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Color name
RGB 216 174 81

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 174 81 it is the complementary color RGB 39 81 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 174 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 174 81 shade: RGB 221 174 76, RGB 238 192 95, RGB 255 210 114, RGB 255 228 133 and RGB 255 246 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 174 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 174 81 shade: RGB 216 174 81, RGB 199 156 62, RGB 182 138 43, RGB 165 120 24 and RGB 148 102 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 174 81 shade: RGB 215 173 80, RGB 215 136 80, RGB 215 100 80 and RGB 215 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 174 81 shade: RGB 215 173 80, RGB 215 209 80, RGB 184 215 80, RGB 148 215 80 and RGB 111 215 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 174 81 shade matches the following richer shades: RGB 215 173 80, RGB 232 179 63 and RGB 250 186 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 174 81 shade: RGB 215 173 80, RGB 198 166 97, RGB 180 160 115, RGB 163 153 132 and RGB 146 147 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 174 81 shade: RGB 215 100 80, RGB 215 136 80, RGB 215 172 80, RGB 215 208 80 and RGB 186 215 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 174 81 shade: RGB 173 132 39, RGB 207 157 47, RGB 215 173 80, RGB 223 189 114 and RGB 230 204 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 174 81 shade: RGB 216 174 81, RGB 96 215 80 and RGB 118 80 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 174 81 shade: RGB 216 174 81, RGB 80 215 172 and RGB 172 80 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 174 81 shade: RGB 216 174 81, RGB 96 215 80, RGB 80 123 215 and RGB 199 80 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 174 81 shade: RGB 216 174 81, RGB 80 215 105, RGB 80 123 215 and RGB 215 80 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 63 / 15

HEX #D8AE51

RGB 216 174 81

HSL 41.33, 0.63%, 0.58%

LAB 73.2, 5.05, 52.38

 

Complementary color

CMYK 78 / 53 / 0 / 32

HEX #2751AE

RGB 39 81 174

HSL 221.33, 0.63%, 0.42%

LAB 36.69, 19.6, -53.87

 

CMYK 0 / 21 / 66 / 13

HEX #DDAE4C

RGB 221 174 76

HSL 40.55, 0.68%, 0.58%

LAB 73.65, 6.86, 55.31

 

CMYK 0 / 19 / 60 / 7

HEX #EEC05F

RGB 238 192 95

HSL 40.7, 0.81%, 0.65%

LAB 80.01, 5.76, 54.15

 

CMYK 0 / 18 / 55 / 0

HEX #FFD272

RGB 255 210 114

HSL 40.85, 1%, 0.72%

LAB 86.29, 4.8, 52.91

 

CMYK 0 / 11 / 48 / 0

HEX #FFE485

RGB 255 228 133

HSL 46.72, 1%, 0.76%

LAB 90.98, -2.78, 49.47

 

CMYK 0 / 4 / 40 / 0

HEX #FFF698

RGB 255 246 152

HSL 54.76, 1%, 0.8%

LAB 95.76, -9.92, 46.23

 

CMYK 0 / 19 / 63 / 15

HEX #D8AE51

RGB 216 174 81

HSL 41.33, 0.63%, 0.58%

LAB 73.2, 5.05, 52.38

 

CMYK 0 / 22 / 69 / 22

HEX #C79C3E

RGB 199 156 62

HSL 41.17, 0.55%, 0.51%

LAB 66.72, 6.24, 53.48

 

CMYK 0 / 24 / 76 / 29

HEX #B68A2B

RGB 182 138 43

HSL 41.01, 0.62%, 0.44%

LAB 60.16, 7.64, 54.24

 

CMYK 0 / 27 / 85 / 35

HEX #A57818

RGB 165 120 24

HSL 40.85, 0.75%, 0.37%

LAB 53.49, 9.31, 54.26

 

CMYK 0 / 31 / 97 / 42

HEX #946605

RGB 148 102 5

HSL 40.7, 0.93%, 0.3%

LAB 46.72, 11.31, 52.86

 

