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Color name
RGB 216 168 48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 168 48 it is the complementary color RGB 39 87 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 168 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 168 48 shade: RGB 221 168 43, RGB 238 186 62, RGB 255 204 81, RGB 255 222 100 and RGB 255 240 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 168 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 168 48 shade: RGB 216 168 48, RGB 199 150 29, RGB 182 132 10, RGB 165 114 0 and RGB 148 96 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 168 48 shade: RGB 215 168 49, RGB 215 123 49, RGB 215 78 49 and RGB 215 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 168 48 shade: RGB 215 168 49, RGB 215 213 49, RGB 173 215 49, RGB 128 215 49 and RGB 83 215 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 168 48 shade matches the following richer shades: RGB 215 168 49 and RGB 235 176 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 168 48 shade: RGB 215 168 49, RGB 196 159 69, RGB 176 151 88, RGB 156 142 108 and RGB 136 134 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 168 48 shade: RGB 215 77 49, RGB 215 121 49, RGB 215 165 49, RGB 215 210 49 and RGB 176 215 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 168 48 shade: RGB 153 117 29, RGB 188 144 35, RGB 215 168 49, RGB 222 182 84 and RGB 229 197 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 168 48 shade: RGB 216 168 48, RGB 66 215 49 and RGB 99 49 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 168 48 shade: RGB 216 168 48, RGB 49 215 165 and RGB 165 49 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 168 48 shade: RGB 216 168 48, RGB 66 215 49, RGB 49 99 215 and RGB 199 49 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 168 48 shade: RGB 216 168 48, RGB 49 215 82, RGB 49 99 215 and RGB 215 49 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 78 / 15

HEX #D8A830

RGB 216 168 48

HSL 42.86, 0.68%, 0.52%

LAB 71.43, 6.55, 64.26

 

Complementary color

CMYK 81 / 58 / 0 / 19

HEX #2757CF

RGB 39 87 207

HSL 222.86, 0.68%, 0.48%

LAB 40.82, 28.3, -66.44

 

CMYK 0 / 24 / 81 / 13

HEX #DDA82B

RGB 221 168 43

HSL 42.13, 0.72%, 0.52%

LAB 71.93, 8.54, 66.6

 

CMYK 0 / 22 / 74 / 7

HEX #EEBA3E

RGB 238 186 62

HSL 42.27, 0.84%, 0.59%

LAB 78.25, 7.05, 66.4

 

CMYK 0 / 20 / 68 / 0

HEX #FFCC51

RGB 255 204 81

HSL 42.41, 1%, 0.66%

LAB 84.5, 5.76, 65.7

 

CMYK 0 / 13 / 61 / 0

HEX #FFDE64

RGB 255 222 100

HSL 47.23, 1%, 0.7%

LAB 89.12, -2.31, 62.57

 

CMYK 0 / 6 / 53 / 0

HEX #FFF077

RGB 255 240 119

HSL 53.38, 1%, 0.73%

LAB 93.85, -9.94, 59.46

 

CMYK 0 / 22 / 78 / 15

HEX #D8A830

RGB 216 168 48

HSL 42.86, 0.68%, 0.52%

LAB 71.43, 6.55, 64.26

 

CMYK 0 / 25 / 85 / 22

HEX #C7961D

RGB 199 150 29

HSL 42.71, 0.75%, 0.45%

LAB 65, 8.17, 63.94

 

CMYK 0 / 27 / 95 / 29

HEX #B6840A

RGB 182 132 10

HSL 42.56, 0.9%, 0.38%

LAB 58.48, 10.06, 62.25

 

CMYK 0 / 31 / 100 / 35

HEX #A57200

RGB 165 114 0

HSL 41.45, 1%, 0.32%

LAB 51.88, 12.25, 58.48

 

CMYK 0 / 35 / 100 / 42

HEX #946000

RGB 148 96 0

HSL 38.92, 1%, 0.29%

LAB 45.17, 14.68, 52.99

 

