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Color name
RGB 216 181 200

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 181 200 it is the complementary color RGB 39 74 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 181 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 181 200 shade: RGB 221 181 195, RGB 238 199 214, RGB 255 217 233, RGB 255 235 252 and RGB 255 253 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 181 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 181 200 shade: RGB 216 181 200, RGB 199 163 181, RGB 182 145 162, RGB 165 127 143 and RGB 148 109 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 181 200 shade: RGB 216 181 200, RGB 216 181 191, RGB 216 181 181 and RGB 216 181 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 181 200 shade: RGB 216 181 200, RGB 216 181 209, RGB 213 181 216, RGB 204 181 216 and RGB 194 181 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 181 200 shade matches the following richer shades: RGB 216 181 200, RGB 225 172 201, RGB 234 163 201, RGB 243 154 202 and RGB 252 145 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 181 200 shade: RGB 216 181 200, RGB 207 190 199, RGB 198 199 198, RGB 189 208 198 and RGB 179 217 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 181 200 shade: RGB 213 181 216, RGB 216 181 209, RGB 216 181 200, RGB 216 181 191 and RGB 216 181 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 181 200 shade: RGB 187 127 160, RGB 202 154 180, RGB 216 181 200, RGB 230 208 220 and RGB 244 235 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 181 200 shade: RGB 216 181 200, RGB 216 204 181 and RGB 181 214 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 181 200 shade: RGB 216 181 200, RGB 200 216 181 and RGB 181 200 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 181 200 shade: RGB 216 181 200, RGB 216 204 181, RGB 181 216 197 and RGB 181 193 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 181 200 shade: RGB 216 181 200, RGB 216 214 181, RGB 181 216 197 and RGB 181 183 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

Complementary color

CMYK 47 / 0 / 26 / 71

HEX #274A37

RGB 39 74 55

HSL 147.43, 0.31%, 0.22%

LAB 28.39, -17.79, 7.46

 

CMYK 0 / 18 / 12 / 13

HEX #DDB5C3

RGB 221 181 195

HSL 339, 0.37%, 0.79%

LAB 77.5, 16.65, -1.65

 

CMYK 0 / 16 / 10 / 7

HEX #EEC7D6

RGB 238 199 214

HSL 336.92, 0.53%, 0.86%

LAB 83.9, 16.18, -2.3

 

CMYK 0 / 15 / 9 / 0

HEX #FFD9E9

RGB 255 217 233

HSL 334.74, 1%, 0.93%

LAB 90.22, 15.75, -2.92

 

CMYK 0 / 8 / 1 / 0

HEX #FFEBFC

RGB 255 235 252

HSL 309, 1%, 0.96%

LAB 95.04, 9.67, -5.75

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 18 / 9 / 22

HEX #C7A3B5

RGB 199 163 181

HSL 330, 0.24%, 0.71%

LAB 70.64, 16.2, -4.28

 

CMYK 0 / 20 / 11 / 29

HEX #B691A2

RGB 182 145 162

HSL 332.43, 0.2%, 0.64%

LAB 64, 16.72, -3.64

 

CMYK 0 / 23 / 13 / 35

HEX #A57F8F

RGB 165 127 143

HSL 334.74, 0.17%, 0.57%

LAB 57.23, 17.29, -2.95

 

CMYK 0 / 26 / 16 / 42

HEX #946D7C

RGB 148 109 124

HSL 336.92, 0.15%, 0.5%

LAB 50.32, 17.93, -2.21

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 16 / 12 / 15

HEX #D8B5BF

RGB 216 181 191

HSL 342.86, 0.31%, 0.78%

LAB 76.93, 14.2, -0.36

 

CMYK 0 / 16 / 16 / 15

HEX #D8B5B5

RGB 216 181 181

HSL 0, 0.31%, 0.78%

LAB 76.67, 12.58, 4.7

 

CMYK 0 / 16 / 16 / 15

HEX #D8B5B5

RGB 216 181 181

HSL 0, 0.31%, 0.78%

LAB 76.67, 12.58, 4.7

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 16 / 3 / 15

HEX #D8B5D1

RGB 216 181 209

HSL 312, 0.31%, 0.78%

LAB 77.43, 17.33, -9.39

 

CMYK 1 / 16 / 0 / 15

HEX #D5B5D8

RGB 213 181 216

HSL 294.86, 0.31%, 0.78%

LAB 77.37, 17.6, -13.31

 

CMYK 6 / 16 / 0 / 15

HEX #CCB5D8

RGB 204 181 216

HSL 279.43, 0.31%, 0.78%

LAB 76.58, 14.59, -14.57

 

CMYK 10 / 16 / 0 / 15

HEX #C2B5D8

RGB 194 181 216

HSL 262.29, 0.31%, 0.78%

LAB 75.75, 11.29, -15.91

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 24 / 11 / 12

HEX #E1ACC9

RGB 225 172 201

HSL 327.17, 0.47%, 0.78%

LAB 75.9, 23.9, -7.22

 

CMYK 0 / 30 / 14 / 8

HEX #EAA3C9

RGB 234 163 201

HSL 327.89, 0.63%, 0.78%

LAB 74.76, 31.83, -8.81

 

