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Color name
RGB 215 130 171

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 130 171 it is the complementary color RGB 40 125 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 130 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 130 171 shade: RGB 220 130 166, RGB 237 148 185, RGB 254 166 204, RGB 255 184 223 and RGB 255 202 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 130 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 130 171 shade: RGB 215 130 171, RGB 198 112 152, RGB 181 94 133, RGB 164 76 114 and RGB 147 58 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 130 171 shade: RGB 215 130 171, RGB 215 130 149 and RGB 215 130 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 130 171 shade: RGB 215 130 171, RGB 215 130 194, RGB 213 130 215, RGB 191 130 215 and RGB 168 130 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 130 171 shade matches the following richer shades: RGB 215 130 171, RGB 229 117 171 and RGB 242 104 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 130 171 shade: RGB 215 130 171, RGB 202 144 172, RGB 189 157 172, RGB 176 170 173 and RGB 163 183 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 130 171 shade: RGB 214 130 215, RGB 215 130 194, RGB 215 130 171, RGB 215 130 149 and RGB 215 135 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 130 171 shade: RGB 196 68 129, RGB 205 99 150, RGB 215 130 171, RGB 225 162 192 and RGB 235 193 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 130 171 shade: RGB 215 130 171, RGB 215 191 130 and RGB 130 205 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 130 171 shade: RGB 215 130 171, RGB 171 215 130 and RGB 130 171 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 130 171 shade: RGB 215 130 171, RGB 215 191 130, RGB 130 215 174 and RGB 130 155 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 130 171 shade: RGB 215 130 171, RGB 214 215 130, RGB 130 215 174 and RGB 132 130 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

Complementary color

CMYK 68 / 0 / 33 / 51

HEX #287D54

RGB 40 125 84

HSL 151.06, 0.52%, 0.32%

LAB 46.66, -35.54, 15.13

 

CMYK 0 / 41 / 25 / 14

HEX #DC82A6

RGB 220 130 166

HSL 336, 0.56%, 0.69%

LAB 64.91, 39.15, -4.08

 

CMYK 0 / 38 / 22 / 7

HEX #ED94B9

RGB 237 148 185

HSL 335.06, 0.71%, 0.75%

LAB 71.34, 38.34, -5.01

 

CMYK 0 / 35 / 20 / 0

HEX #FEA6CC

RGB 254 166 204

HSL 334.09, 0.98%, 0.82%

LAB 77.7, 37.56, -5.85

 

CMYK 0 / 28 / 13 / 0

HEX #FFB8DF

RGB 255 184 223

HSL 327.04, 1%, 0.86%

LAB 82.31, 31.42, -9.29

 

CMYK 0 / 21 / 5 / 0

HEX #FFCAF2

RGB 255 202 242

HSL 314.72, 1%, 0.9%

LAB 86.95, 25.13, -12.5

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 43 / 23 / 22

HEX #C67098

RGB 198 112 152

HSL 332.09, 0.43%, 0.61%

LAB 57.9, 38.97, -6.74

 

CMYK 0 / 48 / 27 / 29

HEX #B55E85

RGB 181 94 133

HSL 333.1, 0.37%, 0.54%

LAB 51.29, 39.81, -5.66

 

CMYK 0 / 54 / 30 / 36

HEX #A44C72

RGB 164 76 114

HSL 334.09, 0.37%, 0.47%

LAB 44.63, 40.62, -4.36

 

CMYK 0 / 61 / 35 / 42

HEX #933A5F

RGB 147 58 95

HSL 335.06, 0.43%, 0.4%

LAB 37.94, 41.32, -2.74

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 40 / 31 / 16

HEX #D78295

RGB 215 130 149

HSL 346.59, 0.52%, 0.68%

LAB 63.82, 35.06, 3.91

 

CMYK 0 / 40 / 40 / 16

HEX #D78282

RGB 215 130 130

HSL 0, 0.52%, 0.68%

LAB 63.36, 32.73, 14.05

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 40 / 10 / 16

HEX #D782C2

RGB 215 130 194

HSL 314.82, 0.52%, 0.68%

LAB 65.21, 41.81, -19.51

 

CMYK 1 / 40 / 0 / 16

HEX #D582D7

RGB 213 130 215

HSL 298.59, 0.52%, 0.68%

LAB 65.76, 44.89, -30.43

 

CMYK 11 / 40 / 0 / 16

HEX #BF82D7

RGB 191 130 215

HSL 283.06, 0.52%, 0.68%

LAB 63.3, 38.22, -34.45

 

CMYK 22 / 40 / 0 / 16

HEX #A882D7

RGB 168 130 215

HSL 266.82, 0.52%, 0.68%

LAB 60.95, 31.39, -38.28

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 49 / 25 / 10

HEX #E575AB

RGB 229 117 171

HSL 331.07, 0.68%, 0.68%

LAB 63.61, 49.5, -8.73

 

