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Color name
RGB 216 197 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 197 109 it is the complementary color RGB 39 58 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 197 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 197 109 shade: RGB 221 197 104, RGB 238 215 123, RGB 255 233 142, RGB 255 251 161 and RGB 255 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 197 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 197 109 shade: RGB 216 197 109, RGB 199 179 90, RGB 182 161 71, RGB 165 143 52 and RGB 148 125 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 197 109 shade: RGB 216 197 109, RGB 216 168 109, RGB 216 140 109, RGB 216 111 109 and RGB 216 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 197 109 shade: RGB 216 197 109, RGB 206 216 109, RGB 177 216 109, RGB 149 216 109 and RGB 120 216 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 197 109 shade matches the following richer shades: RGB 216 197 109, RGB 231 207 95 and RGB 246 216 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 197 109 shade: RGB 216 197 109, RGB 201 187 124, RGB 186 178 139, RGB 171 168 154 and RGB 157 159 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 197 109 shade: RGB 216 140 109, RGB 216 168 109, RGB 216 196 109, RGB 207 216 109 and RGB 179 216 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 197 109 shade: RGB 192 167 51, RGB 207 184 77, RGB 216 197 109, RGB 225 210 142 and RGB 233 223 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 197 109 shade: RGB 216 197 109, RGB 109 216 111 and RGB 154 109 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 197 109 shade: RGB 216 197 109, RGB 109 216 196 and RGB 196 109 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 197 109 shade: RGB 216 197 109, RGB 109 216 111, RGB 109 129 216 and RGB 216 109 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 197 109 shade: RGB 216 197 109, RGB 109 216 143, RGB 109 129 216 and RGB 216 109 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

Complementary color

CMYK 73 / 60 / 0 / 43

HEX #273A92

RGB 39 58 146

HSL 229.35, 0.58%, 0.36%

LAB 28.2, 24.3, -50.77

 

CMYK 0 / 11 / 53 / 13

HEX #DDC568

RGB 221 197 104

HSL 47.69, 0.63%, 0.64%

LAB 79.79, -3.19, 49.21

 

CMYK 0 / 10 / 48 / 7

HEX #EED77B

RGB 238 215 123

HSL 48, 0.77%, 0.71%

LAB 86.11, -3.87, 48

 

CMYK 0 / 9 / 44 / 0

HEX #FFE98E

RGB 255 233 142

HSL 48.32, 1%, 0.78%

LAB 92.35, -4.45, 46.8

 

CMYK 0 / 2 / 37 / 0

HEX #FFFBA1

RGB 255 251 161

HSL 57.45, 1%, 0.82%

LAB 97.16, -11.43, 43.62

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 0 / 10 / 55 / 22

HEX #C7B35A

RGB 199 179 90

HSL 48.99, 0.49%, 0.57%

LAB 72.97, -4.12, 47.43

 

CMYK 0 / 12 / 61 / 29

HEX #B6A147

RGB 182 161 71

HSL 48.65, 0.44%, 0.5%

LAB 66.44, -3.29, 48.59

 

CMYK 0 / 13 / 68 / 35

HEX #A58F34

RGB 165 143 52

HSL 48.32, 0.52%, 0.43%

LAB 59.79, -2.28, 49.56

 

CMYK 0 / 16 / 78 / 42

HEX #947D21

RGB 148 125 33

HSL 48, 0.64%, 0.35%

LAB 53.03, -1.04, 50.06

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 0 / 22 / 50 / 15

HEX #D8A86D

RGB 216 168 109

HSL 33.08, 0.58%, 0.64%

LAB 72.03, 10.48, 37.1

 

CMYK 0 / 35 / 50 / 15

HEX #D88C6D

RGB 216 140 109

HSL 17.38, 0.58%, 0.64%

LAB 65.33, 25.58, 28.48

 

CMYK 0 / 49 / 50 / 15

HEX #D86F6D

RGB 216 111 109

HSL 1.12, 0.58%, 0.64%

LAB 59.04, 40.85, 20.11

 

CMYK 0 / 50 / 50 / 15

HEX #D86D6D

RGB 216 109 109

HSL 0, 0.58%, 0.64%

LAB 58.64, 41.87, 19.57

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 5 / 0 / 50 / 15

HEX #CED86D

RGB 206 216 109

HSL 65.61, 0.58%, 0.64%

LAB 83.62, -18.45, 51.09

 

CMYK 18 / 0 / 50 / 15

HEX #B1D86D

RGB 177 216 109

HSL 81.87, 0.58%, 0.64%

LAB 81.6, -29.7, 48.19

 

CMYK 31 / 0 / 50 / 15

HEX #95D86D

RGB 149 216 109

HSL 97.57, 0.58%, 0.64%

LAB 79.96, -39.82, 45.81

 

CMYK 44 / 0 / 50 / 15

HEX #78D86D

RGB 120 216 109

HSL 113.83, 0.58%, 0.64%

LAB 78.58, -49.09, 43.82

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 0 / 10 / 59 / 9

HEX #E7CF5F

RGB 231 207 95

HSL 49.41, 0.74%, 0.64%

LAB 83.15, -4.89, 57.53

 

