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Color name
RGB 215 172 97

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 172 97 it is the complementary color RGB 40 83 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 172 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 172 97 shade: RGB 220 172 92, RGB 237 190 111, RGB 254 208 130, RGB 255 226 149 and RGB 255 244 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 172 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 172 97 shade: RGB 215 172 97, RGB 198 154 78, RGB 181 136 59, RGB 164 118 40 and RGB 147 100 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 172 97 shade: RGB 215 171 95, RGB 215 139 95, RGB 215 107 95 and RGB 215 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 172 97 shade: RGB 215 171 95, RGB 215 203 95, RGB 194 215 95, RGB 162 215 95 and RGB 129 215 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 172 97 shade matches the following richer shades: RGB 215 171 95, RGB 231 176 79 and RGB 247 180 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 172 97 shade: RGB 215 171 95, RGB 199 167 111, RGB 183 163 128, RGB 166 158 144 and RGB 150 154 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 172 97 shade: RGB 215 107 95, RGB 215 139 95, RGB 215 171 95, RGB 215 203 95 and RGB 195 215 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 172 97 shade: RGB 182 132 45, RGB 206 154 62, RGB 215 171 95, RGB 223 189 128 and RGB 231 206 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 172 97 shade: RGB 215 172 97, RGB 115 215 95 and RGB 123 95 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 172 97 shade: RGB 215 172 97, RGB 95 215 171 and RGB 171 95 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 172 97 shade: RGB 215 172 97, RGB 115 215 95, RGB 95 139 215 and RGB 195 95 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 172 97 shade: RGB 215 172 97, RGB 95 215 111, RGB 95 139 215 and RGB 215 95 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 55 / 16

HEX #D7AC61

RGB 215 172 97

HSL 38.14, 0.6%, 0.61%

LAB 72.77, 6.88, 44.12

 

Complementary color

CMYK 75 / 47 / 0 / 38

HEX #28539E

RGB 40 83 158

HSL 218.14, 0.6%, 0.39%

LAB 36.19, 12.19, -45.13

 

CMYK 0 / 22 / 58 / 14

HEX #DCAC5C

RGB 220 172 92

HSL 37.5, 0.65%, 0.61%

LAB 73.22, 8.58, 47.25

 

CMYK 0 / 20 / 53 / 7

HEX #EDBE6F

RGB 237 190 111

HSL 37.62, 0.78%, 0.68%

LAB 79.6, 7.61, 45.92

 

CMYK 0 / 18 / 49 / 0

HEX #FED082

RGB 254 208 130

HSL 37.74, 0.98%, 0.75%

LAB 85.9, 6.76, 44.62

 

CMYK 0 / 11 / 42 / 0

HEX #FFE295

RGB 255 226 149

HSL 43.58, 1%, 0.79%

LAB 90.7, -0.22, 41.25

 

CMYK 0 / 4 / 34 / 0

HEX #FFF4A8

RGB 255 244 168

HSL 52.41, 1%, 0.83%

LAB 95.49, -7.19, 38

 

CMYK 0 / 20 / 55 / 16

HEX #D7AC61

RGB 215 172 97

HSL 38.14, 0.6%, 0.61%

LAB 72.77, 6.88, 44.12

 

CMYK 0 / 22 / 61 / 22

HEX #C69A4E

RGB 198 154 78

HSL 38, 0.51%, 0.54%

LAB 66.26, 7.91, 45.46

 

CMYK 0 / 25 / 67 / 29

HEX #B5883B

RGB 181 136 59

HSL 37.87, 0.51%, 0.47%

LAB 59.66, 9.12, 46.74

 

CMYK 0 / 28 / 76 / 36

HEX #A47628

RGB 164 118 40

HSL 37.74, 0.61%, 0.4%

LAB 52.95, 10.58, 47.78

 

CMYK 0 / 32 / 86 / 42

HEX #936415

RGB 147 100 21

HSL 37.62, 0.75%, 0.33%

LAB 46.14, 12.35, 48.14

 

