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Color name
RGB 216 141 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 141 108 it is the complementary color RGB 39 114 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 141 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 141 108 shade: RGB 221 141 103, RGB 238 159 122, RGB 255 177 141, RGB 255 195 160 and RGB 255 213 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 141 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 141 108 shade: RGB 216 141 108, RGB 199 123 89, RGB 182 105 70, RGB 165 87 51 and RGB 148 69 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 141 108 shade: RGB 216 142 109, RGB 216 113 109 and RGB 216 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 141 108 shade: RGB 216 142 109, RGB 216 171 109, RGB 216 199 109, RGB 204 216 109 and RGB 175 216 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 141 108 shade matches the following richer shades: RGB 216 142 109, RGB 231 136 95 and RGB 246 130 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 141 108 shade: RGB 216 142 109, RGB 201 148 124, RGB 186 154 139, RGB 171 159 154 and RGB 157 165 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 141 108 shade: RGB 216 109 134, RGB 216 113 109, RGB 216 141 109, RGB 216 170 109 and RGB 216 198 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 141 108 shade: RGB 192 94 51, RGB 207 117 77, RGB 216 142 109, RGB 225 167 142 and RGB 233 193 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 141 108 shade: RGB 216 141 108, RGB 163 216 109 and RGB 109 120 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 141 108 shade: RGB 216 141 108, RGB 109 216 141 and RGB 141 109 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 141 108 shade: RGB 216 141 108, RGB 163 216 109, RGB 109 184 216 and RGB 163 109 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 141 108 shade: RGB 216 141 108, RGB 131 216 109, RGB 109 184 216 and RGB 195 109 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 50 / 15

HEX #D88D6C

RGB 216 141 108

HSL 18.33, 0.58%, 0.64%

LAB 65.54, 24.94, 29.31

 

Complementary color

CMYK 73 / 22 / 0 / 42

HEX #277293

RGB 39 114 147

HSL 198.33, 0.58%, 0.36%

LAB 45.04, -11.45, -24.57

 

CMYK 0 / 36 / 53 / 13

HEX #DD8D67

RGB 221 141 103

HSL 19.32, 0.63%, 0.64%

LAB 66.06, 26.5, 32.82

 

CMYK 0 / 33 / 49 / 7

HEX #EE9F7A

RGB 238 159 122

HSL 19.14, 0.77%, 0.71%

LAB 72.48, 25.37, 31.27

 

CMYK 0 / 31 / 45 / 0

HEX #FFB18D

RGB 255 177 141

HSL 18.95, 1%, 0.78%

LAB 78.83, 24.36, 29.85

 

CMYK 0 / 24 / 37 / 0

HEX #FFC3A0

RGB 255 195 160

HSL 22.11, 1%, 0.81%

LAB 83.35, 16.97, 25.88

 

CMYK 0 / 16 / 30 / 0

HEX #FFD5B3

RGB 255 213 179

HSL 26.84, 1%, 0.85%

LAB 88.02, 9.9, 22.3

 

CMYK 0 / 35 / 50 / 15

HEX #D88D6C

RGB 216 141 108

HSL 18.33, 0.58%, 0.64%

LAB 65.54, 24.94, 29.31

 

CMYK 0 / 38 / 55 / 22

HEX #C77B59

RGB 199 123 89

HSL 18.55, 0.5%, 0.56%

LAB 59, 26.14, 30.94

 

CMYK 0 / 42 / 62 / 29

HEX #B66946

RGB 182 105 70

HSL 18.75, 0.44%, 0.49%

LAB 52.39, 27.49, 32.74

 

CMYK 0 / 47 / 69 / 35

HEX #A55733

RGB 165 87 51

HSL 18.95, 0.53%, 0.42%

LAB 45.71, 29.02, 34.73

 

CMYK 0 / 53 / 78 / 42

HEX #944520

RGB 148 69 32

HSL 19.14, 0.64%, 0.35%

LAB 39, 30.74, 36.83

 

