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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 148 80 it is the complementary color RGB 39 107 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 148 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 148 80 shade: RGB 221 148 75, RGB 238 166 94, RGB 255 184 113, RGB 255 202 132 and RGB 255 220 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 148 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 148 80 shade: RGB 216 148 80, RGB 199 130 61, RGB 182 112 42, RGB 165 94 23 and RGB 148 76 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 148 80 shade: RGB 216 147 79, RGB 216 110 79 and RGB 216 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 148 80 shade: RGB 216 147 79, RGB 216 184 79, RGB 211 216 79, RGB 174 216 79 and RGB 137 216 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 148 80 shade matches the following richer shades: RGB 216 147 79, RGB 233 147 62 and RGB 251 147 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 148 80 shade: RGB 216 147 79, RGB 199 147 96, RGB 181 147 114, RGB 164 147 131 and RGB 147 147 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 148 80 shade: RGB 216 79 83, RGB 216 111 79, RGB 216 147 79, RGB 216 184 79 and RGB 211 216 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 148 80 shade: RGB 174 106 38, RGB 208 127 45, RGB 216 147 79, RGB 223 168 113 and RGB 231 189 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 148 80 shade: RGB 216 148 80, RGB 120 216 79 and RGB 93 79 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 148 80 shade: RGB 216 148 80, RGB 79 216 147 and RGB 147 79 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 148 80 shade: RGB 216 148 80, RGB 120 216 79, RGB 79 147 216 and RGB 175 79 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 148 80 shade: RGB 216 148 80, RGB 79 216 79, RGB 79 147 216 and RGB 216 79 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 63 / 15

HEX #D89450

RGB 216 148 80

HSL 30, 0.64%, 0.58%

LAB 66.79, 18.94, 45.59

 

Complementary color

CMYK 78 / 39 / 0 / 31

HEX #276BAF

RGB 39 107 175

HSL 210, 0.64%, 0.42%

LAB 44.29, 3.12, -42.25

 

CMYK 0 / 33 / 66 / 13

HEX #DD944B

RGB 221 148 75

HSL 30, 0.68%, 0.58%

LAB 67.32, 20.72, 48.81

 

CMYK 0 / 30 / 61 / 7

HEX #EEA65E

RGB 238 166 94

HSL 30, 0.81%, 0.65%

LAB 73.71, 19.39, 47.33

 

CMYK 0 / 28 / 56 / 0

HEX #FFB871

RGB 255 184 113

HSL 30, 1%, 0.72%

LAB 80.03, 18.22, 45.87

 

CMYK 0 / 21 / 48 / 0

HEX #FFCA84

RGB 255 202 132

HSL 34.15, 1%, 0.76%

LAB 84.57, 10.45, 41.96

 

CMYK 0 / 14 / 41 / 0

HEX #FFDC97

RGB 255 220 151

HSL 39.81, 1%, 0.8%

LAB 89.24, 3.04, 38.36

 

CMYK 0 / 31 / 63 / 15

HEX #D89450

RGB 216 148 80

HSL 30, 0.64%, 0.58%

LAB 66.79, 18.94, 45.59

 

CMYK 0 / 35 / 69 / 22

HEX #C7823D

RGB 199 130 61

HSL 30, 0.55%, 0.51%

LAB 60.29, 20.37, 47.08

 

CMYK 0 / 38 / 77 / 29

HEX #B6702A

RGB 182 112 42

HSL 30, 0.63%, 0.44%

LAB 53.71, 22.03, 48.4

 

CMYK 0 / 43 / 86 / 35

HEX #A55E17

RGB 165 94 23

HSL 30, 0.76%, 0.37%

LAB 47.06, 23.95, 49.17

 

CMYK 0 / 49 / 97 / 42

HEX #944C04

RGB 148 76 4

HSL 30, 0.95%, 0.3%

LAB 40.37, 26.15, 48.73

 

