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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 13 124 it is the complementary color RGB 39 242 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 13 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 13 124 shade: RGB 221 13 119, RGB 238 31 138, RGB 255 49 157, RGB 255 67 176 and RGB 255 85 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 13 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 13 124 shade: RGB 216 13 124, RGB 199 0 105, RGB 182 0 86, RGB 165 0 67 and RGB 148 0 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 13 124 shade: RGB 216 12 124, RGB 216 12 69, RGB 216 12 14 and RGB 216 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 13 124 shade: RGB 216 12 124, RGB 216 12 179, RGB 199 12 216, RGB 144 12 216 and RGB 89 12 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 13 124 shade matches the following richer shades: RGB 216 12 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 13 124 shade: RGB 216 12 124, RGB 198 31 122, RGB 179 49 120, RGB 161 68 119 and RGB 142 86 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 13 124 shade: RGB 199 12 216, RGB 216 12 179, RGB 216 12 124, RGB 216 12 70 and RGB 216 12 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 13 124 shade: RGB 138 8 79, RGB 177 10 101, RGB 216 12 124, RGB 241 28 145 and RGB 244 67 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 13 124 shade: RGB 216 13 124, RGB 216 145 12 and RGB 12 206 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 13 124 shade: RGB 216 13 124, RGB 124 216 12 and RGB 12 124 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 13 124 shade: RGB 216 13 124, RGB 216 145 12, RGB 12 216 104 and RGB 12 84 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 13 124 shade: RGB 216 13 124, RGB 216 206 12, RGB 12 216 104 and RGB 12 22 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 43 / 15

HEX #D80D7C

RGB 216 13 124

HSL 327.19, 0.89%, 0.45%

LAB 47.42, 74.84, -5.34

 

Complementary color

CMYK 84 / 0 / 46 / 5

HEX #27F283

RGB 39 242 131

HSL 147.19, 0.89%, 0.55%

LAB 84.78, -70.35, 40.51

 

CMYK 0 / 94 / 46 / 13

HEX #DD0D77

RGB 221 13 119

HSL 329.42, 0.89%, 0.46%

LAB 48.25, 75.52, -0.94

 

CMYK 0 / 87 / 42 / 7

HEX #EE1F8A

RGB 238 31 138

HSL 328.99, 0.86%, 0.53%

LAB 52.94, 78.59, -5.17

 

CMYK 0 / 81 / 38 / 0

HEX #FF319D

RGB 255 49 157

HSL 328.54, 1%, 0.6%

LAB 57.93, 80.66, -8.67

 

CMYK 0 / 74 / 31 / 0

HEX #FF43B0

RGB 255 67 176

HSL 325.21, 1%, 0.63%

LAB 60.26, 77.83, -16.24

 

CMYK 0 / 67 / 24 / 0

HEX #FF55C3

RGB 255 85 195

HSL 321.18, 1%, 0.67%

LAB 63.09, 74.07, -22.8

 

CMYK 0 / 94 / 43 / 15

HEX #D80D7C

RGB 216 13 124

HSL 327.19, 0.89%, 0.45%

LAB 47.42, 74.84, -5.34

 

CMYK 0 / 100 / 47 / 22

HEX #C70069

RGB 199 0 105

HSL 328.34, 1%, 0.39%

LAB 43.01, 70.67, -0.47

 

CMYK 0 / 100 / 53 / 29

HEX #B60056

RGB 182 0 86

HSL 331.65, 1%, 0.36%

LAB 38.93, 65.38, 5.23

 

CMYK 0 / 100 / 59 / 35

HEX #A50043

RGB 165 0 67

HSL 335.64, 1%, 0.32%

LAB 34.81, 60.08, 11.24

 

CMYK 0 / 100 / 68 / 42

HEX #940030

RGB 148 0 48

HSL 340.54, 1%, 0.29%

LAB 30.66, 54.8, 17.59

 

CMYK 0 / 94 / 43 / 15

HEX #D80C7C

RGB 216 12 124

HSL 327.06, 0.89%, 0.45%

LAB 47.39, 74.93, -5.39

 

CMYK 0 / 94 / 68 / 15

HEX #D80C45

RGB 216 12 69

HSL 343.24, 0.89%, 0.45%

LAB 46.03, 71.25, 26.73

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0E

RGB 216 12 14

HSL 359.41, 0.89%, 0.45%

LAB 45.49, 69.74, 55.19

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 0 / 94 / 43 / 15

HEX #D80C7C

RGB 216 12 124

HSL 327.06, 0.89%, 0.45%

LAB 47.39, 74.93, -5.39

 

CMYK 0 / 94 / 17 / 15

HEX #D80CB3

RGB 216 12 179

HSL 310.88, 0.89%, 0.45%

LAB 49.64, 80.8, -34.94

 

CMYK 8 / 94 / 0 / 15

HEX #C70CD8

RGB 199 12 216

HSL 295, 0.89%, 0.45%

LAB 48.71, 83.09, -58.04

 

CMYK 33 / 94 / 0 / 15

HEX #900CD8

RGB 144 12 216

HSL 278.82, 0.89%, 0.45%

LAB 39.83, 75.5, -72.87

 

CMYK 59 / 94 / 0 / 15

HEX #590CD8

RGB 89 12 216

HSL 262.65, 0.89%, 0.45%

LAB 32.58, 70.35, -85.08

 

CMYK 0 / 94 / 43 / 15

HEX #D80C7C

RGB 216 12 124

HSL 327.06, 0.89%, 0.45%

LAB 47.39, 74.93, -5.39

 

CMYK 0 / 94 / 43 / 15

HEX #D80C7C

RGB 216 12 124

HSL 327.06, 0.89%, 0.45%

LAB 47.39, 74.93, -5.39

 

