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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 161 229 it is the complementary color RGB 40 94 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 161 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 161 229 shade: RGB 220 161 224, RGB 237 179 243, RGB 254 197 255, RGB 255 215 255 and RGB 255 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 161 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 161 229 shade: RGB 215 161 229, RGB 198 143 210, RGB 181 125 191, RGB 164 107 172 and RGB 147 89 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 161 229 shade: RGB 214 158 228, RGB 228 158 224, RGB 228 158 205, RGB 228 158 186 and RGB 228 158 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 161 229 shade: RGB 214 158 228, RGB 195 158 228, RGB 176 158 228 and RGB 158 158 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 161 229 shade matches the following richer shades: RGB 214 158 228, RGB 220 149 238 and RGB 225 139 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 161 229 shade: RGB 214 158 228, RGB 208 168 218, RGB 202 178 208, RGB 196 188 198 and RGB 191 198 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 161 229 shade: RGB 176 158 228, RGB 194 158 228, RGB 213 158 228, RGB 228 158 225 and RGB 228 158 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 161 229 shade: RGB 186 94 210, RGB 200 126 219, RGB 214 158 228, RGB 228 191 237 and RGB 241 223 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 161 229 shade: RGB 215 161 229, RGB 228 158 160 and RGB 158 228 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 161 229 shade: RGB 215 161 229, RGB 228 213 158 and RGB 158 228 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 161 229 shade: RGB 215 161 229, RGB 228 158 160, RGB 174 228 158 and RGB 158 228 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 161 229 shade: RGB 215 161 229, RGB 228 178 158, RGB 174 228 158 and RGB 158 208 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 30 / 0 / 10

HEX #D7A1E5

RGB 215 161 229

HSL 287.65, 0.57%, 0.76%

LAB 73.28, 31.6, -26.56

 

Complementary color

CMYK 57 / 0 / 72 / 63

HEX #285E1A

RGB 40 94 26

HSL 107.65, 0.57%, 0.24%

LAB 35.07, -31.96, 32.3

 

CMYK 2 / 28 / 0 / 12

HEX #DCA1E0

RGB 220 161 224

HSL 296.19, 0.5%, 0.75%

LAB 73.6, 32.24, -23.3

 

CMYK 2 / 26 / 0 / 5

HEX #EDB3F3

RGB 237 179 243

HSL 294.38, 0.73%, 0.83%

LAB 80.02, 31.6, -23.66

 

CMYK 0 / 23 / 0 / 0

HEX #FEC5FF

RGB 254 197 255

HSL 298.97, 1%, 0.89%

LAB 86.12, 29.73, -20.66

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 6 / 30 / 0 / 10

HEX #D7A1E5

RGB 215 161 229

HSL 287.65, 0.57%, 0.76%

LAB 73.28, 31.6, -26.56

 

CMYK 6 / 32 / 0 / 18

HEX #C68FD2

RGB 198 143 210

HSL 289.25, 0.43%, 0.69%

LAB 66.75, 32.27, -26.26

 

CMYK 5 / 35 / 0 / 25

HEX #B57DBF

RGB 181 125 191

HSL 290.91, 0.34%, 0.62%

LAB 60.12, 32.98, -25.95

 

CMYK 5 / 38 / 0 / 33

HEX #A46BAC

RGB 164 107 172

HSL 292.62, 0.28%, 0.55%

LAB 53.37, 33.74, -25.62

 

CMYK 4 / 42 / 0 / 40

HEX #935999

RGB 147 89 153

HSL 294.38, 0.26%, 0.47%

LAB 46.51, 34.53, -25.24

 

CMYK 6 / 31 / 0 / 11

HEX #D69EE4

RGB 214 158 228

HSL 288, 0.56%, 0.76%

LAB 72.46, 32.71, -27.28

 

CMYK 0 / 31 / 2 / 11

HEX #E49EE0

RGB 228 158 224

HSL 303.43, 0.56%, 0.76%

LAB 73.76, 36.42, -22.98

 

