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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 132 172 it is the complementary color RGB 40 123 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 132 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 132 172 shade: RGB 220 132 167, RGB 237 150 186, RGB 254 168 205, RGB 255 186 224 and RGB 255 204 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 132 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 132 172 shade: RGB 215 132 172, RGB 198 114 153, RGB 181 96 134, RGB 164 78 115 and RGB 147 60 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 132 172 shade: RGB 215 131 171, RGB 215 131 149 and RGB 215 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 132 172 shade: RGB 215 131 171, RGB 215 131 194, RGB 213 131 215, RGB 190 131 215 and RGB 168 131 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 132 172 shade matches the following richer shades: RGB 215 131 171, RGB 228 118 171, RGB 241 105 170 and RGB 254 92 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 132 172 shade: RGB 215 131 171, RGB 201 144 172, RGB 188 158 172, RGB 175 171 173 and RGB 162 184 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 132 172 shade: RGB 213 131 215, RGB 215 131 194, RGB 215 131 172, RGB 215 131 149 and RGB 215 135 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 132 172 shade: RGB 194 69 129, RGB 204 100 150, RGB 215 131 171, RGB 225 162 192 and RGB 235 194 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 132 172 shade: RGB 215 132 172, RGB 215 191 131 and RGB 131 205 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 132 172 shade: RGB 215 132 172, RGB 172 215 131 and RGB 131 172 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 132 172 shade: RGB 215 132 172, RGB 215 191 131, RGB 131 215 174 and RGB 131 155 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 132 172 shade: RGB 215 132 172, RGB 213 215 131, RGB 131 215 174 and RGB 133 131 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 20 / 16

HEX #D784AC

RGB 215 132 172

HSL 331.08, 0.51%, 0.68%

LAB 64.91, 37.24, -7.55

 

Complementary color

CMYK 67 / 0 / 33 / 52

HEX #287B53

RGB 40 123 83

HSL 151.08, 0.51%, 0.32%

LAB 45.96, -34.88, 14.76

 

CMYK 0 / 40 / 24 / 14

HEX #DC84A7

RGB 220 132 167

HSL 336.14, 0.56%, 0.69%

LAB 65.36, 38.24, -3.98

 

CMYK 0 / 37 / 22 / 7

HEX #ED96BA

RGB 237 150 186

HSL 335.17, 0.71%, 0.76%

LAB 71.8, 37.43, -4.89

 

CMYK 0 / 34 / 19 / 0

HEX #FEA8CD

RGB 254 168 205

HSL 334.19, 0.98%, 0.83%

LAB 78.16, 36.67, -5.72

 

CMYK 0 / 27 / 12 / 0

HEX #FFBAE0

RGB 255 186 224

HSL 326.96, 1%, 0.86%

LAB 82.79, 30.53, -9.12

 

CMYK 0 / 20 / 5 / 0

HEX #FFCCF3

RGB 255 204 243

HSL 314.12, 1%, 0.9%

LAB 87.44, 24.25, -12.3

 

CMYK 0 / 39 / 20 / 16

HEX #D784AC

RGB 215 132 172

HSL 331.08, 0.51%, 0.68%

LAB 64.91, 37.24, -7.55

 

CMYK 0 / 42 / 23 / 22

HEX #C67299

RGB 198 114 153

HSL 332.14, 0.42%, 0.61%

LAB 58.36, 38.06, -6.64

 

CMYK 0 / 47 / 26 / 29

HEX #B56086

RGB 181 96 134

HSL 333.18, 0.36%, 0.54%

LAB 51.74, 38.9, -5.59

 

CMYK 0 / 52 / 30 / 36

HEX #A44E73

RGB 164 78 115

HSL 334.19, 0.36%, 0.47%

LAB 45.05, 39.73, -4.34

 

CMYK 0 / 59 / 35 / 42

HEX #933C60

RGB 147 60 96

HSL 335.17, 0.42%, 0.41%

LAB 38.34, 40.47, -2.78

 