CMYK 0 / 84 / 38 / 22

HEX #C61F7A

RGB 198 31 122

HSL 327.31, 0.73%, 0.45%

LAB 44.79, 67.84, -8.41

 

CMYK 0 / 73 / 33 / 30

HEX #B33178

RGB 179 49 120

HSL 327.23, 0.57%, 0.45%

LAB 42.97, 57.76, -10.27

 

CMYK 0 / 58 / 26 / 37

HEX #A14477

RGB 161 68 119

HSL 327.1, 0.41%, 0.45%

LAB 42.83, 44.29, -10.16

 

CMYK 0 / 39 / 18 / 44

HEX #8E5675

RGB 142 86 117

HSL 326.79, 0.25%, 0.45%

LAB 43.79, 27.8, -7.77

 

CMYK 8 / 94 / 0 / 15

HEX #C70CD8

RGB 199 12 216

HSL 295, 0.89%, 0.45%

LAB 48.71, 83.09, -58.04

 

CMYK 0 / 94 / 17 / 15

HEX #D80CB3

RGB 216 12 179

HSL 310.88, 0.89%, 0.45%

LAB 49.64, 80.8, -34.94

 

CMYK 0 / 94 / 43 / 15

HEX #D80C7C

RGB 216 12 124

HSL 327.06, 0.89%, 0.45%

LAB 47.39, 74.93, -5.39

 

CMYK 0 / 94 / 68 / 15

HEX #D80C46

RGB 216 12 70

HSL 342.94, 0.89%, 0.45%

LAB 46.05, 71.3, 26.14

 

CMYK 0 / 94 / 93 / 15

HEX #D80C10

RGB 216 12 16

HSL 358.82, 0.89%, 0.45%

LAB 45.5, 69.76, 54.5

 

CMYK 0 / 94 / 43 / 46

HEX #8A084F

RGB 138 8 79

HSL 327.23, 0.89%, 0.29%

LAB 29.77, 53.42, -4.69

 

CMYK 0 / 94 / 43 / 31

HEX #B10A65

RGB 177 10 101

HSL 327.31, 0.89%, 0.37%

LAB 38.73, 64.37, -4.75

 

CMYK 0 / 94 / 43 / 15

HEX #D80C7C

RGB 216 12 124

HSL 327.06, 0.89%, 0.45%

LAB 47.39, 74.93, -5.39

 

CMYK 0 / 88 / 40 / 5

HEX #F11C91

RGB 241 28 145

HSL 327.04, 0.88%, 0.53%

LAB 53.57, 80.35, -8.35

 

CMYK 0 / 73 / 33 / 4

HEX #F443A4

RGB 244 67 164

HSL 327.12, 0.89%, 0.61%

LAB 57.97, 73.78, -12.91

 

CMYK 0 / 94 / 43 / 15

HEX #D80D7C

RGB 216 13 124

HSL 327.19, 0.89%, 0.45%

LAB 47.42, 74.84, -5.34

 

CMYK 0 / 33 / 94 / 15

HEX #D8910C

RGB 216 145 12

HSL 39.12, 0.89%, 0.45%

LAB 65.65, 18.04, 68.92

 

CMYK 94 / 5 / 0 / 15

HEX #0CCED8

RGB 12 206 216

HSL 182.94, 0.89%, 0.45%

LAB 75.56, -37.59, -16.89

 

CMYK 0 / 94 / 43 / 15

HEX #D80D7C

RGB 216 13 124

HSL 327.19, 0.89%, 0.45%

LAB 47.42, 74.84, -5.34

 

CMYK 43 / 0 / 94 / 15

HEX #7CD80C

RGB 124 216 12

HSL 87.06, 0.89%, 0.45%

LAB 78.12, -54.52, 75.41

 

CMYK 94 / 43 / 0 / 15

HEX #0C7CD8

RGB 12 124 216

HSL 207.06, 0.89%, 0.45%

LAB 51.21, 6.47, -54.8

 

CMYK 0 / 94 / 43 / 15

HEX #D80D7C

RGB 216 13 124

HSL 327.19, 0.89%, 0.45%

LAB 47.42, 74.84, -5.34

 

CMYK 0 / 33 / 94 / 15

HEX #D8910C

RGB 216 145 12

HSL 39.12, 0.89%, 0.45%

LAB 65.65, 18.04, 68.92

 

CMYK 94 / 0 / 52 / 15

HEX #0CD868

RGB 12 216 104

HSL 147.06, 0.89%, 0.45%

LAB 76.19, -67.83, 42.75

 

CMYK 94 / 61 / 0 / 15

HEX #0C54D8

RGB 12 84 216

HSL 218.82, 0.89%, 0.45%

LAB 40.21, 32.16, -72.64

 

CMYK 0 / 94 / 43 / 15

HEX #D80D7C

RGB 216 13 124

HSL 327.19, 0.89%, 0.45%

LAB 47.42, 74.84, -5.34

 

CMYK 0 / 5 / 94 / 15

HEX #D8CE0C

RGB 216 206 12

HSL 57.06, 0.89%, 0.45%

LAB 81.16, -13.96, 80.3

 

CMYK 94 / 0 / 52 / 15

HEX #0CD868

RGB 12 216 104

HSL 147.06, 0.89%, 0.45%

LAB 76.19, -67.83, 42.75

 

CMYK 94 / 90 / 0 / 15

HEX #0C16D8

RGB 12 22 216

HSL 237.06, 0.89%, 0.45%

LAB 28.41, 65.1, -92.16

 

Description

Color code: RGB 216 13 124 | qconv.com Color code: RGB 216 13 124 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 13 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 13 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 43 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 43% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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