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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 15 223 it is the complementary color RGB 40 240 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 15 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 15 223 shade: RGB 220 15 218, RGB 237 33 237, RGB 254 51 255, RGB 255 69 255 and RGB 255 87 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 15 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 15 223 shade: RGB 215 15 223, RGB 198 0 204, RGB 181 0 185, RGB 164 0 166 and RGB 147 0 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 15 223 shade: RGB 216 15 224, RGB 224 15 175, RGB 224 15 119, RGB 224 15 63 and RGB 224 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 15 223 shade: RGB 216 15 224, RGB 159 15 224, RGB 103 15 224, RGB 47 15 224 and RGB 15 15 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 15 223 shade matches the following richer shades: RGB 216 15 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 15 223 shade: RGB 216 15 224, RGB 198 34 204, RGB 180 54 185, RGB 162 73 165 and RGB 144 93 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 15 223 shade: RGB 102 15 224, RGB 158 15 224, RGB 213 15 224, RGB 224 15 178 and RGB 224 15 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 15 223 shade: RGB 141 10 146, RGB 178 12 185, RGB 216 15 224, RGB 232 40 240 and RGB 236 79 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 15 223 shade: RGB 215 15 223, RGB 224 46 15 and RGB 15 224 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 15 223 shade: RGB 215 15 223, RGB 224 213 15 and RGB 15 224 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 15 223 shade: RGB 215 15 223, RGB 224 46 15, RGB 26 224 15 and RGB 15 192 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 15 223 shade: RGB 215 15 223, RGB 224 109 15, RGB 26 224 15 and RGB 15 130 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 93 / 0 / 13

HEX #D70FDF

RGB 215 15 223

HSL 297.69, 0.87%, 0.47%

LAB 51.97, 86.4, -56.66

 

Complementary color

CMYK 83 / 0 / 87 / 6

HEX #28F020

RGB 40 240 32

HSL 117.69, 0.87%, 0.53%

LAB 83.38, -79.44, 75.98

 

CMYK 0 / 93 / 1 / 14

HEX #DC0FDA

RGB 220 15 218

HSL 300.59, 0.87%, 0.46%

LAB 52.53, 86.48, -52.86

 

CMYK 0 / 86 / 0 / 7

HEX #ED21ED

RGB 237 33 237

HSL 300, 0.85%, 0.53%

LAB 57.28, 89.8, -55.85

 

CMYK 0 / 80 / 0 / 0

HEX #FE33FF

RGB 254 51 255

HSL 299.71, 1%, 0.6%

LAB 62.22, 92.02, -57.82

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FF

RGB 255 69 255

HSL 300, 1%, 0.64%

LAB 63.95, 87.67, -55.06

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 4 / 93 / 0 / 13

HEX #D70FDF

RGB 215 15 223

HSL 297.69, 0.87%, 0.47%

LAB 51.97, 86.4, -56.66

 

CMYK 3 / 100 / 0 / 20

HEX #C600CC

RGB 198 0 204

HSL 298.24, 1%, 0.4%

LAB 47.45, 82.1, -53.18

 

CMYK 2 / 100 / 0 / 27

HEX #B500B9

RGB 181 0 185

HSL 298.7, 1%, 0.36%

LAB 43.25, 76.56, -49

 

CMYK 1 / 100 / 0 / 35

HEX #A400A6

RGB 164 0 166

HSL 299.28, 1%, 0.33%

LAB 38.98, 70.92, -44.73

 

CMYK 0 / 100 / 0 / 42

HEX #930093

RGB 147 0 147

HSL 300, 1%, 0.29%

LAB 34.62, 65.17, -40.35

 

CMYK 4 / 93 / 0 / 12

HEX #D80FE0

RGB 216 15 224

HSL 297.7, 0.87%, 0.47%

LAB 52.2, 86.7, -56.84

 

CMYK 0 / 93 / 22 / 12

HEX #E00FAF

RGB 224 15 175

HSL 314.07, 0.87%, 0.47%

LAB 51.02, 81.56, -30.32

 

CMYK 0 / 93 / 47 / 12

HEX #E00F77

RGB 224 15 119

HSL 330.14, 0.87%, 0.47%

LAB 48.91, 75.99, 0.09

 

CMYK 0 / 93 / 72 / 12

HEX #E00F3F

RGB 224 15 63

HSL 346.22, 0.87%, 0.47%

LAB 47.69, 72.64, 32.77

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 4 / 93 / 0 / 12

HEX #D80FE0

RGB 216 15 224

HSL 297.7, 0.87%, 0.47%

LAB 52.2, 86.7, -56.84

 

CMYK 29 / 93 / 0 / 12

HEX #9F0FE0

RGB 159 15 224

HSL 281.34, 0.87%, 0.47%

LAB 42.91, 78.49, -72.34

 

CMYK 54 / 93 / 0 / 12

HEX #670FE0

RGB 103 15 224

HSL 265.26, 0.87%, 0.47%

LAB 35.22, 72.71, -85.27

 

CMYK 79 / 93 / 0 / 12

HEX #2F0FE0

RGB 47 15 224

HSL 249.19, 0.87%, 0.47%

LAB 30.22, 69.74, -93.7

 

CMYK 93 / 93 / 0 / 12

HEX #0F0FE0

RGB 15 15 224

HSL 240, 0.87%, 0.47%

LAB 28.97, 69.12, -95.84

 

CMYK 4 / 93 / 0 / 12

HEX #D80FE0

RGB 216 15 224

HSL 297.7, 0.87%, 0.47%

LAB 52.2, 86.7, -56.84

 

CMYK 4 / 93 / 0 / 12

HEX #D80FE0

RGB 216 15 224

HSL 297.7, 0.87%, 0.47%

LAB 52.2, 86.7, -56.84

 

