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Color name
RGB 214 96 208

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 96 208 it is the complementary color RGB 41 159 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 96 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 96 208 shade: RGB 219 96 203, RGB 236 114 222, RGB 253 132 241, RGB 255 150 255 and RGB 255 168 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 96 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 96 208 shade: RGB 214 96 208, RGB 197 78 189, RGB 180 60 170, RGB 163 42 151 and RGB 146 24 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 96 208 shade: RGB 214 96 208, RGB 214 96 176, RGB 214 96 144, RGB 214 96 113 and RGB 214 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 96 208 shade: RGB 214 96 208, RGB 188 96 214, RGB 156 96 214, RGB 125 96 214 and RGB 96 96 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 96 208 shade matches the following richer shades: RGB 214 96 208, RGB 230 80 222 and RGB 246 64 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 96 208 shade: RGB 214 96 208, RGB 198 112 193, RGB 182 129 179, RGB 165 145 164 and RGB 149 161 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 96 208 shade: RGB 157 96 214, RGB 188 96 214, RGB 214 96 208, RGB 214 96 177 and RGB 214 96 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 96 208 shade: RGB 181 46 174, RGB 205 64 198, RGB 214 96 208, RGB 222 129 217 and RGB 231 162 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 96 208 shade: RGB 214 96 208, RGB 214 126 96 and RGB 96 214 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 96 208 shade: RGB 214 96 208, RGB 208 214 96 and RGB 96 208 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 96 208 shade: RGB 214 96 208, RGB 214 126 96, RGB 96 214 102 and RGB 96 184 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 96 208 shade: RGB 214 96 208, RGB 214 161 96, RGB 96 214 102 and RGB 96 149 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

Complementary color

CMYK 74 / 0 / 70 / 38

HEX #299F2F

RGB 41 159 47

HSL 123.05, 0.59%, 0.39%

LAB 57.53, -54, 47.13

 

CMYK 0 / 56 / 7 / 14

HEX #DB60CB

RGB 219 96 203

HSL 307.8, 0.63%, 0.62%

LAB 59.65, 61.22, -33.1

 

CMYK 0 / 52 / 6 / 7

HEX #EC72DE

RGB 236 114 222

HSL 306.89, 0.76%, 0.69%

LAB 65.86, 60.75, -33.95

 

CMYK 0 / 48 / 5 / 1

HEX #FD84F1

RGB 253 132 241

HSL 305.95, 0.97%, 0.75%

LAB 72.05, 60.16, -34.66

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 0 / 60 / 4 / 23

HEX #C54EBD

RGB 197 78 189

HSL 304.03, 0.51%, 0.54%

LAB 52.94, 61, -35.8

 

CMYK 0 / 67 / 6 / 29

HEX #B43CAA

RGB 180 60 170

HSL 305, 0.5%, 0.47%

LAB 46.76, 60.96, -34.59

 

CMYK 0 / 74 / 7 / 36

HEX #A32A97

RGB 163 42 151

HSL 305.95, 0.59%, 0.4%

LAB 40.7, 60.35, -32.96

 

CMYK 0 / 84 / 10 / 43

HEX #921884

RGB 146 24 132

HSL 306.89, 0.72%, 0.33%

LAB 34.86, 58.81, -30.71

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 0 / 55 / 18 / 16

HEX #D660B0

RGB 214 96 176

HSL 319.32, 0.59%, 0.61%

LAB 57.84, 55.62, -20.5

 

CMYK 0 / 55 / 33 / 16

HEX #D66090

RGB 214 96 144

HSL 335.59, 0.59%, 0.61%

LAB 56.76, 51.3, -3.53

 

CMYK 0 / 55 / 47 / 16

HEX #D66071

RGB 214 96 113

HSL 351.36, 0.59%, 0.61%

LAB 55.94, 47.93, 13.49

 

CMYK 0 / 55 / 55 / 16

HEX #D66060

RGB 214 96 96

HSL 0, 0.59%, 0.61%

LAB 55.59, 46.45, 22.94

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 12 / 55 / 0 / 16

HEX #BC60D6

RGB 188 96 214

HSL 286.78, 0.59%, 0.61%

LAB 56, 54.93, -45.36

 

CMYK 27 / 55 / 0 / 16

HEX #9C60D6

RGB 156 96 214

HSL 270.51, 0.59%, 0.61%

LAB 52.16, 46.75, -51.7

 

CMYK 42 / 55 / 0 / 16

HEX #7D60D6

RGB 125 96 214

HSL 254.75, 0.59%, 0.61%

LAB 48.98, 39.31, -56.97

 

CMYK 55 / 55 / 0 / 16

HEX #6060D6

RGB 96 96 214

HSL 240, 0.59%, 0.61%

LAB 46.59, 33.18, -60.95

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 0 / 65 / 3 / 10

HEX #E650DE

RGB 230 80 222

HSL 303.2, 0.75%, 0.61%

LAB 59.74, 73.6, -43.59

 

