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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 18 206 it is the complementary color RGB 39 237 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 18 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 18 206 shade: RGB 221 18 201, RGB 238 36 220, RGB 255 54 239, RGB 255 72 255 and RGB 255 90 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 18 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 18 206 shade: RGB 216 18 206, RGB 199 0 187, RGB 182 0 168, RGB 165 0 149 and RGB 148 0 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 18 206 shade: RGB 217 17 206, RGB 217 17 153, RGB 217 17 99, RGB 217 17 45 and RGB 217 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 18 206 shade: RGB 217 17 206, RGB 173 17 217, RGB 119 17 217, RGB 65 17 217 and RGB 17 17 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 18 206 shade matches the following richer shades: RGB 217 17 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 18 206 shade: RGB 217 17 206, RGB 198 36 189, RGB 179 55 172, RGB 160 74 155 and RGB 141 93 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 18 206 shade: RGB 120 17 217, RGB 173 17 217, RGB 217 17 207, RGB 217 17 153 and RGB 217 17 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 18 206 shade: RGB 140 11 134, RGB 178 14 170, RGB 217 17 206, RGB 237 38 227 and RGB 240 76 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 18 206 shade: RGB 216 18 206, RGB 217 67 17 and RGB 17 217 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 18 206 shade: RGB 216 18 206, RGB 207 217 17 and RGB 17 207 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 18 206 shade: RGB 216 18 206, RGB 217 67 17, RGB 17 217 27 and RGB 17 167 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 18 206 shade: RGB 216 18 206, RGB 217 127 17, RGB 17 217 27 and RGB 17 107 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 5 / 15

HEX #D812CE

RGB 216 18 206

HSL 303.03, 0.85%, 0.46%

LAB 51.25, 83.8, -48.07

 

Complementary color

CMYK 84 / 0 / 79 / 7

HEX #27ED31

RGB 39 237 49

HSL 123.03, 0.85%, 0.54%

LAB 82.5, -77.9, 71.21

 

CMYK 0 / 92 / 9 / 13

HEX #DD12C9

RGB 221 18 201

HSL 305.91, 0.85%, 0.47%

LAB 51.86, 83.98, -44.17

 

CMYK 0 / 85 / 8 / 7

HEX #EE24DC

RGB 238 36 220

HSL 305.35, 0.86%, 0.54%

LAB 56.69, 87.08, -47.19

 

CMYK 0 / 79 / 6 / 0

HEX #FF36EF

RGB 255 54 239

HSL 304.78, 1%, 0.61%

LAB 61.77, 89.24, -49.65

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 92 / 5 / 15

HEX #D812CE

RGB 216 18 206

HSL 303.03, 0.85%, 0.46%

LAB 51.25, 83.8, -48.07

 

CMYK 0 / 100 / 6 / 22

HEX #C700BB

RGB 199 0 187

HSL 303.62, 1%, 0.39%

LAB 46.62, 79.81, -44.61

 

CMYK 0 / 100 / 8 / 29

HEX #B600A8

RGB 182 0 168

HSL 304.62, 1%, 0.36%

LAB 42.42, 74.26, -40.24

 

CMYK 0 / 100 / 10 / 35

HEX #A50095

RGB 165 0 149

HSL 305.82, 1%, 0.32%

LAB 38.14, 68.61, -35.76

 

CMYK 0 / 100 / 12 / 42

HEX #940082

RGB 148 0 130

HSL 307.3, 1%, 0.29%

LAB 33.79, 62.85, -31.14

 

CMYK 0 / 92 / 5 / 15

HEX #D911CE

RGB 217 17 206

HSL 303.3, 0.85%, 0.46%

LAB 51.39, 84.07, -47.84

 

CMYK 0 / 92 / 29 / 15

HEX #D91199

RGB 217 17 153

HSL 319.2, 0.85%, 0.46%

LAB 48.83, 77.47, -20.76

 

CMYK 0 / 92 / 54 / 15

HEX #D91163

RGB 217 17 99

HSL 335.4, 0.85%, 0.46%

LAB 47.04, 72.68, 9.55

 

CMYK 0 / 92 / 79 / 15

HEX #D9112D

RGB 217 17 45

HSL 351.6, 0.85%, 0.46%

LAB 46.1, 70.05, 41.14

 

CMYK 0 / 92 / 92 / 15

HEX #D91111

RGB 217 17 17

HSL 0, 0.85%, 0.46%

LAB 45.9, 69.49, 54.49

 

CMYK 0 / 92 / 5 / 15

HEX #D911CE

RGB 217 17 206

HSL 303.3, 0.85%, 0.46%

LAB 51.39, 84.07, -47.84

 

CMYK 20 / 92 / 0 / 15

HEX #AD11D9

RGB 173 17 217

HSL 286.8, 0.85%, 0.46%

LAB 44.65, 78.84, -65.39

 

CMYK 45 / 92 / 0 / 15

HEX #7711D9

RGB 119 17 217

HSL 270.6, 0.85%, 0.46%

LAB 36.62, 72.24, -78.86

 

CMYK 70 / 92 / 0 / 15

HEX #4111D9

RGB 65 17 217

HSL 254.4, 0.85%, 0.46%

LAB 30.72, 68.24, -88.81

 

CMYK 92 / 92 / 0 / 15

HEX #1111D9

RGB 17 17 217

HSL 240, 0.85%, 0.46%

LAB 28.19, 66.83, -93.09

 

CMYK 0 / 92 / 5 / 15

HEX #D911CE

RGB 217 17 206

HSL 303.3, 0.85%, 0.46%

LAB 51.39, 84.07, -47.84

 

