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Color name
RGB 215 101 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 101 23 it is the complementary color RGB 40 154 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 101 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 101 23 shade: RGB 220 101 18, RGB 237 119 37, RGB 254 137 56, RGB 255 155 75 and RGB 255 173 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 101 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 101 23 shade: RGB 215 101 23, RGB 198 83 4, RGB 181 65 0, RGB 164 47 0 and RGB 147 29 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 101 23 shade: RGB 216 101 22, RGB 216 49 22 and RGB 216 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 101 23 shade: RGB 216 101 22, RGB 216 154 22, RGB 216 206 22, RGB 175 216 22 and RGB 122 216 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 101 23 shade matches the following richer shades: RGB 216 101 22 and RGB 236 98 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 101 23 shade: RGB 216 101 22, RGB 197 105 42, RGB 178 108 61, RGB 158 112 80 and RGB 139 116 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 101 23 shade: RGB 216 22 48, RGB 216 48 22, RGB 216 100 22, RGB 216 152 22 and RGB 216 203 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 101 23 shade: RGB 142 66 14, RGB 179 84 18, RGB 216 101 22, RGB 233 123 47 and RGB 237 146 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 101 23 shade: RGB 215 101 23, RGB 100 216 22 and RGB 22 22 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 101 23 shade: RGB 215 101 23, RGB 22 216 100 and RGB 100 22 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 101 23 shade: RGB 215 101 23, RGB 100 216 22, RGB 22 139 216 and RGB 139 22 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 101 23 shade: RGB 215 101 23, RGB 42 216 22, RGB 22 139 216 and RGB 197 22 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 89 / 16

HEX #D76517

RGB 215 101 23

HSL 24.38, 0.81%, 0.47%

LAB 55.9, 40.9, 59.32

 

Complementary color

CMYK 83 / 34 / 0 / 9

HEX #289AE8

RGB 40 154 232

HSL 204.38, 0.81%, 0.53%

LAB 61.12, -3.76, -47.95

 

CMYK 0 / 54 / 92 / 14

HEX #DC6512

RGB 220 101 18

HSL 24.65, 0.85%, 0.47%

LAB 56.65, 42.75, 61.62

 

CMYK 0 / 50 / 84 / 7

HEX #ED7725

RGB 237 119 37

HSL 24.6, 0.85%, 0.54%

LAB 62.79, 40.8, 61.5

 

CMYK 0 / 46 / 78 / 0

HEX #FE8938

RGB 254 137 56

HSL 24.55, 0.99%, 0.61%

LAB 68.93, 38.98, 60.44

 

CMYK 0 / 39 / 71 / 0

HEX #FF9B4B

RGB 255 155 75

HSL 26.67, 1%, 0.65%

LAB 73.03, 30.95, 56.23

 

CMYK 0 / 32 / 63 / 0

HEX #FFAD5E

RGB 255 173 94

HSL 29.44, 1%, 0.68%

LAB 77.25, 22.64, 51.94

 

CMYK 0 / 53 / 89 / 16

HEX #D76517

RGB 215 101 23

HSL 24.38, 0.81%, 0.47%

LAB 55.9, 40.9, 59.32

 

CMYK 0 / 58 / 98 / 22

HEX #C65304

RGB 198 83 4

HSL 24.43, 0.96%, 0.4%

LAB 49.74, 42.89, 58.57

 

CMYK 0 / 64 / 100 / 29

HEX #B54100

RGB 181 65 0

HSL 21.55, 1%, 0.35%

LAB 43.66, 44.86, 54.69

 

CMYK 0 / 71 / 100 / 36

HEX #A42F00

RGB 164 47 0

HSL 17.2, 1%, 0.32%

LAB 37.71, 46.44, 49.96

 

CMYK 0 / 80 / 100 / 42

HEX #931D00

RGB 147 29 0

HSL 11.84, 1%, 0.29%

LAB 31.99, 47.22, 45.01

 

