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Color name
RGB 215 181 213

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 181 213 it is the complementary color RGB 40 74 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 181 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 181 213 shade: RGB 220 181 208, RGB 237 199 227, RGB 254 217 246, RGB 255 235 255 and RGB 255 253 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 181 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 181 213 shade: RGB 215 181 213, RGB 198 163 194, RGB 181 145 175, RGB 164 127 156 and RGB 147 109 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 181 213 shade: RGB 215 182 213, RGB 215 182 204, RGB 215 182 195, RGB 215 182 186 and RGB 215 182 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 181 213 shade: RGB 215 182 213, RGB 208 182 215, RGB 199 182 215, RGB 190 182 215 and RGB 182 182 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 181 213 shade matches the following richer shades: RGB 215 182 213, RGB 224 172 221, RGB 233 163 229, RGB 242 154 237 and RGB 252 145 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 181 213 shade: RGB 215 182 213, RGB 206 191 205, RGB 197 200 197, RGB 188 209 189 and RGB 179 218 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 181 213 shade: RGB 199 182 215, RGB 208 182 215, RGB 215 182 214, RGB 215 182 205 and RGB 215 182 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 181 213 shade: RGB 186 128 183, RGB 201 155 198, RGB 215 182 213, RGB 230 208 228 and RGB 244 235 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 181 213 shade: RGB 215 181 213, RGB 215 190 182 and RGB 182 215 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 181 213 shade: RGB 215 181 213, RGB 214 215 182 and RGB 182 214 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 181 213 shade: RGB 215 181 213, RGB 215 190 182, RGB 182 215 183 and RGB 182 207 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 181 213 shade: RGB 215 181 213, RGB 215 200 182, RGB 182 215 183 and RGB 182 197 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 1 / 16

HEX #D7B5D5

RGB 215 181 213

HSL 303.53, 0.3%, 0.78%

LAB 77.46, 17.71, -11.53

 

Complementary color

CMYK 46 / 0 / 43 / 71

HEX #284A2A

RGB 40 74 42

HSL 123.53, 0.3%, 0.22%

LAB 28.16, -20.24, 15.34

 

CMYK 0 / 18 / 5 / 14

HEX #DCB5D0

RGB 220 181 208

HSL 318.46, 0.36%, 0.79%

LAB 77.77, 18.52, -8.31

 

CMYK 0 / 16 / 4 / 7

HEX #EDC7E3

RGB 237 199 227

HSL 315.79, 0.51%, 0.85%

LAB 84.17, 18.06, -8.85

 

CMYK 0 / 15 / 3 / 0

HEX #FED9F6

RGB 254 217 246

HSL 312.97, 0.95%, 0.92%

LAB 90.48, 17.63, -9.37

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 16 / 1 / 16

HEX #D7B5D5

RGB 215 181 213

HSL 303.53, 0.3%, 0.78%

LAB 77.46, 17.71, -11.53

 

CMYK 0 / 18 / 2 / 22

HEX #C6A3C2

RGB 198 163 194

HSL 306.86, 0.23%, 0.71%

LAB 70.94, 18.19, -11.05

 

CMYK 0 / 20 / 3 / 29

HEX #B591AF

RGB 181 145 175

HSL 310, 0.2%, 0.64%

LAB 64.3, 18.7, -10.55

 

CMYK 0 / 23 / 5 / 36

HEX #A47F9C

RGB 164 127 156

HSL 312.97, 0.17%, 0.57%

LAB 57.53, 19.27, -10.02

 

CMYK 0 / 26 / 7 / 42

HEX #936D89

RGB 147 109 137

HSL 315.79, 0.15%, 0.5%

LAB 50.62, 19.9, -9.47

 

CMYK 0 / 15 / 1 / 16

HEX #D7B6D5

RGB 215 182 213

HSL 303.64, 0.29%, 0.78%

LAB 77.7, 17.17, -11.17

 

CMYK 0 / 15 / 5 / 16

HEX #D7B6CC

RGB 215 182 204

HSL 320, 0.29%, 0.78%

LAB 77.44, 15.55, -6.68

 

CMYK 0 / 15 / 9 / 16

HEX #D7B6C3

RGB 215 182 195

HSL 336.36, 0.29%, 0.78%

LAB 77.19, 13.98, -2.16

 

