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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 146 231 it is the complementary color RGB 40 109 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 146 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 146 231 shade: RGB 220 146 226, RGB 237 164 245, RGB 254 182 255, RGB 255 200 255 and RGB 255 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 146 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 146 231 shade: RGB 215 146 231, RGB 198 128 212, RGB 181 110 193, RGB 164 92 174 and RGB 147 74 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 146 231 shade: RGB 215 146 231, RGB 231 146 224, RGB 231 146 201, RGB 231 146 178 and RGB 231 146 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 146 231 shade: RGB 215 146 231, RGB 192 146 231, RGB 169 146 231, RGB 146 146 231 and RGB 146 146 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 146 231 shade matches the following richer shades: RGB 215 146 231, RGB 221 135 241 and RGB 228 124 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 146 231 shade: RGB 215 146 231, RGB 208 156 220, RGB 201 167 209, RGB 195 178 198 and RGB 188 189 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 146 231 shade: RGB 168 146 231, RGB 191 146 231, RGB 214 146 231, RGB 231 146 225 and RGB 231 146 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 146 231 shade: RGB 190 78 216, RGB 202 112 223, RGB 215 146 231, RGB 227 180 238 and RGB 239 213 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 146 231 shade: RGB 215 146 231, RGB 231 146 146 and RGB 146 231 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 146 231 shade: RGB 215 146 231, RGB 231 214 146 and RGB 146 231 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 146 231 shade: RGB 215 146 231, RGB 231 146 146, RGB 163 231 146 and RGB 146 231 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 146 231 shade: RGB 215 146 231, RGB 231 171 146, RGB 163 231 146 and RGB 146 205 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

Complementary color

CMYK 63 / 0 / 78 / 57

HEX #286D18

RGB 40 109 24

HSL 108.71, 0.64%, 0.26%

LAB 40.34, -38.27, 38.58

 

CMYK 3 / 35 / 0 / 11

HEX #DC92E2

RGB 220 146 226

HSL 295.5, 0.58%, 0.73%

LAB 70.36, 40.64, -29.36

 

CMYK 3 / 33 / 0 / 4

HEX #EDA4F5

RGB 237 164 245

HSL 294.07, 0.8%, 0.8%

LAB 76.77, 39.93, -29.71

 

CMYK 0 / 29 / 0 / 0

HEX #FEB6FF

RGB 254 182 255

HSL 299.18, 1%, 0.86%

LAB 82.78, 37.6, -25.73

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 7 / 40 / 0 / 17

HEX #C680D4

RGB 198 128 212

HSL 290, 0.49%, 0.67%

LAB 63.51, 40.82, -32.39

 

CMYK 6 / 43 / 0 / 24

HEX #B56EC1

RGB 181 110 193

HSL 291.33, 0.4%, 0.59%

LAB 56.91, 41.58, -32.06

 

CMYK 6 / 47 / 0 / 32

HEX #A45CAE

RGB 164 92 174

HSL 292.68, 0.34%, 0.52%

LAB 50.22, 42.35, -31.68

 

CMYK 5 / 52 / 0 / 39

HEX #934A9B

RGB 147 74 155

HSL 294.07, 0.35%, 0.45%

LAB 43.46, 43.07, -31.19

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 0 / 37 / 3 / 9

HEX #E792E0

RGB 231 146 224

HSL 304.94, 0.64%, 0.74%

LAB 71.51, 43.69, -26.4

 

CMYK 0 / 37 / 13 / 9

HEX #E792C9

RGB 231 146 201

HSL 321.18, 0.64%, 0.74%

LAB 70.71, 39.8, -14.91

 

CMYK 0 / 37 / 23 / 9

HEX #E792B2

RGB 231 146 178

HSL 337.41, 0.64%, 0.74%

LAB 70.01, 36.29, -3.17

 

CMYK 0 / 37 / 33 / 9

HEX #E7929B

RGB 231 146 155

HSL 353.65, 0.64%, 0.74%

LAB 69.41, 33.19, 8.8

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 17 / 37 / 0 / 9

HEX #C092E7

RGB 192 146 231

HSL 272.47, 0.64%, 0.74%

LAB 67.68, 33.14, -36.5

 

CMYK 27 / 37 / 0 / 9

HEX #A992E7

RGB 169 146 231

HSL 256.24, 0.64%, 0.74%

LAB 65.56, 26.42, -39.95

 

CMYK 37 / 37 / 0 / 9

HEX #9292E7

RGB 146 146 231

HSL 240, 0.64%, 0.74%

LAB 63.7, 20.07, -43

 

CMYK 37 / 37 / 0 / 9

HEX #9292E7

RGB 146 146 231

HSL 240, 0.64%, 0.74%

LAB 63.7, 20.07, -43

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 8 / 44 / 0 / 5

HEX #DD87F1

RGB 221 135 241

HSL 288.68, 0.79%, 0.74%

LAB 68.79, 49.57, -40.03

 

