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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 105 144 it is the complementary color RGB 40 150 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 105 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 105 144 shade: RGB 220 105 139, RGB 237 123 158, RGB 254 141 177, RGB 255 159 196 and RGB 255 177 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 105 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 105 144 shade: RGB 215 105 144, RGB 198 87 125, RGB 181 69 106, RGB 164 51 87 and RGB 147 33 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 105 144 shade: RGB 215 105 144, RGB 215 105 115 and RGB 215 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 105 144 shade: RGB 215 105 144, RGB 215 105 174, RGB 215 105 203, RGB 197 105 215 and RGB 167 105 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 105 144 shade matches the following richer shades: RGB 215 105 144, RGB 230 90 140 and RGB 245 75 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 105 144 shade: RGB 215 105 144, RGB 200 121 149, RGB 184 136 153, RGB 169 151 158 and RGB 154 166 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 105 144 shade: RGB 215 105 204, RGB 215 105 175, RGB 215 105 146, RGB 215 105 116 and RGB 215 124 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 105 144 shade: RGB 188 50 99, RGB 206 73 120, RGB 215 105 144, RGB 224 138 168 and RGB 232 171 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 105 144 shade: RGB 215 105 144, RGB 215 197 105 and RGB 105 189 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 105 144 shade: RGB 215 105 144, RGB 146 215 105 and RGB 105 146 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 105 144 shade: RGB 215 105 144, RGB 215 197 105, RGB 105 215 175 and RGB 105 124 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 105 144 shade: RGB 215 105 144, RGB 200 215 105, RGB 105 215 175 and RGB 120 105 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

Complementary color

CMYK 73 / 0 / 26 / 41

HEX #28966F

RGB 40 150 111

HSL 158.73, 0.58%, 0.37%

LAB 55.49, -40.08, 11.92

 

CMYK 0 / 52 / 37 / 14

HEX #DC698B

RGB 220 105 139

HSL 342.26, 0.62%, 0.64%

LAB 59.14, 48.37, 2.97

 

CMYK 0 / 48 / 33 / 7

HEX #ED7B9E

RGB 237 123 158

HSL 341.58, 0.76%, 0.71%

LAB 65.47, 47.52, 1.53

 

CMYK 0 / 44 / 30 / 0

HEX #FE8DB1

RGB 254 141 177

HSL 340.88, 0.98%, 0.77%

LAB 71.75, 46.66, 0.28

 

CMYK 0 / 38 / 23 / 0

HEX #FF9FC4

RGB 255 159 196

HSL 336.88, 1%, 0.81%

LAB 76.09, 40.37, -3.84

 

CMYK 0 / 31 / 16 / 0

HEX #FFB1D7

RGB 255 177 215

HSL 330.77, 1%, 0.85%

LAB 80.52, 33.82, -7.63

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 0 / 56 / 37 / 22

HEX #C6577D

RGB 198 87 125

HSL 339.46, 0.49%, 0.56%

LAB 52.18, 48.06, 0.69

 

CMYK 0 / 62 / 41 / 29

HEX #B5456A

RGB 181 69 106

HSL 340.18, 0.45%, 0.49%

LAB 45.8, 48.71, 2.57

 

CMYK 0 / 69 / 47 / 36

HEX #A43357

RGB 164 51 87

HSL 340.88, 0.53%, 0.42%

LAB 39.49, 49.07, 4.93

 

CMYK 0 / 78 / 54 / 42

HEX #932144

RGB 147 33 68

HSL 341.58, 0.63%, 0.35%

LAB 33.37, 48.86, 8.01

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 0 / 51 / 47 / 16

HEX #D76973

RGB 215 105 115

HSL 354.55, 0.58%, 0.63%

LAB 57.84, 44.08, 14.97

 

CMYK 0 / 51 / 51 / 16

HEX #D76969

RGB 215 105 105

HSL 0, 0.58%, 0.63%

LAB 57.63, 43.15, 20.48

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 0 / 51 / 19 / 16

HEX #D769AE

RGB 215 105 174

HSL 322.36, 0.58%, 0.63%

LAB 59.53, 51.35, -16.77

 

CMYK 0 / 51 / 6 / 16

HEX #D769CB

RGB 215 105 203

HSL 306.55, 0.58%, 0.63%

LAB 60.66, 55.94, -31.58

 

CMYK 8 / 51 / 0 / 16

HEX #C569D7

RGB 197 105 215

HSL 290.18, 0.58%, 0.63%

LAB 58.86, 53.08, -41.34

 

CMYK 22 / 51 / 0 / 16

HEX #A769D7

RGB 167 105 215

HSL 273.82, 0.58%, 0.63%

LAB 55.3, 44.98, -47.19

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 0 / 61 / 39 / 10

HEX #E65A8C

RGB 230 90 140

HSL 338.57, 0.74%, 0.63%

LAB 58.06, 58.62, 1.01

 

