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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 97 11 it is the complementary color RGB 40 158 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 97 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 97 11 shade: RGB 220 97 6, RGB 237 115 25, RGB 254 133 44, RGB 255 151 63 and RGB 255 169 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 97 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 97 11 shade: RGB 215 97 11, RGB 198 79 0, RGB 181 61 0, RGB 164 43 0 and RGB 147 25 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 97 11 shade: RGB 213 96 11, RGB 213 41 11 and RGB 213 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 97 11 shade: RGB 213 96 11, RGB 213 150 11, RGB 213 205 11, RGB 166 213 11 and RGB 112 213 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 97 11 shade matches the following richer shades: RGB 213 96 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 97 11 shade: RGB 213 96 11, RGB 195 99 29, RGB 176 102 47, RGB 158 104 65 and RGB 140 107 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 97 11 shade: RGB 213 11 34, RGB 213 41 11, RGB 213 95 11, RGB 213 149 11 and RGB 213 203 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 97 11 shade: RGB 134 60 7, RGB 173 78 9, RGB 213 96 11, RGB 242 115 22 and RGB 244 139 62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 97 11 shade: RGB 215 97 11, RGB 88 213 11 and RGB 14 11 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 97 11 shade: RGB 215 97 11, RGB 11 213 95 and RGB 95 11 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 97 11 shade: RGB 215 97 11, RGB 88 213 11, RGB 11 129 213 and RGB 135 11 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 97 11 shade: RGB 215 97 11, RGB 28 213 11, RGB 11 129 213 and RGB 196 11 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 95 / 16

HEX #D7610B

RGB 215 97 11

HSL 25.29, 0.9%, 0.44%

LAB 55.09, 42.7, 61.8

 

Complementary color

CMYK 84 / 35 / 0 / 4

HEX #289EF4

RGB 40 158 244

HSL 205.29, 0.9%, 0.56%

LAB 62.87, -1.71, -51.78

 

CMYK 0 / 56 / 97 / 14

HEX #DC6106

RGB 220 97 6

HSL 25.51, 0.95%, 0.44%

LAB 55.87, 44.56, 63.64

 

CMYK 0 / 51 / 89 / 7

HEX #ED7319

RGB 237 115 25

HSL 25.47, 0.85%, 0.51%

LAB 61.94, 42.54, 64.72

 

CMYK 0 / 48 / 83 / 0

HEX #FE852C

RGB 254 133 44

HSL 25.43, 0.99%, 0.58%

LAB 68.04, 40.61, 64.39

 

CMYK 0 / 41 / 75 / 0

HEX #FF973F

RGB 255 151 63

HSL 27.5, 1%, 0.62%

LAB 72.06, 32.49, 60.58

 

CMYK 0 / 34 / 68 / 0

HEX #FFA952

RGB 255 169 82

HSL 30.17, 1%, 0.66%

LAB 76.22, 24.03, 56.45

 

CMYK 0 / 55 / 95 / 16

HEX #D7610B

RGB 215 97 11

HSL 25.29, 0.9%, 0.44%

LAB 55.09, 42.7, 61.8

 

CMYK 0 / 60 / 100 / 22

HEX #C64F00

RGB 198 79 0

HSL 23.94, 1%, 0.39%

LAB 49, 44.74, 59.12

 

CMYK 0 / 66 / 100 / 29

HEX #B53D00

RGB 181 61 0

HSL 20.22, 1%, 0.35%

LAB 43.01, 46.61, 54.35

 

CMYK 0 / 74 / 100 / 36

HEX #A42B00

RGB 164 43 0

HSL 15.73, 1%, 0.32%

LAB 37.15, 47.97, 49.7

 

CMYK 0 / 83 / 100 / 42

HEX #931900

RGB 147 25 0

HSL 10.2, 1%, 0.29%

LAB 31.57, 48.39, 44.73

 

CMYK 0 / 55 / 95 / 16

HEX #D5600B

RGB 213 96 11

HSL 25.25, 0.9%, 0.44%

LAB 54.59, 42.41, 61.33

 

CMYK 0 / 81 / 95 / 16

HEX #D5290B

RGB 213 41 11

HSL 8.91, 0.9%, 0.44%

LAB 46.65, 63.8, 56.45

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 55 / 95 / 16

HEX #D5600B

RGB 213 96 11

HSL 25.25, 0.9%, 0.44%

LAB 54.59, 42.41, 61.33

 

CMYK 0 / 30 / 95 / 16

HEX #D5960B

RGB 213 150 11

HSL 41.29, 0.9%, 0.44%

LAB 66.51, 14.02, 69.52

 

CMYK 0 / 4 / 95 / 16

HEX #D5CD0B

RGB 213 205 11

HSL 57.62, 0.9%, 0.44%

LAB 80.65, -14.75, 79.9

 

CMYK 22 / 0 / 95 / 16

HEX #A6D50B

RGB 166 213 11

HSL 73.96, 0.9%, 0.44%

LAB 79.45, -38.06, 77.5

 

CMYK 47 / 0 / 95 / 16

HEX #70D50B

RGB 112 213 11

HSL 90, 0.9%, 0.44%

LAB 76.71, -57.18, 74.17

 

CMYK 0 / 55 / 95 / 16

HEX #D5600B

RGB 213 96 11

HSL 25.25, 0.9%, 0.44%

LAB 54.59, 42.41, 61.33

 

CMYK 0 / 55 / 95 / 16

HEX #D5600B

RGB 213 96 11

HSL 25.25, 0.9%, 0.44%

LAB 54.59, 42.41, 61.33

 

