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Color name
RGB 216 171 37

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 171 37 it is the complementary color RGB 39 84 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 171 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 171 37 shade: RGB 221 171 32, RGB 238 189 51, RGB 255 207 70, RGB 255 225 89 and RGB 255 243 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 171 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 171 37 shade: RGB 216 171 37, RGB 199 153 18, RGB 182 135 0, RGB 165 117 0 and RGB 148 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 171 37 shade: RGB 218 172 36, RGB 218 123 36, RGB 218 74 36 and RGB 218 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 171 37 shade: RGB 218 172 36, RGB 214 218 36, RGB 165 218 36, RGB 117 218 36 and RGB 68 218 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 171 37 shade matches the following richer shades: RGB 218 172 36 and RGB 238 182 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 171 37 shade: RGB 218 172 36, RGB 197 162 57, RGB 176 152 78, RGB 156 141 98 and RGB 135 131 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 171 37 shade: RGB 218 73 36, RGB 218 121 36, RGB 218 169 36, RGB 218 218 36 and RGB 169 218 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 171 37 shade: RGB 147 116 25, RGB 182 144 30, RGB 218 172 36, RGB 224 185 72 and RGB 229 199 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 171 37 shade: RGB 216 171 37, RGB 49 218 36 and RGB 97 36 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 171 37 shade: RGB 216 171 37, RGB 36 218 169 and RGB 169 36 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 171 37 shade: RGB 216 171 37, RGB 49 218 36, RGB 36 85 218 and RGB 205 36 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 171 37 shade: RGB 216 171 37, RGB 36 218 79, RGB 36 85 218 and RGB 218 36 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 83 / 15

HEX #D8AB25

RGB 216 171 37

HSL 44.92, 0.71%, 0.5%

LAB 72.13, 4.59, 68.4

 

Complementary color

CMYK 82 / 61 / 0 / 15

HEX #2754DA

RGB 39 84 218

HSL 224.92, 0.71%, 0.5%

LAB 40.95, 34.35, -72.54

 

CMYK 0 / 23 / 86 / 13

HEX #DDAB20

RGB 221 171 32

HSL 44.13, 0.75%, 0.5%

LAB 72.63, 6.64, 70.38

 

CMYK 0 / 21 / 79 / 7

HEX #EEBD33

RGB 238 189 51

HSL 44.28, 0.85%, 0.57%

LAB 78.93, 5.06, 70.92

 

CMYK 0 / 19 / 73 / 0

HEX #FFCF46

RGB 255 207 70

HSL 44.43, 1%, 0.64%

LAB 85.16, 3.69, 70.69

 

CMYK 0 / 12 / 65 / 0

HEX #FFE159

RGB 255 225 89

HSL 49.16, 1%, 0.67%

LAB 89.78, -4.49, 67.94

 

CMYK 0 / 5 / 58 / 0

HEX #FFF36C

RGB 255 243 108

HSL 55.1, 1%, 0.71%

LAB 94.5, -12.22, 65.08

 

CMYK 0 / 21 / 83 / 15

HEX #D8AB25

RGB 216 171 37

HSL 44.92, 0.71%, 0.5%

LAB 72.13, 4.59, 68.4

 

CMYK 0 / 23 / 91 / 22

HEX #C79912

RGB 199 153 18

HSL 44.75, 0.83%, 0.43%

LAB 65.72, 6.31, 67.09

 

CMYK 0 / 26 / 100 / 29

HEX #B68700

RGB 182 135 0

HSL 44.51, 1%, 0.36%

LAB 59.23, 8.26, 64.39

 

CMYK 0 / 29 / 100 / 35

HEX #A57500

RGB 165 117 0

HSL 42.55, 1%, 0.32%

LAB 52.64, 10.55, 58.99

 

CMYK 0 / 33 / 100 / 42

HEX #946300

RGB 148 99 0

HSL 40.14, 1%, 0.29%

LAB 45.93, 12.95, 53.5

 

