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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 56 234 it is the complementary color RGB 40 199 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 56 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 56 234 shade: RGB 220 56 229, RGB 237 74 248, RGB 254 92 255, RGB 255 110 255 and RGB 255 128 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 56 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 56 234 shade: RGB 215 56 234, RGB 198 38 215, RGB 181 20 196, RGB 164 2 177 and RGB 147 0 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 56 234 shade: RGB 215 56 234, RGB 234 56 205, RGB 234 56 157, RGB 234 56 109 and RGB 234 56 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 56 234 shade: RGB 215 56 234, RGB 167 56 234, RGB 119 56 234, RGB 71 56 234 and RGB 56 56 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 56 234 shade matches the following richer shades: RGB 215 56 234 and RGB 229 38 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 56 234 shade: RGB 215 56 234, RGB 201 74 216, RGB 187 92 198, RGB 173 109 180 and RGB 159 127 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 56 234 shade: RGB 118 56 234, RGB 166 56 234, RGB 213 56 234, RGB 234 56 207 and RGB 234 56 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 56 234 shade: RGB 170 19 188, RGB 204 23 225, RGB 215 56 234, RGB 222 93 238 and RGB 230 131 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 56 234 shade: RGB 215 56 234, RGB 234 71 56 and RGB 56 234 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 56 234 shade: RGB 215 56 234, RGB 234 213 56 and RGB 56 234 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 56 234 shade: RGB 215 56 234, RGB 234 71 56, RGB 77 234 56 and RGB 56 219 234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 56 234 shade: RGB 215 56 234, RGB 234 124 56, RGB 77 234 56 and RGB 56 166 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

Complementary color

CMYK 80 / 0 / 89 / 22

HEX #28C715

RGB 40 199 21

HSL 113.6, 0.81%, 0.43%

LAB 70.42, -68.17, 66.8

 

CMYK 4 / 76 / 0 / 10

HEX #DC38E5

RGB 220 56 229

HSL 296.88, 0.77%, 0.56%

LAB 55.79, 80.48, -53.89

 

CMYK 4 / 70 / 0 / 3

HEX #ED4AF8

RGB 237 74 248

HSL 296.21, 0.93%, 0.63%

LAB 61.38, 81.4, -55.44

 

CMYK 0 / 64 / 0 / 0

HEX #FE5CFF

RGB 254 92 255

HSL 299.63, 1%, 0.68%

LAB 66.48, 79.87, -51.05

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 8 / 82 / 0 / 16

HEX #C626D7

RGB 198 38 215

HSL 294.24, 0.7%, 0.5%

LAB 49.86, 78.73, -55.64

 

CMYK 8 / 90 / 0 / 23

HEX #B514C4

RGB 181 20 196

HSL 294.89, 0.81%, 0.42%

LAB 44.67, 76.12, -53.15

 

CMYK 7 / 99 / 0 / 31

HEX #A402B1

RGB 164 2 177

HSL 295.54, 0.98%, 0.35%

LAB 39.77, 72.41, -50.03

 

CMYK 7 / 100 / 0 / 38

HEX #93009E

RGB 147 0 158

HSL 295.82, 1%, 0.31%

LAB 35.34, 66.9, -45.9

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 0 / 76 / 12 / 8

HEX #EA38CD

RGB 234 56 205

HSL 309.78, 0.81%, 0.57%

LAB 56.81, 79.76, -38.51

 

CMYK 0 / 76 / 33 / 8

HEX #EA389D

RGB 234 56 157

HSL 325.96, 0.81%, 0.57%

LAB 54.82, 73.86, -13.73

 

CMYK 0 / 76 / 53 / 8

HEX #EA386D

RGB 234 56 109

HSL 342.13, 0.81%, 0.57%

LAB 53.41, 69.5, 12.84

 

CMYK 0 / 76 / 74 / 8

HEX #EA383D

RGB 234 56 61

HSL 358.31, 0.81%, 0.57%

LAB 52.57, 66.82, 40.08

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 29 / 76 / 0 / 8

HEX #A738EA

RGB 167 56 234

HSL 277.42, 0.81%, 0.57%

LAB 48.24, 71.67, -69.28

 

CMYK 49 / 76 / 0 / 8

HEX #7738EA

RGB 119 56 234

HSL 261.24, 0.81%, 0.57%

LAB 42.29, 64.21, -79.23

 

CMYK 70 / 76 / 0 / 8

HEX #4738EA

RGB 71 56 234

HSL 245.06, 0.81%, 0.57%

LAB 38.04, 58.74, -86.4

 

CMYK 76 / 76 / 0 / 8

HEX #3838EA

RGB 56 56 234

HSL 240, 0.81%, 0.57%

LAB 37.13, 57.56, -87.92

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 9 / 85 / 0 / 2

HEX #E526FB

RGB 229 38 251

HSL 293.8, 0.96%, 0.57%

LAB 57.08, 89.73, -64.05

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 7 / 66 / 0 / 15

HEX #C94AD8

RGB 201 74 216

HSL 293.66, 0.65%, 0.57%

LAB 54.32, 68.24, -49.06

 

