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Color name
RGB 215 192 147

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 192 147 it is the complementary color RGB 40 63 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 192 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 192 147 shade: RGB 220 192 142, RGB 237 210 161, RGB 254 228 180, RGB 255 246 199 and RGB 255 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 192 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 192 147 shade: RGB 215 192 147, RGB 198 174 128, RGB 181 156 109, RGB 164 138 90 and RGB 147 120 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 192 147 shade: RGB 215 192 147, RGB 215 173 147, RGB 215 155 147 and RGB 215 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 192 147 shade: RGB 215 192 147, RGB 215 210 147, RGB 201 215 147, RGB 183 215 147 and RGB 164 215 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 192 147 shade matches the following richer shades: RGB 215 192 147, RGB 227 195 135, RGB 238 199 123 and RGB 250 203 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 192 147 shade: RGB 215 192 147, RGB 203 188 158, RGB 191 184 170, RGB 179 180 182 and RGB 167 176 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 192 147 shade: RGB 215 154 147, RGB 215 173 147, RGB 215 191 147, RGB 215 209 147 and RGB 202 215 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 192 147 shade: RGB 192 156 86, RGB 203 174 116, RGB 215 192 147, RGB 226 209 177 and RGB 237 227 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 192 147 shade: RGB 215 192 147, RGB 157 215 147 and RGB 164 147 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 192 147 shade: RGB 215 192 147, RGB 147 215 191 and RGB 191 147 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 192 147 shade: RGB 215 192 147, RGB 157 215 147, RGB 147 170 215 and RGB 204 147 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 192 147 shade: RGB 215 192 147, RGB 147 215 157, RGB 147 170 215 and RGB 215 147 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

Complementary color

CMYK 63 / 42 / 0 / 58

HEX #283F6C

RGB 40 63 108

HSL 219.71, 0.46%, 0.29%

LAB 26.99, 6.45, -28.92

 

CMYK 0 / 13 / 35 / 14

HEX #DCC08E

RGB 220 192 142

HSL 38.46, 0.53%, 0.71%

LAB 78.97, 2.85, 28.88

 

CMYK 0 / 11 / 32 / 7

HEX #EDD2A1

RGB 237 210 161

HSL 38.68, 0.68%, 0.78%

LAB 85.34, 2.37, 27.77

 

CMYK 0 / 10 / 29 / 0

HEX #FEE4B4

RGB 254 228 180

HSL 38.92, 0.97%, 0.85%

LAB 91.62, 1.94, 26.71

 

CMYK 0 / 4 / 22 / 0

HEX #FFF6C7

RGB 255 246 199

HSL 50.36, 1%, 0.89%

LAB 96.53, -4.26, 23.74

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 0 / 12 / 35 / 22

HEX #C6AE80

RGB 198 174 128

HSL 39.43, 0.38%, 0.64%

LAB 72.12, 1.98, 26.82

 

CMYK 0 / 14 / 40 / 29

HEX #B59C6D

RGB 181 156 109

HSL 39.17, 0.33%, 0.57%

LAB 65.52, 2.53, 28.03

 

CMYK 0 / 16 / 45 / 36

HEX #A48A5A

RGB 164 138 90

HSL 38.92, 0.29%, 0.5%

LAB 58.8, 3.19, 29.32

 

CMYK 0 / 18 / 52 / 42

HEX #937847

RGB 147 120 71

HSL 38.68, 0.35%, 0.43%

LAB 51.94, 3.99, 30.7

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 0 / 20 / 32 / 16

HEX #D7AD93

RGB 215 173 147

HSL 22.94, 0.46%, 0.71%

LAB 73.83, 11.62, 19.16

 

CMYK 0 / 28 / 32 / 16

HEX #D79B93

RGB 215 155 147

HSL 7.06, 0.46%, 0.71%

LAB 69.47, 21.34, 13.08

 

CMYK 0 / 32 / 32 / 16

HEX #D79393

RGB 215 147 147

HSL 0, 0.46%, 0.71%

LAB 67.59, 25.67, 10.43

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 0 / 2 / 32 / 16

HEX #D7D293

RGB 215 210 147

HSL 55.59, 0.46%, 0.71%

LAB 83.26, -7.82, 31.91

 

CMYK 7 / 0 / 32 / 16

HEX #C9D793

RGB 201 215 147

HSL 72.35, 0.46%, 0.71%

LAB 83.51, -15.68, 32.05

 

CMYK 15 / 0 / 32 / 16

HEX #B7D793

RGB 183 215 147

HSL 88.24, 0.46%, 0.71%

LAB 82.26, -22.35, 30.16

 

CMYK 24 / 0 / 32 / 16

HEX #A4D793

RGB 164 215 147

HSL 105, 0.46%, 0.71%

LAB 81.07, -29.07, 28.37

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 0 / 14 / 41 / 11

HEX #E3C387

RGB 227 195 135

HSL 39.13, 0.62%, 0.71%

LAB 80.24, 3.25, 34.34

 