CMYK 0 / 53 / 90 / 15

HEX #D86516

RGB 216 101 22

HSL 24.43, 0.82%, 0.47%

LAB 56.05, 41.27, 59.8

 

CMYK 0 / 77 / 90 / 15

HEX #D83116

RGB 216 49 22

HSL 8.35, 0.82%, 0.47%

LAB 48.07, 62.58, 53.98

 

CMYK 0 / 90 / 90 / 15

HEX #D81616

RGB 216 22 22

HSL 0, 0.82%, 0.47%

LAB 45.95, 68.62, 52.47

 

CMYK 0 / 53 / 90 / 15

HEX #D86516

RGB 216 101 22

HSL 24.43, 0.82%, 0.47%

LAB 56.05, 41.27, 59.8

 

CMYK 0 / 29 / 90 / 15

HEX #D89A16

RGB 216 154 22

HSL 40.82, 0.82%, 0.47%

LAB 67.85, 13.34, 68.72

 

CMYK 0 / 5 / 90 / 15

HEX #D8CE16

RGB 216 206 22

HSL 56.91, 0.82%, 0.47%

LAB 81.18, -13.82, 79.02

 

CMYK 19 / 0 / 90 / 15

HEX #AFD816

RGB 175 216 22

HSL 72.68, 0.82%, 0.47%

LAB 80.9, -35.67, 77.51

 

CMYK 44 / 0 / 90 / 15

HEX #7AD816

RGB 122 216 22

HSL 89.07, 0.82%, 0.47%

LAB 78.06, -54.97, 74.01

 

CMYK 0 / 53 / 90 / 15

HEX #D86516

RGB 216 101 22

HSL 24.43, 0.82%, 0.47%

LAB 56.05, 41.27, 59.8

 

CMYK 0 / 58 / 99 / 7

HEX #EC6203

RGB 236 98 3

HSL 24.46, 0.97%, 0.47%

LAB 58.58, 50.01, 67.11

 

CMYK 0 / 53 / 90 / 15

HEX #D86516

RGB 216 101 22

HSL 24.43, 0.82%, 0.47%

LAB 56.05, 41.27, 59.8

 

CMYK 0 / 47 / 79 / 23

HEX #C5692A

RGB 197 105 42

HSL 24.39, 0.65%, 0.47%

LAB 54.18, 32.16, 49.55

 

CMYK 0 / 39 / 66 / 30

HEX #B26C3D

RGB 178 108 61

HSL 24.1, 0.49%, 0.47%

LAB 52.43, 23.54, 37.55

 

CMYK 0 / 29 / 49 / 38

HEX #9E7050

RGB 158 112 80

HSL 24.62, 0.33%, 0.47%

LAB 51.19, 14.28, 24.97

 

CMYK 0 / 17 / 28 / 45

HEX #8B7464

RGB 139 116 100

HSL 24.62, 0.16%, 0.47%

LAB 50.57, 6.4, 12.19

 

CMYK 0 / 90 / 78 / 15

HEX #D81630

RGB 216 22 48

HSL 351.96, 0.82%, 0.47%

LAB 46.16, 69.22, 39.43

 

CMYK 0 / 78 / 90 / 15

HEX #D83016

RGB 216 48 22

HSL 8.04, 0.82%, 0.47%

LAB 47.97, 62.88, 53.9

 

CMYK 0 / 54 / 90 / 15

HEX #D86416

RGB 216 100 22

HSL 24.12, 0.82%, 0.47%

LAB 55.86, 41.76, 59.66

 

CMYK 0 / 30 / 90 / 15

HEX #D89816

RGB 216 152 22

HSL 40.21, 0.82%, 0.47%

LAB 67.36, 14.41, 68.34

 

CMYK 0 / 6 / 90 / 15

HEX #D8CB16

RGB 216 203 22

HSL 55.98, 0.82%, 0.47%

LAB 80.39, -12.32, 78.4

 