CMYK 0 / 57 / 30 / 5

HEX #F268AA

RGB 242 104 170

HSL 331.3, 0.84%, 0.68%

LAB 63.08, 59.59, -8.75

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 29 / 15 / 21

HEX #CA90AC

RGB 202 144 172

HSL 331.03, 0.35%, 0.68%

LAB 66.12, 26.19, -5.91

 

CMYK 0 / 17 / 9 / 26

HEX #BD9DAC

RGB 189 157 172

HSL 331.88, 0.2%, 0.68%

LAB 67.96, 14.34, -3.35

 

CMYK 0 / 3 / 2 / 31

HEX #B0AAAD

RGB 176 170 173

HSL 330, 0.04%, 0.68%

LAB 70.17, 2.7, -0.78

 

CMYK 11 / 0 / 5 / 28

HEX #A3B7AD

RGB 163 183 173

HSL 150, 0.12%, 0.68%

LAB 72.67, -8.84, 2.74

 

CMYK 0 / 40 / 0 / 16

HEX #D682D7

RGB 214 130 215

HSL 299.29, 0.52%, 0.68%

LAB 65.88, 45.19, -30.24

 

CMYK 0 / 40 / 10 / 16

HEX #D782C2

RGB 215 130 194

HSL 314.82, 0.52%, 0.68%

LAB 65.21, 41.81, -19.51

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 40 / 31 / 16

HEX #D78295

RGB 215 130 149

HSL 346.59, 0.52%, 0.68%

LAB 63.82, 35.06, 3.91

 

CMYK 0 / 37 / 40 / 16

HEX #D78782

RGB 215 135 130

HSL 3.53, 0.52%, 0.68%

LAB 64.47, 30.06, 15.6

 

CMYK 0 / 65 / 34 / 23

HEX #C44481

RGB 196 68 129

HSL 331.41, 0.52%, 0.52%

LAB 48.83, 56.38, -6.68

 

CMYK 0 / 52 / 27 / 20

HEX #CD6396

RGB 205 99 150

HSL 331.13, 0.51%, 0.6%

LAB 56.19, 47.7, -8.02

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 28 / 15 / 12

HEX #E1A2C0

RGB 225 162 192

HSL 331.43, 0.51%, 0.76%

LAB 73.32, 27.8, -6.11

 

CMYK 0 / 18 / 9 / 8

HEX #EBC1D5

RGB 235 193 213

HSL 331.43, 0.51%, 0.84%

LAB 82.17, 18.15, -4.35

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 11 / 40 / 16

HEX #D7BF82

RGB 215 191 130

HSL 43.06, 0.52%, 0.68%

LAB 78.06, 0.01, 33.89

 

CMYK 40 / 5 / 0 / 16

HEX #82CDD7

RGB 130 205 215

HSL 187.06, 0.52%, 0.68%

LAB 78.06, -20.7, -12.31

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 20 / 0 / 40 / 16

HEX #ABD782

RGB 171 215 130

HSL 91.06, 0.52%, 0.68%

LAB 81.22, -29, 37.33

 

CMYK 40 / 20 / 0 / 16

HEX #82ABD7

RGB 130 171 215

HSL 211.06, 0.52%, 0.68%

LAB 68.59, -2.73, -26.67

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 11 / 40 / 16

HEX #D7BF82

RGB 215 191 130

HSL 43.06, 0.52%, 0.68%

LAB 78.06, 0.01, 33.89

 

CMYK 40 / 0 / 19 / 16

HEX #82D7AE

RGB 130 215 174

HSL 151.06, 0.52%, 0.68%

LAB 79.84, -34.87, 12.23

 

CMYK 40 / 28 / 0 / 16

HEX #829BD7

RGB 130 155 215

HSL 222.35, 0.52%, 0.68%

LAB 64.24, 6.25, -33.39

 

CMYK 0 / 40 / 20 / 16

HEX #D782AB

RGB 215 130 171

HSL 331.06, 0.52%, 0.68%

LAB 64.45, 38.15, -7.67

 

CMYK 0 / 0 / 40 / 16

HEX #D6D782

RGB 214 215 130

HSL 60.71, 0.52%, 0.68%

LAB 84.23, -12.71, 41.78

 

CMYK 40 / 0 / 19 / 16

HEX #82D7AE

RGB 130 215 174

HSL 151.06, 0.52%, 0.68%

LAB 79.84, -34.87, 12.23

 

CMYK 39 / 40 / 0 / 16

HEX #8482D7

RGB 132 130 215

HSL 241.41, 0.52%, 0.68%

LAB 57.82, 21.33, -43.42

 

Description

Color code: RGB 215 130 171 | qconv.com Color code: RGB 215 130 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 130 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 130 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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