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Color name
RGB 214 96 183

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 96 183 it is the complementary color RGB 41 159 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 96 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 96 183 shade: RGB 219 96 178, RGB 236 114 197, RGB 253 132 216, RGB 255 150 235 and RGB 255 168 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 96 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 96 183 shade: RGB 214 96 183, RGB 197 78 164, RGB 180 60 145, RGB 163 42 126 and RGB 146 24 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 96 183 shade: RGB 214 96 183, RGB 214 96 151, RGB 214 96 120 and RGB 214 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 96 183 shade: RGB 214 96 183, RGB 213 96 214, RGB 181 96 214, RGB 150 96 214 and RGB 118 96 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 96 183 shade matches the following richer shades: RGB 214 96 183, RGB 230 80 191 and RGB 246 64 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 96 183 shade: RGB 214 96 183, RGB 198 112 175, RGB 182 129 168, RGB 165 145 160 and RGB 149 161 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 96 183 shade: RGB 180 96 214, RGB 212 96 214, RGB 214 96 184, RGB 214 96 153 and RGB 214 96 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 96 183 shade: RGB 181 46 146, RGB 205 64 168, RGB 214 96 183, RGB 222 129 198 and RGB 231 162 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 96 183 shade: RGB 214 96 183, RGB 214 149 96 and RGB 96 214 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 96 183 shade: RGB 214 96 183, RGB 184 214 96 and RGB 96 184 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 96 183 shade: RGB 214 96 183, RGB 214 149 96, RGB 96 214 126 and RGB 96 161 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 96 183 shade: RGB 214 96 183, RGB 214 184 96, RGB 96 214 126 and RGB 96 126 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

Complementary color

CMYK 74 / 0 / 55 / 38

HEX #299F48

RGB 41 159 72

HSL 135.76, 0.59%, 0.39%

LAB 57.79, -50.98, 35.98

 

CMYK 0 / 56 / 19 / 14

HEX #DB60B2

RGB 219 96 178

HSL 320, 0.63%, 0.62%

LAB 58.64, 57.39, -20.37

 

CMYK 0 / 52 / 17 / 7

HEX #EC72C5

RGB 236 114 197

HSL 319.18, 0.76%, 0.69%

LAB 64.88, 56.84, -21.45

 

CMYK 0 / 48 / 15 / 1

HEX #FD84D8

RGB 253 132 216

HSL 318.35, 0.97%, 0.75%

LAB 71.11, 56.19, -22.36

 

CMYK 0 / 41 / 8 / 0

HEX #FF96EB

RGB 255 150 235

HSL 311.43, 1%, 0.79%

LAB 75.5, 50.93, -26.06

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FE

RGB 255 168 254

HSL 300.69, 1%, 0.83%

LAB 79.85, 45.01, -29.66

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 60 / 17 / 23

HEX #C54EA4

RGB 197 78 164

HSL 316.64, 0.51%, 0.54%

LAB 51.84, 57.06, -22.95

 

CMYK 0 / 67 / 19 / 29

HEX #B43C91

RGB 180 60 145

HSL 317.5, 0.5%, 0.47%

LAB 45.61, 57.14, -21.47

 

CMYK 0 / 74 / 23 / 36

HEX #A32A7E

RGB 163 42 126

HSL 318.35, 0.59%, 0.4%

LAB 39.49, 56.69, -19.53

 

CMYK 0 / 84 / 27 / 43

HEX #92186B

RGB 146 24 107

HSL 319.18, 0.72%, 0.33%

LAB 33.62, 55.34, -16.91

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 55 / 29 / 16

HEX #D66097

RGB 214 96 151

HSL 332.03, 0.59%, 0.61%

LAB 56.97, 52.18, -7.3

 

CMYK 0 / 55 / 44 / 16

HEX #D66078

RGB 214 96 120

HSL 347.8, 0.59%, 0.61%

LAB 56.11, 48.62, 9.61

 

CMYK 0 / 55 / 55 / 16

HEX #D66060

RGB 214 96 96

HSL 0, 0.59%, 0.61%

LAB 55.59, 46.45, 22.94

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 55 / 0 / 16

HEX #D560D6

RGB 213 96 214

HSL 299.49, 0.59%, 0.61%

LAB 59.31, 61.47, -39.92

 

CMYK 15 / 55 / 0 / 16

HEX #B560D6

RGB 181 96 214

HSL 283.22, 0.59%, 0.61%

LAB 55.12, 53.12, -46.82

 

CMYK 30 / 55 / 0 / 16

HEX #9660D6

RGB 150 96 214

HSL 267.46, 0.59%, 0.61%

LAB 51.5, 45.26, -52.79

 

CMYK 45 / 55 / 0 / 16

HEX #7660D6

RGB 118 96 214

HSL 251.19, 0.59%, 0.61%

LAB 48.35, 37.74, -58.02

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 65 / 17 / 10

HEX #E650BF

RGB 230 80 191

HSL 315.6, 0.75%, 0.61%

LAB 58.34, 68.99, -28.16

 