CMYK 0 / 20 / 63 / 16

HEX #D7AD50

RGB 215 173 80

HSL 41.33, 0.63%, 0.58%

LAB 72.83, 5.1, 52.42

 

CMYK 0 / 37 / 63 / 16

HEX #D78850

RGB 215 136 80

HSL 24.89, 0.63%, 0.58%

LAB 63.86, 24.99, 42.15

 

CMYK 0 / 53 / 63 / 16

HEX #D76450

RGB 215 100 80

HSL 8.89, 0.63%, 0.58%

LAB 56.23, 43.71, 32.95

 

CMYK 0 / 63 / 63 / 16

HEX #D75050

RGB 215 80 80

HSL 0, 0.63%, 0.58%

LAB 52.69, 52.99, 28.52

 

CMYK 0 / 20 / 63 / 16

HEX #D7AD50

RGB 215 173 80

HSL 41.33, 0.63%, 0.58%

LAB 72.83, 5.1, 52.42

 

CMYK 0 / 3 / 63 / 16

HEX #D7D150

RGB 215 209 80

HSL 57.33, 0.63%, 0.58%

LAB 82.18, -13.53, 62.57

 

CMYK 14 / 0 / 63 / 16

HEX #B8D750

RGB 184 215 80

HSL 73.78, 0.63%, 0.58%

LAB 81.49, -29.06, 61.14

 

CMYK 31 / 0 / 63 / 16

HEX #94D750

RGB 148 215 80

HSL 89.78, 0.63%, 0.58%

LAB 79.31, -42.62, 58.15

 

CMYK 48 / 0 / 63 / 16

HEX #6FD750

RGB 111 215 80

HSL 106.22, 0.63%, 0.58%

LAB 77.61, -54.58, 55.79

 

CMYK 0 / 20 / 63 / 16

HEX #D7AD50

RGB 215 173 80

HSL 41.33, 0.63%, 0.58%

LAB 72.83, 5.1, 52.42

 

CMYK 0 / 23 / 73 / 9

HEX #E8B33F

RGB 232 179 63

HSL 41.18, 0.79%, 0.58%

LAB 75.92, 8.22, 63.52

 

CMYK 0 / 26 / 82 / 2

HEX #FABA2D

RGB 250 186 45

HSL 41.27, 0.95%, 0.58%

LAB 79.4, 11.55, 73.68

 

CMYK 0 / 20 / 63 / 16

HEX #D7AD50

RGB 215 173 80

HSL 41.33, 0.63%, 0.58%

LAB 72.83, 5.1, 52.42

 

CMYK 0 / 16 / 51 / 22

HEX #C6A661

RGB 198 166 97

HSL 40.99, 0.47%, 0.58%

LAB 69.57, 2.97, 39.85

 

CMYK 0 / 11 / 36 / 29

HEX #B4A073

RGB 180 160 115

HSL 41.54, 0.3%, 0.58%

LAB 66.58, 0.66, 26.16

 

CMYK 0 / 6 / 19 / 36

HEX #A39984

RGB 163 153 132

HSL 40.65, 0.14%, 0.58%

LAB 63.54, 0.08, 12.36

 

CMYK 2 / 1 / 0 / 42

HEX #929395

RGB 146 147 149

HSL 220, 0.01%, 0.58%

LAB 60.91, 0.03, -1.19

 

CMYK 0 / 53 / 63 / 16

HEX #D76450

RGB 215 100 80

HSL 8.89, 0.63%, 0.58%

LAB 56.23, 43.71, 32.95

 

CMYK 0 / 37 / 63 / 16

HEX #D78850

RGB 215 136 80

HSL 24.89, 0.63%, 0.58%

LAB 63.86, 24.99, 42.15

 

CMYK 0 / 20 / 63 / 16

HEX #D7AC50

RGB 215 172 80

HSL 40.89, 0.63%, 0.58%

LAB 72.58, 5.63, 52.13

 

CMYK 0 / 3 / 63 / 16

HEX #D7D050

RGB 215 208 80

HSL 56.89, 0.63%, 0.58%

LAB 81.91, -13.03, 62.28

 

