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Color name
RGB 215 118 24

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 118 24 it is the complementary color RGB 40 137 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 118 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 118 24 shade: RGB 220 118 19, RGB 237 136 38, RGB 254 154 57, RGB 255 172 76 and RGB 255 190 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 118 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 118 24 shade: RGB 215 118 24, RGB 198 100 5, RGB 181 82 0, RGB 164 64 0 and RGB 147 46 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 118 24 shade: RGB 215 118 23, RGB 215 66 23 and RGB 215 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 118 24 shade: RGB 215 118 23, RGB 215 170 23, RGB 209 215 23, RGB 157 215 23 and RGB 106 215 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 118 24 shade matches the following richer shades: RGB 215 118 23 and RGB 235 118 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 118 24 shade: RGB 215 118 23, RGB 196 118 43, RGB 176 118 62, RGB 157 119 82 and RGB 138 119 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 118 24 shade: RGB 215 23 33, RGB 215 65 23, RGB 215 116 23, RGB 215 167 23 and RGB 212 215 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 118 24 shade: RGB 141 77 15, RGB 178 97 19, RGB 215 118 23, RGB 232 139 48 and RGB 236 159 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 118 24 shade: RGB 215 118 24, RGB 84 215 23 and RGB 39 23 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 118 24 shade: RGB 215 118 24, RGB 23 215 116 and RGB 116 23 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 118 24 shade: RGB 215 118 24, RGB 84 215 23, RGB 23 123 215 and RGB 155 23 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 118 24 shade: RGB 215 118 24, RGB 27 215 23, RGB 23 123 215 and RGB 212 23 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 89 / 16

HEX #D77618

RGB 215 118 24

HSL 29.53, 0.8%, 0.47%

LAB 59.41, 32.22, 61.7

 

Complementary color

CMYK 83 / 41 / 0 / 9

HEX #2889E7

RGB 40 137 231

HSL 209.53, 0.8%, 0.53%

LAB 56.2, 5.89, -55.22

 

CMYK 0 / 46 / 91 / 14

HEX #DC7613

RGB 220 118 19

HSL 29.55, 0.84%, 0.47%

LAB 60.09, 34.18, 63.82

 

CMYK 0 / 43 / 84 / 7

HEX #ED8826

RGB 237 136 38

HSL 29.55, 0.85%, 0.54%

LAB 66.33, 32.15, 64.14

 

CMYK 0 / 39 / 78 / 0

HEX #FE9A39

RGB 254 154 57

HSL 29.54, 0.99%, 0.61%

LAB 72.55, 30.31, 63.48

 

CMYK 0 / 33 / 70 / 0

HEX #FFAC4C

RGB 255 172 76

HSL 32.18, 1%, 0.65%

LAB 76.85, 22.15, 59.83

 

CMYK 0 / 25 / 63 / 0

HEX #FFBE5F

RGB 255 190 95

HSL 35.63, 1%, 0.69%

LAB 81.24, 13.82, 56.01

 

CMYK 0 / 45 / 89 / 16

HEX #D77618

RGB 215 118 24

HSL 29.53, 0.8%, 0.47%

LAB 59.41, 32.22, 61.7

 

CMYK 0 / 49 / 97 / 22

HEX #C66405

RGB 198 100 5

HSL 29.53, 0.95%, 0.4%

LAB 53.09, 34.38, 60.42

 

CMYK 0 / 55 / 100 / 29

HEX #B55200

RGB 181 82 0

HSL 27.18, 1%, 0.35%

LAB 46.79, 36.7, 56.4

 

CMYK 0 / 61 / 100 / 36

HEX #A44000

RGB 164 64 0

HSL 23.41, 1%, 0.32%

LAB 40.51, 38.94, 51.39

 

CMYK 0 / 69 / 100 / 42

HEX #932E00

RGB 147 46 0

HSL 18.78, 1%, 0.29%

LAB 34.31, 40.83, 46.44

 

