 15

HEX #D9DA05

RGB 217 218 5

HSL 60.28, 0.96%, 0.44%

LAB 84.44, -19.53, 83.41

 

CMYK 0 / 0 / 94 / 3

HEX #F7F810

RGB 247 248 16

HSL 60.26, 0.94%, 0.52%

LAB 94.72, -21.39, 91.22

 

CMYK 0 / 0 / 78 / 2

HEX #F9F938

RGB 249 249 56

HSL 60, 0.94%, 0.6%

LAB 95.24, -20.2, 84.35

 

CMYK 0 / 0 / 97 / 15

HEX #D8D906

RGB 216 217 6

HSL 60.28, 0.95%, 0.44%

LAB 84.09, -19.45, 83.03

 

CMYK 98 / 0 / 78 / 15

HEX #05DA30

RGB 5 218 48

HSL 132.11, 0.96%, 0.44%

LAB 76.31, -74.69, 65.53

 

CMYK 39 / 98 / 0 / 15

HEX #8505DA

RGB 133 5 218

HSL 276.06, 0.96%, 0.44%

LAB 38.12, 75.47, -76.89

 

CMYK 0 / 0 / 97 / 15

HEX #D8D906

RGB 216 217 6

HSL 60.28, 0.95%, 0.44%

LAB 84.09, -19.45, 83.03

 

CMYK 98 / 0 / 0 / 15

HEX #05DADA

RGB 5 218 218

HSL 180, 0.96%, 0.44%

LAB 79.18, -42.59, -12.53

 

CMYK 0 / 98 / 0 / 15

HEX #DA05DA

RGB 218 5 218

HSL 300, 0.96%, 0.44%

LAB 51.92, 86.92, -53.85

 

CMYK 0 / 0 / 97 / 15

HEX #D8D906

RGB 216 217 6

HSL 60.28, 0.95%, 0.44%

LAB 84.09, -19.45, 83.03

 

CMYK 98 / 0 / 78 / 15

HEX #05DA30

RGB 5 218 48

HSL 132.11, 0.96%, 0.44%

LAB 76.31, -74.69, 65.53

 

CMYK 98 / 98 / 0 / 15

HEX #0505DA

RGB 5 5 218

HSL 240, 0.96%, 0.44%

LAB 27.3, 69.44, -95.16

 

CMYK 0 / 98 / 19 / 15

HEX #DA05B0

RGB 218 5 176

HSL 311.83, 0.96%, 0.44%

LAB 49.68, 81.35, -33.09

 

CMYK 0 / 0 / 97 / 15

HEX #D8D906

RGB 216 217 6

HSL 60.28, 0.95%, 0.44%

LAB 84.09, -19.45, 83.03

 

CMYK 98 / 0 / 49 / 15

HEX #05DA70

RGB 5 218 112

HSL 150.14, 0.96%, 0.44%

LAB 76.89, -67.45, 39.74

 

CMYK 98 / 98 / 0 / 15

HEX #0505DA

RGB 5 5 218

HSL 240, 0.96%, 0.44%

LAB 27.3, 69.44, -95.16

 

CMYK 0 / 98 / 49 / 15

HEX #DA0570

RGB 218 5 112

HSL 329.86, 0.96%, 0.44%

LAB 47.21, 74.97, 1.78

 

Description

Color code: RGB 216 217 6 | qconv.com Color code: RGB 216 217 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 217 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 217 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 97 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 97% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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