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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 150 119 it is the complementary color RGB 39 105 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 150 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 150 119 shade: RGB 221 150 114, RGB 238 168 133, RGB 255 186 152, RGB 255 204 171 and RGB 255 222 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 150 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 150 119 shade: RGB 216 150 119, RGB 199 132 100, RGB 182 114 81, RGB 165 96 62 and RGB 148 78 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 150 119 shade: RGB 215 151 120, RGB 215 125 120 and RGB 215 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 150 119 shade: RGB 215 151 120, RGB 215 176 120, RGB 215 202 120, RGB 203 215 120 and RGB 177 215 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 150 119 shade matches the following richer shades: RGB 215 151 120, RGB 230 146 106 and RGB 244 140 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 150 119 shade: RGB 215 151 120, RGB 201 156 134, RGB 187 161 148, RGB 173 166 162 and RGB 159 171 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 150 119 shade: RGB 215 120 141, RGB 215 125 120, RGB 215 150 120, RGB 215 176 120 and RGB 215 201 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 150 119 shade: RGB 196 101 57, RGB 206 126 88, RGB 215 151 120, RGB 225 175 152 and RGB 234 200 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 150 119 shade: RGB 216 150 119, RGB 166 215 120 and RGB 120 128 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 150 119 shade: RGB 216 150 119, RGB 120 215 150 and RGB 150 120 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 150 119 shade: RGB 216 150 119, RGB 166 215 120, RGB 120 185 215 and RGB 169 120 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 150 119 shade: RGB 216 150 119, RGB 138 215 120, RGB 120 185 215 and RGB 198 120 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 45 / 15

HEX #D89677

RGB 216 150 119

HSL 19.18, 0.55%, 0.66%

LAB 67.83, 21.17, 26.3

 

Complementary color

CMYK 71 / 23 / 0 / 47

HEX #276988

RGB 39 105 136

HSL 199.18, 0.55%, 0.34%

LAB 41.71, -10.11, -23.17

 

CMYK 0 / 32 / 48 / 13

HEX #DD9672

RGB 221 150 114

HSL 20.19, 0.61%, 0.66%

LAB 68.31, 22.67, 29.77

 

CMYK 0 / 29 / 44 / 7

HEX #EEA885

RGB 238 168 133

HSL 20, 0.76%, 0.73%

LAB 74.75, 21.67, 28.36

 

CMYK 0 / 27 / 40 / 0

HEX #FFBA98

RGB 255 186 152

HSL 19.81, 1%, 0.8%

LAB 81.1, 20.79, 27.06

 

CMYK 0 / 20 / 33 / 0

HEX #FFCCAB

RGB 255 204 171

HSL 23.57, 1%, 0.84%

LAB 85.7, 13.57, 23.3

 

CMYK 0 / 13 / 25 / 0

HEX #FFDEBE

RGB 255 222 190

HSL 29.54, 1%, 0.87%

LAB 90.42, 6.69, 19.9

 

CMYK 0 / 31 / 45 / 15

HEX #D89677

RGB 216 150 119

HSL 19.18, 0.55%, 0.66%

LAB 67.83, 21.17, 26.3

 

CMYK 0 / 34 / 50 / 22

HEX #C78464

RGB 199 132 100

HSL 19.39, 0.47%, 0.59%

LAB 61.28, 22.21, 27.77

 

CMYK 0 / 37 / 55 / 29

HEX #B67251

RGB 182 114 81

HSL 19.6, 0.41%, 0.52%

LAB 54.63, 23.4, 29.4

 

CMYK 0 / 42 / 62 / 35

HEX #A5603E

RGB 165 96 62

HSL 19.81, 0.45%, 0.45%

LAB 47.9, 24.78, 31.21

 

CMYK 0 / 47 / 71 / 42

HEX #944E2B

RGB 148 78 43

HSL 20, 0.55%, 0.37%

LAB 41.09, 26.36, 33.21

 