CMYK 0 / 21 / 83 / 15

HEX #DAAC24

RGB 218 172 36

HSL 44.84, 0.72%, 0.5%

LAB 72.59, 4.91, 69.15

 

CMYK 0 / 44 / 83 / 15

HEX #DA7B24

RGB 218 123 36

HSL 28.68, 0.72%, 0.5%

LAB 60.96, 31.11, 59.24

 

CMYK 0 / 66 / 83 / 15

HEX #DA4A24

RGB 218 74 36

HSL 12.53, 0.72%, 0.5%

LAB 51.76, 54.61, 51.2

 

CMYK 0 / 83 / 83 / 15

HEX #DA2424

RGB 218 36 36

HSL 0, 0.72%, 0.5%

LAB 47.36, 66.82, 47.26

 

CMYK 0 / 21 / 83 / 15

HEX #DAAC24

RGB 218 172 36

HSL 44.84, 0.72%, 0.5%

LAB 72.59, 4.91, 69.15

 

CMYK 2 / 0 / 83 / 15

HEX #D6DA24

RGB 214 218 36

HSL 61.32, 0.72%, 0.5%

LAB 84.26, -20.3, 78.79

 

CMYK 24 / 0 / 83 / 15

HEX #A5DA24

RGB 165 218 36

HSL 77.47, 0.72%, 0.5%

LAB 80.89, -40.12, 74.58

 

CMYK 46 / 0 / 83 / 15

HEX #75DA24

RGB 117 218 36

HSL 93.3, 0.72%, 0.5%

LAB 78.49, -56.85, 71.56

 

CMYK 69 / 0 / 83 / 15

HEX #44DA24

RGB 68 218 36

HSL 109.45, 0.72%, 0.5%

LAB 76.98, -68.98, 69.64

 

CMYK 0 / 21 / 83 / 15

HEX #DAAC24

RGB 218 172 36

HSL 44.84, 0.72%, 0.5%

LAB 72.59, 4.91, 69.15

 

CMYK 0 / 24 / 93 / 7

HEX #EEB610

RGB 238 182 16

HSL 44.86, 0.87%, 0.5%

LAB 77.08, 7.93, 77.72

 

CMYK 0 / 21 / 83 / 15

HEX #DAAC24

RGB 218 172 36

HSL 44.84, 0.72%, 0.5%

LAB 72.59, 4.91, 69.15

 

CMYK 0 / 18 / 71 / 23

HEX #C5A239

RGB 197 162 57

HSL 45, 0.55%, 0.5%

LAB 68.03, 1.86, 56.88

 

CMYK 0 / 14 / 56 / 31

HEX #B0984E

RGB 176 152 78

HSL 45.31, 0.39%, 0.5%

LAB 63.54, -0.49, 41.72

 

CMYK 0 / 10 / 37 / 39

HEX #9C8D62

RGB 156 141 98

HSL 44.48, 0.23%, 0.5%

LAB 58.97, -0.94, 25

 

CMYK 0 / 3 / 12 / 47

HEX #878377

RGB 135 131 119

HSL 45, 0.06%, 0.5%

LAB 54.78, -0.72, 7.02

 

CMYK 0 / 67 / 83 / 15

HEX #DA4924

RGB 218 73 36

HSL 12.2, 0.72%, 0.5%

LAB 51.61, 55.02, 51.07

 

CMYK 0 / 44 / 83 / 15

HEX #DA7924

RGB 218 121 36

HSL 28.02, 0.72%, 0.5%

LAB 60.52, 32.16, 58.87

 

CMYK 0 / 22 / 83 / 15

HEX #DAA924

RGB 218 169 36

HSL 43.85, 0.72%, 0.5%

LAB 71.83, 6.5, 68.52

 

CMYK 0 / 0 / 83 / 15

HEX #DADA24

RGB 218 218 36

HSL 60, 0.72%, 0.5%

LAB 84.57, -18.62, 79.18

 

