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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 44 248 it is the complementary color RGB 40 211 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 44 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 44 248 shade: RGB 220 44 243, RGB 237 62 255, RGB 254 80 255, RGB 255 98 255 and RGB 255 116 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 44 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 44 248 shade: RGB 215 44 248, RGB 198 26 229, RGB 181 8 210, RGB 164 0 191 and RGB 147 0 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 44 248 shade: RGB 215 42 248, RGB 248 42 226, RGB 248 42 170, RGB 248 42 115 and RGB 248 42 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 44 248 shade: RGB 215 42 248, RGB 159 42 248, RGB 103 42 248, RGB 48 42 248 and RGB 42 42 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 44 248 shade matches the following richer shades: RGB 215 42 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 44 248 shade: RGB 215 42 248, RGB 203 60 230, RGB 191 77 212, RGB 179 95 195 and RGB 167 113 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 44 248 shade: RGB 104 42 248, RGB 159 42 248, RGB 214 42 248, RGB 248 42 227 and RGB 248 42 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 44 248 shade: RGB 170 6 201, RGB 204 7 241, RGB 215 42 248, RGB 222 82 249 and RGB 230 122 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 44 248 shade: RGB 215 44 248, RGB 248 49 42 and RGB 42 248 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 44 248 shade: RGB 215 44 248, RGB 248 214 42 and RGB 42 248 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 44 248 shade: RGB 215 44 248, RGB 248 49 42, RGB 76 248 42 and RGB 42 241 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 44 248 shade: RGB 215 44 248, RGB 248 110 42, RGB 76 248 42 and RGB 42 179 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 82 / 0 / 3

HEX #D72CF8

RGB 215 44 248

HSL 290.29, 0.94%, 0.57%

LAB 55.1, 85.73, -65.69

 

Complementary color

CMYK 81 / 0 / 97 / 17

HEX #28D307

RGB 40 211 7

HSL 110.29, 0.94%, 0.43%

LAB 74.22, -71.96, 71.77

 

CMYK 9 / 82 / 0 / 5

HEX #DC2CF3

RGB 220 44 243

HSL 293.07, 0.89%, 0.56%

LAB 55.57, 85.75, -62.1

 

CMYK 7 / 76 / 0 / 0

HEX #ED3EFF

RGB 237 62 255

HSL 294.4, 1%, 0.62%

LAB 60.49, 86.2, -60.74

 

CMYK 0 / 69 / 0 / 0

HEX #FE50FF

RGB 254 80 255

HSL 299.66, 1%, 0.66%

LAB 64.98, 84.07, -53.42

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 13 / 82 / 0 / 3

HEX #D72CF8

RGB 215 44 248

HSL 290.29, 0.94%, 0.57%

LAB 55.1, 85.73, -65.69

 

CMYK 14 / 89 / 0 / 10

HEX #C61AE5

RGB 198 26 229

HSL 290.84, 0.8%, 0.5%

LAB 49.98, 83.3, -63.41

 

CMYK 14 / 96 / 0 / 18

HEX #B508D2

RGB 181 8 210

HSL 291.39, 0.93%, 0.43%

LAB 45.15, 79.76, -60.5

 

CMYK 14 / 100 / 0 / 25

HEX #A400BF

RGB 164 0 191

HSL 291.52, 1%, 0.37%

LAB 40.66, 74.9, -56.85

 

CMYK 15 / 100 / 0 / 33

HEX #9300AC

RGB 147 0 172

HSL 291.28, 1%, 0.34%

LAB 36.33, 69.22, -52.74

 

CMYK 13 / 83 / 0 / 3

HEX #D72AF8

RGB 215 42 248

HSL 290.39, 0.94%, 0.57%

LAB 54.95, 86.17, -65.93

 

CMYK 0 / 83 / 9 / 3

HEX #F82AE2

RGB 248 42 226

HSL 306.41, 0.94%, 0.57%

LAB 59.07, 88.66, -46.71

 