CMYK 6 / 54 / 0 / 22

HEX #BB5CC6

RGB 187 92 198

HSL 293.77, 0.48%, 0.57%

LAB 54.34, 53.53, -38.88

 

CMYK 4 / 39 / 0 / 29

HEX #AD6DB4

RGB 173 109 180

HSL 294.08, 0.32%, 0.57%

LAB 55.19, 37.09, -27.34

 

CMYK 2 / 22 / 0 / 36

HEX #9F7FA3

RGB 159 127 163

HSL 293.33, 0.16%, 0.57%

LAB 57.26, 18.86, -14.51

 

CMYK 50 / 76 / 0 / 8

HEX #7638EA

RGB 118 56 234

HSL 260.9, 0.81%, 0.57%

LAB 42.19, 64.07, -79.42

 

CMYK 29 / 76 / 0 / 8

HEX #A638EA

RGB 166 56 234

HSL 277.08, 0.81%, 0.57%

LAB 48.1, 71.5, -69.51

 

CMYK 9 / 76 / 0 / 8

HEX #D538EA

RGB 213 56 234

HSL 292.92, 0.81%, 0.57%

LAB 54.98, 79.96, -58.05

 

CMYK 0 / 76 / 12 / 8

HEX #EA38CF

RGB 234 56 207

HSL 309.1, 0.81%, 0.57%

LAB 56.91, 80.04, -39.51

 

CMYK 0 / 76 / 32 / 8

HEX #EA38A0

RGB 234 56 160

HSL 324.94, 0.81%, 0.57%

LAB 54.93, 74.18, -15.33

 

CMYK 10 / 90 / 0 / 26

HEX #AA13BC

RGB 170 19 188

HSL 293.61, 0.82%, 0.41%

LAB 42.22, 73.16, -52.52

 

CMYK 9 / 90 / 0 / 12

HEX #CC17E1

RGB 204 23 225

HSL 293.76, 0.81%, 0.49%

LAB 50.55, 84.03, -60.16

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 7 / 61 / 0 / 7

HEX #DE5DEE

RGB 222 93 238

HSL 293.38, 0.81%, 0.65%

LAB 61.25, 69.23, -50.23

 

CMYK 5 / 46 / 0 / 5

HEX #E683F2

RGB 230 131 242

HSL 293.51, 0.81%, 0.73%

LAB 69.09, 54.34, -40.04

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 0 / 70 / 76 / 8

HEX #EA4738

RGB 234 71 56

HSL 5.06, 0.81%, 0.57%

LAB 54.33, 61.61, 44.74

 

CMYK 76 / 0 / 39 / 8

HEX #38EA8E

RGB 56 234 142

HSL 148.99, 0.81%, 0.57%

LAB 82.72, -63.97, 32.43

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 0 / 9 / 76 / 8

HEX #EAD538

RGB 234 213 56

HSL 52.92, 0.81%, 0.57%

LAB 84.67, -8.76, 74.39

 

CMYK 76 / 0 / 9 / 8

HEX #38EAD5

RGB 56 234 213

HSL 172.92, 0.81%, 0.57%

LAB 84.22, -47.96, -2.35

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 0 / 70 / 76 / 8

HEX #EA4738

RGB 234 71 56

HSL 5.06, 0.81%, 0.57%

LAB 54.33, 61.61, 44.74

 

CMYK 67 / 0 / 76 / 8

HEX #4DEA38

RGB 77 234 56

HSL 112.92, 0.81%, 0.57%

LAB 82.22, -71.25, 69.11

 

CMYK 76 / 6 / 0 / 8

HEX #38DBEA

RGB 56 219 234

HSL 185.06, 0.81%, 0.57%

LAB 80.43, -35.37, -19.14

 

CMYK 8 / 76 / 0 / 8

HEX #D738EA

RGB 215 56 234

HSL 293.6, 0.81%, 0.57%

LAB 55.29, 80.33, -57.54

 

CMYK 0 / 47 / 76 / 8

HEX #EA7C38

RGB 234 124 56

HSL 22.92, 0.81%, 0.57%

LAB 63.5, 37.71, 54.19

 

CMYK 67 / 0 / 76 / 8

HEX #4DEA38

RGB 77 234 56

HSL 112.92, 0.81%, 0.57%

LAB 82.22, -71.25, 69.11

 

CMYK 76 / 29 / 0 / 8

HEX #38A6EA

RGB 56 166 234

HSL 202.92, 0.81%, 0.57%

LAB 65.01, -8.28, -42.91

 

Description

Color code: RGB 215 56 234 | qconv.com Color code: RGB 215 56 234 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 56 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 56 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 76 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 76% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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