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Color name
RGB 216 173 104

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 173 104 it is the complementary color RGB 39 82 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 173 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 173 104 shade: RGB 221 173 99, RGB 238 191 118, RGB 255 209 137, RGB 255 227 156 and RGB 255 245 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 173 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 173 104 shade: RGB 216 173 104, RGB 199 155 85, RGB 182 137 66, RGB 165 119 47 and RGB 148 101 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 173 104 shade: RGB 216 173 104, RGB 216 143 104, RGB 216 113 104 and RGB 216 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 173 104 shade: RGB 216 173 104, RGB 216 203 104, RGB 199 216 104, RGB 168 216 104 and RGB 138 216 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 173 104 shade matches the following richer shades: RGB 216 173 104, RGB 231 177 89 and RGB 246 180 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 173 104 shade: RGB 216 173 104, RGB 201 170 120, RGB 185 166 135, RGB 170 162 150 and RGB 155 159 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 173 104 shade: RGB 216 112 104, RGB 216 142 104, RGB 216 171 104, RGB 216 201 104 and RGB 201 216 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 173 104 shade: RGB 189 135 48, RGB 207 155 72, RGB 216 173 104, RGB 224 191 137 and RGB 233 209 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 173 104 shade: RGB 216 173 104, RGB 127 216 104 and RGB 127 104 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 173 104 shade: RGB 216 173 104, RGB 104 216 171 and RGB 171 104 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 173 104 shade: RGB 216 173 104, RGB 127 216 104, RGB 104 149 216 and RGB 194 104 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 173 104 shade: RGB 216 173 104, RGB 104 216 116, RGB 104 149 216 and RGB 216 104 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

Complementary color

CMYK 74 / 46 / 0 / 41

HEX #275297

RGB 39 82 151

HSL 216.96, 0.59%, 0.37%

LAB 35.4, 10, -42.18

 

CMYK 0 / 22 / 55 / 13

HEX #DDAD63

RGB 221 173 99

HSL 36.39, 0.64%, 0.63%

LAB 73.65, 9.01, 44.32

 

CMYK 0 / 20 / 50 / 7

HEX #EEBF76

RGB 238 191 118

HSL 36.5, 0.78%, 0.7%

LAB 80.04, 8.09, 42.98

 

CMYK 0 / 18 / 46 / 0

HEX #FFD189

RGB 255 209 137

HSL 36.61, 1%, 0.77%

LAB 86.34, 7.29, 41.69

 

CMYK 0 / 11 / 39 / 0

HEX #FFE39C

RGB 255 227 156

HSL 43.03, 1%, 0.81%

LAB 91.05, 0.01, 38.2

 

CMYK 0 / 4 / 31 / 0

HEX #FFF5AF

RGB 255 245 175

HSL 52.5, 1%, 0.84%

LAB 95.86, -6.87, 34.97

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 0 / 22 / 57 / 22

HEX #C79B55

RGB 199 155 85

HSL 36.84, 0.5%, 0.56%

LAB 66.7, 8.32, 42.51

 

CMYK 0 / 25 / 64 / 29

HEX #B68942

RGB 182 137 66

HSL 36.72, 0.47%, 0.49%

LAB 60.1, 9.46, 43.88

 

CMYK 0 / 28 / 72 / 35

HEX #A5772F

RGB 165 119 47

HSL 36.61, 0.56%, 0.42%

LAB 53.38, 10.82, 45.13

 

CMYK 0 / 32 / 81 / 42

HEX #94651C

RGB 148 101 28

HSL 36.5, 0.68%, 0.35%

LAB 46.56, 12.47, 45.97

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 0 / 34 / 52 / 15

HEX #D88F68

RGB 216 143 104

HSL 20.89, 0.59%, 0.63%

LAB 65.94, 23.5, 32

 

CMYK 0 / 48 / 52 / 15

HEX #D87168

RGB 216 113 104

HSL 4.82, 0.59%, 0.63%

LAB 59.35, 39.38, 23.39

 

CMYK 0 / 52 / 52 / 15

HEX #D86868

RGB 216 104 104

HSL 0, 0.59%, 0.63%

LAB 57.56, 43.92, 20.99

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 0 / 6 / 52 / 15

HEX #D8CB68

RGB 216 203 104

HSL 53.04, 0.59%, 0.63%

LAB 80.91, -8.33, 50.44

 

CMYK 8 / 0 / 52 / 15

HEX #C7D868

RGB 199 216 104

HSL 69.11, 0.59%, 0.63%

LAB 83.05, -21.67, 52.63

 

CMYK 22 / 0 / 52 / 15

HEX #A8D868

RGB 168 216 104

HSL 85.71, 0.59%, 0.63%

LAB 80.98, -33.58, 49.67

 

CMYK 36 / 0 / 52 / 15

HEX #8AD868

RGB 138 216 104

HSL 101.79, 0.59%, 0.63%

LAB 79.34, -44.1, 47.31

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 0 / 23 / 61 / 9

HEX #E7B159

RGB 231 177 89

HSL 37.18, 0.75%, 0.63%

LAB 75.55, 10.32, 51.69

 