CMYK 0 / 31 / 10 / 11

HEX #E49ECD

RGB 228 158 205

HSL 319.71, 0.56%, 0.76%

LAB 73.13, 33.1, -13.52

 

CMYK 0 / 31 / 18 / 11

HEX #E49EBA

RGB 228 158 186

HSL 336, 0.56%, 0.76%

LAB 72.56, 30.05, -3.89

 

CMYK 0 / 31 / 27 / 11

HEX #E49EA7

RGB 228 158 167

HSL 352.29, 0.56%, 0.76%

LAB 72.05, 27.28, 5.88

 

CMYK 6 / 31 / 0 / 11

HEX #D69EE4

RGB 214 158 228

HSL 288, 0.56%, 0.76%

LAB 72.46, 32.71, -27.28

 

CMYK 14 / 31 / 0 / 11

HEX #C39EE4

RGB 195 158 228

HSL 271.71, 0.56%, 0.76%

LAB 70.63, 26.78, -30.25

 

CMYK 23 / 31 / 0 / 11

HEX #B09EE4

RGB 176 158 228

HSL 255.43, 0.56%, 0.76%

LAB 68.96, 20.99, -32.98

 

CMYK 31 / 31 / 0 / 11

HEX #9E9EE4

RGB 158 158 228

HSL 240, 0.56%, 0.76%

LAB 67.52, 15.73, -35.32

 

CMYK 6 / 31 / 0 / 11

HEX #D69EE4

RGB 214 158 228

HSL 288, 0.56%, 0.76%

LAB 72.46, 32.71, -27.28

 

CMYK 8 / 37 / 0 / 7

HEX #DC95EE

RGB 220 149 238

HSL 287.87, 0.72%, 0.76%

LAB 71.48, 41.35, -34.22

 

CMYK 9 / 44 / 0 / 3

HEX #E18BF8

RGB 225 139 248

HSL 287.34, 0.89%, 0.76%

LAB 70.35, 50, -41.39

 

CMYK 6 / 31 / 0 / 11

HEX #D69EE4

RGB 214 158 228

HSL 288, 0.56%, 0.76%

LAB 72.46, 32.71, -27.28

 

CMYK 5 / 23 / 0 / 15

HEX #D0A8DA

RGB 208 168 218

HSL 288, 0.4%, 0.76%

LAB 73.85, 23.39, -19.74

 

CMYK 3 / 14 / 0 / 18

HEX #CAB2D0

RGB 202 178 208

HSL 288, 0.24%, 0.76%

LAB 75.42, 14, -11.98

 

CMYK 1 / 5 / 0 / 22

HEX #C4BCC6

RGB 196 188 198

HSL 288, 0.08%, 0.76%

LAB 77.15, 4.64, -4.03

 

CMYK 4 / 0 / 5 / 22

HEX #BFC6BD

RGB 191 198 189

HSL 106.67, 0.07%, 0.76%

LAB 79.12, -4.06, 3.66

 

CMYK 23 / 31 / 0 / 11

HEX #B09EE4

RGB 176 158 228

HSL 255.43, 0.56%, 0.76%

LAB 68.96, 20.99, -32.98

 

CMYK 15 / 31 / 0 / 11

HEX #C29EE4

RGB 194 158 228

HSL 270.86, 0.56%, 0.76%

LAB 70.54, 26.47, -30.4

 

CMYK 7 / 31 / 0 / 11

HEX #D59EE4

RGB 213 158 228

HSL 287.14, 0.56%, 0.76%

LAB 72.36, 32.4, -27.44

 

CMYK 0 / 31 / 1 / 11

HEX #E49EE1

RGB 228 158 225

HSL 302.57, 0.56%, 0.76%

LAB 73.79, 36.6, -23.48

 

CMYK 0 / 31 / 10 / 11

HEX #E49ECE

RGB 228 158 206

HSL 318.86, 0.56%, 0.76%

LAB 73.16, 33.27, -14.02

 