CMYK 0 / 34 / 50 / 15

HEX #D88E6D

RGB 216 142 109

HSL 18.5, 0.58%, 0.64%

LAB 65.79, 24.5, 29.08

 

CMYK 0 / 48 / 50 / 15

HEX #D8716D

RGB 216 113 109

HSL 2.24, 0.58%, 0.64%

LAB 59.45, 39.83, 20.66

 

CMYK 0 / 50 / 50 / 15

HEX #D86D6D

RGB 216 109 109

HSL 0, 0.58%, 0.64%

LAB 58.64, 41.87, 19.57

 

CMYK 0 / 34 / 50 / 15

HEX #D88E6D

RGB 216 142 109

HSL 18.5, 0.58%, 0.64%

LAB 65.79, 24.5, 29.08

 

CMYK 0 / 21 / 50 / 15

HEX #D8AB6D

RGB 216 171 109

HSL 34.77, 0.58%, 0.64%

LAB 72.78, 8.87, 38.04

 

CMYK 0 / 8 / 50 / 15

HEX #D8C76D

RGB 216 199 109

HSL 50.47, 0.58%, 0.64%

LAB 79.93, -5.84, 46.85

 

CMYK 6 / 0 / 50 / 15

HEX #CCD86D

RGB 204 216 109

HSL 66.73, 0.58%, 0.64%

LAB 83.47, -19.24, 50.88

 

CMYK 19 / 0 / 50 / 15

HEX #AFD86D

RGB 175 216 109

HSL 82.99, 0.58%, 0.64%

LAB 81.47, -30.46, 48.01

 

CMYK 0 / 34 / 50 / 15

HEX #D88E6D

RGB 216 142 109

HSL 18.5, 0.58%, 0.64%

LAB 65.79, 24.5, 29.08

 

CMYK 0 / 41 / 59 / 9

HEX #E7885F

RGB 231 136 95

HSL 18.09, 0.74%, 0.64%

LAB 66.08, 32.49, 37.41

 

CMYK 0 / 47 / 67 / 4

HEX #F68250

RGB 246 130 80

HSL 18.07, 0.9%, 0.64%

LAB 66.62, 40.47, 46.4

 

CMYK 0 / 34 / 50 / 15

HEX #D88E6D

RGB 216 142 109

HSL 18.5, 0.58%, 0.64%

LAB 65.79, 24.5, 29.08

 

CMYK 0 / 26 / 38 / 21

HEX #C9947C

RGB 201 148 124

HSL 18.7, 0.42%, 0.64%

LAB 65.79, 16.82, 20.51

 

CMYK 0 / 17 / 25 / 27

HEX #BA9A8B

RGB 186 154 139

HSL 19.15, 0.25%, 0.64%

LAB 66.07, 9.57, 12.32

 

CMYK 0 / 7 / 10 / 33

HEX #AB9F9A

RGB 171 159 154

HSL 17.65, 0.09%, 0.64%

LAB 66.36, 3.48, 4.17

 

CMYK 7 / 2 / 0 / 34

HEX #9DA5A9

RGB 157 165 169

HSL 200, 0.07%, 0.64%

LAB 67.23, -2.03, -3.05

 

CMYK 0 / 50 / 38 / 15

HEX #D86D86

RGB 216 109 134

HSL 345.98, 0.58%, 0.64%

LAB 59.21, 44.45, 5.9

 

CMYK 0 / 48 / 50 / 15

HEX #D8716D

RGB 216 113 109

HSL 2.24, 0.58%, 0.64%

LAB 59.45, 39.83, 20.66

 

CMYK 0 / 35 / 50 / 15

HEX #D88D6D

RGB 216 141 109

HSL 17.94, 0.58%, 0.64%

LAB 65.56, 25.04, 28.78

 

CMYK 0 / 21 / 50 / 15

HEX #D8AA6D

RGB 216 170 109

HSL 34.21, 0.58%, 0.64%

LAB 72.53, 9.41, 37.73

 