CMYK 0 / 83 / 31 / 3

HEX #F82AAA

RGB 248 42 170

HSL 322.72, 0.94%, 0.57%

LAB 56.6, 81.88, -18.42

 

CMYK 0 / 83 / 54 / 3

HEX #F82A73

RGB 248 42 115

HSL 338.74, 0.94%, 0.57%

LAB 54.92, 77.06, 11.73

 

CMYK 0 / 83 / 76 / 3

HEX #F82A3B

RGB 248 42 59

HSL 355.05, 0.94%, 0.57%

LAB 53.95, 74.21, 43.48

 

CMYK 13 / 83 / 0 / 3

HEX #D72AF8

RGB 215 42 248

HSL 290.39, 0.94%, 0.57%

LAB 54.95, 86.17, -65.93

 

CMYK 36 / 83 / 0 / 3

HEX #9F2AF8

RGB 159 42 248

HSL 274.08, 0.94%, 0.57%

LAB 46.72, 77.76, -79.68

 

CMYK 58 / 83 / 0 / 3

HEX #672AF8

RGB 103 42 248

HSL 257.77, 0.94%, 0.57%

LAB 40.11, 71.37, -90.79

 

CMYK 81 / 83 / 0 / 3

HEX #302AF8

RGB 48 42 248

HSL 241.75, 0.94%, 0.57%

LAB 36.1, 67.72, -97.56

 

CMYK 83 / 83 / 0 / 3

HEX #2A2AF8

RGB 42 42 248

HSL 240, 0.94%, 0.57%

LAB 35.84, 67.49, -98

 

CMYK 13 / 83 / 0 / 3

HEX #D72AF8

RGB 215 42 248

HSL 290.39, 0.94%, 0.57%

LAB 54.95, 86.17, -65.93

 

CMYK 13 / 83 / 0 / 3

HEX #D72AF8

RGB 215 42 248

HSL 290.39, 0.94%, 0.57%

LAB 54.95, 86.17, -65.93

 

CMYK 12 / 74 / 0 / 10

HEX #CB3CE6

RGB 203 60 230

HSL 290.47, 0.77%, 0.57%

LAB 53.64, 76.14, -58.04

 

CMYK 10 / 64 / 0 / 17

HEX #BF4DD4

RGB 191 77 212

HSL 290.67, 0.61%, 0.57%

LAB 53.1, 64, -48.8

 

CMYK 8 / 51 / 0 / 24

HEX #B35FC3

RGB 179 95 195

HSL 290.4, 0.45%, 0.57%

LAB 53.72, 49.26, -38.21

 

CMYK 6 / 36 / 0 / 31

HEX #A771B1

RGB 167 113 177

HSL 290.63, 0.29%, 0.57%

LAB 55.28, 32.36, -25.53

 

CMYK 58 / 83 / 0 / 3

HEX #682AF8

RGB 104 42 248

HSL 258.06, 0.94%, 0.57%

LAB 40.21, 71.46, -90.62

 

CMYK 36 / 83 / 0 / 3

HEX #9F2AF8

RGB 159 42 248

HSL 274.08, 0.94%, 0.57%

LAB 46.72, 77.76, -79.68

 

CMYK 14 / 83 / 0 / 3

HEX #D62AF8

RGB 214 42 248

HSL 290.1, 0.94%, 0.57%

LAB 54.79, 86, -66.19

 

CMYK 0 / 83 / 8 / 3

HEX #F82AE3

RGB 248 42 227

HSL 306.12, 0.94%, 0.57%

LAB 59.12, 88.79, -47.19

 

CMYK 0 / 83 / 31 / 3

HEX #F82AAC

RGB 248 42 172

HSL 322.14, 0.94%, 0.57%

LAB 56.67, 82.09, -19.47

 