CMYK 0 / 74 / 4 / 4

HEX #F640ED

RGB 246 64 237

HSL 302.97, 0.91%, 0.61%

LAB 61.11, 84.6, -49.67

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 0 / 43 / 3 / 22

HEX #C670C1

RGB 198 112 193

HSL 303.49, 0.43%, 0.61%

LAB 59.38, 45.69, -28.05

 

CMYK 0 / 29 / 2 / 29

HEX #B681B3

RGB 182 129 179

HSL 303.4, 0.27%, 0.61%

LAB 60.69, 28.75, -18.24

 

CMYK 0 / 12 / 1 / 35

HEX #A591A4

RGB 165 145 164

HSL 303, 0.1%, 0.61%

LAB 62.45, 10.93, -7.25

 

CMYK 7 / 0 / 7 / 37

HEX #95A196

RGB 149 161 150

HSL 125, 0.06%, 0.61%

LAB 65.03, -6.4, 4.26

 

CMYK 27 / 55 / 0 / 16

HEX #9D60D6

RGB 157 96 214

HSL 271.02, 0.59%, 0.61%

LAB 52.27, 47, -51.51

 

CMYK 12 / 55 / 0 / 16

HEX #BC60D6

RGB 188 96 214

HSL 286.78, 0.59%, 0.61%

LAB 56, 54.93, -45.36

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 0 / 55 / 17 / 16

HEX #D660B1

RGB 214 96 177

HSL 318.81, 0.59%, 0.61%

LAB 57.88, 55.77, -21.02

 

CMYK 0 / 55 / 32 / 16

HEX #D66091

RGB 214 96 145

HSL 335.08, 0.59%, 0.61%

LAB 56.79, 51.42, -4.07

 

CMYK 0 / 75 / 4 / 29

HEX #B52EAE

RGB 181 46 174

HSL 303.11, 0.59%, 0.45%

LAB 45.41, 66.71, -39.08

 

CMYK 0 / 69 / 3 / 20

HEX #CD40C6

RGB 205 64 198

HSL 302.98, 0.59%, 0.53%

LAB 52.65, 69.87, -41.38

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 0 / 42 / 2 / 13

HEX #DE81D9

RGB 222 129 217

HSL 303.23, 0.58%, 0.69%

LAB 66.7, 48.49, -30.01

 

CMYK 0 / 30 / 2 / 9

HEX #E7A2E3

RGB 231 162 227

HSL 303.48, 0.59%, 0.77%

LAB 75.06, 35.79, -22.61

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 0 / 41 / 55 / 16

HEX #D67E60

RGB 214 126 96

HSL 15.25, 0.59%, 0.61%

LAB 61.71, 31.13, 30.91

 

CMYK 55 / 0 / 19 / 16

HEX #60D6AD

RGB 96 214 173

HSL 159.15, 0.59%, 0.61%

LAB 78.23, -43, 10.29

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 3 / 0 / 55 / 16

HEX #D0D660

RGB 208 214 96

HSL 63.05, 0.59%, 0.61%

LAB 83.1, -17.76, 56.51

 

CMYK 55 / 3 / 0 / 16

HEX #60D0D6

RGB 96 208 214

HSL 183.05, 0.59%, 0.61%

LAB 77.55, -30.06, -12.67

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 0 / 41 / 55 / 16

HEX #D67E60

RGB 214 126 96

HSL 15.25, 0.59%, 0.61%

LAB 61.71, 31.13, 30.91

 

CMYK 55 / 0 / 52 / 16

HEX #60D666

RGB 96 214 102

HSL 123.05, 0.59%, 0.61%

LAB 77, -55.72, 45.04

 

CMYK 55 / 14 / 0 / 16

HEX #60B8D6

RGB 96 184 214

HSL 195.25, 0.59%, 0.61%

LAB 70.61, -18.03, -23.17

 

CMYK 0 / 55 / 3 / 16

HEX #D660D0

RGB 214 96 208

HSL 303.05, 0.59%, 0.61%

LAB 59.17, 60.7, -36.73

 

CMYK 0 / 25 / 55 / 16

HEX #D6A160

RGB 214 161 96

HSL 33.05, 0.59%, 0.61%

LAB 69.92, 12.28, 41.15

 

CMYK 55 / 0 / 52 / 16

HEX #60D666

RGB 96 214 102

HSL 123.05, 0.59%, 0.61%

LAB 77, -55.72, 45.04

 

CMYK 55 / 30 / 0 / 16

HEX #6095D6

RGB 96 149 214

HSL 213.05, 0.59%, 0.61%

LAB 60.64, 1.2, -38.59

 

Description

Color code: RGB 214 96 208 | qconv.com Color code: RGB 214 96 208 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 96 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 96 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 3 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 3% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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