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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 93 112 it is the complementary color RGB 40 162 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 93 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 93 112 shade: RGB 220 93 107, RGB 237 111 126, RGB 254 129 145, RGB 255 147 164 and RGB 255 165 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 93 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 93 112 shade: RGB 215 93 112, RGB 198 75 93, RGB 181 57 74, RGB 164 39 55 and RGB 147 21 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 93 112 shade: RGB 214 91 110 and RGB 214 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 93 112 shade: RGB 214 91 110, RGB 214 91 143, RGB 214 91 176, RGB 214 91 209 and RGB 185 91 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 93 112 shade matches the following richer shades: RGB 214 91 110, RGB 230 75 99 and RGB 247 58 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 93 112 shade: RGB 214 91 110, RGB 197 108 122, RGB 181 124 133, RGB 164 141 144 and RGB 148 157 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 93 112 shade: RGB 214 91 177, RGB 214 91 144, RGB 214 91 112, RGB 214 104 91 and RGB 214 136 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 93 112 shade: RGB 178 44 65, RGB 205 58 81, RGB 214 91 110, RGB 222 124 140 and RGB 230 157 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 93 112 shade: RGB 215 93 112, RGB 210 214 91 and RGB 91 161 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 93 112 shade: RGB 215 93 112, RGB 112 214 91 and RGB 91 112 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 93 112 shade: RGB 215 93 112, RGB 210 214 91, RGB 91 214 193 and RGB 95 91 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 93 112 shade: RGB 215 93 112, RGB 173 214 91, RGB 91 214 193 and RGB 132 91 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 48 / 16

HEX #D75D70

RGB 215 93 112

HSL 350.66, 0.6%, 0.6%

LAB 55.53, 49.6, 13.52

 

Complementary color

CMYK 75 / 0 / 12 / 36

HEX #28A28F

RGB 40 162 143

HSL 170.66, 0.6%, 0.4%

LAB 60.14, -37.09, 0.47

 

CMYK 0 / 58 / 51 / 14

HEX #DC5D6B

RGB 220 93 107

HSL 353.39, 0.64%, 0.61%

LAB 56.19, 50.86, 17.5

 

CMYK 0 / 53 / 47 / 7

HEX #ED6F7E

RGB 237 111 126

HSL 352.86, 0.78%, 0.68%

LAB 62.41, 49.93, 15.45

 

CMYK 0 / 49 / 43 / 0

HEX #FE8191

RGB 254 129 145

HSL 352.32, 0.98%, 0.75%

LAB 68.62, 48.96, 13.7

 

CMYK 0 / 42 / 36 / 0

HEX #FF93A4

RGB 255 147 164

HSL 350.56, 1%, 0.79%

LAB 72.77, 42.4, 8.98

 

CMYK 0 / 35 / 28 / 0

HEX #FFA5B7

RGB 255 165 183

HSL 348, 1%, 0.82%

LAB 77.03, 35.5, 4.65

 

CMYK 0 / 57 / 48 / 16

HEX #D75D70

RGB 215 93 112

HSL 350.66, 0.6%, 0.6%

LAB 55.53, 49.6, 13.52

 

CMYK 0 / 62 / 53 / 22

HEX #C64B5D

RGB 198 75 93

HSL 351.22, 0.52%, 0.54%

LAB 49.29, 50.41, 15.8

 

CMYK 0 / 69 / 59 / 29

HEX #B5394A

RGB 181 57 74

HSL 351.77, 0.52%, 0.47%

LAB 43.13, 50.98, 18.57

 

CMYK 0 / 76 / 66 / 36

HEX #A42737

RGB 164 39 55

HSL 352.32, 0.62%, 0.4%

LAB 37.15, 51.09, 22.03

 

CMYK 0 / 86 / 76 / 42

HEX #931524

RGB 147 21 36

HSL 352.86, 0.75%, 0.33%

LAB 31.5, 50.33, 26.38

 