CMYK 0 / 20 / 56 / 16

HEX #D7AB5F

RGB 215 171 95

HSL 38, 0.6%, 0.61%

LAB 72.49, 7.25, 44.79

 

CMYK 0 / 35 / 56 / 16

HEX #D78B5F

RGB 215 139 95

HSL 22, 0.6%, 0.61%

LAB 64.75, 24.49, 35.33

 

CMYK 0 / 50 / 56 / 16

HEX #D76B5F

RGB 215 107 95

HSL 6, 0.6%, 0.61%

LAB 57.84, 41.31, 26.5

 

CMYK 0 / 56 / 56 / 16

HEX #D75F5F

RGB 215 95 95

HSL 0, 0.6%, 0.61%

LAB 55.54, 47.2, 23.49

 

CMYK 0 / 20 / 56 / 16

HEX #D7AB5F

RGB 215 171 95

HSL 38, 0.6%, 0.61%

LAB 72.49, 7.25, 44.79

 

CMYK 0 / 6 / 56 / 16

HEX #D7CB5F

RGB 215 203 95

HSL 54, 0.6%, 0.61%

LAB 80.73, -9.46, 54.42

 

CMYK 10 / 0 / 56 / 16

HEX #C2D75F

RGB 194 215 95

HSL 70.5, 0.6%, 0.61%

LAB 82.32, -23.94, 55.8

 

CMYK 25 / 0 / 56 / 16

HEX #A2D75F

RGB 162 215 95

HSL 86.5, 0.6%, 0.61%

LAB 80.24, -36.22, 52.86

 

CMYK 40 / 0 / 56 / 16

HEX #81D75F

RGB 129 215 95

HSL 103, 0.6%, 0.61%

LAB 78.52, -47.59, 50.42

 

CMYK 0 / 20 / 56 / 16

HEX #D7AB5F

RGB 215 171 95

HSL 38, 0.6%, 0.61%

LAB 72.49, 7.25, 44.79

 

CMYK 0 / 24 / 66 / 9

HEX #E7B04F

RGB 231 176 79

HSL 38.29, 0.76%, 0.61%

LAB 75.2, 10.21, 55.95

 

CMYK 0 / 27 / 74 / 3

HEX #F7B43F

RGB 247 180 63

HSL 38.15, 0.92%, 0.61%

LAB 77.74, 14.04, 65.84

 

CMYK 0 / 20 / 56 / 16

HEX #D7AB5F

RGB 215 171 95

HSL 38, 0.6%, 0.61%

LAB 72.49, 7.25, 44.79

 

CMYK 0 / 16 / 44 / 22

HEX #C7A76F

RGB 199 167 111

HSL 38.18, 0.44%, 0.61%

LAB 70.12, 4.22, 33.27

 

CMYK 0 / 11 / 30 / 28

HEX #B7A380

RGB 183 163 128

HSL 38.18, 0.28%, 0.61%

LAB 67.89, 1.92, 20.88

 

CMYK 0 / 5 / 13 / 35

HEX #A69E90

RGB 166 158 144

HSL 38.18, 0.11%, 0.61%

LAB 65.42, 0.44, 8.35

 

CMYK 6 / 4 / 0 / 37

HEX #969AA0

RGB 150 154 160

HSL 216, 0.05%, 0.61%

LAB 63.45, -0.24, -3.64

 

CMYK 0 / 50 / 56 / 16

HEX #D76B5F

RGB 215 107 95

HSL 6, 0.6%, 0.61%

LAB 57.84, 41.31, 26.5

 

CMYK 0 / 35 / 56 / 16

HEX #D78B5F

RGB 215 139 95

HSL 22, 0.6%, 0.61%

LAB 64.75, 24.49, 35.33

 

CMYK 0 / 20 / 56 / 16

HEX #D7AB5F

RGB 215 171 95

HSL 38, 0.6%, 0.61%

LAB 72.49, 7.25, 44.79

 