CMYK 0 / 22 / 77 / 16

HEX #D7A831

RGB 215 168 49

HSL 43.01, 0.67%, 0.52%

LAB 71.33, 6.15, 63.78

 

CMYK 0 / 43 / 77 / 16

HEX #D77B31

RGB 215 123 49

HSL 26.75, 0.67%, 0.52%

LAB 60.64, 30.3, 53.6

 

CMYK 0 / 64 / 77 / 16

HEX #D74E31

RGB 215 78 49

HSL 10.48, 0.67%, 0.52%

LAB 51.97, 52.32, 44.91

 

CMYK 0 / 77 / 77 / 16

HEX #D73131

RGB 215 49 49

HSL 0, 0.67%, 0.52%

LAB 48.09, 62.96, 40.86

 

CMYK 0 / 22 / 77 / 16

HEX #D7A831

RGB 215 168 49

HSL 43.01, 0.67%, 0.52%

LAB 71.33, 6.15, 63.78

 

CMYK 0 / 1 / 77 / 16

HEX #D7D531

RGB 215 213 49

HSL 59.28, 0.67%, 0.52%

LAB 83.05, -17.03, 74.46

 

CMYK 20 / 0 / 77 / 16

HEX #ADD731

RGB 173 215 49

HSL 75.18, 0.67%, 0.52%

LAB 80.58, -35.17, 71.09

 

CMYK 40 / 0 / 77 / 16

HEX #80D731

RGB 128 215 49

HSL 91.45, 0.67%, 0.52%

LAB 78.12, -51.59, 67.91

 

CMYK 61 / 0 / 77 / 16

HEX #53D731

RGB 83 215 49

HSL 107.71, 0.67%, 0.52%

LAB 76.47, -64.24, 65.77

 

CMYK 0 / 22 / 77 / 16

HEX #D7A831

RGB 215 168 49

HSL 43.01, 0.67%, 0.52%

LAB 71.33, 6.15, 63.78

 

CMYK 0 / 25 / 88 / 8

HEX #EBB01D

RGB 235 176 29

HSL 42.82, 0.84%, 0.52%

LAB 75.33, 10, 73.88

 

CMYK 0 / 22 / 77 / 16

HEX #D7A831

RGB 215 168 49

HSL 43.01, 0.67%, 0.52%

LAB 71.33, 6.15, 63.78

 

CMYK 0 / 19 / 65 / 23

HEX #C49F45

RGB 196 159 69

HSL 42.52, 0.52%, 0.52%

LAB 67.25, 3.73, 50.8

 

CMYK 0 / 14 / 50 / 31

HEX #B09758

RGB 176 151 88

HSL 42.95, 0.36%, 0.52%

LAB 63.4, 0.94, 36.43

 

CMYK 0 / 9 / 31 / 39

HEX #9C8E6C

RGB 156 142 108

HSL 42.5, 0.2%, 0.52%

LAB 59.43, -0.19, 20.05

 

CMYK 0 / 1 / 6 / 47

HEX #888680

RGB 136 134 128

HSL 45, 0.03%, 0.52%

LAB 55.93, -0.4, 3.48

 

CMYK 0 / 64 / 77 / 16

HEX #D74D31

RGB 215 77 49

HSL 10.12, 0.67%, 0.52%

LAB 51.81, 52.74, 44.75

 

CMYK 0 / 44 / 77 / 16

HEX #D77931

RGB 215 121 49

HSL 26.02, 0.67%, 0.52%

LAB 60.2, 31.36, 53.17

 

CMYK 0 / 23 / 77 / 16

HEX #D7A531

RGB 215 165 49

HSL 41.93, 0.67%, 0.52%

LAB 70.58, 7.75, 63.08

 

CMYK 0 / 2 / 77 / 16

HEX #D7D231

RGB 215 210 49

HSL 58.19, 0.67%, 0.52%

LAB 82.25, -15.54, 73.74

 