CMYK 0 / 54 / 90 / 44

HEX #8E420E

RGB 142 66 14

HSL 24.38, 0.82%, 0.31%

LAB 37.26, 29.25, 42.95

 

CMYK 0 / 53 / 90 / 30

HEX #B35412

RGB 179 84 18

HSL 24.6, 0.82%, 0.39%

LAB 46.93, 35.13, 51.65

 

CMYK 0 / 53 / 90 / 15

HEX #D86516

RGB 216 101 22

HSL 24.43, 0.82%, 0.47%

LAB 56.05, 41.27, 59.8

 

CMYK 0 / 47 / 80 / 9

HEX #E97B2F

RGB 233 123 47

HSL 24.52, 0.81%, 0.55%

LAB 63.09, 37.5, 57.66

 

CMYK 0 / 38 / 64 / 7

HEX #ED9255

RGB 237 146 85

HSL 24.08, 0.81%, 0.63%

LAB 68.91, 28.96, 46.19

 

CMYK 0 / 53 / 89 / 16

HEX #D76517

RGB 215 101 23

HSL 24.38, 0.81%, 0.47%

LAB 55.9, 40.9, 59.32

 

CMYK 54 / 0 / 90 / 15

HEX #64D816

RGB 100 216 22

HSL 95.88, 0.82%, 0.47%

LAB 77.21, -61.49, 72.96

 

CMYK 90 / 90 / 0 / 15

HEX #1616D8

RGB 22 22 216

HSL 240, 0.82%, 0.47%

LAB 28.65, 65.25, -91.75

 

CMYK 0 / 53 / 89 / 16

HEX #D76517

RGB 215 101 23

HSL 24.38, 0.81%, 0.47%

LAB 55.9, 40.9, 59.32

 

CMYK 90 / 0 / 54 / 15

HEX #16D864

RGB 22 216 100

HSL 144.12, 0.82%, 0.47%

LAB 76.19, -67.94, 44.67

 

CMYK 54 / 90 / 0 / 15

HEX #6416D8

RGB 100 22 216

HSL 264.12, 0.82%, 0.47%

LAB 34.48, 69.21, -81.89

 

CMYK 0 / 53 / 89 / 16

HEX #D76517

RGB 215 101 23

HSL 24.38, 0.81%, 0.47%

LAB 55.9, 40.9, 59.32

 

CMYK 54 / 0 / 90 / 15

HEX #64D816

RGB 100 216 22

HSL 95.88, 0.82%, 0.47%

LAB 77.21, -61.49, 72.96

 

CMYK 90 / 36 / 0 / 15

HEX #168BD8

RGB 22 139 216

HSL 203.81, 0.82%, 0.47%

LAB 55.68, -2.16, -47.67

 

CMYK 36 / 90 / 0 / 15

HEX #8B16D8

RGB 139 22 216

HSL 276.19, 0.82%, 0.47%

LAB 39.62, 73.34, -73.26

 

CMYK 0 / 53 / 89 / 16

HEX #D76517

RGB 215 101 23

HSL 24.38, 0.81%, 0.47%

LAB 55.9, 40.9, 59.32

 

CMYK 81 / 0 / 90 / 15

HEX #2AD816

RGB 42 216 22

HSL 113.81, 0.82%, 0.47%

LAB 75.86, -72.82, 71.28

 

CMYK 90 / 36 / 0 / 15

HEX #168BD8

RGB 22 139 216

HSL 203.81, 0.82%, 0.47%

LAB 55.68, -2.16, -47.67

 

CMYK 9 / 90 / 0 / 15

HEX #C516D8

RGB 197 22 216

HSL 294.12, 0.82%, 0.47%

LAB 48.76, 81.63, -57.98

 

Description

Color code: RGB 215 101 23 | qconv.com Color code: RGB 215 101 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 101 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 101 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 89 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 89% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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