CMYK 10 / 51 / 0 / 1

HEX #E47CFC

RGB 228 124 252

HSL 288.75, 0.96%, 0.74%

LAB 67.97, 59.13, -47.28

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 5 / 29 / 0 / 14

HEX #D09CDC

RGB 208 156 220

HSL 288.75, 0.48%, 0.74%

LAB 71.11, 30.33, -25.01

 

CMYK 4 / 20 / 0 / 18

HEX #C9A7D1

RGB 201 167 209

HSL 288.57, 0.31%, 0.74%

LAB 72.67, 19.86, -16.68

 

CMYK 2 / 10 / 0 / 22

HEX #C3B2C6

RGB 195 178 198

HSL 291, 0.15%, 0.74%

LAB 74.52, 9.7, -7.93

 

CMYK 1 / 0 / 1 / 26

HEX #BCBDBC

RGB 188 189 188

HSL 120, 0.01%, 0.74%

LAB 76.51, -0.53, 0.37

 

CMYK 27 / 37 / 0 / 9

HEX #A892E7

RGB 168 146 231

HSL 255.53, 0.64%, 0.74%

LAB 65.48, 26.14, -40.1

 

CMYK 17 / 37 / 0 / 9

HEX #BF92E7

RGB 191 146 231

HSL 271.76, 0.64%, 0.74%

LAB 67.58, 32.85, -36.66

 

CMYK 7 / 37 / 0 / 9

HEX #D692E7

RGB 214 146 231

HSL 288, 0.64%, 0.74%

LAB 69.91, 39.77, -32.86

 

CMYK 0 / 37 / 3 / 9

HEX #E792E1

RGB 231 146 225

HSL 304.24, 0.64%, 0.74%

LAB 71.54, 43.87, -26.89

 

CMYK 0 / 37 / 13 / 9

HEX #E792CA

RGB 231 146 202

HSL 320.47, 0.64%, 0.74%

LAB 70.74, 39.97, -15.42

 

CMYK 12 / 64 / 0 / 15

HEX #BE4ED8

RGB 190 78 216

HSL 288.7, 0.64%, 0.58%

LAB 53.33, 64.09, -50.71

 

CMYK 9 / 50 / 0 / 13

HEX #CA70DF

RGB 202 112 223

HSL 288.65, 0.63%, 0.66%

LAB 61.2, 52.49, -42.12

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 5 / 24 / 0 / 7

HEX #E3B4EE

RGB 227 180 238

HSL 288.62, 0.63%, 0.82%

LAB 79.13, 26.92, -22.42

 

CMYK 2 / 13 / 0 / 4

HEX #EFD5F5

RGB 239 213 245

HSL 288.75, 0.62%, 0.9%

LAB 88.22, 14.58, -12.34

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 0 / 37 / 37 / 9

HEX #E79292

RGB 231 146 146

HSL 0, 0.64%, 0.74%

LAB 69.2, 32.1, 13.52

 

CMYK 37 / 0 / 22 / 9

HEX #92E7B4

RGB 146 231 180

HSL 144, 0.64%, 0.74%

LAB 85.28, -36.54, 16.84

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 0 / 7 / 37 / 9

HEX #E7D692

RGB 231 214 146

HSL 48, 0.64%, 0.74%

LAB 85.58, -3.79, 35.73

 

CMYK 37 / 0 / 7 / 9

HEX #92E7D6

RGB 146 231 214

HSL 168, 0.64%, 0.74%

LAB 86.07, -29.52, 0.14

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 0 / 37 / 37 / 9

HEX #E79292

RGB 231 146 146

HSL 0, 0.64%, 0.74%

LAB 69.2, 32.1, 13.52

 

CMYK 29 / 0 / 37 / 9

HEX #A3E792

RGB 163 231 146

HSL 108, 0.64%, 0.74%

LAB 85.51, -36.99, 34.76

 

CMYK 37 / 0 / 0 / 9

HEX #92E7E7

RGB 146 231 231

HSL 180, 0.64%, 0.74%

LAB 86.52, -25.61, -8.14

 

CMYK 7 / 37 / 0 / 9

HEX #D792E7

RGB 215 146 231

HSL 288.71, 0.64%, 0.74%

LAB 70.02, 40.07, -32.68

 

CMYK 0 / 26 / 37 / 9

HEX #E7AB92

RGB 231 171 146

HSL 17.65, 0.64%, 0.74%

LAB 74.94, 18.78, 21.49

 

CMYK 29 / 0 / 37 / 9

HEX #A3E792

RGB 163 231 146

HSL 108, 0.64%, 0.74%

LAB 85.51, -36.99, 34.76

 

CMYK 37 / 11 / 0 / 9

HEX #92CDE7

RGB 146 205 231

HSL 198.35, 0.64%, 0.74%

LAB 79.35, -12.53, -18.87

 

Description

Color code: RGB 215 146 231 | qconv.com Color code: RGB 215 146 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 146 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 146 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 37 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 37% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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