CMYK 0 / 74 / 20 / 4

HEX #F640C6

RGB 246 64 198

HSL 315.82, 0.91%, 0.61%

LAB 59.28, 79.21, -30.5

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 43 / 12 / 22

HEX #C670AF

RGB 198 112 175

HSL 316.05, 0.43%, 0.61%

LAB 58.69, 42.57, -18.84

 

CMYK 0 / 29 / 8 / 29

HEX #B681A8

RGB 182 129 168

HSL 315.85, 0.27%, 0.61%

LAB 60.31, 26.73, -12.54

 

CMYK 0 / 12 / 3 / 35

HEX #A591A0

RGB 165 145 160

HSL 315, 0.1%, 0.61%

LAB 62.33, 10.17, -5.16

 

CMYK 7 / 0 / 6 / 37

HEX #95A198

RGB 149 161 152

HSL 135, 0.06%, 0.61%

LAB 65.08, -6.02, 3.21

 

CMYK 16 / 55 / 0 / 16

HEX #B460D6

RGB 180 96 214

HSL 282.71, 0.59%, 0.61%

LAB 54.99, 52.86, -47.02

 

CMYK 1 / 55 / 0 / 16

HEX #D460D6

RGB 212 96 214

HSL 298.98, 0.59%, 0.61%

LAB 59.18, 61.2, -40.14

 

CMYK 0 / 55 / 14 / 16

HEX #D660B8

RGB 214 96 184

HSL 315.25, 0.59%, 0.61%

LAB 58.15, 56.83, -24.63

 

CMYK 0 / 55 / 29 / 16

HEX #D66099

RGB 214 96 153

HSL 331.02, 0.59%, 0.61%

LAB 57.04, 52.43, -8.37

 

CMYK 0 / 55 / 43 / 16

HEX #D6607A

RGB 214 96 122

HSL 346.78, 0.59%, 0.61%

LAB 56.15, 48.82, 8.5

 

CMYK 0 / 75 / 19 / 29

HEX #B52E92

RGB 181 46 146

HSL 315.56, 0.59%, 0.45%

LAB 44.02, 62.59, -24.51

 

CMYK 0 / 69 / 18 / 20

HEX #CD40A8

RGB 205 64 168

HSL 315.74, 0.59%, 0.53%

LAB 51.24, 65.4, -26.12

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 42 / 11 / 13

HEX #DE81C6

RGB 222 129 198

HSL 315.48, 0.58%, 0.69%

LAB 65.99, 45.24, -20.49

 

CMYK 0 / 30 / 8 / 9

HEX #E7A2D5

RGB 231 162 213

HSL 315.65, 0.59%, 0.77%

LAB 74.59, 33.33, -15.67

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 30 / 55 / 16

HEX #D69560

RGB 214 149 96

HSL 26.95, 0.59%, 0.61%

LAB 67, 18.76, 37.57

 

CMYK 55 / 0 / 8 / 16

HEX #60D6C4

RGB 96 214 196

HSL 170.85, 0.59%, 0.61%

LAB 78.79, -37.56, -1.18

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 14 / 0 / 55 / 16

HEX #B8D660

RGB 184 214 96

HSL 75.25, 0.59%, 0.61%

LAB 81.36, -27.31, 54.06

 

CMYK 55 / 14 / 0 / 16

HEX #60B8D6

RGB 96 184 214

HSL 195.25, 0.59%, 0.61%

LAB 70.61, -18.03, -23.17

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 30 / 55 / 16

HEX #D69560

RGB 214 149 96

HSL 26.95, 0.59%, 0.61%

LAB 67, 18.76, 37.57

 

CMYK 55 / 0 / 41 / 16

HEX #60D67E

RGB 96 214 126

HSL 135.25, 0.59%, 0.61%

LAB 77.33, -52.17, 33.63

 

CMYK 55 / 25 / 0 / 16

HEX #60A1D6

RGB 96 161 214

HSL 206.95, 0.59%, 0.61%

LAB 64.02, -5.61, -33.31

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 14 / 55 / 16

HEX #D6B860

RGB 214 184 96

HSL 44.75, 0.59%, 0.61%

LAB 75.71, 0.03, 48.1

 

CMYK 55 / 0 / 41 / 16

HEX #60D67E

RGB 96 214 126

HSL 135.25, 0.59%, 0.61%

LAB 77.33, -52.17, 33.63

 

CMYK 55 / 41 / 0 / 16

HEX #607ED6

RGB 96 126 214

HSL 224.75, 0.59%, 0.61%

LAB 54.31, 14.83, -48.58

 

Description

Color code: RGB 214 96 183 | qconv.com Color code: RGB 214 96 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 96 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 96 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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