CMYK 0 / 27 / 70 / 4

HEX #F6B44A

RGB 246 180 74

HSL 36.98, 0.91%, 0.63%

LAB 77.72, 14.13, 61.29

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 0 / 15 / 40 / 21

HEX #C9AA78

RGB 201 170 120

HSL 37.04, 0.43%, 0.63%

LAB 71.23, 4.4, 29.97

 

CMYK 0 / 10 / 27 / 27

HEX #B9A687

RGB 185 166 135

HSL 37.2, 0.26%, 0.63%

LAB 68.99, 2.04, 18.59

 

CMYK 0 / 5 / 12 / 33

HEX #AAA296

RGB 170 162 150

HSL 36, 0.11%, 0.63%

LAB 66.97, 0.77, 7.27

 

CMYK 7 / 4 / 0 / 35

HEX #9B9FA6

RGB 155 159 166

HSL 218.18, 0.06%, 0.63%

LAB 65.37, -0.03, -4.14

 

CMYK 0 / 48 / 52 / 15

HEX #D87068

RGB 216 112 104

HSL 4.29, 0.59%, 0.63%

LAB 59.15, 39.89, 23.12

 

CMYK 0 / 34 / 52 / 15

HEX #D88E68

RGB 216 142 104

HSL 20.36, 0.59%, 0.63%

LAB 65.71, 24.04, 31.7

 

CMYK 0 / 21 / 52 / 15

HEX #D8AB68

RGB 216 171 104

HSL 35.89, 0.59%, 0.63%

LAB 72.71, 8.42, 40.53

 

CMYK 0 / 7 / 52 / 15

HEX #D8C968

RGB 216 201 104

HSL 51.96, 0.59%, 0.63%

LAB 80.39, -7.3, 49.82

 

CMYK 7 / 0 / 52 / 15

HEX #C9D868

RGB 201 216 104

HSL 68.04, 0.59%, 0.63%

LAB 83.19, -20.88, 52.83

 

CMYK 0 / 29 / 75 / 26

HEX #BD8730

RGB 189 135 48

HSL 37.02, 0.59%, 0.46%

LAB 60.21, 12.62, 52.52

 

CMYK 0 / 25 / 65 / 19

HEX #CF9B48

RGB 207 155 72

HSL 36.89, 0.58%, 0.55%

LAB 67.41, 10.82, 49.9

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 0 / 15 / 39 / 12

HEX #E0BF89

RGB 224 191 137

HSL 37.24, 0.58%, 0.71%

LAB 78.99, 4.38, 31.61

 

CMYK 0 / 10 / 27 / 9

HEX #E9D1AA

RGB 233 209 170

HSL 37.14, 0.59%, 0.79%

LAB 84.91, 2.52, 22.42

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 41 / 0 / 52 / 15

HEX #7FD868

RGB 127 216 104

HSL 107.68, 0.59%, 0.63%

LAB 78.82, -47.61, 46.57

 

CMYK 41 / 52 / 0 / 15

HEX #7F68D8

RGB 127 104 216

HSL 252.32, 0.59%, 0.63%

LAB 51.12, 35.68, -54.67

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 52 / 0 / 21 / 15

HEX #68D8AB

RGB 104 216 171

HSL 155.89, 0.59%, 0.63%

LAB 79.04, -42.55, 12.54

 

CMYK 21 / 52 / 0 / 15

HEX #AB68D8

RGB 171 104 216

HSL 275.89, 0.59%, 0.63%

LAB 55.6, 46.8, -47.26

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 41 / 0 / 52 / 15

HEX #7FD868

RGB 127 216 104

HSL 107.68, 0.59%, 0.63%

LAB 78.82, -47.61, 46.57

 

CMYK 52 / 31 / 0 / 15

HEX #6895D8

RGB 104 149 216

HSL 215.89, 0.59%, 0.63%

LAB 61.13, 3.58, -38.91

 

CMYK 10 / 52 / 0 / 15

HEX #C268D8

RGB 194 104 216

HSL 288.21, 0.59%, 0.63%

LAB 58.35, 52.96, -42.74

 

CMYK 0 / 20 / 52 / 15

HEX #D8AD68

RGB 216 173 104

HSL 36.96, 0.59%, 0.63%

LAB 73.21, 7.35, 41.15

 

CMYK 52 / 0 / 46 / 15

HEX #68D874

RGB 104 216 116

HSL 126.43, 0.59%, 0.63%

LAB 78.06, -52.54, 39.62

 

CMYK 52 / 31 / 0 / 15

HEX #6895D8

RGB 104 149 216

HSL 215.89, 0.59%, 0.63%

LAB 61.13, 3.58, -38.91

 

CMYK 0 / 52 / 5 / 15

HEX #D868CD

RGB 216 104 205

HSL 305.89, 0.59%, 0.63%

LAB 60.7, 57.03, -32.64

 

Description

Color code: RGB 216 173 104 | qconv.com Color code: RGB 216 173 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 173 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 173 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 52% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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