CMYK 0 / 6 / 56 / 16

HEX #D7CB5F

RGB 215 203 95

HSL 54, 0.6%, 0.61%

LAB 80.73, -9.46, 54.42

 

CMYK 9 / 0 / 56 / 16

HEX #C3D75F

RGB 195 215 95

HSL 70, 0.6%, 0.61%

LAB 82.39, -23.55, 55.9

 

CMYK 0 / 27 / 75 / 29

HEX #B6842D

RGB 182 132 45

HSL 38.1, 0.6%, 0.45%

LAB 58.64, 11.05, 51.96

 

CMYK 0 / 25 / 70 / 19

HEX #CE9A3E

RGB 206 154 62

HSL 38.33, 0.6%, 0.53%

LAB 66.96, 10.36, 53.95

 

CMYK 0 / 20 / 56 / 16

HEX #D7AB5F

RGB 215 171 95

HSL 38, 0.6%, 0.61%

LAB 72.49, 7.25, 44.79

 

CMYK 0 / 15 / 43 / 13

HEX #DFBD80

RGB 223 189 128

HSL 38.53, 0.6%, 0.69%

LAB 78.25, 4.05, 35.31

 

CMYK 0 / 11 / 30 / 9

HEX #E7CEA1

RGB 231 206 161

HSL 38.57, 0.59%, 0.77%

LAB 83.81, 2.14, 25.61

 

CMYK 0 / 20 / 55 / 16

HEX #D7AC61

RGB 215 172 97

HSL 38.14, 0.6%, 0.61%

LAB 72.77, 6.88, 44.12

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 43 / 56 / 0 / 16

HEX #7B5FD7

RGB 123 95 215

HSL 254, 0.6%, 0.61%

LAB 48.64, 39.71, -58.1

 

CMYK 0 / 20 / 55 / 16

HEX #D7AC61

RGB 215 172 97

HSL 38.14, 0.6%, 0.61%

LAB 72.77, 6.88, 44.12

 

CMYK 56 / 0 / 20 / 16

HEX #5FD7AB

RGB 95 215 171

HSL 158, 0.6%, 0.61%

LAB 78.45, -44.1, 11.66

 

CMYK 20 / 56 / 0 / 16

HEX #AB5FD7

RGB 171 95 215

HSL 278, 0.6%, 0.61%

LAB 53.76, 51.28, -49.62

 

CMYK 0 / 20 / 55 / 16

HEX #D7AC61

RGB 215 172 97

HSL 38.14, 0.6%, 0.61%

LAB 72.77, 6.88, 44.12

 

CMYK 47 / 0 / 56 / 16

HEX #73D75F

RGB 115 215 95

HSL 110, 0.6%, 0.61%

LAB 77.92, -51.85, 49.56

 

CMYK 56 / 35 / 0 / 16

HEX #5F8BD7

RGB 95 139 215

HSL 218, 0.6%, 0.61%

LAB 57.85, 7.16, -43.53

 

CMYK 9 / 56 / 0 / 16

HEX #C35FD7

RGB 195 95 215

HSL 290, 0.6%, 0.61%

LAB 56.77, 57.43, -44.64

 

CMYK 0 / 20 / 55 / 16

HEX #D7AC61

RGB 215 172 97

HSL 38.14, 0.6%, 0.61%

LAB 72.77, 6.88, 44.12

 

CMYK 56 / 0 / 48 / 16

HEX #5FD76F

RGB 95 215 111

HSL 128, 0.6%, 0.61%

LAB 77.39, -55.11, 41.17

 

CMYK 56 / 35 / 0 / 16

HEX #5F8BD7

RGB 95 139 215

HSL 218, 0.6%, 0.61%

LAB 57.85, 7.16, -43.53

 

CMYK 0 / 56 / 7 / 16

HEX #D75FC7

RGB 215 95 199

HSL 308, 0.6%, 0.61%

LAB 58.75, 59.93, -32.28

 

Description

Color code: RGB 215 172 97 | qconv.com Color code: RGB 215 172 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 172 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 172 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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