CMYK 0 / 15 / 13 / 16

HEX #D7B6BA

RGB 215 182 186

HSL 352.73, 0.29%, 0.78%

LAB 76.95, 12.48, 2.38

 

CMYK 0 / 15 / 15 / 16

HEX #D7B6B6

RGB 215 182 182

HSL 0, 0.29%, 0.78%

LAB 76.85, 11.84, 4.41

 

CMYK 0 / 15 / 1 / 16

HEX #D7B6D5

RGB 215 182 213

HSL 303.64, 0.29%, 0.78%

LAB 77.7, 17.17, -11.17

 

CMYK 3 / 15 / 0 / 16

HEX #D0B6D7

RGB 208 182 215

HSL 287.27, 0.29%, 0.78%

LAB 77.14, 15.19, -13.15

 

CMYK 7 / 15 / 0 / 16

HEX #C7B6D7

RGB 199 182 215

HSL 270.91, 0.29%, 0.78%

LAB 76.38, 12.19, -14.38

 

CMYK 12 / 15 / 0 / 16

HEX #BEB6D7

RGB 190 182 215

HSL 254.55, 0.29%, 0.78%

LAB 75.64, 9.23, -15.56

 

CMYK 15 / 15 / 0 / 16

HEX #B6B6D7

RGB 182 182 215

HSL 240, 0.29%, 0.78%

LAB 75.02, 6.64, -16.56

 

CMYK 0 / 15 / 1 / 16

HEX #D7B6D5

RGB 215 182 213

HSL 303.64, 0.29%, 0.78%

LAB 77.7, 17.17, -11.17

 

CMYK 0 / 23 / 1 / 12

HEX #E0ACDD

RGB 224 172 221

HSL 303.46, 0.46%, 0.78%

LAB 76.42, 27.06, -17.35

 

CMYK 0 / 30 / 2 / 9

HEX #E9A3E5

RGB 233 163 229

HSL 303.43, 0.61%, 0.78%

LAB 75.56, 36.26, -22.92

 

CMYK 0 / 36 / 2 / 5

HEX #F29AED

RGB 242 154 237

HSL 303.41, 0.77%, 0.78%

LAB 74.89, 45.24, -28.21

 

CMYK 0 / 42 / 3 / 1

HEX #FC91F5

RGB 252 145 245

HSL 303.93, 0.95%, 0.78%

LAB 74.53, 54.21, -33.02

 

CMYK 0 / 15 / 1 / 16

HEX #D7B6D5

RGB 215 182 213

HSL 303.64, 0.29%, 0.78%

LAB 77.7, 17.17, -11.17

 

CMYK 0 / 7 / 0 / 19

HEX #CEBFCD

RGB 206 191 205

HSL 304, 0.13%, 0.78%

LAB 78.92, 7.78, -5.12

 

CMYK 1 / 0 / 1 / 22

HEX #C5C8C5

RGB 197 200 197

HSL 120, 0.03%, 0.78%

LAB 80.3, -1.58, 1.13

 

CMYK 10 / 0 / 10 / 18

HEX #BCD1BD

RGB 188 209 189

HSL 122.86, 0.19%, 0.78%

LAB 81.82, -10.81, 7.52

 

CMYK 18 / 0 / 17 / 15

HEX #B3DAB5

RGB 179 218 181

HSL 123.08, 0.35%, 0.78%

LAB 83.48, -19.83, 14.04

 

CMYK 7 / 15 / 0 / 16

HEX #C7B6D7

RGB 199 182 215

HSL 270.91, 0.29%, 0.78%

LAB 76.38, 12.19, -14.38

 

CMYK 3 / 15 / 0 / 16

HEX #D0B6D7

RGB 208 182 215

HSL 287.27, 0.29%, 0.78%

LAB 77.14, 15.19, -13.15

 

CMYK 0 / 15 / 0 / 16

HEX #D7B6D6

RGB 215 182 214

HSL 301.82, 0.29%, 0.78%

LAB 77.73, 17.36, -11.66

 

CMYK 0 / 15 / 5 / 16

HEX #D7B6CD

RGB 215 182 205

HSL 318.18, 0.29%, 0.78%

LAB 77.47, 15.72, -7.18

 