CMYK 0 / 57 / 49 / 16

HEX #D65B6E

RGB 214 91 110

HSL 350.73, 0.6%, 0.6%

LAB 54.97, 50.01, 13.91

 

CMYK 0 / 57 / 57 / 16

HEX #D65B5B

RGB 214 91 91

HSL 0, 0.6%, 0.6%

LAB 54.59, 48.44, 24.53

 

CMYK 0 / 57 / 49 / 16

HEX #D65B6E

RGB 214 91 110

HSL 350.73, 0.6%, 0.6%

LAB 54.97, 50.01, 13.91

 

CMYK 0 / 57 / 33 / 16

HEX #D65B8F

RGB 214 91 143

HSL 334.63, 0.6%, 0.6%

LAB 55.85, 53.51, -4.29

 

CMYK 0 / 57 / 18 / 16

HEX #D65BB0

RGB 214 91 176

HSL 318.54, 0.6%, 0.6%

LAB 56.99, 57.91, -21.81

 

CMYK 0 / 57 / 2 / 16

HEX #D65BD1

RGB 214 91 209

HSL 302.44, 0.6%, 0.6%

LAB 58.4, 63.1, -38.52

 

CMYK 14 / 57 / 0 / 16

HEX #B95BD6

RGB 185 91 214

HSL 285.85, 0.6%, 0.6%

LAB 54.71, 56.59, -47.43

 

CMYK 0 / 57 / 49 / 16

HEX #D65B6E

RGB 214 91 110

HSL 350.73, 0.6%, 0.6%

LAB 54.97, 50.01, 13.91

 

CMYK 0 / 67 / 57 / 10

HEX #E64B63

RGB 230 75 99

HSL 350.71, 0.76%, 0.6%

LAB 54.82, 61.14, 20.62

 

CMYK 0 / 77 / 64 / 3

HEX #F73A58

RGB 247 58 88

HSL 350.48, 0.92%, 0.6%

LAB 55.59, 71.15, 28.68

 

CMYK 0 / 57 / 49 / 16

HEX #D65B6E

RGB 214 91 110

HSL 350.73, 0.6%, 0.6%

LAB 54.97, 50.01, 13.91

 

CMYK 0 / 45 / 38 / 23

HEX #C56C7A

RGB 197 108 122

HSL 350.56, 0.43%, 0.6%

LAB 56.09, 36.75, 8.07

 

CMYK 0 / 31 / 27 / 29

HEX #B57C85

RGB 181 124 133

HSL 350.53, 0.28%, 0.6%

LAB 57.97, 23.45, 4.12

 

CMYK 0 / 14 / 12 / 36

HEX #A48D90

RGB 164 141 144

HSL 352.17, 0.11%, 0.6%

LAB 60.74, 9.15, 1.6

 

CMYK 6 / 0 / 1 / 38

HEX #949D9C

RGB 148 157 156

HSL 173.33, 0.04%, 0.6%

LAB 64.01, -3.4, -0.6

 

CMYK 0 / 57 / 17 / 16

HEX #D65BB1

RGB 214 91 177

HSL 318.05, 0.6%, 0.6%

LAB 57.03, 58.06, -22.32

 

CMYK 0 / 57 / 33 / 16

HEX #D65B90

RGB 214 91 144

HSL 334.15, 0.6%, 0.6%

LAB 55.88, 53.63, -4.83

 

CMYK 0 / 57 / 48 / 16

HEX #D65B70

RGB 214 91 112

HSL 349.76, 0.6%, 0.6%

LAB 55.02, 50.2, 12.79

 

CMYK 0 / 51 / 57 / 16

HEX #D6685B

RGB 214 104 91

HSL 6.34, 0.6%, 0.6%

LAB 57.03, 42.13, 27.7

 

CMYK 0 / 36 / 57 / 16

HEX #D6885B

RGB 214 136 91

HSL 21.95, 0.6%, 0.6%

LAB 63.88, 25.38, 36.36

 

