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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 13 67 it is the complementary color RGB 40 242 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 13 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 13 67 shade: RGB 220 13 62, RGB 237 31 81, RGB 254 49 100, RGB 255 67 119 and RGB 255 85 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 13 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 13 67 shade: RGB 215 13 67, RGB 198 0 48, RGB 181 0 29, RGB 164 0 10 and RGB 147 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 13 67 shade: RGB 216 12 67 and RGB 216 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 13 67 shade: RGB 216 12 67, RGB 216 12 122, RGB 216 12 177, RGB 201 12 216 and RGB 146 12 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 13 67 shade matches the following richer shades: RGB 216 12 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 13 67 shade: RGB 216 12 67, RGB 198 31 75, RGB 179 49 84, RGB 161 68 93 and RGB 142 86 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 13 67 shade: RGB 216 12 179, RGB 216 12 124, RGB 216 12 70, RGB 216 12 16 and RGB 216 63 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 13 67 shade: RGB 138 8 43, RGB 177 10 55, RGB 216 12 67, RGB 241 28 85 and RGB 244 67 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 13 67 shade: RGB 215 13 67, RGB 216 199 12 and RGB 12 152 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 13 67 shade: RGB 215 13 67, RGB 70 216 12 and RGB 12 70 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 13 67 shade: RGB 215 13 67, RGB 216 199 12, RGB 12 216 159 and RGB 12 29 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 13 67 shade: RGB 215 13 67, RGB 172 216 12, RGB 12 216 159 and RGB 56 12 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 69 / 16

HEX #D70D43

RGB 215 13 67

HSL 343.96, 0.89%, 0.45%

LAB 45.83, 70.82, 27.66

 

Complementary color

CMYK 83 / 0 / 22 / 5

HEX #28F2BC

RGB 40 242 188

HSL 163.96, 0.89%, 0.55%

LAB 85.8, -58.85, 13

 

CMYK 0 / 94 / 72 / 14

HEX #DC0D3E

RGB 220 13 62

HSL 345.8, 0.89%, 0.46%

LAB 46.78, 71.82, 32.1

 

CMYK 0 / 87 / 66 / 7

HEX #ED1F51

RGB 237 31 81

HSL 345.44, 0.85%, 0.53%

LAB 51.36, 74.42, 27.06

 

CMYK 0 / 81 / 61 / 0

HEX #FE3164

RGB 254 49 100

HSL 345.07, 0.99%, 0.59%

LAB 56.28, 76.05, 22.73

 

CMYK 0 / 74 / 53 / 0

HEX #FF4377

RGB 255 67 119

HSL 343.4, 1%, 0.63%

LAB 58.61, 72.61, 14.69

 

CMYK 0 / 67 / 46 / 0

HEX #FF558A

RGB 255 85 138

HSL 341.29, 1%, 0.67%

LAB 61.3, 67.93, 7.36

 

CMYK 0 / 94 / 69 / 16

HEX #D70D43

RGB 215 13 67

HSL 343.96, 0.89%, 0.45%

LAB 45.83, 70.82, 27.66

 

CMYK 0 / 100 / 76 / 22

HEX #C60030

RGB 198 0 48

HSL 345.45, 1%, 0.39%

LAB 41.56, 67.13, 33.32

 

CMYK 0 / 100 / 84 / 29

HEX #B5001D

RGB 181 0 29

HSL 350.39, 1%, 0.35%

LAB 37.68, 62.37, 39.27

 

CMYK 0 / 100 / 94 / 36

HEX #A4000A

RGB 164 0 10

HSL 356.34, 1%, 0.32%

LAB 33.8, 57.7, 43.92

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 94 / 69 / 15

HEX #D80C43

RGB 216 12 67

HSL 343.82, 0.89%, 0.45%

LAB 46, 71.16, 27.92

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 0 / 94 / 69 / 15

HEX #D80C43

RGB 216 12 67

HSL 343.82, 0.89%, 0.45%

LAB 46, 71.16, 27.92

 

CMYK 0 / 94 / 44 / 15

HEX #D80C7A

RGB 216 12 122

HSL 327.65, 0.89%, 0.45%

LAB 47.32, 74.76, -4.26

 

CMYK 0 / 94 / 18 / 15

HEX #D80CB1

RGB 216 12 177

HSL 311.47, 0.89%, 0.45%

LAB 49.54, 80.55, -33.91

 

CMYK 7 / 94 / 0 / 15

HEX #C90CD8

RGB 201 12 216

HSL 295.59, 0.89%, 0.45%

LAB 49.05, 83.4, -57.47

 

CMYK 32 / 94 / 0 / 15

HEX #920CD8

RGB 146 12 216

HSL 279.41, 0.89%, 0.45%

LAB 40.13, 75.73, -72.37

 

CMYK 0 / 94 / 69 / 15

HEX #D80C43

RGB 216 12 67

HSL 343.82, 0.89%, 0.45%

LAB 46, 71.16, 27.92

 

CMYK 0 / 94 / 69 / 15

HEX #D80C43

RGB 216 12 67

HSL 343.82, 0.89%, 0.45%

LAB 46, 71.16, 27.92

 

CMYK 0 / 84 / 62 / 22

HEX #C61F4B

RGB 198 31 75

HSL 344.19, 0.73%, 0.45%

LAB 43.5, 64.11, 19.02

 