CMYK 0 / 8 / 50 / 15

HEX #D8C66D

RGB 216 198 109

HSL 49.91, 0.58%, 0.64%

LAB 79.67, -5.33, 46.54

 

CMYK 0 / 51 / 73 / 25

HEX #C05E33

RGB 192 94 51

HSL 18.3, 0.58%, 0.48%

LAB 51.21, 36.28, 41.96

 

CMYK 0 / 43 / 63 / 19

HEX #CF754D

RGB 207 117 77

HSL 18.46, 0.58%, 0.56%

LAB 58.53, 31.7, 37.14

 

CMYK 0 / 34 / 50 / 15

HEX #D88E6D

RGB 216 142 109

HSL 18.5, 0.58%, 0.64%

LAB 65.79, 24.5, 29.08

 

CMYK 0 / 26 / 37 / 12

HEX #E1A78E

RGB 225 167 142

HSL 18.07, 0.58%, 0.72%

LAB 73.28, 18.12, 21.28

 

CMYK 0 / 17 / 25 / 9

HEX #E9C1AF

RGB 233 193 175

HSL 18.62, 0.57%, 0.8%

LAB 81.05, 11.59, 14.4

 

CMYK 0 / 35 / 50 / 15

HEX #D88D6C

RGB 216 141 108

HSL 18.33, 0.58%, 0.64%

LAB 65.54, 24.94, 29.31

 

CMYK 25 / 0 / 50 / 15

HEX #A3D86D

RGB 163 216 109

HSL 89.72, 0.58%, 0.64%

LAB 80.74, -34.88, 46.95

 

CMYK 50 / 44 / 0 / 15

HEX #6D78D8

RGB 109 120 216

HSL 233.83, 0.58%, 0.64%

LAB 53.65, 21.94, -50.71

 

CMYK 0 / 35 / 50 / 15

HEX #D88D6C

RGB 216 141 108

HSL 18.33, 0.58%, 0.64%

LAB 65.54, 24.94, 29.31

 

CMYK 50 / 0 / 35 / 15

HEX #6DD88D

RGB 109 216 141

HSL 137.94, 0.58%, 0.64%

LAB 78.63, -47.22, 27.74

 

CMYK 35 / 50 / 0 / 15

HEX #8D6DD8

RGB 141 109 216

HSL 257.94, 0.58%, 0.64%

LAB 53.55, 36.21, -50.7

 

CMYK 0 / 35 / 50 / 15

HEX #D88D6C

RGB 216 141 108

HSL 18.33, 0.58%, 0.64%

LAB 65.54, 24.94, 29.31

 

CMYK 25 / 0 / 50 / 15

HEX #A3D86D

RGB 163 216 109

HSL 89.72, 0.58%, 0.64%

LAB 80.74, -34.88, 46.95

 

CMYK 50 / 15 / 0 / 15

HEX #6DB8D8

RGB 109 184 216

HSL 197.94, 0.58%, 0.64%

LAB 71.21, -14.66, -23.3

 

CMYK 25 / 50 / 0 / 15

HEX #A36DD8

RGB 163 109 216

HSL 270.28, 0.58%, 0.64%

LAB 55.77, 41.96, -47.05

 

CMYK 0 / 35 / 50 / 15

HEX #D88D6C

RGB 216 141 108

HSL 18.33, 0.58%, 0.64%

LAB 65.54, 24.94, 29.31

 

CMYK 39 / 0 / 50 / 15

HEX #83D86D

RGB 131 216 109

HSL 107.66, 0.58%, 0.64%

LAB 79.06, -45.75, 44.52

 

CMYK 50 / 15 / 0 / 15

HEX #6DB8D8

RGB 109 184 216

HSL 197.94, 0.58%, 0.64%

LAB 71.21, -14.66, -23.3

 

CMYK 10 / 50 / 0 / 15

HEX #C36DD8

RGB 195 109 216

HSL 288.22, 0.58%, 0.64%

LAB 59.43, 50.71, -41.02

 

Description

Color code: RGB 216 141 108 | qconv.com Color code: RGB 216 141 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 141 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 141 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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