CMYK 15 / 97 / 0 / 21

HEX #AA06C9

RGB 170 6 201

HSL 290.46, 0.94%, 0.41%

LAB 42.6, 76.84, -59.5

 

CMYK 15 / 97 / 0 / 5

HEX #CC07F1

RGB 204 7 241

HSL 290.51, 0.94%, 0.49%

LAB 51.08, 88.19, -68.35

 

CMYK 13 / 83 / 0 / 3

HEX #D72AF8

RGB 215 42 248

HSL 290.39, 0.94%, 0.57%

LAB 54.95, 86.17, -65.93

 

CMYK 11 / 67 / 0 / 2

HEX #DE52F9

RGB 222 82 249

HSL 290.3, 0.93%, 0.65%

LAB 60.25, 75.6, -57.92

 

CMYK 8 / 51 / 0 / 2

HEX #E67AFA

RGB 230 122 250

HSL 290.63, 0.93%, 0.73%

LAB 67.76, 60.25, -46.51

 

CMYK 13 / 82 / 0 / 3

HEX #D72CF8

RGB 215 44 248

HSL 290.29, 0.94%, 0.57%

LAB 55.1, 85.73, -65.69

 

CMYK 0 / 80 / 83 / 3

HEX #F8312A

RGB 248 49 42

HSL 2.04, 0.94%, 0.57%

LAB 54.37, 72.11, 52.8

 

CMYK 83 / 0 / 47 / 3

HEX #2AF883

RGB 42 248 131

HSL 145.92, 0.94%, 0.57%

LAB 86.64, -72.06, 42.88

 

CMYK 13 / 82 / 0 / 3

HEX #D72CF8

RGB 215 44 248

HSL 290.29, 0.94%, 0.57%

LAB 55.1, 85.73, -65.69

 

CMYK 0 / 14 / 83 / 3

HEX #F8D62A

RGB 248 214 42

HSL 50.1, 0.94%, 0.57%

LAB 86.11, -3.79, 80.1

 

CMYK 83 / 0 / 14 / 3

HEX #2AF8D6

RGB 42 248 214

HSL 170.1, 0.94%, 0.57%

LAB 88.2, -54.71, 2.91

 

CMYK 13 / 82 / 0 / 3

HEX #D72CF8

RGB 215 44 248

HSL 290.29, 0.94%, 0.57%

LAB 55.1, 85.73, -65.69

 

CMYK 0 / 80 / 83 / 3

HEX #F8312A

RGB 248 49 42

HSL 2.04, 0.94%, 0.57%

LAB 54.37, 72.11, 52.8

 

CMYK 69 / 0 / 83 / 3

HEX #4CF82A

RGB 76 248 42

HSL 110.1, 0.94%, 0.57%

LAB 86.42, -76.51, 76.79

 

CMYK 83 / 3 / 0 / 3

HEX #2AF1F8

RGB 42 241 248

HSL 182.04, 0.94%, 0.57%

LAB 87.09, -42.45, -16.51

 

CMYK 13 / 82 / 0 / 3

HEX #D72CF8

RGB 215 44 248

HSL 290.29, 0.94%, 0.57%

LAB 55.1, 85.73, -65.69

 

CMYK 0 / 56 / 83 / 3

HEX #F86E2A

RGB 248 110 42

HSL 19.81, 0.94%, 0.57%

LAB 62.74, 49.45, 60.2

 

CMYK 69 / 0 / 83 / 3

HEX #4CF82A

RGB 76 248 42

HSL 110.1, 0.94%, 0.57%

LAB 86.42, -76.51, 76.79

 

CMYK 83 / 28 / 0 / 3

HEX #2AB3F8

RGB 42 179 248

HSL 200.1, 0.94%, 0.57%

LAB 69.12, -11.89, -44.11

 

Description

Color code: RGB 215 44 248 | qconv.com Color code: RGB 215 44 248 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 44 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 44 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 82 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 82% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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