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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 18 170 it is the complementary color RGB 39 237 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 18 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 18 170 shade: RGB 221 18 165, RGB 238 36 184, RGB 255 54 203, RGB 255 72 222 and RGB 255 90 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 18 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 18 170 shade: RGB 216 18 170, RGB 199 0 151, RGB 182 0 132, RGB 165 0 113 and RGB 148 0 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 18 170 shade: RGB 217 17 170, RGB 217 17 116, RGB 217 17 63 and RGB 217 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 18 170 shade: RGB 217 17 170, RGB 209 17 217, RGB 155 17 217, RGB 102 17 217 and RGB 48 17 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 18 170 shade matches the following richer shades: RGB 217 17 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 18 170 shade: RGB 217 17 170, RGB 198 36 160, RGB 179 55 150, RGB 160 74 140 and RGB 141 93 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 18 170 shade: RGB 153 17 217, RGB 207 17 217, RGB 217 17 173, RGB 217 17 120 and RGB 217 17 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 18 170 shade: RGB 140 11 110, RGB 178 14 140, RGB 217 17 170, RGB 237 38 191 and RGB 240 76 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 18 170 shade: RGB 216 18 170, RGB 217 100 17 and RGB 17 217 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 18 170 shade: RGB 216 18 170, RGB 173 217 17 and RGB 17 173 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 18 170 shade: RGB 216 18 170, RGB 217 100 17, RGB 17 217 60 and RGB 17 133 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 18 170 shade: RGB 216 18 170, RGB 217 160 17, RGB 17 217 60 and RGB 17 74 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 21 / 15

HEX #D812AA

RGB 216 18 170

HSL 313.94, 0.85%, 0.46%

LAB 49.42, 79.1, -29.98

 

Complementary color

CMYK 84 / 0 / 64 / 7

HEX #27ED55

RGB 39 237 85

HSL 133.94, 0.85%, 0.54%

LAB 82.73, -74.99, 58.92

 

CMYK 0 / 92 / 25 / 13

HEX #DD12A5

RGB 221 18 165

HSL 316.55, 0.85%, 0.47%

LAB 50.12, 79.5, -25.85

 

CMYK 0 / 85 / 23 / 7

HEX #EE24B8

RGB 238 36 184

HSL 316.04, 0.86%, 0.54%

LAB 54.97, 82.47, -29.24

 

CMYK 0 / 79 / 20 / 0

HEX #FF36CB

RGB 255 54 203

HSL 315.52, 1%, 0.61%

LAB 60.08, 84.5, -32.01

 

CMYK 0 / 72 / 13 / 0

HEX #FF48DE

RGB 255 72 222

HSL 310.82, 1%, 0.64%

LAB 62.65, 82, -38.75

 

CMYK 0 / 65 / 5 / 0

HEX #FF5AF1

RGB 255 90 241

HSL 305.09, 1%, 0.68%

LAB 65.69, 78.65, -44.57

 

CMYK 0 / 92 / 21 / 15

HEX #D812AA

RGB 216 18 170

HSL 313.94, 0.85%, 0.46%

LAB 49.42, 79.1, -29.98

 

CMYK 0 / 100 / 24 / 22

HEX #C70097

RGB 199 0 151

HSL 314.47, 1%, 0.39%

LAB 44.77, 75.21, -26.11

 

CMYK 0 / 100 / 27 / 29

HEX #B60084

RGB 182 0 132

HSL 316.48, 1%, 0.36%

LAB 40.59, 69.7, -21.25

 

CMYK 0 / 100 / 32 / 35

HEX #A50071

RGB 165 0 113

HSL 318.91, 1%, 0.32%

LAB 36.35, 64.11, -16.2

 

CMYK 0 / 100 / 36 / 42

HEX #94005E

RGB 148 0 94

HSL 321.89, 1%, 0.29%

LAB 32.04, 58.44, -10.91

 