CMYK 0 / 69 / 45 / 4

HEX #F54B87

RGB 245 75 135

HSL 338.82, 0.89%, 0.63%

LAB 58.22, 68.46, 4.48

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 0 / 40 / 26 / 22

HEX #C87995

RGB 200 121 149

HSL 338.73, 0.42%, 0.63%

LAB 60, 34.45, -1.88

 

CMYK 0 / 26 / 17 / 28

HEX #B88899

RGB 184 136 153

HSL 338.75, 0.25%, 0.63%

LAB 61.74, 20.97, -1.84

 

CMYK 0 / 11 / 7 / 34

HEX #A9979E

RGB 169 151 158

HSL 336.67, 0.09%, 0.63%

LAB 64.19, 7.89, -1.25

 

CMYK 7 / 0 / 2 / 35

HEX #9AA6A2

RGB 154 166 162

HSL 160, 0.06%, 0.63%

LAB 67.09, -5.01, 0.6

 

CMYK 0 / 51 / 5 / 16

HEX #D769CC

RGB 215 105 204

HSL 306, 0.58%, 0.63%

LAB 60.7, 56.1, -32.08

 

CMYK 0 / 51 / 19 / 16

HEX #D769AF

RGB 215 105 175

HSL 321.82, 0.58%, 0.63%

LAB 59.57, 51.5, -17.29

 

CMYK 0 / 51 / 32 / 16

HEX #D76992

RGB 215 105 146

HSL 337.64, 0.58%, 0.63%

LAB 58.63, 47.53, -1.93

 

CMYK 0 / 51 / 46 / 16

HEX #D76974

RGB 215 105 116

HSL 354, 0.58%, 0.63%

LAB 57.86, 44.18, 14.42

 

CMYK 0 / 42 / 51 / 16

HEX #D77C69

RGB 215 124 105

HSL 10.36, 0.58%, 0.63%

LAB 61.55, 33.36, 25.72

 

CMYK 0 / 73 / 47 / 26

HEX #BC3263

RGB 188 50 99

HSL 338.7, 0.58%, 0.47%

LAB 44.05, 57.77, 4.53

 

CMYK 0 / 65 / 42 / 19

HEX #CE4978

RGB 206 73 120

HSL 338.8, 0.58%, 0.55%

LAB 50.97, 56.34, 2.08

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 0 / 38 / 25 / 12

HEX #E08AA8

RGB 224 138 168

HSL 339.07, 0.58%, 0.71%

LAB 67.17, 36.63, -1.84

 

CMYK 0 / 26 / 17 / 9

HEX #E8ABC0

RGB 232 171 192

HSL 339.34, 0.57%, 0.79%

LAB 76.12, 25.44, -1.9

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 0 / 8 / 51 / 16

HEX #D7C569

RGB 215 197 105

HSL 50.18, 0.58%, 0.63%

LAB 79.27, -5.57, 47.99

 

CMYK 51 / 12 / 0 / 16

HEX #69BDD7

RGB 105 189 215

HSL 194.18, 0.58%, 0.63%

LAB 72.43, -18.44, -20.91

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 32 / 0 / 51 / 16

HEX #92D769

RGB 146 215 105

HSL 97.64, 0.58%, 0.63%

LAB 79.46, -40.87, 47.08

 

CMYK 51 / 32 / 0 / 16

HEX #6992D7

RGB 105 146 215

HSL 217.64, 0.58%, 0.63%

LAB 60.31, 5.24, -39.63

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 0 / 8 / 51 / 16

HEX #D7C569

RGB 215 197 105

HSL 50.18, 0.58%, 0.63%

LAB 79.27, -5.57, 47.99

 

CMYK 51 / 0 / 19 / 16

HEX #69D7AF

RGB 105 215 175

HSL 158.18, 0.58%, 0.63%

LAB 78.87, -41.01, 10.18

 

CMYK 51 / 42 / 0 / 16

HEX #697CD7

RGB 105 124 215

HSL 229.64, 0.58%, 0.63%

LAB 54.37, 18.31, -49.01

 

CMYK 0 / 51 / 33 / 16

HEX #D76990

RGB 215 105 144

HSL 338.73, 0.58%, 0.63%

LAB 58.57, 47.28, -0.85

 

CMYK 7 / 0 / 51 / 16

HEX #C8D769

RGB 200 215 105

HSL 68.18, 0.58%, 0.63%

LAB 82.86, -20.7, 51.96

 

CMYK 51 / 0 / 19 / 16

HEX #69D7AF

RGB 105 215 175

HSL 158.18, 0.58%, 0.63%

LAB 78.87, -41.01, 10.18

 

CMYK 44 / 51 / 0 / 16

HEX #7869D7

RGB 120 105 215

HSL 248.18, 0.58%, 0.63%

LAB 50.69, 33.17, -54.82

 

Description

Color code: RGB 215 105 144 | qconv.com Color code: RGB 215 105 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 105 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 105 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 33 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 33% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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