CMYK 0 / 45 / 89 / 16

HEX #D77617

RGB 215 118 23

HSL 29.69, 0.81%, 0.47%

LAB 59.4, 32.2, 61.97

 

CMYK 0 / 69 / 89 / 16

HEX #D74217

RGB 215 66 23

HSL 13.44, 0.81%, 0.47%

LAB 49.98, 56.5, 54.91

 

CMYK 0 / 89 / 89 / 16

HEX #D71717

RGB 215 23 23

HSL 0, 0.81%, 0.47%

LAB 45.8, 68.22, 51.85

 

CMYK 0 / 45 / 89 / 16

HEX #D77617

RGB 215 118 23

HSL 29.69, 0.81%, 0.47%

LAB 59.4, 32.2, 61.97

 

CMYK 0 / 21 / 89 / 16

HEX #D7AA17

RGB 215 170 23

HSL 45.94, 0.81%, 0.47%

LAB 71.73, 4.36, 71.45

 

CMYK 3 / 0 / 89 / 16

HEX #D1D717

RGB 209 215 23

HSL 61.88, 0.81%, 0.47%

LAB 83.03, -21.22, 80.07

 

CMYK 27 / 0 / 89 / 16

HEX #9DD717

RGB 157 215 23

HSL 78.13, 0.81%, 0.47%

LAB 79.52, -42.21, 75.78

 

CMYK 51 / 0 / 89 / 16

HEX #6AD717

RGB 106 215 23

HSL 94.06, 0.81%, 0.47%

LAB 77.12, -59.43, 72.81

 

CMYK 0 / 45 / 89 / 16

HEX #D77617

RGB 215 118 23

HSL 29.69, 0.81%, 0.47%

LAB 59.4, 32.2, 61.97

 

CMYK 0 / 50 / 98 / 8

HEX #EB7604

RGB 235 118 4

HSL 29.61, 0.97%, 0.47%

LAB 62.19, 40.02, 69.01

 

CMYK 0 / 45 / 89 / 16

HEX #D77617

RGB 215 118 23

HSL 29.69, 0.81%, 0.47%

LAB 59.4, 32.2, 61.97

 

CMYK 0 / 40 / 78 / 23

HEX #C4762B

RGB 196 118 43

HSL 29.41, 0.64%, 0.47%

LAB 56.95, 24.79, 51.74

 

CMYK 0 / 33 / 65 / 31

HEX #B0763E

RGB 176 118 62

HSL 29.47, 0.48%, 0.47%

LAB 54.59, 17.17, 39.45

 

CMYK 0 / 24 / 48 / 38

HEX #9D7752

RGB 157 119 82

HSL 29.6, 0.31%, 0.47%

LAB 52.92, 10.05, 26.04

 

CMYK 0 / 14 / 27 / 46

HEX #8A7765

RGB 138 119 101

HSL 29.19, 0.15%, 0.47%

LAB 51.31, 4.4, 12.62

 

CMYK 0 / 89 / 85 / 16

HEX #D71721

RGB 215 23 33

HSL 356.88, 0.81%, 0.47%

LAB 45.87, 68.41, 47.22

 

CMYK 0 / 70 / 89 / 16

HEX #D74117

RGB 215 65 23

HSL 13.13, 0.81%, 0.47%

LAB 49.85, 56.88, 54.8

 

CMYK 0 / 46 / 89 / 16

HEX #D77417

RGB 215 116 23

HSL 29.06, 0.81%, 0.47%

LAB 58.97, 33.24, 61.65

 

CMYK 0 / 22 / 89 / 16

HEX #D7A717

RGB 215 167 23

HSL 45, 0.81%, 0.47%

LAB 70.97, 5.95, 70.87

 

CMYK 1 / 0 / 89 / 16

HEX #D4D717

RGB 212 215 23

HSL 60.94, 0.81%, 0.47%

LAB 83.26, -19.95, 80.35

 