CMYK 0 / 15 / 9 / 16

HEX #D7B6C4

RGB 215 182 196

HSL 334.55, 0.29%, 0.78%

LAB 77.21, 14.15, -2.67

 

CMYK 0 / 31 / 2 / 27

HEX #BA80B7

RGB 186 128 183

HSL 303.1, 0.3%, 0.62%

LAB 61.04, 31.41, -19.94

 

CMYK 0 / 23 / 1 / 21

HEX #C99BC6

RGB 201 155 198

HSL 303.91, 0.3%, 0.7%

LAB 69.42, 24.36, -15.5

 

CMYK 0 / 15 / 1 / 16

HEX #D7B6D5

RGB 215 182 213

HSL 303.64, 0.29%, 0.78%

LAB 77.7, 17.17, -11.17

 

CMYK 0 / 10 / 1 / 10

HEX #E6D0E4

RGB 230 208 228

HSL 305.45, 0.31%, 0.86%

LAB 85.77, 11.11, -7.07

 

CMYK 0 / 4 / 0 / 4

HEX #F4EBF4

RGB 244 235 244

HSL 300, 0.29%, 0.94%

LAB 93.96, 4.61, -3.27

 

CMYK 0 / 16 / 1 / 16

HEX #D7B5D5

RGB 215 181 213

HSL 303.53, 0.3%, 0.78%

LAB 77.46, 17.71, -11.53

 

CMYK 0 / 12 / 15 / 16

HEX #D7BEB6

RGB 215 190 182

HSL 14.55, 0.29%, 0.78%

LAB 78.84, 7.56, 7.27

 

CMYK 15 / 0 / 6 / 16

HEX #B6D7CB

RGB 182 215 203

HSL 158.18, 0.29%, 0.78%

LAB 83.37, -13.25, 2.26

 

CMYK 0 / 16 / 1 / 16

HEX #D7B5D5

RGB 215 181 213

HSL 303.53, 0.3%, 0.78%

LAB 77.46, 17.71, -11.53

 

CMYK 0 / 0 / 15 / 16

HEX #D6D7B6

RGB 214 215 182

HSL 61.82, 0.29%, 0.78%

LAB 85.14, -5.88, 16.2

 

CMYK 15 / 0 / 0 / 16

HEX #B6D6D7

RGB 182 214 215

HSL 181.82, 0.29%, 0.78%

LAB 83.41, -10.33, -4.05

 

CMYK 0 / 16 / 1 / 16

HEX #D7B5D5

RGB 215 181 213

HSL 303.53, 0.3%, 0.78%

LAB 77.46, 17.71, -11.53

 

CMYK 0 / 12 / 15 / 16

HEX #D7BEB6

RGB 215 190 182

HSL 14.55, 0.29%, 0.78%

LAB 78.84, 7.56, 7.27

 

CMYK 15 / 0 / 15 / 16

HEX #B6D7B7

RGB 182 215 183

HSL 121.82, 0.29%, 0.78%

LAB 82.89, -16.97, 12.19

 

CMYK 15 / 4 / 0 / 16

HEX #B6CFD7

RGB 182 207 215

HSL 194.55, 0.29%, 0.78%

LAB 81.55, -6.7, -6.8

 

CMYK 0 / 16 / 1 / 16

HEX #D7B5D5

RGB 215 181 213

HSL 303.53, 0.3%, 0.78%

LAB 77.46, 17.71, -11.53

 

CMYK 0 / 7 / 15 / 16

HEX #D7C8B6

RGB 215 200 182

HSL 32.73, 0.29%, 0.78%

LAB 81.36, 2.27, 10.88

 

CMYK 15 / 0 / 15 / 16

HEX #B6D7B7

RGB 182 215 183

HSL 121.82, 0.29%, 0.78%

LAB 82.89, -16.97, 12.19

 

CMYK 15 / 8 / 0 / 16

HEX #B6C5D7

RGB 182 197 215

HSL 212.73, 0.29%, 0.78%

LAB 78.92, -1.44, -10.71

 

Description

Color code: RGB 215 181 213 | qconv.com Color code: RGB 215 181 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 181 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 181 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 1 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 1% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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