CMYK 0 / 92 / 5 / 15

HEX #D911CE

RGB 217 17 206

HSL 303.3, 0.85%, 0.46%

LAB 51.39, 84.07, -47.84

 

CMYK 0 / 82 / 5 / 22

HEX #C624BD

RGB 198 36 189

HSL 303.33, 0.69%, 0.46%

LAB 48.19, 75.13, -43.29

 

CMYK 0 / 69 / 4 / 30

HEX #B337AC

RGB 179 55 172

HSL 303.39, 0.53%, 0.46%

LAB 46.04, 62.92, -36.92

 

CMYK 0 / 54 / 3 / 37

HEX #A04A9B

RGB 160 74 155

HSL 303.49, 0.37%, 0.46%

LAB 45.27, 46.85, -28.22

 

CMYK 0 / 34 / 2 / 45

HEX #8D5D8A

RGB 141 93 138

HSL 303.75, 0.21%, 0.46%

LAB 46.08, 27.25, -17.01

 

CMYK 45 / 92 / 0 / 15

HEX #7811D9

RGB 120 17 217

HSL 270.9, 0.85%, 0.46%

LAB 36.75, 72.34, -78.64

 

CMYK 20 / 92 / 0 / 15

HEX #AD11D9

RGB 173 17 217

HSL 286.8, 0.85%, 0.46%

LAB 44.65, 78.84, -65.39

 

CMYK 0 / 92 / 5 / 15

HEX #D911CF

RGB 217 17 207

HSL 303, 0.85%, 0.46%

LAB 51.45, 84.21, -48.33

 

CMYK 0 / 92 / 29 / 15

HEX #D91199

RGB 217 17 153

HSL 319.2, 0.85%, 0.46%

LAB 48.83, 77.47, -20.76

 

CMYK 0 / 92 / 54 / 15

HEX #D91164

RGB 217 17 100

HSL 335.1, 0.85%, 0.46%

LAB 47.07, 72.75, 8.97

 

CMYK 0 / 92 / 4 / 45

HEX #8C0B86

RGB 140 11 134

HSL 302.79, 0.85%, 0.3%

LAB 33, 60.43, -34.99

 

CMYK 0 / 92 / 4 / 30

HEX #B20EAA

RGB 178 14 170

HSL 302.93, 0.85%, 0.38%

LAB 42.28, 72.42, -41.7

 

CMYK 0 / 92 / 5 / 15

HEX #D911CE

RGB 217 17 206

HSL 303.3, 0.85%, 0.46%

LAB 51.39, 84.07, -47.84

 

CMYK 0 / 84 / 4 / 7

HEX #ED26E3

RGB 237 38 227

HSL 303.02, 0.85%, 0.54%

LAB 57.01, 87.52, -50.65

 

CMYK 0 / 68 / 3 / 6

HEX #F04CE8

RGB 240 76 232

HSL 302.93, 0.85%, 0.62%

LAB 61.24, 78.84, -46.73

 

CMYK 0 / 92 / 5 / 15

HEX #D812CE

RGB 216 18 206

HSL 303.03, 0.85%, 0.46%

LAB 51.25, 83.8, -48.07

 

CMYK 0 / 69 / 92 / 15

HEX #D94311

RGB 217 67 17

HSL 15, 0.85%, 0.46%

LAB 50.46, 56.68, 57.43

 

CMYK 92 / 0 / 32 / 15

HEX #11D993

RGB 17 217 147

HSL 159, 0.85%, 0.46%

LAB 77.19, -60.09, 22.36

 

CMYK 0 / 92 / 5 / 15

HEX #D812CE

RGB 216 18 206

HSL 303.03, 0.85%, 0.46%

LAB 51.25, 83.8, -48.07

 

CMYK 5 / 0 / 92 / 15

HEX #CFD911

RGB 207 217 17

HSL 63, 0.85%, 0.46%

LAB 83.41, -23.12, 81.13

 

CMYK 92 / 5 / 0 / 15

HEX #11CFD9

RGB 17 207 217

HSL 183, 0.85%, 0.46%

LAB 75.92, -37.58, -16.89

 

CMYK 0 / 92 / 5 / 15

HEX #D812CE

RGB 216 18 206

HSL 303.03, 0.85%, 0.46%

LAB 51.25, 83.8, -48.07

 

CMYK 0 / 69 / 92 / 15

HEX #D94311

RGB 217 67 17

HSL 15, 0.85%, 0.46%

LAB 50.46, 56.68, 57.43

 

CMYK 92 / 0 / 88 / 15

HEX #11D91B

RGB 17 217 27

HSL 123, 0.85%, 0.46%

LAB 75.96, -75, 70.4

 

CMYK 92 / 23 / 0 / 15

HEX #11A7D9

RGB 17 167 217

HSL 195, 0.85%, 0.46%

LAB 63.97, -17.76, -35.2

 

CMYK 0 / 92 / 5 / 15

HEX #D812CE

RGB 216 18 206

HSL 303.03, 0.85%, 0.46%

LAB 51.25, 83.8, -48.07

 

CMYK 0 / 41 / 92 / 15

HEX #D97F11

RGB 217 127 17

HSL 33, 0.85%, 0.46%

LAB 61.63, 28.18, 65.2

 

CMYK 92 / 0 / 88 / 15

HEX #11D91B

RGB 17 217 27

HSL 123, 0.85%, 0.46%

LAB 75.96, -75, 70.4

 

CMYK 92 / 51 / 0 / 15

HEX #116BD9

RGB 17 107 217

HSL 213, 0.85%, 0.46%

LAB 46.5, 17.79, -62.95

 

Description

Color code: RGB 216 18 206 | qconv.com Color code: RGB 216 18 206 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 18 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 18 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 5 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 5% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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