CMYK 0 / 37 / 17 / 5

HEX #F39ACA

RGB 243 154 202

HSL 327.64, 0.79%, 0.78%

LAB 73.82, 39.78, -10.65

 

CMYK 0 / 42 / 19 / 1

HEX #FC91CB

RGB 252 145 203

HSL 327.48, 0.95%, 0.78%

LAB 73.06, 47.52, -12.23

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 8 / 4 / 19

HEX #CFBEC7

RGB 207 190 199

HSL 328.24, 0.15%, 0.78%

LAB 78.59, 7.57, -2.36

 

CMYK 1 / 0 / 1 / 22

HEX #C6C7C6

RGB 198 199 198

HSL 120, 0.01%, 0.78%

LAB 80.14, -0.52, 0.37

 

CMYK 9 / 0 / 5 / 18

HEX #BDD0C6

RGB 189 208 198

HSL 148.42, 0.17%, 0.78%

LAB 81.84, -8.3, 2.77

 

CMYK 18 / 0 / 9 / 15

HEX #B3D9C5

RGB 179 217 197

HSL 148.42, 0.33%, 0.78%

LAB 83.57, -16.39, 5.71

 

CMYK 1 / 16 / 0 / 15

HEX #D5B5D8

RGB 213 181 216

HSL 294.86, 0.31%, 0.78%

LAB 77.37, 17.6, -13.31

 

CMYK 0 / 16 / 3 / 15

HEX #D8B5D1

RGB 216 181 209

HSL 312, 0.31%, 0.78%

LAB 77.43, 17.33, -9.39

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 16 / 12 / 15

HEX #D8B5BF

RGB 216 181 191

HSL 342.86, 0.31%, 0.78%

LAB 76.93, 14.2, -0.36

 

CMYK 0 / 16 / 16 / 15

HEX #D8B5B6

RGB 216 181 182

HSL 358.29, 0.31%, 0.78%

LAB 76.69, 12.74, 4.19

 

CMYK 0 / 32 / 14 / 27

HEX #BB7FA0

RGB 187 127 160

HSL 327, 0.31%, 0.62%

LAB 60.14, 28.22, -8.16

 

CMYK 0 / 24 / 11 / 21

HEX #CA9AB4

RGB 202 154 180

HSL 327.5, 0.31%, 0.7%

LAB 68.72, 22.04, -6.53

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 10 / 4 / 10

HEX #E6D0DC

RGB 230 208 220

HSL 327.27, 0.31%, 0.86%

LAB 85.56, 9.69, -3.15

 

CMYK 0 / 4 / 2 / 4

HEX #F4EBF0

RGB 244 235 240

HSL 326.67, 0.29%, 0.94%

LAB 93.86, 3.9, -1.35

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 6 / 16 / 15

HEX #D8CCB5

RGB 216 204 181

HSL 39.43, 0.31%, 0.78%

LAB 82.44, 0.39, 12.96

 

CMYK 16 / 1 / 0 / 15

HEX #B5D6D8

RGB 181 214 216

HSL 183.43, 0.31%, 0.78%

LAB 83.38, -10.44, -4.64

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 7 / 0 / 16 / 15

HEX #C8D8B5

RGB 200 216 181

HSL 87.43, 0.31%, 0.78%

LAB 84.34, -11.57, 15.46

 

CMYK 16 / 7 / 0 / 15

HEX #B5C8D8

RGB 181 200 216

HSL 207.43, 0.31%, 0.78%

LAB 79.67, -3.14, -10.14

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 6 / 16 / 15

HEX #D8CCB5

RGB 216 204 181

HSL 39.43, 0.31%, 0.78%

LAB 82.44, 0.39, 12.96

 

CMYK 16 / 0 / 9 / 15

HEX #B5D8C5

RGB 181 216 197

HSL 147.43, 0.31%, 0.78%

LAB 83.42, -15.23, 5.52

 

CMYK 16 / 11 / 0 / 15

HEX #B5C1D8

RGB 181 193 216

HSL 219.43, 0.31%, 0.78%

LAB 77.83, 0.59, -12.89

 

CMYK 0 / 16 / 7 / 15

HEX #D8B5C8

RGB 216 181 200

HSL 327.43, 0.31%, 0.78%

LAB 77.17, 15.73, -4.89

 

CMYK 0 / 1 / 16 / 15

HEX #D8D6B5

RGB 216 214 181

HSL 56.57, 0.31%, 0.78%

LAB 85.01, -4.8, 16.57

 

CMYK 16 / 0 / 9 / 15

HEX #B5D8C5

RGB 181 216 197

HSL 147.43, 0.31%, 0.78%

LAB 83.42, -15.23, 5.52

 

CMYK 16 / 15 / 0 / 15

HEX #B5B7D8

RGB 181 183 216

HSL 236.57, 0.31%, 0.78%

LAB 75.23, 5.99, -16.79

 

Description

Color code: RGB 216 181 200 | qconv.com Color code: RGB 216 181 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 181 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 181 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 7 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 7% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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