CMYK 0 / 45 / 89 / 45

HEX #8D4D0F

RGB 141 77 15

HSL 29.52, 0.81%, 0.31%

LAB 39.59, 22.71, 44.4

 

CMYK 0 / 46 / 89 / 30

HEX #B26113

RGB 178 97 19

HSL 29.43, 0.81%, 0.39%

LAB 49.57, 27.82, 53.3

 

CMYK 0 / 45 / 89 / 16

HEX #D77617

RGB 215 118 23

HSL 29.69, 0.81%, 0.47%

LAB 59.4, 32.2, 61.97

 

CMYK 0 / 40 / 79 / 9

HEX #E88B30

RGB 232 139 48

HSL 29.67, 0.8%, 0.55%

LAB 66.39, 28.83, 60.28

 

CMYK 0 / 33 / 64 / 7

HEX #EC9F55

RGB 236 159 85

HSL 29.4, 0.8%, 0.63%

LAB 71.75, 21.68, 49.42

 

CMYK 0 / 45 / 89 / 16

HEX #D77618

RGB 215 118 24

HSL 29.53, 0.8%, 0.47%

LAB 59.41, 32.22, 61.7

 

CMYK 61 / 0 / 89 / 16

HEX #54D717

RGB 84 215 23

HSL 100.94, 0.81%, 0.47%

LAB 76.4, -65.16, 71.92

 

CMYK 82 / 89 / 0 / 16

HEX #2717D7

RGB 39 23 215

HSL 245, 0.81%, 0.47%

LAB 29.29, 65.09, -90.09

 

CMYK 0 / 45 / 89 / 16

HEX #D77618

RGB 215 118 24

HSL 29.53, 0.8%, 0.47%

LAB 59.41, 32.22, 61.7

 

CMYK 89 / 0 / 46 / 16

HEX #17D774

RGB 23 215 116

HSL 149.06, 0.81%, 0.47%

LAB 76.1, -65.04, 36.78

 

CMYK 46 / 89 / 0 / 16

HEX #7417D7

RGB 116 23 215

HSL 269.06, 0.81%, 0.47%

LAB 36.43, 70.29, -78.04

 

CMYK 0 / 45 / 89 / 16

HEX #D77618

RGB 215 118 24

HSL 29.53, 0.8%, 0.47%

LAB 59.41, 32.22, 61.7

 

CMYK 61 / 0 / 89 / 16

HEX #54D717

RGB 84 215 23

HSL 100.94, 0.81%, 0.47%

LAB 76.4, -65.16, 71.92

 

CMYK 89 / 43 / 0 / 16

HEX #177BD7

RGB 23 123 215

HSL 208.75, 0.81%, 0.47%

LAB 50.98, 7.19, -54.6

 

CMYK 28 / 89 / 0 / 16

HEX #9B17D7

RGB 155 23 215

HSL 281.25, 0.81%, 0.47%

LAB 41.98, 75.03, -68.72

 

CMYK 0 / 45 / 89 / 16

HEX #D77618

RGB 215 118 24

HSL 29.53, 0.8%, 0.47%

LAB 59.41, 32.22, 61.7

 

CMYK 87 / 0 / 89 / 16

HEX #1BD717

RGB 27 215 23

HSL 118.75, 0.81%, 0.47%

LAB 75.39, -73.95, 70.65

 

CMYK 89 / 43 / 0 / 16

HEX #177BD7

RGB 23 123 215

HSL 208.75, 0.81%, 0.47%

LAB 50.98, 7.19, -54.6

 

CMYK 1 / 89 / 0 / 16

HEX #D417D7

RGB 212 23 215

HSL 299.06, 0.81%, 0.47%

LAB 51.29, 83.8, -53.22

 

Description

Color code: RGB 215 118 24 | qconv.com Color code: RGB 215 118 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 118 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 118 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 89 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 89% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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