CMYK 0 / 39 / 20 / 16

HEX #D783AB

RGB 215 131 171

HSL 331.43, 0.51%, 0.68%

LAB 64.66, 37.62, -7.35

 

CMYK 0 / 39 / 31 / 16

HEX #D78395

RGB 215 131 149

HSL 347.14, 0.51%, 0.68%

LAB 64.04, 34.52, 4.22

 

CMYK 0 / 39 / 39 / 16

HEX #D78383

RGB 215 131 131

HSL 0, 0.51%, 0.68%

LAB 63.61, 32.31, 13.83

 

CMYK 0 / 39 / 20 / 16

HEX #D783AB

RGB 215 131 171

HSL 331.43, 0.51%, 0.68%

LAB 64.66, 37.62, -7.35

 

CMYK 0 / 39 / 10 / 16

HEX #D783C2

RGB 215 131 194

HSL 315, 0.51%, 0.68%

LAB 65.42, 41.28, -19.19

 

CMYK 1 / 39 / 0 / 16

HEX #D583D7

RGB 213 131 215

HSL 298.57, 0.51%, 0.68%

LAB 65.97, 44.36, -30.11

 

CMYK 12 / 39 / 0 / 16

HEX #BE83D7

RGB 190 131 215

HSL 282.14, 0.51%, 0.68%

LAB 63.41, 37.38, -34.28

 

CMYK 22 / 39 / 0 / 16

HEX #A883D7

RGB 168 131 215

HSL 266.43, 0.51%, 0.68%

LAB 61.19, 30.82, -37.91

 

CMYK 0 / 39 / 20 / 16

HEX #D783AB

RGB 215 131 171

HSL 331.43, 0.51%, 0.68%

LAB 64.66, 37.62, -7.35

 

CMYK 0 / 48 / 25 / 11

HEX #E476AB

RGB 228 118 171

HSL 331.09, 0.67%, 0.68%

LAB 63.66, 48.68, -8.66

 

CMYK 0 / 56 / 29 / 5

HEX #F169AA

RGB 241 105 170

HSL 331.32, 0.83%, 0.68%

LAB 63.1, 58.83, -8.73

 

CMYK 0 / 64 / 33 / 0

HEX #FE5CAA

RGB 254 92 170

HSL 331.11, 0.99%, 0.68%

LAB 63.03, 68.16, -8.62

 

CMYK 0 / 39 / 20 / 16

HEX #D783AB

RGB 215 131 171

HSL 331.43, 0.51%, 0.68%

LAB 64.66, 37.62, -7.35

 

CMYK 0 / 28 / 14 / 21

HEX #C990AC

RGB 201 144 172

HSL 330.53, 0.35%, 0.68%

LAB 66.01, 25.83, -6.08

 

CMYK 0 / 16 / 9 / 26

HEX #BC9EAC

RGB 188 158 172

HSL 332, 0.18%, 0.68%

LAB 68.11, 13.43, -3.13

 

CMYK 0 / 2 / 1 / 31

HEX #AFABAD

RGB 175 171 173

HSL 330, 0.02%, 0.68%

LAB 70.36, 1.8, -0.53

 

CMYK 12 / 0 / 6 / 28

HEX #A2B8AD

RGB 162 184 173

HSL 150, 0.13%, 0.68%

LAB 72.88, -9.71, 3.03

 

CMYK 1 / 39 / 0 / 16

HEX #D583D7

RGB 213 131 215

HSL 298.57, 0.51%, 0.68%

LAB 65.97, 44.36, -30.11

 

CMYK 0 / 39 / 10 / 16

HEX #D783C2

RGB 215 131 194

HSL 315, 0.51%, 0.68%

LAB 65.42, 41.28, -19.19

 

CMYK 0 / 39 / 20 / 16

HEX #D783AC

RGB 215 131 172

HSL 330.71, 0.51%, 0.68%

LAB 64.69, 37.77, -7.87

 

CMYK 0 / 39 / 31 / 16

HEX #D78395

RGB 215 131 149

HSL 347.14, 0.51%, 0.68%

LAB 64.04, 34.52, 4.22

 