CMYK 22 / 0 / 83 / 15

HEX #A9DA24

RGB 169 218 36

HSL 76.15, 0.72%, 0.5%

LAB 81.13, -38.57, 74.88

 

CMYK 0 / 21 / 83 / 42

HEX #937419

RGB 147 116 25

HSL 44.75, 0.71%, 0.34%

LAB 50.41, 3.27, 50.49

 

CMYK 0 / 21 / 84 / 29

HEX #B6901E

RGB 182 144 30

HSL 45, 0.72%, 0.42%

LAB 61.64, 3.86, 60.11

 

CMYK 0 / 21 / 83 / 15

HEX #DAAC24

RGB 218 172 36

HSL 44.84, 0.72%, 0.5%

LAB 72.59, 4.91, 69.15

 

CMYK 0 / 17 / 68 / 12

HEX #E0B948

RGB 224 185 72

HSL 44.61, 0.71%, 0.58%

LAB 76.69, 2.11, 60.37

 

CMYK 0 / 13 / 53 / 10

HEX #E5C76B

RGB 229 199 107

HSL 45.25, 0.7%, 0.66%

LAB 81.05, -0.69, 49.45

 

CMYK 0 / 21 / 83 / 15

HEX #D8AB25

RGB 216 171 37

HSL 44.92, 0.71%, 0.5%

LAB 72.13, 4.59, 68.4

 

CMYK 78 / 0 / 83 / 15

HEX #31DA24

RGB 49 218 36

HSL 115.71, 0.72%, 0.5%

LAB 76.63, -71.99, 69.2

 

CMYK 56 / 83 / 0 / 15

HEX #6124DA

RGB 97 36 218

HSL 260.11, 0.72%, 0.5%

LAB 35.72, 65.33, -81

 

CMYK 0 / 21 / 83 / 15

HEX #D8AB25

RGB 216 171 37

HSL 44.92, 0.71%, 0.5%

LAB 72.13, 4.59, 68.4

 

CMYK 83 / 0 / 22 / 15

HEX #24DAA9

RGB 36 218 169

HSL 163.85, 0.72%, 0.5%

LAB 78.1, -54.32, 12.06

 

CMYK 22 / 83 / 0 / 15

HEX #A924DA

RGB 169 36 218

HSL 283.85, 0.72%, 0.5%

LAB 45.3, 74.86, -64.94

 

CMYK 0 / 21 / 83 / 15

HEX #D8AB25

RGB 216 171 37

HSL 44.92, 0.71%, 0.5%

LAB 72.13, 4.59, 68.4

 

CMYK 78 / 0 / 83 / 15

HEX #31DA24

RGB 49 218 36

HSL 115.71, 0.72%, 0.5%

LAB 76.63, -71.99, 69.2

 

CMYK 83 / 61 / 0 / 15

HEX #2455DA

RGB 36 85 218

HSL 223.85, 0.72%, 0.5%

LAB 41.11, 33.49, -72.28

 

CMYK 6 / 83 / 0 / 15

HEX #CD24DA

RGB 205 36 218

HSL 295.71, 0.72%, 0.5%

LAB 51.04, 80.87, -55.39

 

CMYK 0 / 21 / 83 / 15

HEX #D8AB25

RGB 216 171 37

HSL 44.92, 0.71%, 0.5%

LAB 72.13, 4.59, 68.4

 

CMYK 83 / 0 / 64 / 15

HEX #24DA4F

RGB 36 218 79

HSL 134.18, 0.72%, 0.5%

LAB 76.73, -70.16, 54.73

 

CMYK 83 / 61 / 0 / 15

HEX #2455DA

RGB 36 85 218

HSL 223.85, 0.72%, 0.5%

LAB 41.11, 33.49, -72.28

 

CMYK 0 / 83 / 20 / 15

HEX #DA24AF

RGB 218 36 175

HSL 314.18, 0.72%, 0.5%

LAB 50.99, 77.25, -30.44

 

Description

Color code: RGB 216 171 37 | qconv.com Color code: RGB 216 171 37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 171 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 171 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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