CMYK 13 / 0 / 63 / 16

HEX #BAD750

RGB 186 215 80

HSL 72.89, 0.63%, 0.58%

LAB 81.63, -28.26, 61.33

 

CMYK 0 / 24 / 77 / 32

HEX #AD8427

RGB 173 132 39

HSL 41.64, 0.63%, 0.42%

LAB 57.59, 6.75, 53.02

 

CMYK 0 / 24 / 77 / 19

HEX #CF9D2F

RGB 207 157 47

HSL 41.25, 0.63%, 0.5%

LAB 67.71, 8.48, 60.83

 

CMYK 0 / 20 / 63 / 16

HEX #D7AD50

RGB 215 173 80

HSL 41.33, 0.63%, 0.58%

LAB 72.83, 5.1, 52.42

 

CMYK 0 / 15 / 49 / 13

HEX #DFBD72

RGB 223 189 114

HSL 41.28, 0.63%, 0.66%

LAB 78.05, 2.67, 42.22

 

CMYK 0 / 11 / 36 / 10

HEX #E6CC93

RGB 230 204 147

HSL 41.2, 0.62%, 0.74%

LAB 82.97, 1.09, 31.77

 

CMYK 0 / 19 / 63 / 15

HEX #D8AE51

RGB 216 174 81

HSL 41.33, 0.63%, 0.58%

LAB 73.2, 5.05, 52.38

 

CMYK 55 / 0 / 63 / 16

HEX #60D750

RGB 96 215 80

HSL 112.89, 0.63%, 0.58%

LAB 77.08, -58.63, 55.05

 

CMYK 45 / 63 / 0 / 16

HEX #7650D7

RGB 118 80 215

HSL 256.89, 0.63%, 0.58%

LAB 44.93, 47.14, -64.11

 

CMYK 0 / 19 / 63 / 15

HEX #D8AE51

RGB 216 174 81

HSL 41.33, 0.63%, 0.58%

LAB 73.2, 5.05, 52.38

 

CMYK 63 / 0 / 20 / 16

HEX #50D7AC

RGB 80 215 172

HSL 160.89, 0.63%, 0.58%

LAB 78.04, -46.79, 10.49

 

CMYK 20 / 63 / 0 / 16

HEX #AC50D7

RGB 172 80 215

HSL 280.89, 0.63%, 0.58%

LAB 51.17, 58.85, -53.75

 

CMYK 0 / 19 / 63 / 15

HEX #D8AE51

RGB 216 174 81

HSL 41.33, 0.63%, 0.58%

LAB 73.2, 5.05, 52.38

 

CMYK 55 / 0 / 63 / 16

HEX #60D750

RGB 96 215 80

HSL 112.89, 0.63%, 0.58%

LAB 77.08, -58.63, 55.05

 

CMYK 63 / 43 / 0 / 16

HEX #507BD7

RGB 80 123 215

HSL 220.89, 0.63%, 0.58%

LAB 52.71, 13.88, -51.74

 

CMYK 7 / 63 / 0 / 16

HEX #C750D7

RGB 199 80 215

HSL 292.89, 0.63%, 0.58%

LAB 54.85, 65.16, -47.66

 

CMYK 0 / 19 / 63 / 15

HEX #D8AE51

RGB 216 174 81

HSL 41.33, 0.63%, 0.58%

LAB 73.2, 5.05, 52.38

 

CMYK 63 / 0 / 51 / 16

HEX #50D769

RGB 80 215 105

HSL 131.11, 0.63%, 0.58%

LAB 76.88, -59.3, 43.34

 

CMYK 63 / 43 / 0 / 16

HEX #507BD7

RGB 80 123 215

HSL 220.89, 0.63%, 0.58%

LAB 52.71, 13.88, -51.74

 

CMYK 0 / 63 / 12 / 16

HEX #D750BE

RGB 215 80 190

HSL 311.11, 0.63%, 0.58%

LAB 55.99, 64.98, -31.42

 

Description

Color code: RGB 216 174 81 | qconv.com Color code: RGB 216 174 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 174 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 174 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 63 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 63% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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