CMYK 0 / 49 / 85 / 24

HEX #C3631D

RGB 195 99 29

HSL 25.3, 0.74%, 0.44%

LAB 52.52, 34.08, 53.32

 

CMYK 0 / 42 / 73 / 31

HEX #B0662F

RGB 176 102 47

HSL 25.58, 0.58%, 0.44%

LAB 50.61, 25.21, 42.65

 

CMYK 0 / 34 / 59 / 38

HEX #9E6841

RGB 158 104 65

HSL 25.16, 0.42%, 0.44%

LAB 48.95, 17.47, 30.6

 

CMYK 0 / 24 / 41 / 45

HEX #8C6B53

RGB 140 107 83

HSL 25.26, 0.26%, 0.44%

LAB 47.9, 9.75, 18.51

 

CMYK 0 / 95 / 84 / 16

HEX #D50B22

RGB 213 11 34

HSL 353.17, 0.9%, 0.44%

LAB 44.94, 69.41, 45.73

 

CMYK 0 / 81 / 95 / 16

HEX #D5290B

RGB 213 41 11

HSL 8.91, 0.9%, 0.44%

LAB 46.65, 63.8, 56.45

 

CMYK 0 / 55 / 95 / 16

HEX #D55F0B

RGB 213 95 11

HSL 24.95, 0.9%, 0.44%

LAB 54.4, 42.9, 61.2

 

CMYK 0 / 30 / 95 / 16

HEX #D5950B

RGB 213 149 11

HSL 40.99, 0.9%, 0.44%

LAB 66.26, 14.56, 69.34

 

CMYK 0 / 5 / 95 / 16

HEX #D5CB0B

RGB 213 203 11

HSL 57.03, 0.9%, 0.44%

LAB 80.11, -13.75, 79.5

 

CMYK 0 / 55 / 95 / 47

HEX #863C07

RGB 134 60 7

HSL 25.04, 0.9%, 0.28%

LAB 34.63, 28.96, 42.78

 

CMYK 0 / 55 / 95 / 32

HEX #AD4E09

RGB 173 78 9

HSL 25.24, 0.9%, 0.36%

LAB 44.73, 35.64, 52.17

 

CMYK 0 / 55 / 95 / 16

HEX #D5600B

RGB 213 96 11

HSL 25.25, 0.9%, 0.44%

LAB 54.59, 42.41, 61.33

 

CMYK 0 / 52 / 91 / 5

HEX #F27316

RGB 242 115 22

HSL 25.36, 0.89%, 0.52%

LAB 62.67, 44.41, 66.39

 

CMYK 0 / 43 / 75 / 4

HEX #F48B3E

RGB 244 139 62

HSL 25.38, 0.89%, 0.6%

LAB 68.05, 34.23, 56.52

 

CMYK 0 / 55 / 95 / 16

HEX #D7610B

RGB 215 97 11

HSL 25.29, 0.9%, 0.44%

LAB 55.09, 42.7, 61.8

 

CMYK 59 / 0 / 95 / 16

HEX #58D50B

RGB 88 213 11

HSL 97.13, 0.9%, 0.44%

LAB 75.88, -63.81, 73.14

 

CMYK 93 / 95 / 0 / 16

HEX #0E0BD5

RGB 14 11 213

HSL 240.89, 0.9%, 0.44%

LAB 27.12, 67.11, -92.57

 

CMYK 0 / 55 / 95 / 16

HEX #D7610B

RGB 215 97 11

HSL 25.29, 0.9%, 0.44%

LAB 55.09, 42.7, 61.8

 

CMYK 95 / 0 / 55 / 16

HEX #0BD55F

RGB 11 213 95

HSL 144.95, 0.9%, 0.44%

LAB 75.13, -68.24, 45.72

 

CMYK 55 / 95 / 0 / 16

HEX #5F0BD5

RGB 95 11 213

HSL 264.95, 0.9%, 0.44%

LAB 32.87, 70.24, -82.85

 

CMYK 0 / 55 / 95 / 16

HEX #D7610B

RGB 215 97 11

HSL 25.29, 0.9%, 0.44%

LAB 55.09, 42.7, 61.8

 

CMYK 59 / 0 / 95 / 16

HEX #58D50B

RGB 88 213 11

HSL 97.13, 0.9%, 0.44%

LAB 75.88, -63.81, 73.14

 

CMYK 95 / 39 / 0 / 16

HEX #0B81D5

RGB 11 129 213

HSL 204.95, 0.9%, 0.44%

LAB 52.48, 2.21, -51.08

 

CMYK 37 / 95 / 0 / 16

HEX #870BD5

RGB 135 11 213

HSL 276.83, 0.9%, 0.44%

LAB 38.19, 73.99, -73.89

 

CMYK 0 / 55 / 95 / 16

HEX #D7610B

RGB 215 97 11

HSL 25.29, 0.9%, 0.44%

LAB 55.09, 42.7, 61.8

 

CMYK 87 / 0 / 95 / 16

HEX #1CD50B

RGB 28 213 11

HSL 114.95, 0.9%, 0.44%

LAB 74.74, -73.62, 71.74

 

CMYK 95 / 39 / 0 / 16

HEX #0B81D5

RGB 11 129 213

HSL 204.95, 0.9%, 0.44%

LAB 52.48, 2.21, -51.08

 

CMYK 8 / 95 / 0 / 16

HEX #C40BD5

RGB 196 11 213

HSL 294.95, 0.9%, 0.44%

LAB 47.98, 82.24, -57.53

 

Description

Color code: RGB 215 97 11 | qconv.com Color code: RGB 215 97 11 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 97 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 97 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 95 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 95% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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