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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 70 245 it is the complementary color RGB 40 185 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 70 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 70 245 shade: RGB 220 70 240, RGB 237 88 255, RGB 254 106 255, RGB 255 124 255 and RGB 255 142 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 70 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 70 245 shade: RGB 215 70 245, RGB 198 52 226, RGB 181 34 207, RGB 164 16 188 and RGB 147 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 70 245 shade: RGB 215 70 245, RGB 245 70 228, RGB 245 70 181, RGB 245 70 134 and RGB 245 70 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 70 245 shade: RGB 215 70 245, RGB 168 70 245, RGB 121 70 245, RGB 74 70 245 and RGB 70 70 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 70 245 shade matches the following richer shades: RGB 215 70 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 70 245 shade: RGB 215 70 245, RGB 205 86 229, RGB 194 102 213, RGB 184 117 198 and RGB 174 133 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 70 245 shade: RGB 120 70 245, RGB 166 70 245, RGB 213 70 245, RGB 245 70 230 and RGB 245 70 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 70 245 shade: RGB 185 11 221, RGB 206 31 243, RGB 215 70 245, RGB 223 110 247 and RGB 232 149 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 70 245 shade: RGB 215 70 245, RGB 245 73 70 and RGB 70 245 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 70 245 shade: RGB 215 70 245, RGB 245 213 70 and RGB 70 245 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 70 245 shade: RGB 215 70 245, RGB 245 73 70, RGB 102 245 70 and RGB 70 242 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 70 245 shade: RGB 215 70 245, RGB 245 126 70, RGB 102 245 70 and RGB 70 190 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

Complementary color

CMYK 78 / 0 / 95 / 27

HEX #28B90A

RGB 40 185 10

HSL 109.71, 0.9%, 0.38%

LAB 65.88, -64.33, 64.6

 

CMYK 8 / 71 / 0 / 6

HEX #DC46F0

RGB 220 70 240

HSL 292.94, 0.85%, 0.61%

LAB 57.93, 77.94, -56.64

 

CMYK 7 / 65 / 0 / 0

HEX #ED58FF

RGB 237 88 255

HSL 293.53, 1%, 0.67%

LAB 63.51, 77.6, -55.91

 

CMYK 0 / 58 / 0 / 0

HEX #FE6AFF

RGB 254 106 255

HSL 299.6, 1%, 0.71%

LAB 68.46, 74.37, -47.93

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 12 / 77 / 0 / 11

HEX #C634E2

RGB 198 52 226

HSL 290.34, 0.75%, 0.55%

LAB 51.78, 76.96, -58.8

 

CMYK 13 / 84 / 0 / 19

HEX #B522CF

RGB 181 34 207

HSL 290.98, 0.72%, 0.47%

LAB 46.28, 75.34, -56.95

 

CMYK 13 / 91 / 0 / 26

HEX #A410BC

RGB 164 16 188

HSL 291.63, 0.84%, 0.4%

LAB 41.05, 72.63, -54.47

 

CMYK 13 / 100 / 0 / 34

HEX #9300A9

RGB 147 0 169

HSL 292.19, 1%, 0.33%

LAB 36.11, 68.72, -51.3

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 0 / 71 / 7 / 4

HEX #F546E4

RGB 245 70 228

HSL 305.83, 0.9%, 0.62%

LAB 61.13, 81.28, -44.61

 

CMYK 0 / 71 / 26 / 4

HEX #F546B5

RGB 245 70 181

HSL 321.94, 0.9%, 0.62%

LAB 59.09, 75.01, -21.05

 

CMYK 0 / 71 / 45 / 4

HEX #F54686

RGB 245 70 134

HSL 338.06, 0.9%, 0.62%

LAB 57.57, 70.1, 4.13

 

CMYK 0 / 71 / 64 / 4

HEX #F54657

RGB 245 70 87

HSL 354.17, 0.9%, 0.62%

LAB 56.57, 66.74, 30.43

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 31 / 71 / 0 / 4

HEX #A846F5

RGB 168 70 245

HSL 273.6, 0.9%, 0.62%

LAB 51.03, 68.83, -70.92

 

CMYK 51 / 71 / 0 / 4

HEX #7946F5

RGB 121 70 245

HSL 257.49, 0.9%, 0.62%

LAB 45.69, 60.99, -79.86

 

CMYK 70 / 71 / 0 / 4

HEX #4A46F5

RGB 74 70 245

HSL 241.37, 0.9%, 0.62%

LAB 41.89, 55.11, -86.24

 

CMYK 71 / 71 / 0 / 4

HEX #4646F5

RGB 70 70 245

HSL 240, 0.9%, 0.62%

LAB 41.65, 54.72, -86.64

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 10 / 62 / 0 / 10

HEX #CD56E5

RGB 205 86 229

HSL 289.93, 0.73%, 0.62%

LAB 57.36, 66.58, -51.52

 