CMYK 0 / 30 / 44 / 16

HEX #D79778

RGB 215 151 120

HSL 19.58, 0.54%, 0.66%

LAB 67.97, 20.33, 25.93

 

CMYK 0 / 42 / 44 / 16

HEX #D77D78

RGB 215 125 120

HSL 3.16, 0.54%, 0.66%

LAB 62.06, 34.29, 17.92

 

CMYK 0 / 44 / 44 / 16

HEX #D77878

RGB 215 120 120

HSL 0, 0.54%, 0.66%

LAB 60.99, 36.91, 16.45

 

CMYK 0 / 30 / 44 / 16

HEX #D79778

RGB 215 151 120

HSL 19.58, 0.54%, 0.66%

LAB 67.97, 20.33, 25.93

 

CMYK 0 / 18 / 44 / 16

HEX #D7B078

RGB 215 176 120

HSL 35.37, 0.54%, 0.66%

LAB 74.1, 6.87, 33.96

 

CMYK 0 / 6 / 44 / 16

HEX #D7CA78

RGB 215 202 120

HSL 51.79, 0.54%, 0.66%

LAB 80.76, -6.75, 42.43

 

CMYK 6 / 0 / 44 / 16

HEX #CBD778

RGB 203 215 120

HSL 67.58, 0.54%, 0.66%

LAB 83.26, -18.07, 45.32

 

CMYK 18 / 0 / 44 / 16

HEX #B1D778

RGB 177 215 120

HSL 84, 0.54%, 0.66%

LAB 81.46, -28.02, 42.69

 

CMYK 0 / 30 / 44 / 16

HEX #D79778

RGB 215 151 120

HSL 19.58, 0.54%, 0.66%

LAB 67.97, 20.33, 25.93

 

CMYK 0 / 37 / 54 / 10

HEX #E6926A

RGB 230 146 106

HSL 19.35, 0.71%, 0.66%

LAB 68.33, 27.68, 34.32

 

CMYK 0 / 43 / 62 / 4

HEX #F48C5C

RGB 244 140 92

HSL 18.95, 0.87%, 0.66%

LAB 68.58, 35.31, 42.43

 

CMYK 0 / 30 / 44 / 16

HEX #D79778

RGB 215 151 120

HSL 19.58, 0.54%, 0.66%

LAB 67.97, 20.33, 25.93

 

CMYK 0 / 22 / 33 / 21

HEX #C99C86

RGB 201 156 134

HSL 19.7, 0.38%, 0.66%

LAB 67.96, 13.67, 17.95

 

CMYK 0 / 14 / 21 / 27

HEX #BBA194

RGB 187 161 148

HSL 20, 0.22%, 0.66%

LAB 68.16, 7.45, 10.28

 

CMYK 0 / 4 / 6 / 32

HEX #ADA6A2

RGB 173 166 162

HSL 21.82, 0.06%, 0.66%

LAB 68.58, 1.79, 2.96

 

CMYK 10 / 3 / 0 / 31

HEX #9FABB0

RGB 159 171 176

HSL 197.65, 0.1%, 0.66%

LAB 69.21, -3.18, -4.02

 

CMYK 0 / 44 / 34 / 16

HEX #D7788D

RGB 215 120 141

HSL 346.74, 0.54%, 0.66%

LAB 61.48, 39.3, 5.11

 

CMYK 0 / 42 / 44 / 16

HEX #D77D78

RGB 215 125 120

HSL 3.16, 0.54%, 0.66%

LAB 62.06, 34.29, 17.92

 

CMYK 0 / 30 / 44 / 16

HEX #D79678

RGB 215 150 120

HSL 18.95, 0.54%, 0.66%

LAB 67.74, 20.87, 25.61

 

CMYK 0 / 18 / 44 / 16

HEX #D7B078

RGB 215 176 120

HSL 35.37, 0.54%, 0.66%

LAB 74.1, 6.87, 33.96

 