CMYK 0 / 12 / 67 / 4

HEX #F6D850

RGB 246 216 80

HSL 49.16, 0.9%, 0.64%

LAB 86.64, -4.16, 68.05

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 0 / 7 / 38 / 21

HEX #C9BB7C

RGB 201 187 124

HSL 49.09, 0.42%, 0.64%

LAB 75.71, -4.17, 33.71

 

CMYK 0 / 4 / 25 / 27

HEX #BAB28B

RGB 186 178 139

HSL 49.79, 0.25%, 0.64%

LAB 72.32, -3.44, 21

 

CMYK 0 / 2 / 10 / 33

HEX #ABA89A

RGB 171 168 154

HSL 49.41, 0.09%, 0.64%

LAB 68.75, -1.43, 7.61

 

CMYK 7 / 6 / 0 / 34

HEX #9D9FA9

RGB 157 159 169

HSL 230, 0.07%, 0.64%

LAB 65.62, 1.27, -5.44

 

CMYK 0 / 35 / 50 / 15

HEX #D88C6D

RGB 216 140 109

HSL 17.38, 0.58%, 0.64%

LAB 65.33, 25.58, 28.48

 

CMYK 0 / 22 / 50 / 15

HEX #D8A86D

RGB 216 168 109

HSL 33.08, 0.58%, 0.64%

LAB 72.03, 10.48, 37.1

 

CMYK 0 / 9 / 50 / 15

HEX #D8C46D

RGB 216 196 109

HSL 48.79, 0.58%, 0.64%

LAB 79.15, -4.29, 45.91

 

CMYK 4 / 0 / 50 / 15

HEX #CFD86D

RGB 207 216 109

HSL 65.05, 0.58%, 0.64%

LAB 83.69, -18.05, 51.2

 

CMYK 17 / 0 / 50 / 15

HEX #B3D86D

RGB 179 216 109

HSL 80.75, 0.58%, 0.64%

LAB 81.73, -28.95, 48.38

 

CMYK 0 / 13 / 73 / 25

HEX #C0A733

RGB 192 167 51

HSL 49.36, 0.58%, 0.48%

LAB 68.81, -3.29, 59.85

 

CMYK 0 / 11 / 63 / 19

HEX #CFB84D

RGB 207 184 77

HSL 49.38, 0.58%, 0.56%

LAB 74.88, -4.3, 55.81

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 0 / 7 / 37 / 12

HEX #E1D28E

RGB 225 210 142

HSL 49.16, 0.58%, 0.72%

LAB 83.99, -4.53, 35.6

 

CMYK 0 / 4 / 25 / 9

HEX #E9DFAF

RGB 233 223 175

HSL 49.66, 0.57%, 0.8%

LAB 88.54, -4.01, 24.8

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 50 / 0 / 49 / 15

HEX #6DD86F

RGB 109 216 111

HSL 121.12, 0.58%, 0.64%

LAB 78.18, -51.93, 42.25

 

CMYK 29 / 50 / 0 / 15

HEX #9A6DD8

RGB 154 109 216

HSL 265.23, 0.58%, 0.64%

LAB 54.83, 39.57, -48.6

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 50 / 0 / 9 / 15

HEX #6DD8C4

RGB 109 216 196

HSL 168.79, 0.58%, 0.64%

LAB 79.81, -35.72, 0.36

 

CMYK 9 / 50 / 0 / 15

HEX #C46DD8

RGB 196 109 216

HSL 288.79, 0.58%, 0.64%

LAB 59.55, 50.98, -40.82

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 50 / 0 / 49 / 15

HEX #6DD86F

RGB 109 216 111

HSL 121.12, 0.58%, 0.64%

LAB 78.18, -51.93, 42.25

 

CMYK 50 / 40 / 0 / 15

HEX #6D81D8

RGB 109 129 216

HSL 228.79, 0.58%, 0.64%

LAB 56, 16.52, -46.97

 

CMYK 0 / 50 / 1 / 15

HEX #D86DD6

RGB 216 109 214

HSL 301.12, 0.58%, 0.64%

LAB 61.99, 56.19, -35.7

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 50 / 0 / 34 / 15

HEX #6DD88F

RGB 109 216 143

HSL 139.07, 0.58%, 0.64%

LAB 78.66, -46.87, 26.75

 

CMYK 50 / 40 / 0 / 15

HEX #6D81D8

RGB 109 129 216

HSL 228.79, 0.58%, 0.64%

LAB 56, 16.52, -46.97

 

CMYK 0 / 50 / 16 / 15

HEX #D86DB6

RGB 216 109 182

HSL 319.07, 0.58%, 0.64%

LAB 60.71, 50.91, -19.55

 

Description

Color code: RGB 216 197 109 | qconv.com Color code: RGB 216 197 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 197 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 197 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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