CMYK 9 / 52 / 0 / 16

HEX #C266D5

RGB 194 102 213

HSL 289.73, 0.57%, 0.62%

LAB 57.82, 53.37, -41.87

 

CMYK 7 / 41 / 0 / 22

HEX #B875C6

RGB 184 117 198

HSL 289.63, 0.42%, 0.62%

LAB 58.97, 39.71, -31.68

 

CMYK 4 / 27 / 0 / 29

HEX #AE85B6

RGB 174 133 182

HSL 290.2, 0.25%, 0.62%

LAB 60.91, 24.4, -19.68

 

CMYK 51 / 71 / 0 / 4

HEX #7846F5

RGB 120 70 245

HSL 257.14, 0.9%, 0.62%

LAB 45.59, 60.84, -80.03

 

CMYK 32 / 71 / 0 / 4

HEX #A646F5

RGB 166 70 245

HSL 272.91, 0.9%, 0.62%

LAB 50.78, 68.47, -71.34

 

CMYK 13 / 71 / 0 / 4

HEX #D546F5

RGB 213 70 245

HSL 289.03, 0.9%, 0.62%

LAB 57.19, 77.4, -60.67

 

CMYK 0 / 71 / 6 / 4

HEX #F546E6

RGB 245 70 230

HSL 305.14, 0.9%, 0.62%

LAB 61.23, 81.58, -45.58

 

CMYK 0 / 71 / 25 / 4

HEX #F546B8

RGB 245 70 184

HSL 320.91, 0.9%, 0.62%

LAB 59.21, 75.37, -22.6

 

CMYK 16 / 95 / 0 / 13

HEX #B90BDD

RGB 185 11 221

HSL 289.71, 0.91%, 0.45%

LAB 46.68, 81.9, -64.31

 

CMYK 15 / 87 / 0 / 5

HEX #CE1FF3

RGB 206 31 243

HSL 289.53, 0.9%, 0.54%

LAB 52.48, 86.04, -67.2

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 10 / 55 / 0 / 3

HEX #DF6EF7

RGB 223 110 247

HSL 289.49, 0.9%, 0.7%

LAB 64.61, 63.57, -49.89

 

CMYK 7 / 40 / 0 / 2

HEX #E895F9

RGB 232 149 249

HSL 289.8, 0.89%, 0.78%

LAB 73.21, 47.04, -37.42

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 0 / 70 / 71 / 4

HEX #F54946

RGB 245 73 70

HSL 1.03, 0.9%, 0.62%

LAB 56.7, 64.86, 40.28

 

CMYK 71 / 0 / 42 / 4

HEX #46F58F

RGB 70 245 143

HSL 145.03, 0.9%, 0.62%

LAB 86.3, -65.83, 36.68

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 0 / 13 / 71 / 4

HEX #F5D546

RGB 245 213 70

HSL 49.03, 0.9%, 0.62%

LAB 85.73, -3.56, 70.93

 

CMYK 71 / 0 / 13 / 4

HEX #46F5D5

RGB 70 245 213

HSL 169.03, 0.9%, 0.62%

LAB 87.68, -51, 2.73

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 0 / 70 / 71 / 4

HEX #F54946

RGB 245 73 70

HSL 1.03, 0.9%, 0.62%

LAB 56.7, 64.86, 40.28

 

CMYK 58 / 0 / 71 / 4

HEX #66F546

RGB 102 245 70

HSL 109.03, 0.9%, 0.62%

LAB 86.29, -68.61, 68.75

 

CMYK 71 / 1 / 0 / 4

HEX #46F2F5

RGB 70 242 245

HSL 181.03, 0.9%, 0.62%

LAB 87.68, -41.23, -14.01

 

CMYK 12 / 71 / 0 / 4

HEX #D746F5

RGB 215 70 245

HSL 289.71, 0.9%, 0.62%

LAB 57.48, 77.8, -60.19

 

CMYK 0 / 49 / 71 / 4

HEX #F57E46

RGB 245 126 70

HSL 19.2, 0.9%, 0.62%

LAB 65.57, 41.58, 50.2

 

CMYK 58 / 0 / 71 / 4

HEX #66F546

RGB 102 245 70

HSL 109.03, 0.9%, 0.62%

LAB 86.29, -68.61, 68.75

 

CMYK 71 / 22 / 0 / 4

HEX #46BEF5

RGB 70 190 245

HSL 198.86, 0.9%, 0.62%

LAB 72.71, -15.9, -36.85

 

Description

Color code: RGB 215 70 245 | qconv.com Color code: RGB 215 70 245 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 70 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 70 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 71 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 71% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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