CMYK 0 / 32 / 63 / 15

HEX #D8934F

RGB 216 147 79

HSL 29.78, 0.64%, 0.58%

LAB 66.54, 19.41, 45.81

 

CMYK 0 / 49 / 63 / 15

HEX #D86E4F

RGB 216 110 79

HSL 13.58, 0.64%, 0.58%

LAB 58.34, 39.01, 36.11

 

CMYK 0 / 63 / 63 / 15

HEX #D84F4F

RGB 216 79 79

HSL 0, 0.64%, 0.58%

LAB 52.68, 53.69, 29.13

 

CMYK 0 / 32 / 63 / 15

HEX #D8934F

RGB 216 147 79

HSL 29.78, 0.64%, 0.58%

LAB 66.54, 19.41, 45.81

 

CMYK 0 / 15 / 63 / 15

HEX #D8B84F

RGB 216 184 79

HSL 45.99, 0.64%, 0.58%

LAB 75.73, -0.35, 56.09

 

CMYK 2 / 0 / 63 / 15

HEX #D3D84F

RGB 211 216 79

HSL 62.19, 0.64%, 0.58%

LAB 83.72, -18.71, 64.5

 

CMYK 19 / 0 / 63 / 15

HEX #AED84F

RGB 174 216 79

HSL 78.39, 0.64%, 0.58%

LAB 81.11, -33.5, 60.95

 

CMYK 37 / 0 / 63 / 15

HEX #89D84F

RGB 137 216 79

HSL 94.6, 0.64%, 0.58%

LAB 79.04, -46.94, 58.1

 

CMYK 0 / 32 / 63 / 15

HEX #D8934F

RGB 216 147 79

HSL 29.78, 0.64%, 0.58%

LAB 66.54, 19.41, 45.81

 

CMYK 0 / 37 / 73 / 9

HEX #E9933E

RGB 233 147 62

HSL 29.82, 0.8%, 0.58%

LAB 68.42, 25.57, 56.44

 

CMYK 0 / 41 / 82 / 2

HEX #FB932C

RGB 251 147 44

HSL 29.86, 0.96%, 0.58%

LAB 70.57, 32.3, 66.42

 

CMYK 0 / 32 / 63 / 15

HEX #D8934F

RGB 216 147 79

HSL 29.78, 0.64%, 0.58%

LAB 66.54, 19.41, 45.81

 

CMYK 0 / 26 / 52 / 22

HEX #C79360

RGB 199 147 96

HSL 29.71, 0.48%, 0.58%

LAB 64.85, 13.62, 34.52

 

CMYK 0 / 19 / 37 / 29

HEX #B59372

RGB 181 147 114

HSL 29.55, 0.31%, 0.58%

LAB 63.27, 8.07, 22.29

 

CMYK 0 / 10 / 20 / 36

HEX #A49383

RGB 164 147 131

HSL 29.09, 0.15%, 0.58%

LAB 62, 3.63, 10.77

 

CMYK 1 / 1 / 0 / 42

HEX #939394

RGB 147 147 148

HSL 240, 0%, 0.58%

LAB 60.97, 0.2, -0.53

 

CMYK 0 / 63 / 62 / 15

HEX #D84F53

RGB 216 79 83

HSL 358.25, 0.64%, 0.58%

LAB 52.75, 53.95, 26.87

 

CMYK 0 / 49 / 63 / 15

HEX #D86F4F

RGB 216 111 79

HSL 14.01, 0.64%, 0.58%

LAB 58.54, 38.5, 36.36

 

CMYK 0 / 32 / 63 / 15

HEX #D8934F

RGB 216 147 79

HSL 29.78, 0.64%, 0.58%

LAB 66.54, 19.41, 45.81

 

CMYK 0 / 15 / 63 / 15

HEX #D8B84F

RGB 216 184 79

HSL 45.99, 0.64%, 0.58%

LAB 75.73, -0.35, 56.09

 