CMYK 0 / 37 / 39 / 16

HEX #D78783

RGB 215 135 131

HSL 2.86, 0.51%, 0.68%

LAB 64.49, 30.17, 15.07

 

CMYK 0 / 64 / 34 / 24

HEX #C24581

RGB 194 69 129

HSL 331.2, 0.51%, 0.52%

LAB 48.65, 55.37, -6.98

 

CMYK 0 / 51 / 26 / 20

HEX #CC6496

RGB 204 100 150

HSL 331.15, 0.5%, 0.6%

LAB 56.24, 46.87, -7.96

 

CMYK 0 / 39 / 20 / 16

HEX #D783AB

RGB 215 131 171

HSL 331.43, 0.51%, 0.68%

LAB 64.66, 37.62, -7.35

 

CMYK 0 / 28 / 15 / 12

HEX #E1A2C0

RGB 225 162 192

HSL 331.43, 0.51%, 0.76%

LAB 73.32, 27.8, -6.11

 

CMYK 0 / 17 / 9 / 8

HEX #EBC2D5

RGB 235 194 213

HSL 332.2, 0.51%, 0.84%

LAB 82.41, 17.62, -3.99

 

CMYK 0 / 39 / 20 / 16

HEX #D784AC

RGB 215 132 172

HSL 331.08, 0.51%, 0.68%

LAB 64.91, 37.24, -7.55

 

CMYK 0 / 11 / 39 / 16

HEX #D7BF83

RGB 215 191 131

HSL 42.86, 0.51%, 0.68%

LAB 78.08, 0.12, 33.39

 

CMYK 39 / 5 / 0 / 16

HEX #83CDD7

RGB 131 205 215

HSL 187.14, 0.51%, 0.68%

LAB 78.11, -20.44, -12.23

 

CMYK 0 / 39 / 20 / 16

HEX #D784AC

RGB 215 132 172

HSL 331.08, 0.51%, 0.68%

LAB 64.91, 37.24, -7.55

 

CMYK 20 / 0 / 39 / 16

HEX #ACD783

RGB 172 215 131

HSL 90.71, 0.51%, 0.68%

LAB 81.3, -28.51, 36.94

 

CMYK 39 / 20 / 0 / 16

HEX #83ACD7

RGB 131 172 215

HSL 210.71, 0.51%, 0.68%

LAB 68.92, -3.02, -26.15

 

CMYK 0 / 39 / 20 / 16

HEX #D784AC

RGB 215 132 172

HSL 331.08, 0.51%, 0.68%

LAB 64.91, 37.24, -7.55

 

CMYK 0 / 11 / 39 / 16

HEX #D7BF83

RGB 215 191 131

HSL 42.86, 0.51%, 0.68%

LAB 78.08, 0.12, 33.39

 

CMYK 39 / 0 / 19 / 16

HEX #83D7AE

RGB 131 215 174

HSL 150.71, 0.51%, 0.68%

LAB 79.89, -34.6, 12.3

 

CMYK 39 / 28 / 0 / 16

HEX #839BD7

RGB 131 155 215

HSL 222.86, 0.51%, 0.68%

LAB 64.3, 6.52, -33.28

 

CMYK 0 / 39 / 20 / 16

HEX #D784AC

RGB 215 132 172

HSL 331.08, 0.51%, 0.68%

LAB 64.91, 37.24, -7.55

 

CMYK 1 / 0 / 39 / 16

HEX #D5D783

RGB 213 215 131

HSL 61.43, 0.51%, 0.68%

LAB 84.17, -12.99, 41.19

 

CMYK 39 / 0 / 19 / 16

HEX #83D7AE

RGB 131 215 174

HSL 150.71, 0.51%, 0.68%

LAB 79.89, -34.6, 12.3

 

CMYK 38 / 39 / 0 / 16

HEX #8583D7

RGB 133 131 215

HSL 241.43, 0.51%, 0.68%

LAB 58.16, 21, -42.89

 

Description

Color code: RGB 215 132 172 | qconv.com Color code: RGB 215 132 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 132 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 132 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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