CMYK 0 / 16 / 48 / 7

HEX #EEC77B

RGB 238 199 123

HSL 39.65, 0.77%, 0.71%

LAB 82.08, 4.37, 43.02

 

CMYK 0 / 19 / 56 / 2

HEX #FACB6F

RGB 250 203 111

HSL 39.71, 0.93%, 0.71%

LAB 84.06, 6.15, 51.58

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 0 / 7 / 22 / 20

HEX #CBBC9E

RGB 203 188 158

HSL 40, 0.3%, 0.71%

LAB 76.76, 0.5, 17.11

 

CMYK 0 / 4 / 11 / 25

HEX #BFB8AA

RGB 191 184 170

HSL 40, 0.14%, 0.71%

LAB 74.99, 0.04, 7.98

 

CMYK 2 / 1 / 0 / 29

HEX #B3B4B6

RGB 179 180 182

HSL 220, 0.02%, 0.71%

LAB 73.29, 0.03, -1.15

 

CMYK 14 / 9 / 0 / 24

HEX #A7B0C2

RGB 167 176 194

HSL 220, 0.18%, 0.71%

LAB 71.66, 0.54, -10.23

 

CMYK 0 / 28 / 32 / 16

HEX #D79A93

RGB 215 154 147

HSL 6.18, 0.46%, 0.71%

LAB 69.23, 21.88, 12.75

 

CMYK 0 / 20 / 32 / 16

HEX #D7AD93

RGB 215 173 147

HSL 22.94, 0.46%, 0.71%

LAB 73.83, 11.62, 19.16

 

CMYK 0 / 11 / 32 / 16

HEX #D7BF93

RGB 215 191 147

HSL 38.82, 0.46%, 0.71%

LAB 78.35, 2.04, 25.34

 

CMYK 0 / 3 / 32 / 16

HEX #D7D193

RGB 215 209 147

HSL 54.71, 0.46%, 0.71%

LAB 83, -7.31, 31.57

 

CMYK 6 / 0 / 32 / 16

HEX #CAD793

RGB 202 215 147

HSL 71.47, 0.46%, 0.71%

LAB 83.58, -15.31, 32.16

 

CMYK 0 / 19 / 55 / 25

HEX #C09C56

RGB 192 156 86

HSL 39.62, 0.46%, 0.55%

LAB 66.26, 4.87, 41.3

 

CMYK 0 / 14 / 43 / 20

HEX #CBAE74

RGB 203 174 116

HSL 40, 0.46%, 0.63%

LAB 72.38, 2.63, 33.62

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 0 / 8 / 22 / 11

HEX #E2D1B1

RGB 226 209 177

HSL 39.18, 0.46%, 0.79%

LAB 84.45, 0.87, 18.02

 

CMYK 0 / 4 / 13 / 7

HEX #EDE3CF

RGB 237 227 207

HSL 40, 0.45%, 0.87%

LAB 90.53, 0.09, 10.97

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 27 / 0 / 32 / 16

HEX #9DD793

RGB 157 215 147

HSL 111.18, 0.46%, 0.71%

LAB 80.67, -31.44, 27.76

 

CMYK 24 / 32 / 0 / 16

HEX #A493D7

RGB 164 147 215

HSL 255, 0.46%, 0.71%

LAB 64.7, 20.54, -32.48

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 32 / 0 / 11 / 16

HEX #93D7BF

RGB 147 215 191

HSL 158.82, 0.46%, 0.71%

LAB 81.05, -26.51, 5.03

 

CMYK 11 / 32 / 0 / 16

HEX #BF93D7

RGB 191 147 215

HSL 278.82, 0.46%, 0.71%

LAB 67.16, 28.86, -28.46

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 27 / 0 / 32 / 16

HEX #9DD793

RGB 157 215 147

HSL 111.18, 0.46%, 0.71%

LAB 80.67, -31.44, 27.76

 

CMYK 32 / 21 / 0 / 16

HEX #93AAD7

RGB 147 170 215

HSL 219.71, 0.46%, 0.71%

LAB 69.37, 2.54, -25.38

 

CMYK 5 / 32 / 0 / 16

HEX #CC93D7

RGB 204 147 215

HSL 290.29, 0.46%, 0.71%

LAB 68.47, 32.98, -26.35

 

CMYK 0 / 11 / 32 / 16

HEX #D7C093

RGB 215 192 147

HSL 39.71, 0.46%, 0.71%

LAB 78.61, 1.51, 25.69

 

CMYK 32 / 0 / 27 / 16

HEX #93D79D

RGB 147 215 157

HSL 128.82, 0.46%, 0.71%

LAB 80.31, -33.04, 21.97

 

CMYK 32 / 21 / 0 / 16

HEX #93AAD7

RGB 147 170 215

HSL 219.71, 0.46%, 0.71%

LAB 69.37, 2.54, -25.38

 

CMYK 0 / 32 / 5 / 16

HEX #D793CC

RGB 215 147 204

HSL 309.71, 0.46%, 0.71%

LAB 69.24, 34.49, -18.97

 

Description

Color code: RGB 215 192 147 | qconv.com Color code: RGB 215 192 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 192 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 192 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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