CMYK 2 / 0 / 63 / 15

HEX #D3D84F

RGB 211 216 79

HSL 62.19, 0.64%, 0.58%

LAB 83.72, -18.71, 64.5

 

CMYK 0 / 39 / 78 / 32

HEX #AE6A26

RGB 174 106 38

HSL 30, 0.64%, 0.42%

LAB 51.21, 21.71, 47.36

 

CMYK 0 / 39 / 78 / 18

HEX #D07F2D

RGB 208 127 45

HSL 30.18, 0.64%, 0.5%

LAB 60.59, 25.09, 54.93

 

CMYK 0 / 32 / 63 / 15

HEX #D8934F

RGB 216 147 79

HSL 29.78, 0.64%, 0.58%

LAB 66.54, 19.41, 45.81

 

CMYK 0 / 25 / 49 / 13

HEX #DFA871

RGB 223 168 113

HSL 30, 0.63%, 0.66%

LAB 72.82, 13.72, 36.15

 

CMYK 0 / 18 / 36 / 9

HEX #E7BD93

RGB 231 189 147

HSL 30, 0.64%, 0.74%

LAB 79.32, 9.33, 26.9

 

CMYK 0 / 31 / 63 / 15

HEX #D89450

RGB 216 148 80

HSL 30, 0.64%, 0.58%

LAB 66.79, 18.94, 45.59

 

CMYK 44 / 0 / 63 / 15

HEX #78D84F

RGB 120 216 79

HSL 102.04, 0.64%, 0.58%

LAB 78.27, -52.4, 57.04

 

CMYK 57 / 63 / 0 / 15

HEX #5D4FD8

RGB 93 79 216

HSL 246.13, 0.64%, 0.58%

LAB 42.58, 43.44, -68.62

 

CMYK 0 / 31 / 63 / 15

HEX #D89450

RGB 216 148 80

HSL 30, 0.64%, 0.58%

LAB 66.79, 18.94, 45.59

 

CMYK 63 / 0 / 32 / 15

HEX #4FD893

RGB 79 216 147

HSL 149.78, 0.64%, 0.58%

LAB 77.8, -52.74, 23.35

 

CMYK 32 / 63 / 0 / 15

HEX #934FD8

RGB 147 79 216

HSL 269.78, 0.64%, 0.58%

LAB 47.95, 53.95, -59.66

 

CMYK 0 / 31 / 63 / 15

HEX #D89450

RGB 216 148 80

HSL 30, 0.64%, 0.58%

LAB 66.79, 18.94, 45.59

 

CMYK 44 / 0 / 63 / 15

HEX #78D84F

RGB 120 216 79

HSL 102.04, 0.64%, 0.58%

LAB 78.27, -52.4, 57.04

 

CMYK 63 / 32 / 0 / 15

HEX #4F93D8

RGB 79 147 216

HSL 210.22, 0.64%, 0.58%

LAB 59.42, -0.3, -41.66

 

CMYK 19 / 63 / 0 / 15

HEX #AF4FD8

RGB 175 79 216

HSL 282.04, 0.64%, 0.58%

LAB 51.45, 60.2, -53.83

 

CMYK 0 / 31 / 63 / 15

HEX #D89450

RGB 216 148 80

HSL 30, 0.64%, 0.58%

LAB 66.79, 18.94, 45.59

 

CMYK 63 / 0 / 63 / 15

HEX #4FD84F

RGB 79 216 79

HSL 120, 0.64%, 0.58%

LAB 76.88, -63.01, 55.12

 

CMYK 63 / 32 / 0 / 15

HEX #4F93D8

RGB 79 147 216

HSL 210.22, 0.64%, 0.58%

LAB 59.42, -0.3, -41.66

 

CMYK 0 / 63 / 0 / 15

HEX #D84FD8

RGB 216 79 216

HSL 300, 0.64%, 0.58%

LAB 57.22, 69.74, -44.32

 

Description

Color code: RGB 216 148 80 | qconv.com Color code: RGB 216 148 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 148 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 148 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 63 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 63% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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