CMYK 11 / 55 / 0 / 18

HEX #BA5ED2

RGB 186 94 210

HSL 287.59, 0.56%, 0.6%

LAB 55.17, 54.6, -44.42

 

CMYK 9 / 42 / 0 / 14

HEX #C87EDB

RGB 200 126 219

HSL 287.74, 0.56%, 0.68%

LAB 63.6, 43.87, -36.13

 

CMYK 6 / 31 / 0 / 11

HEX #D69EE4

RGB 214 158 228

HSL 288, 0.56%, 0.76%

LAB 72.46, 32.71, -27.28

 

CMYK 4 / 19 / 0 / 7

HEX #E4BFED

RGB 228 191 237

HSL 288.26, 0.56%, 0.84%

LAB 81.77, 21.15, -17.87

 

CMYK 2 / 9 / 0 / 4

HEX #F1DFF6

RGB 241 223 246

HSL 286.96, 0.56%, 0.92%

LAB 90.84, 10.19, -8.95

 

CMYK 6 / 30 / 0 / 10

HEX #D7A1E5

RGB 215 161 229

HSL 287.65, 0.57%, 0.76%

LAB 73.28, 31.6, -26.56

 

CMYK 0 / 31 / 30 / 11

HEX #E49EA0

RGB 228 158 160

HSL 358.29, 0.56%, 0.76%

LAB 71.88, 26.34, 9.5

 

CMYK 31 / 0 / 19 / 11

HEX #9EE4B9

RGB 158 228 185

HSL 143.14, 0.56%, 0.76%

LAB 85.13, -30.66, 14.1

 

CMYK 6 / 30 / 0 / 10

HEX #D7A1E5

RGB 215 161 229

HSL 287.65, 0.57%, 0.76%

LAB 73.28, 31.6, -26.56

 

CMYK 0 / 7 / 31 / 11

HEX #E4D59E

RGB 228 213 158

HSL 47.14, 0.56%, 0.76%

LAB 85.28, -3, 29.11

 

CMYK 31 / 0 / 7 / 11

HEX #9EE4D5

RGB 158 228 213

HSL 167.14, 0.56%, 0.76%

LAB 85.79, -24.99, 0.33

 

CMYK 6 / 30 / 0 / 10

HEX #D7A1E5

RGB 215 161 229

HSL 287.65, 0.57%, 0.76%

LAB 73.28, 31.6, -26.56

 

CMYK 0 / 31 / 30 / 11

HEX #E49EA0

RGB 228 158 160

HSL 358.29, 0.56%, 0.76%

LAB 71.88, 26.34, 9.5

 

CMYK 24 / 0 / 31 / 11

HEX #AEE49E

RGB 174 228 158

HSL 106.29, 0.56%, 0.76%

LAB 85.48, -30.14, 28.73

 

CMYK 31 / 0 / 0 / 11

HEX #9EE4E3

RGB 158 228 227

HSL 179.14, 0.56%, 0.76%

LAB 86.16, -21.89, -6.51

 

CMYK 6 / 30 / 0 / 10

HEX #D7A1E5

RGB 215 161 229

HSL 287.65, 0.57%, 0.76%

LAB 73.28, 31.6, -26.56

 

CMYK 0 / 22 / 31 / 11

HEX #E4B29E

RGB 228 178 158

HSL 17.14, 0.56%, 0.76%

LAB 76.56, 15.37, 17.18

 

CMYK 24 / 0 / 31 / 11

HEX #AEE49E

RGB 174 228 158

HSL 106.29, 0.56%, 0.76%

LAB 85.48, -30.14, 28.73

 

CMYK 31 / 9 / 0 / 11

HEX #9ED0E4

RGB 158 208 228

HSL 197.14, 0.56%, 0.76%

LAB 80.73, -11.54, -15.13

 

Description

Color code: RGB 215 161 229 | qconv.com Color code: RGB 215 161 229 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 161 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 161 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 30 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 30% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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