CMYK 0 / 73 / 53 / 30

HEX #B33154

RGB 179 49 84

HSL 343.85, 0.57%, 0.45%

LAB 41.88, 54.18, 10.58

 

CMYK 0 / 58 / 42 / 37

HEX #A1445D

RGB 161 68 93

HSL 343.87, 0.41%, 0.45%

LAB 42, 41.01, 4.7

 

CMYK 0 / 39 / 29 / 44

HEX #8E5665

RGB 142 86 101

HSL 343.93, 0.25%, 0.45%

LAB 43.28, 25.27, 1.26

 

CMYK 0 / 94 / 17 / 15

HEX #D80CB3

RGB 216 12 179

HSL 310.88, 0.89%, 0.45%

LAB 49.64, 80.8, -34.94

 

CMYK 0 / 94 / 43 / 15

HEX #D80C7C

RGB 216 12 124

HSL 327.06, 0.89%, 0.45%

LAB 47.39, 74.93, -5.39

 

CMYK 0 / 94 / 68 / 15

HEX #D80C46

RGB 216 12 70

HSL 342.94, 0.89%, 0.45%

LAB 46.05, 71.3, 26.14

 

CMYK 0 / 94 / 93 / 15

HEX #D80C10

RGB 216 12 16

HSL 358.82, 0.89%, 0.45%

LAB 45.5, 69.76, 54.5

 

CMYK 0 / 71 / 94 / 15

HEX #D83F0C

RGB 216 63 12

HSL 15, 0.89%, 0.45%

LAB 49.71, 57.8, 58.28

 

CMYK 0 / 94 / 69 / 46

HEX #8A082B

RGB 138 8 43

HSL 343.85, 0.89%, 0.29%

LAB 28.78, 50.69, 18.06

 

CMYK 0 / 94 / 69 / 31

HEX #B10A37

RGB 177 10 55

HSL 343.83, 0.89%, 0.37%

LAB 37.55, 61.16, 23.1

 

CMYK 0 / 94 / 69 / 15

HEX #D80C43

RGB 216 12 67

HSL 343.82, 0.89%, 0.45%

LAB 46, 71.16, 27.92

 

CMYK 0 / 88 / 65 / 5

HEX #F11C55

RGB 241 28 85

HSL 343.94, 0.88%, 0.53%

LAB 52.05, 76.1, 25.7

 

CMYK 0 / 73 / 53 / 4

HEX #F44373

RGB 244 67 115

HSL 343.73, 0.89%, 0.61%

LAB 56.57, 69.27, 13.93

 

CMYK 0 / 94 / 69 / 16

HEX #D70D43

RGB 215 13 67

HSL 343.96, 0.89%, 0.45%

LAB 45.83, 70.82, 27.66

 

CMYK 0 / 8 / 94 / 15

HEX #D8C70C

RGB 216 199 12

HSL 55, 0.89%, 0.45%

LAB 79.31, -10.43, 78.91

 

CMYK 94 / 30 / 0 / 15

HEX #0C98D8

RGB 12 152 216

HSL 198.82, 0.89%, 0.45%

LAB 59.43, -10.08, -41.76

 

CMYK 0 / 94 / 69 / 16

HEX #D70D43

RGB 215 13 67

HSL 343.96, 0.89%, 0.45%

LAB 45.83, 70.82, 27.66

 

CMYK 68 / 0 / 94 / 15

HEX #46D80C

RGB 70 216 12

HSL 102.94, 0.89%, 0.45%

LAB 76.34, -68.73, 73.22

 

CMYK 94 / 68 / 0 / 15

HEX #0C46D8

RGB 12 70 216

HSL 222.94, 0.89%, 0.45%

LAB 36.77, 41.14, -78.28

 

CMYK 0 / 94 / 69 / 16

HEX #D70D43

RGB 215 13 67

HSL 343.96, 0.89%, 0.45%

LAB 45.83, 70.82, 27.66

 

CMYK 0 / 8 / 94 / 15

HEX #D8C70C

RGB 216 199 12

HSL 55, 0.89%, 0.45%

LAB 79.31, -10.43, 78.91

 

CMYK 94 / 0 / 26 / 15

HEX #0CD89F

RGB 12 216 159

HSL 163.24, 0.89%, 0.45%

LAB 77.1, -57.23, 15.92

 

CMYK 94 / 87 / 0 / 15

HEX #0C1DD8

RGB 12 29 216

HSL 235, 0.89%, 0.45%

LAB 29.2, 62.71, -90.84

 

CMYK 0 / 94 / 69 / 16

HEX #D70D43

RGB 215 13 67

HSL 343.96, 0.89%, 0.45%

LAB 45.83, 70.82, 27.66

 

CMYK 20 / 0 / 94 / 15

HEX #ACD80C

RGB 172 216 12

HSL 72.94, 0.89%, 0.45%

LAB 80.69, -37.03, 78.53

 

CMYK 94 / 0 / 26 / 15

HEX #0CD89F

RGB 12 216 159

HSL 163.24, 0.89%, 0.45%

LAB 77.1, -57.23, 15.92

 

CMYK 74 / 94 / 0 / 15

HEX #380CD8

RGB 56 12 216

HSL 252.94, 0.89%, 0.45%

LAB 29.57, 68.63, -90.17

 

Description

Color code: RGB 215 13 67 | qconv.com Color code: RGB 215 13 67 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 13 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 13 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 69 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 69% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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