CMYK 0 / 92 / 22 / 15

HEX #D911AA

RGB 217 17 170

HSL 314.1, 0.85%, 0.46%

LAB 49.56, 79.41, -29.74

 

CMYK 0 / 92 / 47 / 15

HEX #D91174

RGB 217 17 116

HSL 330.3, 0.85%, 0.46%

LAB 47.51, 73.96, -0.27

 

CMYK 0 / 92 / 71 / 15

HEX #D9113F

RGB 217 17 63

HSL 346.2, 0.85%, 0.46%

LAB 46.33, 70.69, 30.8

 

CMYK 0 / 92 / 92 / 15

HEX #D91111

RGB 217 17 17

HSL 0, 0.85%, 0.46%

LAB 45.9, 69.49, 54.49

 

CMYK 0 / 92 / 22 / 15

HEX #D911AA

RGB 217 17 170

HSL 314.1, 0.85%, 0.46%

LAB 49.56, 79.41, -29.74

 

CMYK 4 / 92 / 0 / 15

HEX #D111D9

RGB 209 17 217

HSL 297.6, 0.85%, 0.46%

LAB 50.65, 84.33, -55.41

 

CMYK 29 / 92 / 0 / 15

HEX #9B11D9

RGB 155 17 217

HSL 281.4, 0.85%, 0.46%

LAB 41.81, 76.39, -70.14

 

CMYK 53 / 92 / 0 / 15

HEX #6611D9

RGB 102 17 217

HSL 265.5, 0.85%, 0.46%

LAB 34.47, 70.68, -82.48

 

CMYK 78 / 92 / 0 / 15

HEX #3011D9

RGB 48 17 217

HSL 249.3, 0.85%, 0.46%

LAB 29.51, 67.54, -90.86

 

CMYK 0 / 92 / 22 / 15

HEX #D911AA

RGB 217 17 170

HSL 314.1, 0.85%, 0.46%

LAB 49.56, 79.41, -29.74

 

CMYK 0 / 92 / 22 / 15

HEX #D911AA

RGB 217 17 170

HSL 314.1, 0.85%, 0.46%

LAB 49.56, 79.41, -29.74

 

CMYK 0 / 82 / 19 / 22

HEX #C624A0

RGB 198 36 160

HSL 314.07, 0.69%, 0.46%

LAB 46.72, 71.09, -28.49

 

CMYK 0 / 69 / 16 / 30

HEX #B33796

RGB 179 55 150

HSL 314.03, 0.53%, 0.46%

LAB 44.97, 59.53, -25.48

 

CMYK 0 / 54 / 13 / 37

HEX #A04A8C

RGB 160 74 140

HSL 313.95, 0.37%, 0.46%

LAB 44.61, 44.25, -20.25

 

CMYK 0 / 34 / 8 / 45

HEX #8D5D82

RGB 141 93 130

HSL 313.75, 0.21%, 0.46%

LAB 45.78, 25.71, -12.67

 

CMYK 29 / 92 / 0 / 15

HEX #9911D9

RGB 153 17 217

HSL 280.8, 0.85%, 0.46%

LAB 41.51, 76.13, -70.65

 

CMYK 5 / 92 / 0 / 15

HEX #CF11D9

RGB 207 17 217

HSL 297, 0.85%, 0.46%

LAB 50.31, 84.01, -55.98

 

CMYK 0 / 92 / 20 / 15

HEX #D911AD

RGB 217 17 173

HSL 313.2, 0.85%, 0.46%

LAB 49.7, 79.77, -31.29

 

CMYK 0 / 92 / 45 / 15

HEX #D91178

RGB 217 17 120

HSL 329.1, 0.85%, 0.46%

LAB 47.63, 74.29, -2.55

 

CMYK 0 / 92 / 69 / 15

HEX #D91143

RGB 217 17 67

HSL 345, 0.85%, 0.46%

LAB 46.39, 70.87, 28.45

 