CMYK 3 / 83 / 0 / 20

HEX #C622CC

RGB 198 34 204

HSL 297.88, 0.71%, 0.47%

LAB 48.9, 77.84, -50.86

 

CMYK 3 / 71 / 0 / 27

HEX #B436B9

RGB 180 54 185

HSL 297.71, 0.55%, 0.47%

LAB 46.77, 65.65, -43.39

 

CMYK 2 / 56 / 0 / 35

HEX #A249A5

RGB 162 73 165

HSL 298.04, 0.39%, 0.47%

LAB 45.86, 49.73, -33.24

 

CMYK 1 / 36 / 0 / 43

HEX #905D92

RGB 144 93 146

HSL 297.74, 0.22%, 0.47%

LAB 46.76, 29.86, -20.72

 

CMYK 54 / 93 / 0 / 12

HEX #660FE0

RGB 102 15 224

HSL 264.98, 0.87%, 0.47%

LAB 35.1, 72.63, -85.46

 

CMYK 29 / 93 / 0 / 12

HEX #9E0FE0

RGB 158 15 224

HSL 281.05, 0.87%, 0.47%

LAB 42.75, 78.36, -72.6

 

CMYK 5 / 93 / 0 / 12

HEX #D50FE0

RGB 213 15 224

HSL 296.84, 0.87%, 0.47%

LAB 51.69, 86.23, -57.69

 

CMYK 0 / 93 / 21 / 12

HEX #E00FB2

RGB 224 15 178

HSL 313.21, 0.87%, 0.47%

LAB 51.16, 81.91, -31.87

 

CMYK 0 / 93 / 45 / 12

HEX #E00F7B

RGB 224 15 123

HSL 329, 0.87%, 0.47%

LAB 49.03, 76.32, -2.17

 

CMYK 3 / 93 / 0 / 43

HEX #8D0A92

RGB 141 10 146

HSL 297.79, 0.87%, 0.31%

LAB 33.89, 62.65, -40.97

 

CMYK 4 / 94 / 0 / 27

HEX #B20CB9

RGB 178 12 185

HSL 297.57, 0.88%, 0.39%

LAB 43.11, 74.91, -49.26

 

CMYK 4 / 93 / 0 / 12

HEX #D80FE0

RGB 216 15 224

HSL 297.7, 0.87%, 0.47%

LAB 52.2, 86.7, -56.84

 

CMYK 3 / 83 / 0 / 6

HEX #E828F0

RGB 232 40 240

HSL 297.6, 0.87%, 0.55%

LAB 57.04, 88.16, -57.96

 

CMYK 2 / 67 / 0 / 5

HEX #EC4FF2

RGB 236 79 242

HSL 297.79, 0.86%, 0.63%

LAB 61.51, 78.51, -51.91

 

CMYK 4 / 93 / 0 / 13

HEX #D70FDF

RGB 215 15 223

HSL 297.69, 0.87%, 0.47%

LAB 51.97, 86.4, -56.66

 

CMYK 0 / 79 / 93 / 12

HEX #E02E0F

RGB 224 46 15

HSL 8.9, 0.87%, 0.47%

LAB 49.3, 65.67, 57.96

 

CMYK 93 / 0 / 42 / 12

HEX #0FE082

RGB 15 224 130

HSL 153.01, 0.87%, 0.47%

LAB 79.06, -65.99, 33.58

 

CMYK 4 / 93 / 0 / 13

HEX #D70FDF

RGB 215 15 223

HSL 297.69, 0.87%, 0.47%

LAB 51.97, 86.4, -56.66

 

CMYK 0 / 5 / 93 / 12

HEX #E0D50F

RGB 224 213 15

HSL 56.84, 0.87%, 0.47%

LAB 83.69, -14, 82.17

 

CMYK 93 / 0 / 5 / 12

HEX #0FE0D5

RGB 15 224 213

HSL 176.84, 0.87%, 0.47%

LAB 80.86, -46.39, -7.36

 

CMYK 4 / 93 / 0 / 13

HEX #D70FDF

RGB 215 15 223

HSL 297.69, 0.87%, 0.47%

LAB 51.97, 86.4, -56.66

 

CMYK 0 / 79 / 93 / 12

HEX #E02E0F

RGB 224 46 15

HSL 8.9, 0.87%, 0.47%

LAB 49.3, 65.67, 57.96

 

CMYK 88 / 0 / 93 / 12

HEX #1AE00F

RGB 26 224 15

HSL 116.84, 0.87%, 0.47%

LAB 78.21, -76.7, 74.16

 

CMYK 93 / 14 / 0 / 12

HEX #0FC0E0

RGB 15 192 224

HSL 189.19, 0.87%, 0.47%

LAB 71.68, -28.28, -27.13

 

CMYK 4 / 93 / 0 / 13

HEX #D70FDF

RGB 215 15 223

HSL 297.69, 0.87%, 0.47%

LAB 51.97, 86.4, -56.66

 

CMYK 0 / 51 / 93 / 12

HEX #E06D0F

RGB 224 109 15

HSL 26.99, 0.87%, 0.47%

LAB 58.81, 40.31, 64.11

 

CMYK 88 / 0 / 93 / 12

HEX #1AE00F

RGB 26 224 15

HSL 116.84, 0.87%, 0.47%

LAB 78.21, -76.7, 74.16

 

CMYK 93 / 42 / 0 / 12

HEX #0F82E0

RGB 15 130 224

HSL 206.99, 0.87%, 0.47%

LAB 53.44, 5.99, -55.74

 

Description

Color code: RGB 215 15 223 | qconv.com Color code: RGB 215 15 223 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 15 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 15 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 93 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 93% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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