CMYK 0 / 7 / 44 / 16

HEX #D7C978

RGB 215 201 120

HSL 51.16, 0.54%, 0.66%

LAB 80.5, -6.23, 42.1

 

CMYK 0 / 48 / 71 / 23

HEX #C46539

RGB 196 101 57

HSL 18.99, 0.55%, 0.5%

LAB 53.32, 34.53, 41.33

 

CMYK 0 / 39 / 57 / 19

HEX #CE7E58

RGB 206 126 88

HSL 19.32, 0.55%, 0.58%

LAB 60.56, 27.28, 33.63

 

CMYK 0 / 30 / 44 / 16

HEX #D79778

RGB 215 151 120

HSL 19.58, 0.54%, 0.66%

LAB 67.97, 20.33, 25.93

 

CMYK 0 / 22 / 32 / 12

HEX #E1AF98

RGB 225 175 152

HSL 18.9, 0.55%, 0.74%

LAB 75.41, 15.06, 18.79

 

CMYK 0 / 15 / 21 / 8

HEX #EAC8B8

RGB 234 200 184

HSL 19.2, 0.54%, 0.82%

LAB 83.05, 9.55, 12.44

 

CMYK 0 / 31 / 45 / 15

HEX #D89677

RGB 216 150 119

HSL 19.18, 0.55%, 0.66%

LAB 67.83, 21.17, 26.3

 

CMYK 23 / 0 / 44 / 16

HEX #A6D778

RGB 166 215 120

HSL 90.95, 0.54%, 0.66%

LAB 80.77, -32.06, 41.69

 

CMYK 44 / 40 / 0 / 16

HEX #7880D7

RGB 120 128 215

HSL 234.95, 0.54%, 0.66%

LAB 56.42, 19.45, -45.69

 

CMYK 0 / 31 / 45 / 15

HEX #D89677

RGB 216 150 119

HSL 19.18, 0.55%, 0.66%

LAB 67.83, 21.17, 26.3

 

CMYK 44 / 0 / 30 / 16

HEX #78D796

RGB 120 215 150

HSL 138.95, 0.54%, 0.66%

LAB 78.92, -42.27, 23.53

 

CMYK 30 / 44 / 0 / 16

HEX #9678D7

RGB 150 120 215

HSL 258.95, 0.54%, 0.66%

LAB 56.9, 32, -44.77

 

CMYK 0 / 31 / 45 / 15

HEX #D89677

RGB 216 150 119

HSL 19.18, 0.55%, 0.66%

LAB 67.83, 21.17, 26.3

 

CMYK 23 / 0 / 44 / 16

HEX #A6D778

RGB 166 215 120

HSL 90.95, 0.54%, 0.66%

LAB 80.77, -32.06, 41.69

 

CMYK 44 / 14 / 0 / 16

HEX #78B9D7

RGB 120 185 215

HSL 198.95, 0.54%, 0.66%

LAB 71.96, -12.87, -21.56

 

CMYK 21 / 44 / 0 / 16

HEX #A978D7

RGB 169 120 215

HSL 270.95, 0.54%, 0.66%

LAB 58.76, 37.29, -41.71

 

CMYK 0 / 31 / 45 / 15

HEX #D89677

RGB 216 150 119

HSL 19.18, 0.55%, 0.66%

LAB 67.83, 21.17, 26.3

 

CMYK 36 / 0 / 44 / 16

HEX #8AD778

RGB 138 215 120

HSL 108.63, 0.54%, 0.66%

LAB 79.25, -41.66, 39.44

 

CMYK 44 / 14 / 0 / 16

HEX #78B9D7

RGB 120 185 215

HSL 198.95, 0.54%, 0.66%

LAB 71.96, -12.87, -21.56

 

CMYK 8 / 44 / 0 / 16

HEX #C678D7

RGB 198 120 215

HSL 289.26, 0.54%, 0.66%

LAB 61.95, 45.66, -36.49

 

Description

Color code: RGB 216 150 119 | qconv.com Color code: RGB 216 150 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 150 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 150 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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