CMYK 0 / 92 / 21 / 45

HEX #8C0B6E

RGB 140 11 110

HSL 313.95, 0.85%, 0.3%

LAB 31.67, 56.99, -21.94

 

CMYK 0 / 92 / 21 / 30

HEX #B20E8C

RGB 178 14 140

HSL 313.9, 0.85%, 0.38%

LAB 40.69, 68.35, -26.08

 

CMYK 0 / 92 / 22 / 15

HEX #D911AA

RGB 217 17 170

HSL 314.1, 0.85%, 0.46%

LAB 49.56, 79.41, -29.74

 

CMYK 0 / 84 / 19 / 7

HEX #ED26BF

RGB 237 38 191

HSL 313.87, 0.85%, 0.54%

LAB 55.23, 82.74, -32.9

 

CMYK 0 / 68 / 16 / 6

HEX #F04CCA

RGB 240 76 202

HSL 313.9, 0.85%, 0.62%

LAB 59.85, 74.46, -31.98

 

CMYK 0 / 92 / 21 / 15

HEX #D812AA

RGB 216 18 170

HSL 313.94, 0.85%, 0.46%

LAB 49.42, 79.1, -29.98

 

CMYK 0 / 54 / 92 / 15

HEX #D96411

RGB 217 100 17

HSL 24.9, 0.85%, 0.46%

LAB 55.99, 42.07, 61.2

 

CMYK 92 / 0 / 17 / 15

HEX #11D9B4

RGB 17 217 180

HSL 168.9, 0.85%, 0.46%

LAB 77.9, -52.32, 5.9

 

CMYK 0 / 92 / 21 / 15

HEX #D812AA

RGB 216 18 170

HSL 313.94, 0.85%, 0.46%

LAB 49.42, 79.1, -29.98

 

CMYK 20 / 0 / 92 / 15

HEX #ADD911

RGB 173 217 17

HSL 73.2, 0.85%, 0.46%

LAB 81.04, -37.01, 78.27

 

CMYK 92 / 20 / 0 / 15

HEX #11ADD9

RGB 17 173 217

HSL 193.2, 0.85%, 0.46%

LAB 65.76, -20.92, -32.42

 

CMYK 0 / 92 / 21 / 15

HEX #D812AA

RGB 216 18 170

HSL 313.94, 0.85%, 0.46%

LAB 49.42, 79.1, -29.98

 

CMYK 0 / 54 / 92 / 15

HEX #D96411

RGB 217 100 17

HSL 24.9, 0.85%, 0.46%

LAB 55.99, 42.07, 61.2

 

CMYK 92 / 0 / 72 / 15

HEX #11D93C

RGB 17 217 60

HSL 132.9, 0.85%, 0.46%

LAB 76.11, -73.05, 61.41

 

CMYK 92 / 39 / 0 / 15

HEX #1185D9

RGB 17 133 217

HSL 205.2, 0.85%, 0.46%

LAB 53.92, 1.56, -51.03

 

CMYK 0 / 92 / 21 / 15

HEX #D812AA

RGB 216 18 170

HSL 313.94, 0.85%, 0.46%

LAB 49.42, 79.1, -29.98

 

CMYK 0 / 26 / 92 / 15

HEX #D9A011

RGB 217 160 17

HSL 42.9, 0.85%, 0.46%

LAB 69.42, 10.47, 70.91

 

CMYK 92 / 0 / 72 / 15

HEX #11D93C

RGB 17 217 60

HSL 132.9, 0.85%, 0.46%

LAB 76.11, -73.05, 61.41

 

CMYK 92 / 66 / 0 / 15

HEX #114AD9

RGB 17 74 217

HSL 222.9, 0.85%, 0.46%

LAB 37.89, 39.14, -77.01

 

Description

Color code: RGB 216 18 170 | qconv.com Color code: RGB 216 18 170 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 18 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 18 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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