CMYK 18 / 0 / 77 / 16

HEX #B0D731

RGB 176 215 49

HSL 74.1, 0.67%, 0.52%

LAB 80.77, -33.98, 71.33

 

CMYK 0 / 24 / 81 / 40

HEX #99751D

RGB 153 117 29

HSL 42.58, 0.68%, 0.36%

LAB 51.36, 5.64, 50.2

 

CMYK 0 / 23 / 81 / 26

HEX #BC9023

RGB 188 144 35

HSL 42.75, 0.69%, 0.44%

LAB 62.3, 6.72, 59.36

 

CMYK 0 / 22 / 77 / 16

HEX #D7A831

RGB 215 168 49

HSL 43.01, 0.67%, 0.52%

LAB 71.33, 6.15, 63.78

 

CMYK 0 / 18 / 62 / 13

HEX #DEB654

RGB 222 182 84

HSL 42.61, 0.68%, 0.6%

LAB 75.84, 3.56, 54.11

 

CMYK 0 / 14 / 48 / 10

HEX #E5C576

RGB 229 197 118

HSL 42.7, 0.68%, 0.68%

LAB 80.68, 1.3, 43.6

 

CMYK 0 / 22 / 78 / 15

HEX #D8A830

RGB 216 168 48

HSL 42.86, 0.68%, 0.52%

LAB 71.43, 6.55, 64.26

 

CMYK 69 / 0 / 77 / 16

HEX #42D731

RGB 66 215 49

HSL 113.86, 0.67%, 0.52%

LAB 76.06, -67.7, 65.22

 

CMYK 54 / 77 / 0 / 16

HEX #6331D7

RGB 99 49 215

HSL 258.07, 0.67%, 0.52%

LAB 37.4, 59.64, -76.5

 

CMYK 0 / 22 / 78 / 15

HEX #D8A830

RGB 216 168 48

HSL 42.86, 0.68%, 0.52%

LAB 71.43, 6.55, 64.26

 

CMYK 77 / 0 / 23 / 16

HEX #31D7A5

RGB 49 215 165

HSL 161.93, 0.67%, 0.52%

LAB 77.26, -52.87, 13.02

 

CMYK 23 / 77 / 0 / 16

HEX #A531D7

RGB 165 49 215

HSL 281.93, 0.67%, 0.52%

LAB 45.77, 69.88, -62.48

 

CMYK 0 / 22 / 78 / 15

HEX #D8A830

RGB 216 168 48

HSL 42.86, 0.68%, 0.52%

LAB 71.43, 6.55, 64.26

 

CMYK 69 / 0 / 77 / 16

HEX #42D731

RGB 66 215 49

HSL 113.86, 0.67%, 0.52%

LAB 76.06, -67.7, 65.22

 

CMYK 77 / 54 / 0 / 16

HEX #3163D7

RGB 49 99 215

HSL 221.93, 0.67%, 0.52%

LAB 44.92, 24.52, -64.35

 

CMYK 7 / 77 / 0 / 16

HEX #C731D7

RGB 199 49 215

HSL 294.22, 0.67%, 0.52%

LAB 50.97, 76.13, -53.84

 

CMYK 0 / 22 / 78 / 15

HEX #D8A830

RGB 216 168 48

HSL 42.86, 0.68%, 0.52%

LAB 71.43, 6.55, 64.26

 

CMYK 77 / 0 / 62 / 16

HEX #31D752

RGB 49 215 82

HSL 131.93, 0.67%, 0.52%

LAB 75.99, -67.44, 52.66

 

CMYK 77 / 54 / 0 / 16

HEX #3163D7

RGB 49 99 215

HSL 221.93, 0.67%, 0.52%

LAB 44.92, 24.52, -64.35

 

CMYK 0 / 77 / 15 / 16

HEX #D731B6

RGB 215 49 182

HSL 311.93, 0.67%, 0.52%

LAB 51.86, 74.43, -33.22

 

Description

Color code: RGB 216 168 48 | qconv.com Color code: RGB 216 168 48 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 168 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 168 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 78 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 78% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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