CMYK 0 / 75 / 63 / 30

HEX #B22C41

RGB 178 44 65

HSL 350.6, 0.6%, 0.44%

LAB 40.65, 54.27, 20.8

 

CMYK 0 / 72 / 60 / 20

HEX #CD3A51

RGB 205 58 81

HSL 350.61, 0.6%, 0.52%

LAB 47.75, 58.6, 21.2

 

CMYK 0 / 57 / 49 / 16

HEX #D65B6E

RGB 214 91 110

HSL 350.73, 0.6%, 0.6%

LAB 54.97, 50.01, 13.91

 

CMYK 0 / 44 / 37 / 13

HEX #DE7C8C

RGB 222 124 140

HSL 350.2, 0.6%, 0.68%

LAB 63.21, 39.62, 8.27

 

CMYK 0 / 32 / 27 / 10

HEX #E69DA9

RGB 230 157 169

HSL 350.14, 0.59%, 0.76%

LAB 72.1, 28.83, 4.86

 

CMYK 0 / 57 / 48 / 16

HEX #D75D70

RGB 215 93 112

HSL 350.66, 0.6%, 0.6%

LAB 55.53, 49.6, 13.52

 

CMYK 2 / 0 / 57 / 16

HEX #D2D65B

RGB 210 214 91

HSL 61.95, 0.6%, 0.6%

LAB 83.21, -17.33, 58.88

 

CMYK 57 / 25 / 0 / 16

HEX #5BA1D6

RGB 91 161 214

HSL 205.85, 0.6%, 0.6%

LAB 63.81, -6.64, -33.66

 

CMYK 0 / 57 / 48 / 16

HEX #D75D70

RGB 215 93 112

HSL 350.66, 0.6%, 0.6%

LAB 55.53, 49.6, 13.52

 

CMYK 48 / 0 / 57 / 16

HEX #70D65B

RGB 112 214 91

HSL 109.76, 0.6%, 0.6%

LAB 77.46, -52.77, 50.81

 

CMYK 57 / 48 / 0 / 16

HEX #5B70D6

RGB 91 112 214

HSL 229.76, 0.6%, 0.6%

LAB 50.3, 22.38, -55

 

CMYK 0 / 57 / 48 / 16

HEX #D75D70

RGB 215 93 112

HSL 350.66, 0.6%, 0.6%

LAB 55.53, 49.6, 13.52

 

CMYK 2 / 0 / 57 / 16

HEX #D2D65B

RGB 210 214 91

HSL 61.95, 0.6%, 0.6%

LAB 83.21, -17.33, 58.88

 

CMYK 57 / 0 / 10 / 16

HEX #5BD6C1

RGB 91 214 193

HSL 169.76, 0.6%, 0.6%

LAB 78.56, -39.28, 0.07

 

CMYK 56 / 57 / 0 / 16

HEX #5F5BD6

RGB 95 91 214

HSL 241.95, 0.6%, 0.6%

LAB 45.32, 36.03, -63.01

 

CMYK 0 / 57 / 48 / 16

HEX #D75D70

RGB 215 93 112

HSL 350.66, 0.6%, 0.6%

LAB 55.53, 49.6, 13.52

 

CMYK 19 / 0 / 57 / 16

HEX #ADD65B

RGB 173 214 91

HSL 80, 0.6%, 0.6%

LAB 80.59, -32, 55.23

 

CMYK 57 / 0 / 10 / 16

HEX #5BD6C1

RGB 91 214 193

HSL 169.76, 0.6%, 0.6%

LAB 78.56, -39.28, 0.07

 

CMYK 38 / 57 / 0 / 16

HEX #845BD6

RGB 132 91 214

HSL 260, 0.6%, 0.6%

LAB 48.56, 43.74, -57.61

 

Description

Color code: RGB 215 93 112 | qconv.com Color code: RGB 215 93 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 93 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 93 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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